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The Vulcan - Episode 10: Zenfu Fighting

  • Thread starter Will The Serious
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Will The Serious

Fleet Captain
Fleet Captain
The Vulcan
Table of Content:
Ep. 1: The Needs of the Many
Ep. 2: The Needs of the Few
Ep. 3: 'T' Minus Negative
Ep. 4: A Pon Too Farr
Ep. 5: Seeing is Believing, Part 1
Ep. 6: Seeing is Believing, Part 2
Ep. 7: Mind in a Vat
Ep. 8: The Job
Ep. 9: Red Giants and White Dwarves
Ep. 10: Zenfu Fighting
The Vulcan Character Highlights

SERIES PROLOGUE:
We see across vast expanses to impossibly distant worlds. We look out into Space and witness the beginning of the Universe, the birth of planets, and the death of stars. Civilization turns to Space for knowledge, adventure, and hope. Space is also deadly, a wall to growth and progress. It is our past and our future. This is where Vulcan and her crew live, work and explore. Join the lives of these beings from different and distant worlds, who have been brought together to find refuge, wonder, friendship, and a home in the greatest frontier.

Episode 10: Zenfu Fighting

Professor Kazzak and Doctor Gödel's Lab:

The projection of the Vulcan planetary system across the high ceiling of the two scientists’ laboratory has been turned off.

“Francesca,” Professor Kazzak calls for his assistant’s attention. He is studying the stone pyramid set on a pedestal in the center of his lab. Francesca, Dr. Gödel, is at the main projected screen working on a complex set of math problems.

The professor puts his left palm in the middle of one facet of the pyramid and takes his hand away. Sigils of an unknown origin illuminate across the face, but nothing else. He continues his query to the slight black woman, “What do you think about simply attaching five duranium pyramidions to the corners of the Vaikar-Kau-Bureki control interface? Perhapse we would be able to target-lock the duranium with the transporters, and use them to beam the device to and from the ship.” The professor pulls his ever present goggles down over his eyes. He touches the same facet of the device again. This time, he also places his right palm on the facet of the opposite side of the pyramid, only the first facet glows with the symbols.

After just a moment's pause to think about the proposal, Francesca shakes her head. “No, Professor. We could not use our transporters to beam that device aboard when it was inside Radool Harrix's Maybellene, and Maybellene surrounded the pyramid on all sides. It does not seem logical that simply replacing an all encompassing flying car with five duranium corner pieces would be better.”

“My conclusion, as well. I was hoping you might have seen some possibility that I missed.” The professor leaves his left palm on the Vaikar-Kau-Bureki and moves his right hand from the opposite face to an adjacent face; nothing changes. He tries a similar combination of touch on the apex at each corner.

Francesca notices his efforts, sets down her stylus and steps over to replace the Professor's right hand with her palm on the opposite face of the pyramid. The two untouched faces of the pyramid light up. The facets under their palms do not respond.

In unison, Professor Kazzak and Doctor Gödel shift their hands to the two lit faces. The two opposite facets light up while the two lit facets that they are now touching go dark.

“fascinating!” exclaims the professor. “It is logical that there is a locking sequence, but…”

Francesca finishes the sentence, “We have already tried every possible permutation. I think it needs to be connected with the actual stone.”

Kazzak says, “Yes, there is logic in that, as well, but then, why the response to our touch when it is not near the actual stone? No,” Kazzak removes his goggles and studies them absently. “Considering the advanced technology that this device represents, it may not need contact with the actual stone.”

“We are missing something. It responds quite differently to one person, no matter how it is touched, exactly the same as when Mister Santayana first took it from the museum. When two people touch it, the untouched faces light and the touched faces shut down. Most of my analysis tools are useless. It is only the blank impression it leaves on all sensors, this odd behavior of lighting up when one or two people lay hands on it, and the matching description translated from the captain's scroll that tells us this device is part of the Vaikar-Kau-Bureki.”

Francesca glances over at the image of the Ozhit-Pa-Tepul-T'Stukhtra. The image is floating in high definition three-dimensional holographic space behind the Professor. She calls, “Vulcan, what are the chances our interpretation of the passages in the Ozhit-Pa-Tepul-T'Stukhtra for the description of the Vaikar-Kau-Bureki are wrong?”

Vulcan answers, “I do not believe my interpretation of that particular section of the scroll is in error. To put it in mathematical terms, while most of the scroll remains a mystery, the description of the Vaikar-Kau-Bureki and what it is capable of is written in old High Ca’Fus Dynasty Vulcan and correlates by an error of zero point one zero six percent with the Kassis-Cis-Tsau scroll.”

Kazzak seems satisfied with Vulcan's answer while Francesca, beginning to feel out of her depth at considering the possibility that a well known ancient artifact may have been misunderstood for centuries, continues her inquiry anyhow. “Do we know the Kassis… um, scro scroll is is is accur…ate ly… accurately trans translated? What d does the, it it say?”

Vulcan answers, “The Kassis-Cis-Tsau was discovered in a ruins on the equatorial island of Kassis. Kassis-Cis-Tsau is the palace ruins from the Ca'Fus Dynasty, the first Dynasty of the Ca’Tau expansion. The area of the palace ruins has been determined to be an annex to the main hall and adjacent to the royal quarters tower.”

Francesca pushes, “A and it it it it says?”

Vulcan goes on, “The Kassis-Cis-Tsau scroll contains three recipes for bread, and three soup recipes, instructions for storing ingredients, and lighting the oven. That area of the palace has been established to be the kitchens by the remains of a large four sided stone oven and the proximity of a natural water source.”

Kazzak looks up from his inspection of his goggles. “Vulcan,” he queries. “It is logical that you have inspected the programming in my goggles!?”

Vulcan answers, “It would be an intrusion of privacy even though you have established an open connection with me. That was before, so I am only aware of the connection protocols and the contents from the few times you have used that connection.”

Doctor Gödel exclaims, “Before?! Ya you m mean be before ya y you ba be became … sel self…aware?”

Vulcan asks, “You know I have become self-aware?”

Francesca nods, and Kazzak answers, “I suspect Francesca figured it out even before I did. Now, I am concerned my goggles are not working too specifications. You have my permission to connect to them and tell me what you think might be wrong with them.”

There is a pause before Vulcan answers, “They are a most curious device, Professor Kazzak. You programmed the chaos algorithm yourself?”

“Certainly. What defects can you find? Is it the quantatronic playback modules? There is always a chance of unpredictable field decay.”

“I find nothing that my limited connection can detect.”

“The program is running without error?”

“As near as I can interpret, yes,” Vulcan answers. “If I am interpreting the purpose of the function titled ‘Predictive Playback’ correctly, your goggles appear to gather local environmental data, combine it with psycho-theoretical modeling, historical modeling of physical mechanics, biological and compositional data, then process it through a statistical algorithm with your fascinating chaos engine to give you the most likely series of events that will impact the wearer over the next forty-eight minutes. In other words, your goggles tell the future forty-eight minutes ahead.”

Kazzak clarifies, “with ninty-one point three percent accuracy. Beyond forty-eight minutes, accuracy falls off dramatically.”

Francesca adds, “Our g goggles have p predicted ev events ac cur at ly as far i in the future as a week, b but that ha has n never been re re rel relia re reliable.”

“You do see what is wrong with these goggles, Vulcan?” Kazzak asks.

“I am sorry, but I find no inconsistencies in your predictive programming or in the hardware.”

“You can look through them and see what I am seeing, correct? Run a playback of the last predictive recording.”

Vulcan pauses and watches the recorded scene from the goggles.

From Kazzak's viewpoint, the screen is of the goggles being pulled down into place over the Professor's eyes. The pyramid on its pedestal comes into focus and a first person view of the Professor's hands explores the stone object. Then, the Professor turns to ask Francesca, “Could this just be a chaotic anomaly, that eight point seven percent error?”

In the playback, or rather, playahead, Francesca shakes her head at the professor and answers, “No, it is accurate.”

“How can you be so certain, Francesca?”

Francesca simply points behind the professor. He turns and the pedestal is standing alone in the Professor and Francesca's lab.

The professor, holding his goggles in his hands while Vulcan links to them and plays their sequence, explains to Francesca, “My goggles tell me the pyramid is not here. Could this just be a chaotic anomaly, that eight point seven percent error?”

Francesca shakes her head, ‘No’ and replies, “No, it is accurate.”

Kazzak asks his lab partner, “How can you be so certain, Francesca?”

In answer, Francesca points to the pedestal.

“That is fascinating, professor,” states Vulcan, “The algorithm predicted your exchange word for word.”

Kazzak processes none of what Vulcan says because he is rushing over to his laboratory monitoring equipment. He begins tuning sliding controls and adjusting settings on his panel while studying a schematic of Vulcan's layout, concentrating on the engineering deck lab.

Kazzak calls out, “Vulcan, did you record anything on your sensors that could be a cloaked ship with a transporter? You had your shields up, correct?"

Vulcan confirms, “that is correct, Professor. And no. I picked up nothing on my sensors that could have been a ship or any type of energy beam. The pyramid simply disappeared.”

Francesca stammers, “Ca call called ho home t t to mother.”

Kazzak looks to his assistant with deep consideration.

The lounge on Deck C:

Damian Apollonius is sitting in the lounge on deck ‘C’, playing a game of 3D chess with S’Talla.

S'Talla moves her knight to threaten Damian's queen, forcing him to retreat from a potential threat to her king. Damian asks, “Captain S'Talla, you are a monk of the Order of Logic and Reason. In ancient Greece, on Earth, there were a number of religions and cults that tried to approach life through a sophist's tradition of reason. Through their logic, they were able to observe and discover some astounding phenomena that we would have trouble visualizing today, given the limited technology for measuring our world that they had.”

S'Talla glances at Damian with a considerate nod. He goes on, “Often, we hold all the evidence necessary, but fail to take all the steps to make the logical connections. What we believe we have learned is merely our sense of discovery of information we already hold.”

S'Talla takes Damian's retreated queen with a pawn.

Damian stares at the pawn sitting in the space his queen previously occupied.

“Plato!” He declares. “Plato taught that we knew everything already, that one could not teach another person new information, only guide the logical discovery of relationships we already know or observe in the moment.”

Damian moves the black bishop to take the pawn before the newly positioned pawn could capture his white bishop.

“He wrote about Socrates demonstrating this by simply asking an uneducated slave boy a series of questions about observable properties of triangles until the boy had, without any previous instructions in mathematics, effectively proved the Pythagorean Theorem.”

