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Thor/XMen writer talks abit of what Orcis ST3 wouldve been

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Khan 2.0

Commodore
Commodore
latest episode of Inglorious Treksperts https://www.podbean.com/media/share/dir-inc5t-80a1e9e?
its mainly about ID/Beyond but around 56:30 Ashley Miller (writer: Thor, X-Men First Class) talks about his short involvement with Orci's ST3. basically says it would've been The Doomsday Machine meets Balance of Terror whereby the romulans would find an unactivated doomday machine which would result in the enterprise and the romulans teaming up to defeat it. and it would feature a pregnant Carol Marcus causing Kirk self doubt/anxiety etc,.. and a wtf ending involving the Klingons attacking/invading Starfleet Command and the Klingon commander removes his helmet and its...
Khan!.. spouting the famous 'revenge is a dish best served cold' line

curiously no Shatner/Old Kirk is mentioned so presumably that came in a later draft?
 
It would be funny if someone was allowed to talk about a script that apparently not even Orci himself is allowed to talk about.
 
I honestly have a lot of doubts about what Miller is saying.

For one, he seems to suggest he was the one working with Orci when the latter left the project (which resulted in them hiring Lin&co) - but we know that Orci had actually written two stories with that other writing duo who, in fact, got credited. He never mentioned working with Miller or him being part of their team. Miller was only mentioned in a rumor about a possible new creative team after stid came out, but ultimately Orci's trek 3 was written by him and those other writers. Also debunked is the idea that Orci left versus the fact the studio ultimately rejected his script. The rejected story Orci had talked about so far seems to have no similarities with the one Miller is mentioning, but it had similarities with beyond. It also involved the vulcans and Shatner/Nimoy.

It's possible Miller proposed a pitch (not a script) but it must have been before Paramount hired McKay and Payne to work with Orci. The fact the script by the latter was rejected by the studio has no connection with Miller's pitch also getting rejected.

Anyway, I find it hard to believe they'd bring back Khan after the backlash they got because of him in stid. Likewise, the plot seems to have predictable borrowing stuff from tos movies AGAIN, which stid was criticized for. But then again, unless Miller is joking the implication is that the studio rejected his pitch in early stages..I just find it a bit weird, still, that the writers would even propose some things after what happened with stid.
 
but we know that Orci had actually written two stories with that other writing duo who, in fact, got credited.
If you mean McKay and Payne got a writing credit on Star Trek Beyond, that's not true.

Anyway, I find it hard to believe they'd bring back Khan after the backlash they got because of him in stid. Likewise, the plot seems to have predictable borrowing stuff from tos movies AGAIN, which stid was criticized for. But then again, unless Miller is joking the implication is that the studio rejected his pitch in early stages..I just find it a bit weird, still, that the writers would even propose some things after what happened with stid.
Based on old reporting, Miller was on Trek 3 some time around July 2013. McKay and Payne came on board some time around December 2013. The studio may very well have balked at the proposed script, Miller left and a completely new direction was explored.
 
If you mean McKay and Payne got a writing credit on Star Trek Beyond, that's not true.

I didn't mean that. They didn't get credit for beyond but because they were the writers originally attached to the project, the first teaser for beyond put them in the credits even if they hadn't written beyond. My point is that the known creative team that worked on Orci's trek 3 didn't include Miller.

Based on old reporting, Miller was on Trek 3 some time around July 2013. McKay and Payne came on board some time around December 2013. The studio may very well have balked at the proposed script, Miller left and a completely new direction was explored.

That's my point. If Miller was involved, it must have been before McKay and Payne. My confusion is due to Miller suggesting that Orci left when he was still involved but that's not true because Orci actually worked with the other two on two other stories that Paramount rejected, which resulted in Orci leaving the project.

Anyway, it seems like the studio struggles to get a good script or one they like enough.
 
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Carol getting pregant would have been way too soon. they needed one movie to set up their relationship first.
 
