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The Writing of Star Trek Hunter

Robert Bruce Scott

Commodore
Commodore
The Writing of Star Trek Hunter

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Way back in the 20th Century, when the world was young, I would sit down with my father and watch reruns of the original Star Trek series on a black & white television. There was color television in those days, but we didn’t get one of those until sometime in the mid-1970’s. And then I got to watch the series again in color, along with the cartoon series, which I never saw all of. We had black & white TV and old 78rpm clay records (we were late to adapt to vinyl 33rpm as well).

But we had books - hundreds of them. Thousands of them. Expensive, full-color encyclopedias of history and art. And tomes of philosophy, science and, more to the point, science fiction. Dozens of well worn paperback sci-fi and fantasy novels. And a four-book set of mixed short stories and essays labeled Sociology Through Science Fiction, which was one of the courses my father taught at OCLA - later USAO. His degree is in anthropology. My mother’s is in art history.

At some point in the late 1970’s I became a Dungeon Master - a sought-after one in college. My players and I developed massive adventure stories, especially the Underground Kingdom of Livingstone and the Rock Bay Blood Festival. I’m not sure when D&D dropped out of my life - some point between my short attempt at being an English teacher and my brief career in television journalism.

But I eventually turned a number of those D&D adventures into short stories and published a collection of them in 1998. And then I stopped writing for a few decades. Well… fiction. I’ve written well over 200 songs and I’ve been writing grants and contracts for a living for nearly 30 years.


A few years ago, I started fantasizing about what it would be like for a colony of humans to live inside a gigantic mushroom. Just something to think about when work was slow. And that was the genesis of Star Trek Hunter. Gradually, that world came into focus. I knew what it looked like, but there was no story to tell about it. But I told my dad about it. And he said something like, “if you want to make it interesting, make it creepy - tell a story about premonitions.”

Instead of creepy, I went for silly… Okay - so this gigantic mushroom gives people premonitions. What do they do with them? They try to win at cards. But how does that help when everyone else at the card table also has precognition? But people will find a way to cheat and one way is patents. This eventually became Episode 7 - The Great Mushroom.

I had fallen in love with Michelle Yeoh when she co-starred as the ultimate Bond girl in Tomorrow Never Dies, and she quickly became the captain of the U.S.S. Hunter. But I wanted her to adjudicate the case of the Great Mushroom, so I made her a judge as well.

Kenny Dolphin was partly inspired by actor Simon Baker (Patrick Jane in The Mentalist) and partly by philosopher and divisive firebrand Dr. Sam Harris, author of The End of Faith.


I have never before managed anything more than short stories - certainly nothing as massive as the Star Trek Hunter series. And I didn’t really set out to write a series - just a few short stories. But the ideas just kept coming and the short stories started to link together into a cohesive chain.

My octogenarian parents became my beta-readers and I didn’t publish any of the story until I had the first 10 episodes written - a year of story time. I decided at that point that the story would end with Year 3. Then I just wrote down the names of the episodes for years 2 and 3. Most of those episode names stayed pretty much the same. I had no idea what the stories would be.

I didn’t know that Episode 12: Prisoner in the Ice Castle would become the story of succession of the Andorian Empire until I had the first three scenes written. No clue what the 15,000 Cities of Cun Ling were all about until I hit on the idea that one of the cities would be Ba Sing Se from the cartoon series Avatar the Last Airbender.

But I did know what the Sword of Destiny was. I knew the sword - but not what story would be generated around it. (Sword of Destiny is Episode 27. Spoiler alert - this is the episode where Sauron’s Orcs show up…)


I’m glad I didn’t start publishing until I had nearly a third of the story written. It was only at this point that the ending started to coalesce in my mind and I had to go back and re-write the whole thing backwards.

In re-publishing the series on the Trek BBS, I’m taking the opportunity to just clean up a few annoying grammar issues I didn’t realize I had until writing this tome - especially my tendency to omit the closing commas for appositives and to answer dashes with commas instead of dashes.

It has also given me the opportunity to go back and sew up a few plotholes. I knew why the Trillian Master Force couldn’t see through the fog, but I really didn’t tell the reader that… and ended up getting a few questions about why fog was such a problem for a military somewhat more advanced than the U.S. Army. (It’s specially ionized fog from Vulcan Science Academy weather satellites, designed for cleaning up massive radiation leaks. Opaque to radar and all but the most advanced sensors.)

I also have taken the opportunity to slip in a bit more forecasting. You might notice that before Justice Irons has her stroke, that she’s experiencing increasing discomfort with her neck and constantly massaging herself. I also included several more references to her heavy use of alcohol.


Finally, I have to mention the enormous impact the United Trek writers’ stories had on the Star Trek Hunter series, especially CeJay.

I had initially made my Star Fleet a bit too callous and casual about killing instead of focusing first on non-lethal solutions. CeJay’s stories in particular reminded me that the Federation (and, in fact, the U.S. military) always seek first and extensively to not kill whenever possible and killing truly is, for them, the very last option.


I want to say Thank You to my many readers and especially to the many who have left comments that have made me think and re-think the series. They have had more impact than they may realize. (Example: Buttans Ngumbo’s bajoran family name was originally spelled “Buttons” - boy did that raise far too many questions!)


One More Thing: I have to give a nod to Will the Serious, who has given me my first glimpses of the strangely shaped U.S.S. Hunter. I’m hoping he will respond to this posting and post his sketches of the Hunter in this thread. It’s not 100% what the Hunter looks like in my mind’s eye, but they’re gorgeous sketches and accurately convey the idea of a patrol vessel that is far more intimidating than the typical Star Fleet design.


