Reactions to this book always surprise me. I found it very grokkable (which, I realize, is of no help to those who didn't). It seemed to me that the way the narrative structure plays around with time is almost a kind of preperation for the way the storyline will engage with time, puts you in the right mindframe (the way, say, Q's timeshifting of Picard in "All Good Things..." puts him in the right conceptual space to grasp the anti-time anomaly). I'm also surprised that people find the style off-putting. I've had more than one editor encourage me to write like that--in short, directed bursts--rather than the more languid, multi-clausal sentences my Gallic heritage favours. It's pushed far more than your usual Trek novel--serrated prose, you might say--but compliments the ragged, wounded atmosphere of the story nicely.
Fictitiously yours, Trent Roman
Fictitiously yours, Trent Roman