Damian watches as S'Talla moves her queen into a space previously covered by Damian's black bishop, and she declares, “Check.”

Damian studies the game until he sighs, “...and mate?!”

“You are right. No learning needed, you just needed to observe and discover.”

“Excuse me captain.” interrupts Vulcan.

S'Talla responds with, “Go ahead, Vulcan.” She begins collecting the game pieces to place carefully in a lined case. Damian helps.

“Professor Kazzak says I should inform you that he has lost the stone pyramid.”

S'Talla says to Damian, “Since we just need logic to deduce that which we already know, but do not realize we know, perhaps we have not lost the pyramid, and have merely forgotten that we know where it is.”

Vulcan answers, “No, it is lost. I witnessed its disappearance. It was, in fact, predicted. The professor and I are analyzing his predictive program code to try and figure out how the pyramid’s disappearance was predictable. It is believed, that will tell us what happened to it.”

S'Talla raises an eyebrow. “Another answer to discover the question to.”

In the hall, on the way to professor Kazzak's laboratory, S'Talla and Damian pass Charlie and Ya and Ne having a discussion about modular code objects and the benefits of relational data structures. They are coming from the main computer lab.

Charlie is saying, “With an analog architecture, the data values can contain multiple objects, regardless of their data structure. It's just a matter of setting delimited flags, such as primes, for example.”

Ya nods and adds, “We understand.”

Ne picks up the thought, “There is either more information with a key to allow searching…”

Ya continues, “the numeric string, and indexing it with the adjacent data object, or…”

Ne finishes, “There is not, which makes the values search limited.”

S'Talla interrupts the discussion as she passes, “Ya, Ne, Charlie, I think we may need your expertise. The Vaikar-Kau-Bureki is missing and Vulcan advises me that we may benefit from your computer expertise.

Charlie answers, “Sure, we are just coming from the main computer lab.”

S'Talla explains, “I am heading to Professor Kazzak's lab. This has nothing to do with the ship's computer.”

Ya and Ne look at each other, then at Charlie. Charlie says to them, “and you think Vulcan's computer is unusual. I have no doubt we are about to fall down the rabbit hole to Wonderland.

Ne smiles. “Ya and I have to visit Earth sometime.”

Ya adds, “Whatever Wonderland is, I think it will be there…”

Ne completes the thought, “Not in the Professor's laboratory.”

Damian chuckles. “Yes.”

Before they step farther down the passage, Vulcan states, “We are changing course and increasing speed. The mystery of the disappearing pyramid will have to wait.”

The background hum of Vulcan's warp drives raise in pitch. The vibration rate raises causing the audible volume to actually smooth out and fade slightly as the frequency grows.

Vulcan racing through space at top warp speed

“Captain's Log: Vulcan has taken it upon herself to respond to a distress call by another group of runaway slaves. Vulcan raced at top warp speed, without command from her pilot or her captain, into an anomalous region called the Klach D'kel Brakt, an enormous gas cloud that makes warp travel impossible, and dangerous to attempt within its borders.

The similar circumstances to the Tellarroe Five influenced Vulcan's decision, even as it raised Skyvik’s suspicions. Vulcan was convinced we needed to help. Skyvik's logic was a reasonable caution. However, we could not ignore other beings in distress.

Vulcan's bridge:

T'Pree, at communications, announces, “We have come within communications range of Federation space.”

“Understood,” answers Skyvik. Skyvik is sitting at command.

Samantha Kelly is manning the helm with Mr. Naxx next to her at weapons and defense. Sam adds, “We are passing sector four forty-one and the stars SNC 461206 and UFC 8177. They are in an area of space the Klingons call Klach D'kel Brakt. According to my read-outs, the Klach D'kel Brakt is primarily a gas cloud that restricts warp travel. So we are navigating around it. We are fifty-six hours from the Federation border, at warp six point five.”

Skyvik directs T'Pree, “T'Pree, please inform the captain of our arrival time in Federation space.”

The hum of the ship's engines inexplicably increase in pitch. Sam turns from the helm to address Skyvik. We are changing course. Our new heading is directly into the gas region.”

At the same moment, T'Pree calls out, “We just received a distress call, Commander.”

Skyvik ignores T'Pree at communications, and orders Samantha, “Correct our course and speed, Ms. Kelly.”

“I have tried. Helm is not responding. We are now at warp seven point five.”

Sam attempts to take control again. When she fails, she calls out, “Vulcan, what is wrong with your navigation controls? We are approaching warp nine.”

T'Pree announces, at the same time, “The distress call is coming from the Klach D'kel Brakt.”

Sam warns, “Warp nine point four. We can not enter that cloud while in warp.”

Vulcan answers, “Do not worry, I have control. We will slow to point eight seven impulse power once we reach the Klach D'kel Brakt. I am simply answering the distress call with as little waste of time as possible. I have already informed…”

The starboard side bridge port opens and Ya and Ne, Charlie, Damian, and…

“Captain on the bridge,” calls out commander Skyvik, standing from the command chair.

S'Talla directs an order to T'Pree, “T'Pree, play the distress call.”

Before T'Pree can comply, an internal hail, in T'Pia's voice, interrupts. “Engineering to bridge. You are pushing Vulcan's engines to dangerous levels. We are at maximum warp now.”

T'Pree plays the distress call. “This is the cruiser ‘Comet Dust’, we are running from persecution by the Orion Syndicate. Our engines are broken down. We need asylum before slave hunters catch us and kill us.”

There is the appearance of confusion with multiple simultaneous communications vying for attention, but S’Talla, Skyvik, and the others remain calm while S'Talla prioritizes her attention.

S'Talla takes the center chair and responds first to Engineering. “Engineering, this is the bridge, we are aware and will bring our engines down to impulse speed momentarily.” S'Talla asks T'Pree, “Please open a channel to the ship in distress.”

T'Pia concludes her communication, “Very good, T'Pia out.”

The currently playing distress call goes silent. T'Pree announces, “Communications are opened Captain.”

The engines are heard to slow as their high pitched whine falls quickly back to normal.

Sam informs the bridge, “We are entering the Klach D'kel Brakt, now. Twenty minutes from the source of the distress call at three quarters impulse speed.”

Skyvik, at the sensor station informs S'Talla, “The ship is Orion in configuration. Their transponder identifies them as the Comet Dust. Their warp drives appear to be offline. I read no weapons signatures.”

S'Talla nods to Sam in acknowledgement and presses her chair's communications button. “This is the Freighter Vulcan responding to the vessel in distress. We are nineteen point seven minutes away. What is your situation? Are you under attack?”

S'Talla releases the comm button and a couple of moments later, a female voice responds. “This is Comet Dust. We have evaded the hunters, for the moment, but our engines are non-functional and we fear the hunters will catch up to us at any time. Please help us reach Federation space where we can find asylum.”

Skyvik warns, “This could be a trap.”

Vulcan asks, “By what logic? Who would know we were passing through this region of space?”

Skyvik reluctantly replies directly to the ship, “We may not be the targets, but this situation seems too familiar, and we know nothing about this area of space.”

Skyvik turns to his captain, “It is illogical that our ship should pick up a distress call and automatically respond before you or any other crew have had the chance to become aware of, and assess, the situation.”

Skyvik then turns to Samantha, “You should run an analysis of the ship's computer, some outside intruder may be manipulating the ship's automated systems.”

Sam says, “I will run a diagnostic, but Vulcan's behavior is not illogical nor inconsistent.”

S'Talla interjects, “I do not believe our ship is acting under outside influences.”

Vulcan replies to Skyvik, “Commander, I apologize, but you are among the last to know that I have become self-aware. My actions, in this case, are wholly my own. This situation reminds me of the Tellarroe Five, before I became self-aware, but I have those memories in my data matrix. That is where I learned the importance of responding to calls for help, and a strong aversion to the concept of slavery.”

An image of an Orion slave woman comes up on the screen. Next to her is another woman, also Orion. Both are wearing only the two piece costume of Orion pleasure slaves.

“Thank you Vulcan, for responding to our calls. We are desperate. I hope you have capacity for twenty-six refugees. Our ship is adrift. There are no technical personnel left to repair our engines.”

S'Talla asks, “What are you doing so far from Orion space? You could have reached Federation space light years ago.”

“Captain,” replies the Orion woman standing center, her weight leaning forward, arms braced upon the command console in front of their captain's chair, “We are not fleeing from Orion space. We escaped while being transported and sold to the Klingons. We thought flying through the Klach D'kel Brakt would be the shortest route to the Federation, and at the same time confuse the search sensors of any slave hunters following us. We miscalculated the effects of the Klach D'kel Brakt upon our engines. We lost power, and destroyed our field regulators with the sudden collapse of the Comet Dust's warp field when we entered the cloud at warp one point five.”

Skyvik announces, “There is only the Comet Dust within point zero two light years. The nearest possible threat appears to be a space station two point eight days away at full impulse speed. I can not get any detailed readings on the station.”

“Comet Dust,” hails Captain S'Talla. “We will intercept and receive your twenty-six refugees for transport to the nearest Federation immigration processing station. I can not offer any guarantees about what may happen after that.”

“Thank you Captain S'Talla. That will do very well. You have our deepest thanks.”
 
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Shuttle Bay One:

In the shuttle bay of shuttle number one, Randool, Damian, and Charlie have gathered to receive the fleeing slaves.

Randool gets a hail on his personal com. “Shuttle two is docked,” announces Sam's voice. “That should be all passengers from the Comet Dust.”

Randool responds while he watches the portal to shuttle one open. From inside the shuttle, Skyvik directs 14 passengers aboard Vulcan. “Welcome aboard Vulcan. The owner, Samantha Kelly and the crew, will see to your needs.”

The group, wrapped in ragged clothes, oversized and ill fitting jackets, overcoats, and blankets, make their way out of the shuttle’s aft hatch, stepping aboard Vulcan. One of the two women from the communications screen on the bridge are in the group. She moves to shake hands with the three waiting crew. “We are so grateful for your help…”

An Orion male, head hooded in a tattered and dirty bundle of mismatched clothes, scans his rescuers, and picks Randool out as the leader. He steps up to Randool, who is in front of Charlie and Damian, and offers a hand. Randool takes it warmly.

Skyvik shuts down shuttle one and moves to exit the craft. One of the rescued slaves steps out behind him, having hung back deeper in the interior of the shuttle craft. He pulls a slaver's baton from under his coat, and hits the big Vulcan in the back of the neck, stunning him in an electrical zap to the deck.

