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TNG...again...

For the record I'm watching the TNG-r versions of the episodes, at least for the early seasons.


Last rewatch a few years ago I endured three less-than-impressive efforts to start TNG's first season with "Encounter At Farpoint," "The Naked Now" and "Code Of Honor." If anyone went by those three initial outings one could be forgiven for bailing on the show. It isn't that there weren't some interesting ideas early on, but the general execution was rocky and at times even cringe inducing. There were things I liked and a heap of stuff I didn't care for at all.

In each case they were treading into areas TOS had already done (or similarly enough) and had done better. "The Naked Now" was a prime example of clumsy reuse of an idea done far, far better in TOS' "The Naked Time." And while "Code Of Honor" can strike one as something that could have been done in TOS it's hard to imagine it would have been as embarrassing as the TNG version.


"The Last Outpost" ***

The Enterprise is chasing an alien vessel when both ships are rendered powerless.

There are echoes of TOS' "Arena" in this, but it's not really a remake of that story because there are enough dissimilarities to make this its own thing.

TNG's fourth outing is a distinct step up from the previous three episodes. And so much depends on context. I previously rated this a 4 out of 5 and in all candor I waffled on that rating. In comparison to the previous efforts it comes across as so much better yet taken on its own it's a little harder to ignore the rough spots so this time around it rates a 3. So all things considered it should be a 3.5, but my rating system wasn't based on half points.

Watching the enhanced versions of TNG is a treat. You're seeing it as it should be seen. And it's quite differnt than watching TOS-R--at least to me--because TNG-R doesn't look like two different productions spliced together whereas TOS-R looks distinctly that.

This isn't a bad first contact story where both parties stumble over lack of knowledge, rumour and misconceptions as well as inherent suspicions. Yes, it is largely one-sided because we really don't get to see things from the Ferengi perspective, but it isn't a huge loss because the Ferengi as presented are a big disappointment. While I could applaud trying to portray aliens differently from ourselves in this case the Ferengi are presented in a far too comical manner to be taken seriously. There was nothing offered up to intrigue me to want to learn more about them. Based on this episode if we had never seen the Ferengi ever again it wouldn't have been a loss. Indeed based on what I know will be coming in later episodes and series they never are developed in any truly interesting way. They basically will become jokes and a source of comic relief.

While the general execution is better in this episode it's not without rough moments of poorly written dialogue and awkward acting. There are moments when the characters speak and act more like teenagers rather than trained and experienced adult professionals. It isn't often, but those moments are there, particularly early on. There is some interplay between Riker and Picard that can make me cringe. Riker in particular can come across as a kiss-ass at times and Picard a bit pompous. They are occasional instances, but they're there.

In the beginning Picard doesn't really impress me as a truly experienced commander and his crew seem rather green. I know it's really a result of writing and direction, but the crew don't come off as well as the TOS crew in the early goings. Even as TOS was finding its way in its early episodes the writing, direction and performances were generally strong and polished and felt fully realized. The instances of clumsiness of execution were few and almost non-existent in early TOS. The TOS crew impressed as being fully prepared to deal with what they might encounter. Early on the TNG crew don't convey that idea, at least not consistently, not yet.

The Federation also looks to have softened and become overly politically correct in this era to the point of near paralysis. Picard doesn't seem to know how to really proceed. Thre can surely be a case where a commander seeks input from his staff, but at this point it can make Picard (and in extent the Federation) look weak.

The latter part of the episode works better than the early parts particularly when Portal shows up. It's a shame we don't get to learn more about him and the Tkon Empire given how disappointing the Ferengi are.

In the end it's a watchable episode on its own, but on its own it's just okay. It's only in context of what preceeded it that makes it look better than it is.
 
I can't make it all the way through any of the Trek series without skipping a few episodes.

Same. I did a rewatch a couple years ago of EVERYTHING. When I was done I said "welp...definitely never watching some of this crap again." Kind of weird, actually. As a completist it feels counterintuitive.
 
Star Trek can work as either episodic or serialized just fine. To me it's not a question of which format is superior but rather a question of whether the writers use the format to its best potential.

I do enjoy longer seasons because it gives me something to look forward to all year instead of just for a small part of it, but I do think a new Trek series would work better in a 13 episode format so they could focus on developing their best ideas instead of being pressured to churn something out week to week.
 
"Where No One Has Gone Before" ****

Propulsion tests send the Enterprise an impossible distnce to an impossible region.