Thanks!! rbs
 
You've done a fantastic job and it's so satisfying getting an elaborate vision like that onto paper. Also, Michelle Yeoh is amazing! My favourite role from her is from the original Crouching Tiger and, most recently, Everything Everywhere.
 
Very cool, thanks for the background on your writing journey and how that has inspired Hunter, which, in my opinion, is one of the most unique Star Trek fanfics out there.

This reminded me that a while back I had planned about posting a thread here for people to share why they write Trek fanfic and what inspired them to do so write but never got around to it.
 
Here you go RBS. My interpretation of the Hunter.
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I really enjoyed reading your post. It sounds like we grew up in the same era. I remember moving from watching Star Trek on a black and white television that worked on vacuum tubes, and the little white dot would hang around in the middle of the cathode ray tube forever after turning the TV off. There was actually a profession called TV repair man and they came to your house to replace vacuum tubes through a hole on the back of the TV casing. The capacitors would maintain a charge for twenty minutes after shutting down and unplugging, so the repairman had to be very cautious.

My octogenarian parents became my beta-readers and I didn’t publish any of the story until I had the first 10 episodes written - a year of story time. I decided at that point that the story would end with Year 3. Then I just wrote down the names of the episodes for years 2 and 3. Most of those episode names stayed pretty much the same. I had no idea what the stories would be.
Very similar process to mine. Writing is just slow reading. One often doesn't know the tale until it is on the page and read.

RBS, your story is highly entertaining, but most importantly, inspiring. It has Allred had an impact on my own writing.

Thank you for sharing, and, as you so often write, thank you for your kind words.

-Will
 
One often doesn't know the tale until it is on the page and read.

I was astonished when I read (in Tolkien's own words) that when the hobbits arrived in Bree, he had no more idea of who Strider was than Frodo did.

Thank you for creating the images of the Hunter and thanks for sharing them - as I said before, these convey very much the aesthetic of the B-2 Stealth Bomber, which is, more than anything else, the craft that inspired the Hunter.

And yes, I do remember people coming by to repair the T.V. and horror stories about what they would become if they touched the wrong wire inside those things. Think: phaser set to vaporize...

Thanks!! rbs
 
I always thought that the Hunter was an Akira-class ship or something.

I looked up the Akira class. There might be more than one, but the one I found on Memory Beta is pretty big. Hunter is the prototype for the Prowler class - much smaller, actually just a little smaller than the USS Defiant. Defiant was designed for a crew of 47 (according to at least one schematic I read.) Hunter has a standard crew of 35 + 3 holograms. The crew list at the beginning of every episode is literally everyone on board.

It's not very tough or powerful - but extremely fast and very stealthy.

Thanks!! rbs
 
Here you go. I can't tell you how much stuff I had piled up in my to-do list until I got me one of these...
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Glad to here that really helps. I've never gotten one myself, but I know a few people who have. Yours is particularly fancy.
I think it's excellent to get a round tuit, but even better that it looks good too.

More than that, I need to go onto Amazon Prime and buy some time. It's a little more expensive, but the free shipping makes it worth it.

I have a beauty of a weekend sailer waiting for me to fix, but I haven't the time it needs.

- Will
 
The Stardrive section looks like a large hangar bay.
I gave Hunter two hanger bays in my concept drawing. The main hanger opens forward, beneath the command dome. That would be where Hunter launches a small squad of interceptors. The hanger opens forward to minimize time to engagement upon Hunter's arriving at a location of conflict, assuming she is facing her destination when dropping out of recursive warp.
The other hanger is located below the saucer on the back of the pillar. This is a good location for escape pods and the wagon. I'm unsure as to why it's called the wagon, so maybe it's towed or attached externally, as a wagon behind horses or a tractor.

-Will
 
I'm unsure as to why it's called the wagon

Short for Police Wagon - it's an up-armored shuttle designed for transporting prisoners, with 5 individual brig units onboard. Very individual - not recommended for anyone with claustrophobia. The shuttle bay is located directly behind the interceptor bays on the top of the saucer section. Hunter carries 2 long-range interceptors. The interceptor bays are located behind the tactical unit, which detaches from the top just above the bridge. The interceptors launch forward above the tactical unit.

I wish I had any drawing ability, so I could create a deck by deck schematic. The bridge is at the front of deck 8, which includes the captain's office, stateroom, the executive conference room and ground operations at the back. A hatch with a ladder leads up from the bridge to the tactical unit.

Hunter is conceptually different from most of Star Fleet. Most Star Fleet deep space vessels are built by Curtis Industries under contract with the United States Navy (this is actually canon from the franchise - NCC stands for Navy-Curtis Craft.) The Hunter's serial number is NDC-1201, which stands for Navy-Daystrom Craft, 12th ship design, 1st production model. Hunter's sister ship, the U.S.S. Prowler, is NDC-1202.

Thanks! rbs
 
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The Hunter reminds me a lot of The Prometheus.

Perhaps Prometheus as it was originally envisioned by the writers, who envisioned a very small ship that was largely unremarkable. By the time it was rendered for DS9, Prometheus was a Nebula class, which has nearly as much deck space as a Galaxy class.

I created three new classes for the STH series - the Prowler class, for which Hunter is the prototype (the USS Prowler is the first standard run of the class, including all the modifications learned from Hunter's maiden voyages); the Pegasus class, for which the USS Milky Way is the prototype; and the yet-to-be revealed Atlas class planetary rescue ships, for which the mammoth USS Ark will be the prototype.

All of this was spelled out in the opening scenes for Episode 11 - which is a meeting between the Federation Council leadership and Star Fleet Commandant to plan the development of these classes.

Thanks!! rbs
 
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