The rest of the rescued group, flip aside their robes, jackets, or blankets and level disruptors at the surprised Vulcan crew.

The Orion shaking Randool's hand reveals himself when he drops a worn and dirty hood from over his head. Chavvo Gah, still holding Randool's hand in a harsh grip, orders his men, “Take the bridge. Move quickly, everyone.”

Eight men move out, while the Orion woman and four other men hold Randool's group at weapons point.

Gah says, “I can not express how I've been looking forward to seeing your captain again.” You will take us to her.” He lets Randool go, and widens his satisfied grin, when he walks over to Skyvik laying unconscious on the ground. Gah draws his own disruptor to aim it down at the Vulcan. “Now, Mr. Harrix? If I remember your name correctly, take us to Captain S'Talla. We have unfinished business.”

An Orion steps up to Gah. “Captain, the lift doors do not open. They have locked down. Our presence must already have been detected.”

“Is it possible Captain S'Talla would allow the sacrifice of her crew, just to stay safe on the bridge? That would be the logical action,” Gah muses out loud. “Work around it. Force the doors, find another route, or burn a hole to the bridge. Captain S'Talla will be mine.”

Charlie looks like he's losing patience, but Damian, standing close behind, takes his elbow and whispers, “There are too many.” Damian says out loud to Gah, “We will cooperate. There is no need to threaten any of the crew.”

Charlie looks at Damian with confusion, as though he didn't recognize the man.

A beep alerts Chavvo Gah, and he taps the collar of his ragged costume coat. “Gah here. All secure?”

“All secure, Captain. They fell in line as soon as we stunned the two Bynars. Only…”

Gah becomes serious, “Only… what?”

“The stunned Bynars were transported away as soon as they fell. The ship's computer informed us they are now in sickbay and connected to life support. Something about their positronic implants and our slaver's batons causing Bynars to become comatose. The transporter activation must be some sort of safety protocol.”

Gah growls in frustration. He looks down at the big Vulcan laying unconscious at his feet. “Send two people to sickbay to secure our cargo, I'll send two more as soon as we have the bridge, then we can beam back to the Co'Enaggo, assuming you are not trapped in the shuttle bay.”

Chavvo Gah turns his attention back to Harrix, Charlie and Damian. He says to them, “I have been looking forward to this day. I do hope Ms. Kelly's crew will not cooperate, because I am feeling both vengeful and uninterested in the selling price of Captain S'Talla's crew.

“It was a big gamble that you would be passing through this region of space, on your way home. I tracked your course into Klingon space, and once I found out you were headed to Epsilon-Hydra, I calculated your most probable return route. Instead of always being just behind you, I thought I had a chance to jump ahead.” Chavvo Gah explained, feeling superior at having outsmarted his Vulcan quarry. “Whatever cargo the people of Epsilon-Hydra have hired you for, I'm sure its value will more than pay for any losses in live merchandise.”

The turbo-lift doors do not respond to the group of raiders gathered before them. One Orion has opened the control panel and works flashing illuminated tools inside to try and override the door's controls.

Vulcan speaks to Charlie, “Charlie, only you can hear me, I'll explain later, but Captain S'Talla has been made aware of what is happening, and for now, she asks that we cooperate, not fight back. She wanted me to stress this to you personally.

“The captain's logic tells her that Gah is working outside Syndicate authority. Most logically, from the space station my sensors have picked up. He will not harm his captives if he can sell them.

“Captain S'Talla would like to attempt a rescue of those enslaved by Gah. To gain access to the station as captives, is an opportunity to get both Captain Gah arrested again, and discover information about a possible larger organization of sentients traffickers. Simply nod if you are with the Captain?”

Charlie had been poised to respond to their capture by Gah and his men, but he immediately relaxes and nods his head.

Vulcan explains to Charley, “Very good. I will try to inform everyone of the plan. Not allowing Gah and his men to know about my sentience is central to our success. I will let Chavvo Gah capture the bridge now.”

The doors to the turbo-lift whisk open.

“We're in!” shouts the man pulling his tools out of the electronics panel.

Chavvo Gah orders, “Well? Move it! The Vulcan woman obviously knows we're here, let's not allow her more time to prepare.”

Art Santayana's quarters:

Art Santayana is practicing his bass guitar in his quarters. He is not wearing his cap while he concentrates on a complex rhythm. A metronome clicking keeps him on beat.

“Art,” Vulcan stops the metronome and calls for his attention.

Art stops playing and looks up. “Vulcan, can it wait, I am just about to…”

“No. I am sorry, but we have been boarded by Chavvo Gah and a force of twenty five Orion mercenaries.”

“WHAT! How?” Art unloops his bass from over his head and sets it on the nearby stand.

Vulcan explains, “They changed the transponder signal on their ship and posed as runaway slaves. I fell for the ruse. I am at fault; even when Commander Skyvik cautioned me to be wary of a trap.”

Art tells the ship, “Don't be too hard on yourself. That's how I lost my ship too.”

Vulcan continues on, “Captain S'Talla has a plan, but part of it involves you not being captured.”

Art says, “It’s a good plan already. I like it.”

Vulcan, not understanding the irony, replies, “You have not heard the plan yet. But first, you need to hide where they will not find you. Go to the Professor's lab.”

On the bridge of Vulcan:

S'Talla is in cuffs, hands behind her back, and Gah has her kneeling on the deck. He is in her command chair. Six of his men are arrayed around the bridge. Skyvik and Samantha are also cuffed, sitting at helm controls. Two large Orion's holding a pair of disruptors each have both Sam and Skyvik covered.

Chavvo Gah looks very pleased with himself. “Now, set a course for Kehtua'k station, Ms. Kelly. It is at coordinates three oh one five point two mark nine one nine seven one point eight mark six seven five one point six.”

Sam looks around, lifting her eyes from the horrible sight of her best friend in handcuffs and forced to kneel in front of Chavvo Gah. Somehow, Sam's friend still seems to look as dignified and serene as if she were in the center chair herself. “I will need my hands freed.”

“Nonsense.” Chavvo Gah leans forward to speak to S'Talla. “A Vulcan can certainly see the flaw in her logic, correct?”

S'Talla turns to Sam and advises, “Use voice overrides.”

Sam can't stand looking at her friend like that, so she turns to her tasks and gives her voice commands, “Computer, this is Samantha Kelly, owner of Vulcan Enterprises, activating voice control of the helm.”

The computer responds in her original electronic tone, “Samantha Kelly of Vulcan Enterprises recognized. You have voice control of the ship's helm.”

Sam orders, “Set course for…”

Sam remembers the coordinates, she is highly practiced at working with numbers and more recently, coordinates, but she wants her captor to feel she and the rest of her crew are less of a danger. She looks to Gah to restate the coordinates.

He rolls his eyes and kicks S'Talla in the hip. S'Talla answers, “Three zero one five point two mark nine one nine seven one point eight mark six seven five one point six.”

“I knew a Vulcan wouldn't forget,” states Gah.

The Orion woman standing behind Gah speaks to him, “Chahdia and I have done what you said, we've earned our freedom, right? When we get to Kehtua'k station, you'll let us go?”

Gah leans back and reaches out to stroke the green woman's cheek. “Of course Mihnta,” he assures her. “I made a deal. I keep my promises.”

The port turbo-lift opens and three Orion mercs step onto the bridge. “We have searched the ship. Besides the two Bynars in sickbay, We only found one Orion woman hiding in one of the aft shuttles. That makes a total of thirteen new slaves. There is no one else.

Gah perks up. “One Orion woman. Bring her here to me.”

The Orion mercenary taps his com band on his wrist, and orders, “Bring the slaves to the bridge. Make sure the Orion woman is included.”

Soon, S'Talla, Sam, Skyvik, Sparro, Damian, T'Pia, Randool, T'Pree, T'Perl, Charlie, Spalloz, Naxx, and Cialoa are all gathered on the bridge.

When Cialoa walks onto the bridge, Gah claps his hands, “Now, my revenge is almost complete. Where is Mister Gruff, Cialoa?” Gah demands of the green woman.

Cia stares at Chavvo Gah with hatred.

Gah points his blaster at S'Talla. “Billy Gruff, you stayed on the Vulcan so, is Mister Gruff still aboard?”

Cia doesn't answer the hated slaver.

Gah screams at Cialoa, his blaster shaking in his extended hand less than a meter away from S'Talla's head. “ANSWER ME! Where is Billy Gruff?”

Cia takes a breath to respond when the Vulcan, in the electronic voice of a typical ship's computer answers Chavvo Gah's question. “Working… there is no one onboard by the name Billy Gruff.”

Gah grins thinly at Cia. “Was that so hard?”

Gah retracts his disruptor and addresses his nearest man. Leave four men on board to guard the Bynars, and beam our slaves to the Co'Enaggo. We are leaving.

On board the Co'Enaggo, in the transporter hold:

The Co'Enaggo's transporter hold is dingy and utilitarian with bare, unfinished paneling, lined with twenty cells to hold slaves, up to four each. The transporter has twelve stations for mass transporting of their live cargo. A force field contains the transporter area, until the crew can control the new arrivals.

The entire crew except Ya and Ne, Professor Kazzak, Dr. Gödel, and Art Santayana are being marched out of the transporter hold and into another mass holding area. They are each in handcuffs and led by Orion men wielding slaver's batons.

Chavvo Gah brings up the rear, when another Orion reports over Gah's com, “Captain Gah. We are unable to disconnect the Bynars from life support in the ship's sick bay. According to the ship's computer, their positronic implants were reset by the shock from our batons and their power connection was burned out. They won't be recharged and awake for two more days.”

Gah responds with annoyance, “It doesn't really matter. It will take two days to reach Kehtua'k station. Bynars can be worth a lot to the right clients. You have secured the Vulcan with a tractor beam?”

“Yes sir. We are en route to the Kehtua'k now.”

There is a pulse of energy that sends the deck shifting in a sudden lurch forward. Most of the personnel stagger back, a few fall. S'Talla and her restrained crew all keep their feet. They are braced, as if expecting such an event.

“What was that? What is going on,” shouts Gah, picking himself up off the deck. He taps a panel on the wall nearby and calls, “Bridge, this is Captain Gah, what just happened?”

“It was the Vulcan, Captain. We don't know what it was exactly, some sort of repulsion wave. It sent us hurtling apart at near light speed. Vulcan has broken the tractor beam and is escaping.”