First time around I rated this episode a 4 out of 5 and I'm keeping that rating again. There are still a few awkward moments of sloppy dialogue, but I think this is so much more polished than what preceded it even if it's not perfect.

For those who might not know this episode was an adaptation of a TOS era novel from Pocket Books called The Wounded Sky. The original story was somewhat similar in that an alien scientist described as somewhat resembling a glass spider) comes aboard to use the Enterprise as a testbed for new propulsion theories. The tests land the Enterprise far, far from home where imagination and reality are dangerously blurred. And to make matters worse the new propulsion system is also ripping open the very fabric of the universe.

That story is toned done some in the TNG version and the alien introduced is a lot less exotic. What really matters, though, is that the story is told decently enough with few awkward moments. The crew don't seem so green this time around and they feel more natural even if not yet fully realized. I should also add that it's a pity this episode wasn't aired as TNG's pilot because it's so much tighter and better executed than "Encounter At Farpoint." The episode also feels a bit like some of the early TNG novels that (at the time) I thought were more entertaining than the series itself.

While I could quibble over certain design and aesthetic choices I find it a treat to watch this enhanced episode on Blu-Ray. Everything pops and the lighting is moody and more interesting than what we'll see in later seasons.

It's a prevailing notion that TNG's early seasons were rough and largely dismissible. The problems of the early seasons are more with consistency I think because in certain episodes it's evident that with the right materiel and the right direction they could do it right. To that end I think there's more worthwhile materiel in the early seasons than is usually given credit for. There were interesting ideas and, I think, a more tangible sense of adventure similar to what we had with TOS. Even some lesser efforts that are disappointing or at best just watchable have elements to recommend them. The previous episode "The Last Outpost" was such an episode.

I do have one overriding question regarding "Where No One Has Gone Before:" How did Kozinski really manage to b.s. his way through Starfleet prior to boarding the Enterprise? He seems like such a putz that it's hard to credit no one caught onto him earlier.

But the heart of the matter is this episode, while not truly stellar, is a genuine high point of Season 1, and even amazingly rather early in the season.
 
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I do have one overriding question regarding "Where No One Has Gone Before:" how did Kozinski really manage to b.s. his way through Starfleet prior to boarding the Enterprise? He seems like such a putz that it's hard to credit no one caught onto him earlier.

Nepotism?
 
I do have one overriding question regarding "Where No One Has Gone Before:" how did Kozinski really manage to b.s. his way through Starfleet prior to boarding the Enterprise? He seems like such a putz that it's hard to credit no one caught onto him earlier.

Nepotism?

Probably some low-level civilian consultant until he paired up with the Traveler.
 
I hate to think what Kozinski would have been like if he had gotten powers like Gary Mitchell or similar powers as the Q.
 
"Haven" ***

Counselor Troi meets and must finally marry the man she was promised to when they were children.

This still remains a watchable episode, but it also sports things that I found irksome in early TNG. Some of the dialogue is clunky and occasionally not well delivered. Some of the ideas strike me as out of place and not very credible.

Putting characters that our otherwise presenyed as more evolved than contemporary humans into a situation such as an arranged marriage doesn't stike me as credible. Nothing about how it's presented comes across as believable. Other than the groom's parents no one else wants to be part of this. I also find the "destiny" angle of Wyatt meant to find the woman who looks exactly like he's always imagined a bit much.

The other thing I found bothersome was the reference to an "Earth" marriage. Is this supposed to mean that in the 24th century there is only one form of marriage remaining on Earth as opposed to many forms reflecting the diversity of cultures that should still exist? I found this silly and arrogant and overly simplistic.

Llwaxana Troi is a bitch, pure and simple. She's played to comedic effect, but I don't find her the least bit likeable, at least not at this point. We know she'll return eventually, but rarely will she be sympathetic.


"Datalore" ***

Data returns to the wotld where he was found and meets his brother.

This, too, remains just watchable albeit moreso than "Haven." If you pay attention as written the characters don't come across as particularly bright. Some of their behaviour can seem forced and artificial. Riker again can seem like a real kiss-ass to Picard. Beverly and Wesley and Data stupidly confront Lore on their own rather than with a security contingent. And given what he'd shown himself as already why didn't they just shoot Lore when they entered the cargo bay? I don't recall it ever being explained at this point in the series that a phaser set to heavy stun couldn't at least slow an android down if not incapacitate him.

I find the Crystalline Entity interesting. In a way it made me think of TOS' doomsday machine in that I wondered if it could have been an artificial construct someone built as a form of terrifying and effective weapon. And no one is left around who might know how to turn it off.
 
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