I don't know if any of that is real, but done right, I think I might have actually preferred to Beyond.
Absolutely! a $190m movie version of The Doomsday Machine? (featuring Romulans and Klingons).. yes please

Carol getting pregant would have been way too soon. they needed one movie to set up their relationship first.
not really? the 'prime' universe version of David must've been conceived around the time of Beyond (and this version of Beyond would've been presumably set a few years after STID so enough time for a relationship) .. plus Kirk being all doubtful/conflicted etc due to that kind of makes more sense than him being 'bored of space' and everything being too 'episodic'
 
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Carol getting pregant would have been way too soon. they needed one movie to set up their relationship first.

It's predictable and lame because the moment her character was called Carol, people were fast assuming that her only purpose is being Kirk's baby mama just because it's what happened in the tos movies. No other reason. Even the actress was already saying this is what would happen in spite of those two not even having a relationship in stid. Because of this 'premise', their relationship needs no build up or real development for them (especially if them having a son also is a set up to write her off like in tos)

In the podcast, they said that the idea was they were having a secret affair (likely due to the implications of him being the captain ) and they have a big fight from the start with him not knowing she's pregnant. Sounds familiar? Bet the baby would be a boy named David that she would raise alone (because she 'wants him in her world not Kirk's' ).

The whole idea is such a big soap opera. We are talking about two humans in the future who work aboard a spaceship, are having an affair and she gets pregnant. It's as if birth control doesn't exist. She's an officer too here, I find it hard to believe these characters don't have access to the most efficient contraceptives (or that using them isn't part of the rules they gotta respect as officers). I always thought that a pregnancy subplot on the ship can only make sense if it's represented as a deliberate choice made by the couple or at the very least, the 'accident' should be explained with something reasonable that makes sense in context.

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This is a just a small example, I feel, of what could possibly be the main problem with the creative teams that worked or tried to work on this trek after the first one.
This guy here is talking about characters and the importance of developing the relationships more but, on one hand, he's praising the spock/uhura relationship in stid (and what Zach did with Spock) as something clever that we didn't see in tos, thus something that is part of the genius of a new reality where things can happen differently, and yet, when it comes to Kirk, their most original idea apparently is giving him a doomed love interest with a baby just because it happened like that in tos. Just because her name is Carol. So it's a new universe with so much potential. .and yet you still make the characters doomed by tos. You still push for the idea, essentially, that the characters are destined to do what they did in tos, no matter what.
And this is their issue. If you create a new reality you gotta try to do something new and unpredictable with the characters because you totally can. Why not give Kirk a romance with Rand or a new female character from another world? Why not pair Carol with Mccoy instead? With the villains and general plot too, why not create new ones? There is a fine line between tos homages and them being unoriginal.
My point is that as much as they appreciate the potential of a new reality they still waste it and are still held back by tos nostalgia and the naive idea that borrowing stuff from tos or the old movies is 'great' because it's easier and more safe.

To be completely honest here, I also find it frankly limited that they insist making it the Kirk show after the first movie just because he's the captain, but will bring up these storylines that aren't half original or interesting for me. Take the "let's bring George Kirk back from the dead" one too.
I really struggle to be super interested about Kirk's daddy issues, and his struggles as a young human dude who didn't even have to earn his role as a captain here, tbh, when his conflicts pale in comparison to that of Spock for example. Always did, always will.
To focus on Kirk and his issues only again, Spock's ptsd was barely touched on in stid and we never saw the vulcans again, nor they truly developed or hinted what the destruction of vulcan meant for starfleet.
The first movie was pretty much about Spock. The issue is if you want to make it the Kirk show it might be too late, you had to do that from the start. But then again, I don't find him a strong protagonist that has all this potential to carry a movie alone with his story. He surely doesn't deserve to be the priority for me at the expense of the ensemble and, finally, developing the other characters more in ways the old movies never did. This was their chance to fix where the old movies failed. I like this Kirk but I find he needs Spock and the others in his story much more than they all need Kirk in theirs.