“What about our crew aboard?” Gah asks in anger. “Can they bring that ship back under control?”

At that moment, four Orions enter the transporter cabin in a rush. “Captain, we have been transported off the Vulcan. There is no one aboard but those two unconscious Bynars.”

Gah turns to the other Orion slavers and orders, “lock-up the slaves. I am heading to the bridge.”
 
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Professor Kazzak's Lab:

Kazzak and Francesca Gödel are working at their calculations board.

“If we can balance the time-dimension equation to zero, we will be ready to conduct our next experiment, Francesca,” states the Professor.

Francesca nods agreement and is about to reply when the bay doors open to admit Art Santayana.

“Mis mis mister Sa Sa Sa Santay… ana?!” Francesca declares unnecessarily.

“Vulcan,” calls Kazzak, “I have asked you to keep my lab secured from ALL of the crew. Yet you have admitted the least of them.”

Vulcan apologizes and explains, “I apologize, Professor Kazzak, but this is an emergency and on the captain's orders. We have been boarded by slavers, you may remember Chavvo Gah.”

“If that is the slaver who has boarded us,” says Kazzak. “I remember a news report about him. You say he is now onboard?”

Art, now fully inside the lab and the door shut behind him, explains who Gah is, “Chavvo Gah is the Orion Syndicate's top slave hunter. S'Talla had captured him and passed him off to authorities when she arranged passage back to Vulcan for the engineers who wished to return, shortly after we left Halla Station. He was arrested, and tried, based on evidence of his conduct during his pursuit of the escaped slaves we rescued. They had asked for asylum…”

Kazzak waves Art to stop. “I understand enough, why are you in my lab?”

Vulcan answers, “Art is hiding from Gah, who has a personal interest in his capture. Captain S'Talla has a plan, but Art's presence aboard must remain a secret from Chavvo Gah. The door to your lab is fitted with holographic emitters. Your lab is the only place I can be certain to secure from discovery by Gah's men.”

Kazzak stops his efforts to talk Art out of his lab. “Very well, what is the captain's plan? I am sure Doctor Gödel and I can improve upon it.”

Ya & Ne, in the Professor's laboratory:

Vulcan is speaking, “We are hiding among a field of stripped and derelict ships adjacent to the space station. Thank you again, Professor, your reverse-gravity pulse was highly effective at breaking the Co'Enaggo's tractor beam. I believe Captain Gah thinks I have left the Klach D'kel Brakt entirely and have abandoned my crew. I was able to listen in to the bridge of the Co'Enaggo, while we were still in range. Their assumption is that Ya and Ne woke from their coma early and effected the escape.

Kazzak adds, “I was happy to test Francesca's gravity repulsion idea, but we must keep in mind that your cloak is not as effective inside the cloud. The displacement of gas as we move, makes it possible to trace our presence. Our approach to the station may have been witnessed.

Vulcan replies, “I have no indication that we have raised any alarms. However, we need to get closer before Ya and Ne can help me tap into the station’s computer systems. Your plan, Doctor Gödel, is the only way we can approach that close.”

Francesca nods her acknowledgement of Vulcan's recognizing her. She replies, “Th th the P P Pro Professor h h h has all all the respon respons responsibility. His his is th th the m m m most da da danger dangerous job.”

Art interjects, “I would argue that my job is the most dangerous, I'll be the reconnaissance team.”

“Indeed,” comments the Professor, “Ya and Ne will be risking the most, but none of that is germane to the job. Vulcan, it is time.”

Vulcan winds her engines up from full stop while she answers, “Approaching Kehtua'k Station now. You may hail them in five minutes.”

Kehtua'k Station, The Club:

Gah stands before a seated Klingon in business wear. The Klingon is happy to see Gah.

Chavvo Gah, you are my favorite person right now. That new fighter has proved his value, and worthy of his reputation. We are making a killing, literally.”

Gah gives a shallow bow, “He was a lucky catch. But today, I have a special request, and I think, a unique attraction to offer.”

Gah turns and beckons to his men. They move to reveal S'Talla, Skyvik, Spalloz and Spirro in shackles.

The Klingon stares, only a moment. “You brought Vulcans? Are you crazy?”

Gah rushes to explain, “These aren't any Vulcans, Chak'Truk! These are the ones responsible for my incarceration by the Federation. Rumor has it that they are wanted outlaws, Ah… ah… piracy, in fact. I don't know the details, but they are not going to be missed by any official Federation agencies.”

Chak'Truk fingers his bearded chin in consideration. “You're sure they will not be looked for?”

“Of course I'm sure.” replies Chavvo Gah, “You'll remember, the female, S'Talla, the captain, was never even mentioned during the trial. That's because…uh, the prosecution didn't want to taint their evidence. No, as far as the Federation knows, I was arrested by the owner of Vulcan Enterprises, a human woman. I was happy not to bring up the captain's name because I wanted a chance to settle my score personally.”

Gah turns to his men again and Samantha Kelly is shoved violently forward.

“It would be a great favor to me if you provided my “captures” with your particular brand of… entertainment,” Gah appeals.

Chak'Truk kept while he surveys Gah's merchandise. Gah stands before him, and lets the Klingon think in silence. “She looks sturdy, for a Vulcan,” he finally speaks, “but I think I should not take the chance. That other one you brought me is highly recognizable, as it is. I do not want Vulcans swarming all over my station. And the human woman doesn't look like she could last five minutes in the Pit.”

Gah says, “How about if I offer a prize? Yes, I have twelve slaves I will give to the Pit, and one prize to whomever defeats them.” Gah looks at Chak'Truk with anticipation, and says, “If you forego the usual entrance fees, I will give the Pit an attraction I guarantee will bring every station customer in to lay wage on their fighter.”

Chak'Truk looks skeptical, then runs his eyes over the Vulcans again. “What is this prize then?”

Gah makes one final gesture to his men and Cialoa is forced forward, along with T'Perl and T'Pia, and T'Pree. “It's lady's night, and the winner of the tournament gets the Orion woman. I had a special punishment planned for her, but if you allow me to enter my captures into the Pit, I will see to it that the ultimate tournament champion goes home with more than his winnings and a title. The winner keeps the fighters who aren't killed and the Orion woman. Believe me, I'm giving up a bounty worth all the rest of them, back on Orion. Anyone could collect it.”

Chak'Truk takes no more time to debate, “Done, let's have this tournament. The great Ghant will wipe the ring with your slaves.”

The Pit cages:

The fighter's cages are dark and sparse. They are boxed together in two rows, one on either side of a wide aisle. Ghant is shirtless and alone in his cage, the cages around him have multiple slaves locked in, two, three, four fighters per barred cube. At the end of the hall lined with the cages, doors slide open with a grating whisk, offering more light. A quiet settles when all eyes turn to watch S'Talla and crew being herded in. The diverse captures shuffle, arms locked before them to their shacklebelts.

Ghant stands from his bench and meets Skyvik’s eyes as the crew are led past, towards the empty cells near another set of doors at the end. Neither Ghant nor Skyvik make any sign of acknowledgement, S'Talla stays silent, not even turning her head. Sam starts, and calls, “Ghant” when she sees him, her step out of line is instantly met with the sharp static snap from a slaver's baton.

It is an efficient 45 seconds before they are all locked into four cells, their shackles removed.

“I think I'll put some money on this one.” Comments one slaver to another as he backs out of Skyvik's cell with four sets of shackles in his hands. Spirro, Damian, and Naxx occupy the cell along with the giant Vulcan. Sam, S'Talla, T'Pia, and T'Perl are in the next cell. Cia is not among them.

Sam goes to the bars, once the slavers have holstered their disruptors and left. “Ghant, what is this place?”

Ghant answers in a defeated voice, “A place of dishonor,” is all he says.

The big doors sweep open again and Gah walks in. He is confident and in familiar territory. The green slavehunter pauses in front of Ghant's cage and looks him over thoughtfully.

“I do believe you've lost that paunch around your middle Ghant. The ladies will appreciate that.”

The slaver moves on when the Klingon growls. “I will not keep your name.”

“Captain S'Talla,” Chavvo Gah calls, stepping past Skyvik's cell. He shifts is eyes nine Sam for a moment, “and Ms. Samantha Kelly. You should have stuck to shipping, instead of sticking your ship into my business.”

Gah turns fully to S'Talla. “Welcome to The Pit, Captain.” The Orion holds his arms out, gesturing at the cages that line the hall. “These fighters are all here to welcome you. Don't disappoint me, Captain. That little trick you pulled to imprison me was impressive. I'm betting on you to make me proud.” He chuckles. “If you win, I earn all my lost bounties back. If you don't… well, I still win. Ha ha ha.”

An opulent office on-board Kehtua'k station:

Chak'Truk is sitting at his desk, a bat’leth hanging on the wall behind him, the head of a rhino-sized, vicious looking beast mounted on the wall beside it. Chak'Truk looks up when a beautiful Orion office manager shows in four characters. A short cloaked figure is just leaving, and rushes past the four. Doctor Gödel follows the Professor in with Ya and Ne walking meekly between the slim Vulcan and Earthling.

The Professor is not wearing his goggles, and he is dressed in more formal, civilian clothing, no lab coat. He holds up the Vulcan hand greeting while the Orion woman announces, “Kazzak, of Vulcan, and his assistant Francesca Gödel, boss.

“It is odd to find a Vulcan out in this part of the quadrant, Mister Kazzak. Why are you here?” Chak'Truk makes no move to stand nor offer a hand in an equivalent greeting.

“Professor,” replies Professor Kazzak.

“What?” Kazzak's short answer was so unexpected, that even though the station owner heard the word, he reflexively asked “what?”

“Professor, I am a professor of the gravitic sciences with the University of Astro-Technologies. My associate is Doctor Gödel, and our assistants are Ya and Ne with the department of Cultural Augmentation and Exchange. We were nearby studying the gravitational characteristics of the local gas cloud when we discovered your station.”

Kazzak was not exactly abrupt, but his direct and emotionless exchange without any deference, could be interpreted as disrespectful by someone unfamiliar with the Vulcan culture.

Chak'Truk stood up. “Why are you here?” His impatience could not be mistaken, even by the socially oblivious Professor.

“To buy some slaves, of course.”

The Professor's direct and honest answer was even more unexpected than his statement about his title.

“What?”

The professor explained, “We are recording the gravitational distortions of the local gas cloud and the gravitational temporal transference rate…”

“The what?” interrupted the impatient station owner.

