Credibility lost.
Well then, I guess you fucking win.
Credibility lost.
it's true that it generally has fewer new themes than we are accustomed to
it's superior to, say, AOTC
Across the Stars is a better single track (and arguably theme) than anything in TLJ.
Not even close. Several tracks on AOTC (Departing Coruscant, Jango's Escape, Bounty Hunter's Pursuit, Return to Tatooine, The Tusken Camp and Homestead) are heavily incidental (non-thematic) in nature. Those tracks do contain some thematic material. And the score is, without a doubt, a solid Williams production. But some of its best music (The Arena) isn't even utilized in the movie. Much of it is indistinguishable from generic Williams fare. And, furthermore, almost the entire final act of the film is scored with old music from The Phantom Menace.Nope
And, furthermore, almost the entire final act of the film is scored with old music from The Phantom Menace.
Not only is there new thematic material
They are all newly recorded specifically for TLJ
Do try to keep up.
Umm ... yes, there is new thematic material. I already posted this earlier in the thread. But since you've chosen to ignore it, I'll repost it here again:Nope.
And yes, "new material" also means "new recorded material" ... You know, new variations of themes recorded and tracked specifically for the TLJ and not recycled, reused material recorded for TPM but haphazardly tracked into another film as happened in AOTC.That’s not what "new material" means.
It's clear that your posts are quite ignorant of what happened during AOTC, and the scoring process in general. To say nothing of the thematic gaffes present in AOTC (Yoda's theme during Padme in the Geonosis droid factory; the Droid March for the reveal of the Clone Army, etc.). But you've been given plenty of information for your posts to reflect more knowledge of reality and I do hope your posts do a better job of keeping up in the future.
Whereas ALL the acts of TLJ in their entirety are scored with old music from Episodes IV-VII.
Gee ... contradiction much?Williams offers the character a theme for his exile and an outstanding motif for his return
Per the link I've offered (twice now) there is an explicit thematic idea for this very concept. It doesn't gain prominence for very specific reasons, as noted in the link. Hardly the result of such a desperate assertion that "all" acts of TLJ "in their entirety" are scored with "old music."The plight of the dwindling resistance against the evil First Order could have used a prominent, thematic cry of desperation during its foolishly elongated plotline, but Williams once again underplays his hand here, only mingling the freedom fighters' existing melody with a few new ideas that never congeal enough to form a lasting new theme.
Gee ... contradiction much?![]()
Across the Stars is a better single track (and arguably theme) than anything in TLJ
That's why his efforts, for this film, far outstrip his efforts on, say, AOTC.
Oh boy .... your posts haven't started keeping up yet.
Your posts really aren't paying any sort of attention, are they?Gee ... contradiction much?![]()
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Credibility lost.
Do try to keep up.
It's clear that your posts are quite ignorant of what happened during AOTC, and the scoring process in general.
I do hope your posts do a better job of keeping up in the future.
Oh boy .... your posts haven't started keeping up yet.![]()
Your posts really aren't paying any sort of attention, are they?
Why your posts choose to ignore this reality (and every other reality presented to them) is anyone's guess. But seriously, they are an embarrassment.
Yeah, sorry...
So yes, your posts do have have a lot of catching up to do.
Also, unlike your last post, I'm explicitly criticizing the posts, rather than the poster.
No one can really blame a lackluster score on the film's director and writer. The composer takes cues from on-screen visuals. There was plenty of material to work with, regardless of whether or not your'e a TLJ hater.
Can we maybe have a mod close this down?
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