I don't blame Brent Spiner, the man has to put on contact lenses and makeup on everyday during the shoot.
Not exactly - while it is true that the writers were basically counting on a seventh series by the time they started S6, everyone's contracts only ran to the end of Six. It's how they lost Terry Farrell at that point.
What about Michael Dorn?! He just kept going and going!
I guess they heard about the Full House actors getting paid a million dollars per episode they wanted the same deal. I don't blame Brent Spiner, the man has to put on contact lenses and makeup on everyday during the shoot.
While it's true that TNG's move to the big screen wasn't dependent on DS9's success, per se, DS9 was planned as the successor series to TNG at the same time the decision was made to quit after seven seasons. That was Brandon Tartikoff's decision, when he was briefly running Paramount. It was a coordinated plan that included winding down TNG and bring out DS9, all as part of the same plan. It wasn't that they started DS9 and then later decided to end TNG.I was referring to TNG, not DS9. TNG's seventh season was already going to be its last before DS9 premiered in the middle of TNG's sixth year. TNG ending in season seven and going to the big screen wasn't dependent upon DS9's success. It was just Paramount's good luck that DS9 was a success and allowed them to have their cake and eat it too -- to send the TNG cast to the big screen while still keeping a weekly Trek series on the air.
Terry Farrell tried to rally the DS9 cast to support her fight for big Season Seven increases for everyone, but the producers realised what was planned (ie. everyone holding out together and negotiating as one) and they decided to "divide and conquer", approaching each actor separately, offering very lucrative extras, then they offered Farrell the same pay as Season Six, reminding her that her character was a Trill and easily replaced. She warned them she'd walk if that happened and... she walked. Luckily for her, essentially straight onto the set of "Becker".
Terry Farrell tried to rally the DS9 cast to support her fight for big Season Seven increases for everyone, but the producers realised what was planned (ie. everyone holding out together and negotiating as one) and they decided to "divide and conquer", approaching each actor separately, offering very lucrative extras, then they offered Farrell the same pay as Season Six, reminding her that her character was a Trill and easily replaced. She warned them she'd walk if that happened and... she walked. Luckily for her, essentially straight onto the set of "Becker".
And unfortunately IMHO, DS9's final season suffered because of it, since they had to waste time by both introducing a new character and sacrificing at least four episodes with giving her a backstory, while also realizing that after the season was over, she'd never be seen again.
No, the main actors for TNG (except Diana Muldaur), DS9, VOY and ENT all signed the "standard Hollywood contracts" for five years. These had to be renegotiated for Season Six (ie. big pay rise), and again for Season Seven. Michael Dorn's DS9 contract probably would have taken him to the end of DS9, but I seem to recall he got a pretty good deal to jump into that show.
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