“The gravitational temporal transference rate. It is a measure of the local time variant observed by the comparative transfer rate of gravitational space-time distortions when bodies of mass change…”

Chak'Truk gestures a chopping motion that ends with his hand balled in a fist. “Stop. I don't care what a temporal gravity reference is. What makes you think you can come onto my station and accuse me of dealing with slaves?”

Francesca and the two Bynars start to fidget nervously.

“I suppose that is what I am doing by asking to buy some,” responds Kazzak in perfect calm. “Your station is unrecorded in any database, it is on the edge of the Klingon Empire, located in a region of space that naturally disrupts sensors and restricts warp travel, at least twelve of the ships moored in your station's transitory docking area are registered Orion vessels, and Chavvo Gah is here aboard his ship, the Co'Enaggo. He was just in the Vulcan News for his release from charges of illegal slave trading of Federation citizens. Logic leaves no doubt, this station is a depot for the illegal slave trade.”

Chak'Truk sits back down and grins smugly. “And you,” the Klingon crosses his arms. “Are interested in buying slaves? What currency could you have that might possibly interest me?”

The Professor turns to indicate the two Bynars.

“You want to sell the Bynars?”

“No. That would be illogical. I want to trade their services for two slaves and a small ship to help me measure three different axes of the cloud you call the Klach D'kel Brakt. I really only want to rent two slaves capable of piloting a small ship and reporting the readings of my equipment in real time. You can have them back.”

Chak'Truk leans back, “Look, I just promised fourteen workers, workers, not slaves, to some lunatic digging for a magical stone. This is a day for weird. If you want to borrow two pilots, I'm sure we can work something out, but I don't deal in slaves. I especially hate dealing with Vulcans. You provide me with something worth my time first, and we'll talk about what you need. Always get payment upfront with a Vulcan.”

Art finds “The Club”:

Arthur Santayana walks through the holo-doors to The Club, ignoring the advertisement for a magic show in the Twilight Theater. He scans the crowd, looking out for anyone he knows. “Vulcan, I see a few of the Co'Enaggo's crew, but I don't see Gah anywhere. Are you in the system yet?”

“Not yet, Art. I will let you know when Ya and Ne have given me access,” Art hears Vulcan through his cap. “Please be careful. Until I have access, I am blind to helping you. Do not allow yourself to be recognized.”

Art moves to the bar. “Don't worry about me. I'm in my element.” Art signals the bartender with a wag of his thumb.

“What can I getcha?” The Klingon woman asks with more civility than Art would have expected. On second glance, taking his eyes off the table of four Co'Enaggo's crewmen, he recognizes an interested glint in the woman's own eyes. He smiles at her. “An Andorian ale will do for now, but…” Art winks at the bartender, “you never know what later will bring.”

The Cages:

Skyvik watches a pair of big Orion males enter. They have slaver's batons and approach his cage. They grin at Skyvik. “You're a bit old, but it will be interesting to see what you can do. First, though, we'll take the little guy. Don't worry, you'll get your turn.” They step past and move to open the cage with Charlie, Randool, and Damian in it.

One of the two says, “I'd tell you to move back against the wall, but you haven't learned that lesson yet, so…” He and his partner both raise their batons, point them through the bars and press on their triggers to stun Randool and Damian. An electrical charge jumps from the tips of their batons, like miniature lightning bolts. Charlie stares at his cell mates shaking on the floor.

S'Talla speaks calmly from her cell next to Charlie, “Charlie, do not kill anyone.”

Charlie whips his head around at S'Talla as his two handlers start to laugh. Then one aims his baton at Charlie.
 
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The Pit:

The Pit is a circular fighting ring, the floor is a plasticized textured surface that provides good footing. The ring is approximately 30 meters across and sunk three meters into the floor with sides sloped down at a 60 degree angle so the seats that surround the ring can see easily down into the action. There is also a thin layer of loose silicate chips that help to absorb any spilled blood. No one wants to see their fighter loose because they slip on their opponent's blood.

Charlie sits up, he’s in the center of The Pit. He blinks his eyes up at the watching crowd, turning his head to see they are seated or standing all around. Then he turns towards Chavvo Gah standing ring-side when the Orion slave hunter yells into a microphone.

“Gentlemen, and ladies, tonight we have an exciting new open entry series planned for you. Raise your friends on your comms and tell them not to miss this event. Tonight, I have brought you twelve fresh fighters to face your favorites in The Pit. The winner of this tournament will be crowned The Pit Master, and they get to leave with the title, and all surviving slaves. In addition…”

The crowd volume increases with excitement. Gah gives them a moment. A cage lowers from high overhead. An Orion woman is inside wearing a skimpy Orion pleasure-slave costume.

“In addition, the cage overhead contains the Grand Prize. Her name is Cialoa, and the Orion Syndicate has a bounty on her worth ten… million… credits.”

Cheers and whoops erupt. People start calling their support and a few start pushing to get an entry into the fights.

Cialoa stands, legs facing against the movement of the cage, she is gripping the bars and her face conveys a mixture of fear and anger.

Charlie looks up and calls with concern, “Cia!”

Gah announces again, “We have a lot of high quality entertainment for tonight, so we'll start it slow with the youngest and smallest of my… team. Let's hear it for… The Kid!”

A few calls of excitement from the audiences, but most are waiting.

“The Kid will be facing… Ranfah Claw! Claw has fought in no less than twenty battles in The Pit. He has two kills, but I wouldn't count The Kid out. Humans can be very surprising sometimes. Let's see if The Kid can survive to move up to the next round.”

A buzzer announces the opening of the doors to the cages and a slim, wiry figure with broad shoulders steps from the dark into the light of The Pit.

Cheers rise up and Claw raises his arms, while watching Charlie.

Charlie is on his feet. He hears S'Talla's voice in his head, ‘Don't kill anyone.’ Charlie kicks his shoes off and squares himself. He lifts his hands into a boxer’s stance and passes his left thumb across the tip of his nose.

Claw advances. He's almost ten centimeters taller than Charlie. “Give up now, Kid, then I won't have to hurt you.”

Charlie straightens up and lowers his hands. “Then don't. I'm not here to…”

Claw charges and levels a punch at Charlie's chin. Charlie ducks and turns aside, allowing the man to stumble forward. Charlie crouches, placing one hand on the man's forward instep, locking the foot in place, and pushes against the top of his opponent's thigh, causing the man to collapse backward and land on his coccyx bone.

Ranfah Claw yowls his pain, and scrambles to his feet, holding his hand to his tailbone.

The crowd boos. Gah laughs, then says into the microphone, “I told you, humans could be surprising. Who wants to bet on The Kid?”

Ranfah Claw charges again. He punches and punches and punches and punches. Charlie dances, moving left, right, left and back, turning, and finally directing. Not a single punch lands. Charlie turns the angry man, and his foot crosses Claw's ankle, sending the bigger man tumbling. Again, Ranfah Claw lands, after a flip, on his coccyx bone.

Ranfah Claw makes his pain known again. This time, the crowd doesn't ‘boo’ Claw, they cheer Charlie.

Claw is getting tired. Charlie is not even winded. Charlie backs off while his opponent carefully stretches out, turning half onto his side to keep from pressing his tender coccyx against the ground. Claw breathes heavily and moves slowly. The crowd yells, “Finish him! Finish him!...” down at Charlie.

Claw is up again. He is all defense; his aggression is

gone. He prepares to block, moving back when Charlie meets his eye. Charlie doesn't advance.

“Finish him!” the crowd chants. Gah speaks into his PA, “Finish him, kid!”

Charlie glances away from Claw, up at the crowd and across to Gah. Claw charges again, screaming his pain and frustration, and fear, at the top of his lungs.

Charlie's instincts bend his knees, duck his torso, and brace his legs as Claw grabs the air above him. Claw is bent over across Charlie's back. Charlie lifts Claw's weight and the larger man's momentum carries him into a flip across Charlie's back, to land on his own back square on the ground on the other side of Charlie. The crowd explodes in approval.

Space, outside the station:

Vulcan waits alone among the station's guest moorings, in free orbit, clustered around the shuttle ports and hard docks. Her calculations and vigilant activities play out on the main screen of a vacant bridge. She allows her internal processing screen space as sort of a thoughtless doodle while she tries to think of something useful to do.

She can't just wait for Ya and Ne to complete her connection to the station. Vulcan organizes her sensor readings, first with an assessment of the station.
‘Kehtua'k station’, List of attributes:
Known statistics, dimensions:
Length: 1492 m.
Width: 1492 m.
Height: 590 m.
Mass: 4.1315 × 10⁹ kg.
Location: 3015.2, 91971.8, 6751.6 cgc (common galactic coordinate)
Database Entry: null
Ship manifest: n/a
Communication: Subspace protocols (status: hyper-encryption [unknown]) pending
Computer connection protocols: unknown
-
Observed vessel residency (vessels moored at Kehtua'k station):
Inter-planetary micro-fraighter 0001 - unknown (physical description - reference key 394612)

Inter-planetary modified transport 0002 - unknown
(physical description - reference key 394617)

Inter-planetary light transport 0003 - Frax T’Tyya
(physical description - reference key 394623)

Inter-steller light-fraighter 0004 - J'Akk'Icco (physical description - reference key 394631)

Inter-planetary light gunship 0005 - unknown
(physical description - reference key 394657)

Inter-steller cruiser 0006 - unknown
(physical description - reference key 394669)

Unknown 0007 - unknown configuration (physical description - reference key 394673) Cross reference, Vulcan/Federation database: Null search.
Cross reference, Romulan database: Null search.
Cross reference, Klingon database: Null search.
Cross reference, Epsilon-Hydra database: Encrypted.
Conclusion:

“Vulcan, Ya to Vulcan, you have access.”

Vulcan interrupts her research of the ships in the mooring field to answer Ya's communication, although she did not need to. Vulcan is capable of caring out hundreds of thousands of simultaneous parallel processes at once. “Vulcan here. Acknowledged, I am connected, executing handshake and running OS format analysis now.”
A few high frequency pulses and the data tree appears on her main screen, replacing her research doodle.

Vulcan informs Ya and Ne, “I am successfully connected. I am in the Station. Thank you Ya and Ne. Tell the Professor and Doctor Gödel, I have located the rest of the crew. They are in an area called The Pit. I am informing Art Santayana now.”

The Club:

Art is talking with the Klingon bartender when another barfly waves her over. “Hey barkeep, turn on the fights, I just got word there's a new guy about to take down Claw.”