It backfired too because had them truly built an ensemble, or were them a tad more creative, they wouldn't find themselves in big trouble when Chris Pine isn't available. The fourth movie was cancelled precisely because they painted themselves into a corner with their fixation for a story that needed the two Chris as they were front and center. They didn't, obviously, have alternative plans thus other stories that didn't need his dad and perhaps didn't need Kirk in a big capacity either. With such a cast and how much people love it and the way this trek was started, it's lame that they didn't have other stories to use.
 
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This would have been an awesome idea. The ending too would have set up big anticipation for future Trek films unlike beyond which went nowhere. I like that it was slowly tying back into the established history of Kirk. While it was an alternate universe I was still interested to see Kirk and Carol and how their relationship fell apart.
It really sucks we didn't get this.

Dodged a bullet there.
And fatally hit by the Beyond bullet.
 
This would have been an awesome idea. The ending too would have set up big anticipation for future Trek films unlike beyond which went nowhere
Ending on a cliffhanger like that would've been pretty fun and a trek movie 1st (unless if you count TWOK) can sort of picture it the Klingons blasting their way into SanFran Starfleet HQ, the head admiral on his knees, Klingon leader stepping forward .. uh oh (we think its going to be Kruge).. then the 'revenge is a dish best served cold' line (whaat!? no way they wouldnt)..then removing the helmet revealing long hair CumberKhan in full 'Wrath' mode (dressed similar to TWOK, wearing a Starfleet emblem necklace).. WTF?!
I like that it was slowly tying back into the established history of Kirk. While it was an alternate universe I was still interested to see Kirk and Carol and how their relationship fell apart.
One of the plus's of ID (imo) was Carol Marcus/Alice Eve. Think she was abit of a bonus for the movie in terms of promotion as well in posters trailers etc (unlike the white Na'vi ish Jaylah - seeing promo stuff general audiences must've been like 'oh its nerdy star trek makeup type stuff this time'). was kind of looking forward to see her in ST3 and the whole Kirk/Carol stuff (expect AEve was probably assuming shed be in the next one until quite late in the production process)
 
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Honestly I wish Alice was playing Rand (or even Chapel) and they had a will they won't they romance with Kirk like Roddenberry might have originally wanted (but was dropped because of sexism). That's more fitting to the what if purpose of this reality than seeing how his relationship with Carol 'falls apart' again. Can't relate to that kind of wish at all; I find it an uninteresting, uninspired destiny trope. They aren't the same people so why should they end up the same way and why should I get invested into something that is considered doomed by default? Out of all the love interests Kirk had, Carol and the forced David drama is my least favorite (I despise the way the original movies used both her and David and then ditched them both when they weren't useful to their Kirk story anymore) . Just like everything about TWOK, it seems fans tend to overinflate this relationship above any other love interest Kirk had, in spite of that not really being more developed. The obsession with Khan for one is something I struggle to understand because there are tons of other villains, both from trek and new ones you can create, you could possibly use so it's lame that everything gets to reduced to that guy. Ultimately, Carol is part of the issue stid had; Paramount rejecting this pitch, that was another TWOK 'inspired' movie (complete with englishroseKhan making another appearance in a big cliffhanger), may suggest that the studio isn't as clueless as I thought they are about the aspects stid was criticized for.

Ending the third movie with an unresolved ending and big cliffhanger would've been a disaster because there was no guarantee you'd get a fourth movie, let alone one by the same creative team. At least beyond ended in such a way that if it's the last movie with this cast it's OK. If you don't have a plan from start to end, developed by the same creative team, nor the confidence they'll produce more movies, you just cannot afford to end your movie with a cliffhanger.
 
If they kept Carol Marcus around I think they should have subverted expectations and had McCoy be her love interest. He seemed more interested in her than Kirk did during Into Darkness.
 
If they kept Carol Marcus around I think they should have subverted expectations and had McCoy be her love interest. He seemed more interested in her than Kirk did during Into Darkness.
That would have been a fun twist, but I think having Kirk deal with becoming a father would be more interesting development for his character. A huge part of his story is that he never knew his father, and Pike challenged him to do better. Having Kirk's story end with him deciding to be there for his child instead of just staying in Starfleet for the rest of his life could be a powerful ending, assuming they were planning to go that route.
 
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