I did my hybrid version throughout lockdown but all I ended up doing was reinserting the original office sequence to get rid of the looped footage. I never really noticed the frozen shuttle.The 2022 version has its issues of execution but it's a variation (including the shuttle) of the 2001 version that Wise signed off on. (And I don't believe the shuttle freezes in that version.)
The shuttle was a fanboy touch but the driving motivation was that Wise wanted the scene opened up and not so enclosed. If it were not for the wall visible behind Kirk's air tram they might have done more. But they had to at least leave that wall in place. I would say "with 2001 technology" but I'll say instead "with current technology and with their time and budget constraints". (Those folk working on Dune could have done whatever they wanted.)
Yes, I wish they had gone with more of the original concepts from 1979 as well.
But I love the original just as it is. It always reminded me of the Contemporary Hotel at Walt Disney World.
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I can see where Wise might have disagreed with the aesthetics. Especially with the response even at the time that the film was too colorless and claustrophobic. (The best version of the film will never exist because it would have been the film that Wise would have put together with an audience test screening and a few months more work. It's sitting on the dream shelf next to Donner's Superman II.)
Heck, I love the original matte painting of the Golden Gate, now relegated to its reuse in Voyager.
One day when I get around to my "Best Parts Version" of all of the cuts of TMP I will keep the original shots as is. (And good for me! Where is my cookie?)
I mostly just added back the character moments from the SLV. I also went a bit nuts and gave Janice Rand a few extra lines. She now tells Kirk not to look so worried (a line cribbed from World Enough and Time) before McCoy beams on board, a damage report on comms after Sulu's, 'The new screens held,' (cribbed from Flashback) and she visits Kirk's quarters when he and McCoy are watching Decker and Ilia.
The biggest and most bonkers part was trying to do something with the Memory Wall using the limited rough footage available. I used my very limited skills with Adobe Premier Pro and After Effects to cobble together something but I would have loved to have a crack at the full scene with Kirk. I wish it had made it into the outtakes.