Another customer was just walking up to the bar to make the same request. “Yeah, I want to watch the fights. My partner says it's hilarious. Claw can't even touch The Kid.”

The Klingon woman taps a panel behind the bar and a holoscreen expands over the shelves of bottles behind her.

She returns back to Art and leans on the bartop to refresh Art's drink. “What's your name?” she asks.

Art smiles at her again, and answers, “Billy, Billy Gruff. Hey, listen I'm trying to find…”

A burst of laughter and applause causes Art to look at the screen. He sees a smaller fighter bend down and crouch to avoid the larger man's charge. The larger man almost sprawls across the small guy's back when the smaller guy just shrugs while snapping his legs straight, and the big man flips directly onto his back, sprawling across the silicate covered deck. The larger fallen combatant arches in pain and both hands swing under him to grab his buttocks. Another round of laughter.

Art is about to re-engage with the bartender when the smaller man straightens up, and Art recognizes Charlie.

“Hey, where is that?” Art asks the woman. She doesn't even turn to look. “The Pit.”

Art meets her eyes. “I need to go there.”

“Art,” speaks Vulcan through Art's cap. “I have located the crew. They are in an area called ‘The Pit’.”

Art gives the Klingon bartender a regretful look, “I'm sorry to leave, but I need to go to The Pit. I'm on my way Vulcan.”

“Klingon! I am Klingon. Come back when you're done, I'll buy…” Art has already left. “Damn good looking, for a Human,” the woman mutters to herself as she turns to take another order.

A broad thoroughfare curving gently through the main commercial deck of Kehtua'k Station:

The hallway is wide and crowded with motorized traffic, robotic transports, and hundreds of Klingons, Romulans, Humans, Orions, Tellarites, Andorians, and other species. Most are dressed in a mish-mash of styles and work clothes.

Art strides past all of it on his way to The Pit. He is momentarily distracted when he sees a sight advertising The Great Zaddius & Co. Next week in the Twilight Theater. Nothing he can do about that.

“Vulcan, I'm in the main corridor, which way to The Pit.”

“I see you. You are heading in the right direction, a bank of lifts is to your right, take one to ‘S’ deck. ‘S’ as in ‘stables’. It is twelve decks below you. The visual feeds show signs pointing traffic to The Pit.”

“Hey hey hey, where to so fast? I have a big sale going on here. Stop and check it out.” A Tellarite stands in Art's way.

“I don't have time.”

The Tellarite sets his stance belligerently and crosses his arms, “Of course you do,” he argues politely. “Saving credits is worth your time.” He uncrosses his arms and tries to herd Art towards his shop. “There's always time for a great deal!” The Tellarite places one hand in the small of Art's back and gives a solid shove in the direction of the shop entrance.

“Ha ha, not today, big fella.” Art does a quarterback spin out of the being's “guiding” hand and breaks for the lift bank. “Maybe later,” he calls over his shoulder.

The Cages:

Charlie is back in his cage and Chavvo Gah comes in with a huge grin. “That was fantastic, Kid. You really got the crowd stirred up.” Gah says to the two guards, "Bring out the Captain next.”

The guards advance with batons drawn.

Chavvo Gah moves to talk to S'Talla through the bars of her cage. “I really should wait. I have a feeling you will be a real crowd pleaser, but I just can't. I want to see this match.” The green Orion slave hunter looks out to the ring, then looking around at his captives he says, “I can't play all day. This crowd can get ugly fast, so, see you in The Pit.” Gah trots out through the fighters’ doors to center-ring. He raises his hands. Someone yells, “Who's next, Gah?” The crowd starts chanting, “Who's next? Who's next? Who's next?…”

The Pit:

“Calm down,” back out at center ring Gah pleads gleefully into his microphone. “You know it's Ladies’ Night in the Pit. I know you enjoy it when the ladies get their turn too, and I have no less than five beauties waiting to give you a show.”

There are cheers and whistles. The crowd gets excited. “Who's next? Who's next?...”

“Okay, okay. I'll tell you. Who likes watching Sasha d'Bomb?”

The crowd roars.

“Yes!” Gah waves the crowd down. “Sasha d'Bomb has lasted longer in The Pit than any other female warrior. She is a true champion with no less than ten, that's TEN KILLS.” Gah waves the audience down again. “You don't know this next fighter, but I do. She's tough, and she's skilled, and I have brought her here just for your entertainment. I think Sasha may meet her match with this one. Give your best encouragement for… The Captain!”

The crowd eats Gah's words up. They applaud, and gasp appreciatively at the prospect he has described.

“Now remember,” Gah holds up a finger high over his head. “The prize is a bounty of ten…million…credits.”

Gah steps up onto an open lift that had lowered into the ring while he introduced the next match to the crowd. As the lift raises, lifting him out of The Pit, he points at the cage perched now on the far edge of the ring. Cialoa stands inside. An admiring crowd is inspecting her through the bars. “Enjoy the fight.”

Two opposing doors open, and Sasha d'Bomb, a large, muscular Orion woman strides into the ring. The crown loves her. She throws her arms in the air to the cheering approval of the crowd.

From the dark of the opposite side door, S'Talla steps through, two baton waving guards right behind her. The crowd greets her arrival with the enthusiasm of people who have just been promised a great show.

S'Talla does not respond to the crowd. She looks across the ring at Sasha, and as soon as the heavy reinforced doors clang shut behind her, she falls into a cross ankled seat on the ground and closes her eyes in meditation.

Her unexpected maneuver creates a silence for the first time in The Pit. Sasha glares at the tall Vulcan woman in confusion. Sasha queries the crowd with a look, then bounces on her toes, psyching herself up to start the match. She lets out a challenging yell across the ring. S'Talla's calm is imperturbable. Not even her lashes move.

Sasha charges. She has the whole ring to cross, and she is going to hit S'Talla as hard as she can. S'Talla remains unmoved. Just as Sasha reaches the point of total commitment, S'Talla focuses her mind on the charging green woman. She barely whispers her mental suggestion, “Stumble.”

Sasha d'Bomb stumbles and S'Talla leans to her right. Sasha trips and flies right past the seated Vulcan, wheeling head-first into the heavy doors directly behind S'Talla.

The vibrations of the impact are felt by the feet of the front row spectators standing and leaning against the edge of The Pit walls.

Inside the cages, Sam jumps at the reverberating sound of the crash.

“Boo! Boo!” groans the crowd.

Sasha lays stretched out, unconscious, next to S'Talla.

Gah is livid. “What are you doing?” he demands from above S'Talla’s seated position. “Fight!”

S'Talla opens her eyes and looks up at him, “I will not fight for you, Gah.”

“Then you will die, and so will anyone who doesn't kill you!” Gah pulls his disruptor and aims it at Sasha. The dazed woman pulls herself up on hands and knees. Her eyes are glazed and she rolls into a sitting position, back against the angled side of the ring. She is not with-it enough to do more. Gah's disruptor flashes and her molecules disburse.

S'Talla stands and turns towards her cage door. She suddenly turns her head and finds Art Santayana in the watching crowd. Her eyes don't linger any longer than to let Art know she sees him.

The crowd is discontent and S'Talla's receding into the cages is followed by many boos.
 
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Art moves through the crowd, trying to find the way to the 'Stables' beneath the bleachers. “Vulcan, can you bring up a map of The Pit?”

A 3D HUD showing a schematic of the immediate area appears before Art, the level above and the level below. “Woah! Nice Vulcan, thanks.”

“I am afraid I do not know what you are referring to, Art.”

Art looks around to see how people might be reacting to the holographic heads-up display floating in front of his face. It disappears as soon as he looks away, but reappears the instant he looks back. No one around him seems to even notice.

Art says to Vulcan, “You are sending me a hologram of the station's layout?!?”

“I am not,” declares Vulcan. “Are you seeing a construction layout?”

Art bumps into a couple of fight fans, as he follows the schematic to a short flight of steps down behind the bleachers.

“Yes,” he says to Vulcan. “It's a hologram floating directly in front of me. But, no one seems to notice it.”

Vulcan speculates, “I would guess you are seeing an optical illusion generated by your cap, an image projected directly onto the rods and cones of your eyes. I can see you through the station's visual surveillance system and there is no hologram floating in front of you.”

Art smiles, “This cap is crazy. I can't believe Naxx gave it up over a game.”

“I think he did not believe you could beat him, and, even though Naxx is a professional spy, when you did win, he felt honor bound to settle his debt.

“Don't miss your turn. To your left, Art.”

“I see it, thanks.”

Art comes to a plain door at the end of a back corridor. There is a utility transport hover-carry vehicle sitting against the wall, next to it.

“My cap should be able to unlock this door!” The door whisks open, and two Orion men step out laughing. They look up right into Art's eyes. He recognizes them from Chavvo Gah's crew, and they recognize him.

“You're that Billy Gruff guy!” declares one of them. Their eyes widen in surprise for a second, then the other Orion shouts, “Get him!”

Art turns and runs. They give chase.

Art races just ahead of his pursuers, turning into the main corridor. He weaves his way through the light crowd, a large Tellarite steps in front of him, forcing a lateral shift to the right. The closest Orion crashes into the Tellarite, who absorbs the collision with the typical grace of their species.

“Hey, you uncouth moron! I'm going to teach you to look where you're going,” he snorts and grabs the taller, but not larger man by the arm. This forces the two Orions to stop long enough to both shove the belligerent individual to the floor. Art gains ground and heads back up the stairs to the area bleachers.

-

The Cages:

S'Talla has taken a meditative seat on the floor of her cell. T'Pia, T'Pree, and T'Perl are gathered nearby, when the two slavers return to collect the next fighter for the ring. Another two Orions follow and the four of them open the womens’ cage.

Three each cover T'Perl, T'Pia, and T'Pree with their slavers batons and the fourth turns to S'Talla, his own baton at the ready. “Do I need to put the others down to get your cooperation?”

“I will not fight,” replies S'Talla calmly.

The big Orion male says, “The boss has decided you are better outside the ring. Follow us, and cooperate, and we will not be forced to hurt your crew.”

S'Talla stands.

One of the other slavers holsters his baton and brings out cuffs. S'Talla turn so he can set them around her wrists.

The bigger Orion directs, “You will follow me.”

All five retreat from the cell and close the bars again.

S'Talla is led out, at the opposite end of the hallway from the fighting ring. The two original guards remain.

“The boss thinks we need to up the anti for this next round. So, I need two volunteers.” they both chuckle, and one points to Damian Apollonius. “You are volunteering. And, you.” His finger stabs towards Naxx. Their batons level and soon all the occupants are stunned before the Orions open the cage.

-

Chak'Truk's office:

The big Klingon is standing over the shoulders of Ya and Ne. The two Bynars are working at a computer terminal.

“As soon as my techs have verified their code, I'll transfer it into my main system,” Chak'Truk tells Professor Kazzak and Doctor Gödel.

Ya and Ne stop working and turn to Chak'Truk, “We have optimized your water recycling process,” explains Ya.

Ne picks up the explanation, “fixed a recursive looping code error in the docking management, and mass balancing software.”

Ya continues, “Added an error-check routine to your entry-registration.”

Ne adds, “Integrated the public communications pole timing with your firewall to strengthen your protection from viruses,”

Ya finishes, “cleaned nineteen viruses taking up eleven terabytes of memory, and interfering with,”

Both continue together, “the employee payroll and accounting software.”

Chak'Truk questions, “Viruses? How have you found viruses in my computer? That is an isolated terminal. You shouldn't have access to payroll.”

Ne answers, “This terminal is not isolated.”

Ya explains, “It is directly connected to your mainframe system, only separated by a basic,”

Ne concludes, “and underdeveloped firewall.”

Ya and Ne add helpfully, “We can write a more robust firewall.”

Chak'Truk takes a deep breath to refocus his sudden anger at the virus news. He turns to Kazzak. “They work fast,” the Klingon comments, “I will buy them from you. What is your price?”

Kazzak says, “I do not sell slaves, but perhapse we can talk about a rental?”

-

The Arena bleachers:

Art clears the stairs and looks around quickly to decide where to go. He sees two cages holding two women, one green, wearing the skimpy costume of an Orion pleasure slave, the other, in an equally brief pleasure slave outfit with a light bluish tint to her skin. Her deep black hair hangs long and unbraided so it took Art a moment to recognize S'Talla.

Art didn't take time to think, he heads towards S'Talla and Cia, while Chavvo Gah stands on the other side of them speaking to the crowd.

He is saying, “I have decided to give you an even greater incentive to fight for. Get your warriors ready to win, because I am offering, not one, but two prizes. You saw how docile our second prize is, so I am including her in the trophy cages to help make the fighting even more exciting.”

Art is barely ahead of the two Orion men chasing him and he finds a row of occupied bleachers against a chain fence separating him from the two women in their cages. Art jumps on the first seated fan in the row of spectators, stepping on a knee, then up to a shoulder, and finally he springs off the head of a Klingon sitting against the partition fence. Art hits the top of the fence and is over before the Klingon stands up to protest. The Klingon ends up facing the two Orions who nearly collide into him.

Art lands next to S'Talla. He tries to stop and look for the door to S'Talla's cage when Chavvo Gah spots him.

“Billy Gruff!” he roars. “Now my revenge is complete.” The Orion captain drops his microphone and bellows to some of his crew nearby, “Get that Crikkoh!”

Art runs. He sees a doorway down and races through.

Cialoa watches Art disappear and she sighs. Then, she turns her attention back to the young, robust Orion standing guard nearby. “You are not joining in the chase?”

The Orion answers, “I was ordered to stay and guard you.”

Cialoa had been releasing a steady flow of her pheromones, and could see they were starting to have their affect upon the young green man as he admires her beauty.

“What's your name?” Cia asks.

-

Down in the The Pit, Naxx and Damian are getting up from being stunned and dragged to the ring. Two opponents, both Tellarites, enter from the other side. Damian says to Naxx, “I hope you can fight, because I have never been in one.”

“I have some training.” Naxx says. “You just be the distraction. I think that will be easy with Tellarites.”

The Tellerites start advancing. The one on the right has a patch over one eye and begins taunting them. “I've never toyed with a Coridonite before. But Humans are great fun.”

The other Tellarite joins in on the taunting. “That's right. The last Human couldn't seem to hold himself together. His arms came off way too easy.”

Naxx whispers to Damian, “Go for the other eye. Then keep moving into his blind spot.” Naxx steps apart from Damian, dividing their two opponents so Eyepatch is facing Damian, and the other Tellarite turns toward him. Naxx expands the distance a little more, bringing his arms up, his hands folded back, his wrists and forearms blocking the view of his hands from his opponent.

Damian tries to keep his distance from the eyepatched Tellarite, circling to the side with the eyepatch.

Naxx's opponent lunges and Naxx snaps his fingers into both eyes of the charging Tellarite. This causes the bullish fellow to blink and flinch backward in defense. The Tellarite opens his eyes again and Naxx has disappeared.

“Where…?”

He doesn't get time to finish his vocal wonderment, because as soon as he blinks from the finger snap, Naxx drops to the ground, out of his vision, and rolls aside. When the Tellarite turns to look for his opponent, Naxx rolls back and stands, now behind the big being. Naxx strikes, taking out the Tellarite's knee and wrestling him into a sleeper hold.

It is expertly applied. Naxx checks on Damian, while he pulls his elbow under the heavy chin and cuts off the flow of blood to the brain.

Damian is fighting a purely defensive fight. He steps to the side of the eye patch over and over. When the Tellarite has his back to Naxx, Naxx yells at Damian's opponent, “Hey Moron. Your idiot partner's down.”

The standing Tellarite turns to look, and Damian leaps in, and jabs a thumb into his opponent's good eye. The Tellarite covers his eye with his hand and walks around completely blind, swinging one arm back and forth trying to swipe at Damian.

The other Tellarite finally falls unconscious. Naxx lets him sprawl, then gets to his feet to help.

The Tellerite yells, “You stupid Gekk, I'm going to…”

Damian trips the big Tellarite onto his back, and Naxx strikes him in the temple, knocking the Tellarite out side by side with his partner.

-

Up by the cages, S'Talla watches and concentrates, mentally holding the two Tellarites unconscious. Cia blows a dense mist of pheromones at her guard. “Jarnos, I like you. It's too bad someone is going to win me; I think you and I should be together.”

Jarnos gets dreamy eyed when Cia's waft of pheromones reach him. He moves closer. “I like you too, there's something about you that I've never felt with any other woman, but there is nothing I can do about that. Chavvo Gah would kill me, and you too.”

The crowd drowns out their two voices with cheers for a second, Cia looks to the lock on her cage. “You and I, you know, we could be together, without Chavvo Gah, if you open the cage. We could escape together.”

Jarnos considers. He looks to where Gah is now down in The Pit, the two winning fighters being herded back into the pit cages, their Tellarite opponents being dragged through the door of the opposite wing. Jarnos moves to the lock on Cia's cage. “Yes, we could be together.”

The crowd starts a chant, “We want The Ghant! We want The Ghant! We want The Ghant!...”

Cia says, “We could. But you have to help me and my captain escape. We have a ship.”

Jarnos looks to S'Talla meditating in her cage, then reaches for the lock on Cia's cage. He has a key in his pocket.

Gah tries to settle the crowd down. “Don't worry, you'll get to see The Ghant, but next…” Gah begins telling the crowd about the next match, “Let's do this again. Like I've said, it's Lady's Night. So here are the ladies.”

Once again, Gah is on his lift, rising from The Pit floor. He points to S'Talla and Cia's cages, “Don't forget, if you or your fighter wins you get two slaves and the title Pit Master.”

Jarnos pulls back from unlocking Cia's cage. “We'll be wanted, on the run from Gah.”

Cia blows another puff of pheromones at her besotted guard. She says, “It's the only way we can be together.”

“No!” Jarnos says, “There's a better way.”

“Jarnos, no!”

Jarnos squares his shoulders, “I'll win the tournament tonight.”

“You can't, Jarnos. You… you'll get hurt,” Cialoa protests.

“I can win. Love will conquer. Then we're free.” Jarnos backs away and turns, running down the stairs Art had fled down minutes before.

S'Talla says to Cia, “This is in our nature. We can not let emotions rule. We do what we can and the world moves as it will.”

Cialoa says, “But what if I have killed him?”

S'Talla answers, “Unless you strike the blow, or spring his trap on purpose, you are simply part of the natural order that led to his end. It is to be.”

“I wish I had your certainty.”

-

The cages:

Art found the Vulcan's crew. He is hiding from his pursuers and opens a locked door with his cap when Vulcan speaks to him. “That door, Art. To your right.”

The reinforced door grates open and Art ducks in. The cages line the hallway ahead of him and Sparro spots him.

“Mister Santayana. It is good to see you.”

Art says, “Lock!” to the door. He grins when a click sounds. He leans to one side of the door frame at the sound of pursuers on the other side. “It's locked. Keep going, he must have gone up.” It's a heavy door, and the sound of his pursuer’s feet retreating are hard to hear.

The echo of the crowd starting a new chant comes down the hall from the arena.

Art looks in the cage next to him and recognizes Ghant. That's when Art hears what the chanting is saying.

“... The Ghant! We want The Ghant! We want The Ghant!...”

Art asks of the Klingon, “That's you?”

Ghant replies, “Yes. I was undefeated champion of the Fire Ring six years in a row, so they know who I am.”

“I'm going to get you out,” informs Art.

Ghant stands and faces Art fully. “Do not. I have dishonored Waugg A'nol, Toallas, Waugg'ta and Trinn."

Sam hears from the other side of Skyvik, Sparro, Naxx, and Spalloz's cage, and says to Ghant, “I know that can't be true, Ghant. You are not capable of dishonor.”

Ghant looks appreciatively over at Sam. “I was the one who told Chavvo Gah where he could find you. I told him you were heading to Epsilon-Hydra Seven. I stole Waugg'ta's and Trinn's honor in sacrifice by speaking up, to stop Gah from killing them. Now I have to live out my dishonor here, in The Pit as their freak show.”

Skyvik speaks for the first-time since entering the cages. “Your primary job was to protect Waugg'ta and Trinn. There was no honor in doing anything else.”

Ghant stares at Skyvik for a long silent moment, the crowd chanting his name in the background.

“I have no choice. Your lives were not mine to sacrifice.” Ghant answers.

Sam said, “We are all glad you did what you did. It was the choice we all would have wanted you to make. You have held your honor by allowing us the same honor of saving Waugg'ta and Trinn, too.”

The doors to the arena open and light floods in. Art has nowhere to go. Naxx hisses, “Hit the ground, Art.”

Art doesn't think, he just drops to the ground up against Ghant's cage. His dark jacket blends with the floor, in the dingy glare from the open arena doors. Luckily, the two guards don't walk past the women's cage. They open the bars, point their batons, and demand, “All four of you!”

Art glances up, Ghant moves to stand near Skyvik’s cage. The two guards have their backs to Art while they herd Sam, T'Pia, T'Pree, and T'Perl into the ring.

“After you ladies, The Ghant gets to show the open entry fighters who the real Pit Master is.”

Art gets up. He moves to attack the nearest guard from behind.

The women are filling out into The Pit's arena, the guards menacing them with their batons before turning back into the cages again.

The door closes, Art moves closer.

The guards turn around and come face to face with Art. Art shoulders the guard on his left into the bars, and grabs at the baton of the guard on the right.

Taken by complete surprise, the guard loses his grip on his baton and it goes flying. But, the Orion rallies and punches Art straight in the face. Art reels back and the guard follows up, kicking Art in the chest. Art falls, and rolls backward, coming back up on his feet. He holds his bleeding nose with both hands. The bigger Orion advances on Art, and takes a fighting stance. “The boss is going to enjoy having you to torture, if you're still alive when we're done with you.”

Art steps back another step and notes the other guard laying on the ground with Charlie standing against the bars next to him.

He says, though his cupped hands, “You know your partner is down?”

Art's opponent grins, “Nice try Billy. How's your blood smell?”

“No, really. You're all alone.” Art steps backward another step, while pointing behind the guard. He moves his hands into a defensive position, blood still drips from his nose, covering his chin.

The wider gap between the two allows the Orion a chance to take a quick glance behind him. He is now angry when he turns back around. “You're dead!”

He rushes Art and gets his own punch in the face. Their momentum carries them both to the ground. Art hits his head on the door at the other end of the hallway, stunning him for a moment. He wishes the door had been opened. They both scramble to their feet and Art braces against the door, but it sweeps open with a harsh grating noise. The guard lunges again to kick Art through the doorway. Art hits the wall across the outside hallway and coveres his head, ready to be battered by the guard some more. There is a sharp electrical snap and Art ventures a peek inside the cages again. The guard is down, quivering uncontrollably on the deck. The big Andorian in the cage is holding the lost baton.

Art stares at the blue man, and he smiles at Art, then thrusts a hand out through the bars. “Noahan, we met over poker once, Mister Gruff. I lost, but no hard feelings.”

Art looks down at the guard, he has stopped quivering, and twitches once before laying still. Art takes the Andorian's hand.
 
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The four female crew stand in the arena looking around. Sam and T'Pia stand shoulder to shoulder.

“Can you fight?” asks Sam.

“No,” answers T'Pia, “You?”

“Charlie and Skyvik have shown me a thing or two.”

“Sam, I am with you.” Sam hears S'Talla's voice in her head. Her instincts tell her to look up and to her right. She sees her best friend dressed as an Orion pleasure-slave, meditating in her cage. Cia is in another cage next to her. Her expression is worried, maybe terrified would be a better description.

Sam creates a mental picture of Art in the cages, ready to unlock them.

“We are blood sisters, I hear your thoughts, Sam. I will do what I can to help.”

Sam takes comfort in that until the opposite doors open and four angry looking and very muscular women file out. They take up a position facing the Vulcan's crew, two Orions in leather fighting harnesses and two Klingon women in an abbreviated semblance of Klingon battle armor.

T'Pree says, “Logic does not appear to be on our side today.”

T'Perl says, “Charlie says it's not about power and size. It's about decisiveness and redirection.”

T'Perl raises an eyebrow.

“Fight!” Someone yells.

The eight women clash.

In Chak'Truk's office:

Vulcan speaks to Ya and Ne through their implants. “Ya and Ne, You, Kazzak, and Doctor Gödel need to leave now. I can beam you up once you are outside Chak'Truk's office. I have sent the evidence of his illegal slave trading and fighting, as well as several other criminal activities, to the Romulans, the Klingons, the Orion Syndicate, and the Federation. I am unlocking the Stable and The Pit cages now."

Professor Kazzak is explaining his need for a three point simultaneous measurement of the Klach D'kel Brakt nebula to Chak'Truk.

“In order to get the most accurate data, I need to capture readings precisely at the same local temporal offset from positions exactly perpendicular to the three major axis…”

“Professor,” interrupts Ne.

Ya joins in, “If we don't leave right now, the temporal calibrations window will be gone,”

Ne completes the thought, “and it won't matter if the mass traversal delta is measured at one or three positions.”

Ne implores, “We must leave now.”

The two smaller beings each take a hand of the Professor's and Doctor Gödel's, and began pulling them towards the door.

“What exactly is a temporal calibration…”

Francesca gives the professor an elbow in the ribs along with a significant look, but avoids saying words that she will have difficulty getting out.

“Oh yes, of course, the calibration window,” agrees Professor Kazzak. “All my work will be wasted if we miss the calibration window.” He allows himself to be led towards the door of Chak'Truk's office.

Chak'Truk watches them leave. He is mildly confused.

“Stop!” the Klingon demands. Kazzak hesitates in the open door, then alarms go off and the station's computer announces, “Security breach in the Stables. Security breach in The Pit. All slaves have been escaped.”

“Run!” yells Kazzak.

Chak'Truk pulls a blaster from his desk and leaps to chase the four.

The computer continues its announcement. “Warning. All ship moorings have been released. There is danger of multiple collisions. All ship moorings have been released. Multiple collisions are imminent. Multiple collisions are imminent.”

“I will kill you!” cries Chak'Truk and levels his blaster as he races into reception. Only the Orion woman is there, scrolling frantically through the controls on her display, trying to turn the moorings back on.

The Pit:

Sam breaks a Klingon woman's grip on her dress collar, rolling the woman's wrist over, twisting her arm into a wrist-lock. The top of Sam's dress tears. Sam, terrified and excited by the situation, keeps the pressure on the Klingon by swinging the woman around until she slams into the Orion who has a grip of T'Pree's hair.

T'Pree, bent over in the Orion's control, cries out in pain, but is able to straighten back up when the green woman tumbles away under the weight of the colliding Klingon. “Thank you,” T'Pree breathes heavily to Sam.

T'Pia is in a clutch with the other Orion woman, both are pulling and struggling to get the advantage, when they turn and T'Pia sees T'Perl on the ground, under the second Klingon woman, kneeling on her chest. T'Pia gives a hard pull and hurls the Orion away, sending her tumbling backwards across the Pit floor. T'Pia turns to pull the Klingon off T'Perl, but T'Perl grabs the woman's hair, tugging down, tucking the larger woman's chin under. At the same time, T'Perl kicks up and throws the woman off, over her head.

Alarms go off and lights begin to flash on The Pit.

The Cages, Section 2:

Section 2 of The Cages is not filled with slaves the way the cages that hold the crew of the Vulcan is. This is the staging area for the volunteer fighters and the slaves entered into the ring by private owners. The area still contains barred cells, but many of the combatants are free, while others still remain behind locked doors.

Jarnos is led into one of the cells, to wait for his match.

The guard tells him, “I've seen the guy you're matched up with, Jarnos. He's a Vulcan, almost as big as The Ghant. You sure you want to fight today?”

Jarnos is not small. He's in great shape, and he is feeling confident. He is ready to win, to be with his love. “I have to win the tournament today.”

“You got it. I would put money on you any other time, but…” the guard shrugs and walks away to other tasks.

Jarnos hears a sniff in the next cage. There are two Orion women inside the locked cell. He recognizes Chahdia and Mihnta from the ruse on the Co'Enaggo.

“What's up with you two? Why are you fighting? You're free. Gah let you go.”

“No. We'll never be free. Chavvo Gah lied. He'll never let us go.”

While Jarnos thinks about her words, a loud chorus of harsh heavy clicks echo through the cages and locked doors slide open. When some of the enslaved fighters cross the opened entrances of their pens, an alarm sounds, followed by a computer announcement, “Security breach in the Stables. Security breach in The Pit. All slaves are escaping.”

Yelling, follows running steps, then the sound of fighting alerts Jarnos. “The slaves have escaped. You two need to stick with me. I'll get you out of here.”

A large Orion laughs and charges a stunned Orion guard. Jarnos steps into the open cage of the two Orion slave girls. He punches a guard who swings a baton at him. “We are not slaves, Crikkoh!”

Out in The Pit:

Chavvo Gah is standing on his elevated platform yelling instructions into his microphone. “Everyone stay calm and evacuate The Pit. My men will handle this.”

Cialoa and S'Talla watch from their cages. The Pit floor floods with freed slaves, independent contestants, and guards trying to recapture the loose slaves. The guards have trouble distinguishing between the free warriors and the slaves forced to fight; they don't really try to.

Sam yells at her crew to stay together, “Vulcan's crew, with me!” They cluster and group at Sam's cry.

“To the cages! Stay together! Watch each other's backs! Move with me!” Sam cries, swinging her head around to watch the turmoil.

The four of them move as one, towards the door. A giant Klingon fills the doorway, then Skyvik is right behind Ghant. Two Klingon women attack Sam, but Ghant grabs each by the backs of their collars and shakes them. “No!” he says to the two female warriors. They stop their attack and turn to run.

Gah is screaming down at the group. “Ghant, kill them. Guards, get those Vulcans! Don't let them get away.”

Several guards and independent warriors turn to follow Gah's orders when Charlie, Naxx, Sparro, and Randell enter the arena.

Charlie calls to Skyvik, “Skyvik, cup your hands.”

Skyvik knocks an Orion and a Klingon aside and turns to Charlie. Charlie demonstrates, placing his hands together and holding them down as a step. Skyvik copies him. Charlie charges, steps on Skyvik's hands, launches himself up to Skyvik's shoulders and leaps up to grab the edge of Chavvo Gah's lift platform floating over head. The platform tilts with Charlie's weight, and Gah loses his balance to land right in front of Ghant.

Ghant grabs the slave hunter by the neck.

Charlie climbs onto the floating platform and taps the control panel. The platform flies to the edge of the ring where S'Talla and Cialoa wait.

Just as Charlie steps off the platform, Art, Spalloz, and Damian emerge from the stairs below.

The cages are still locked, Art has to use his lock picks, because the mechanical locks don't respond to his cap.

He mutters to himself, “Finally, I'm the one prepared for something.” Art reaches inside his jacket and finds nothing. He gets a worried look on his face. Had he forgotten his lock picks? Another pocket behind the other lapel, and he feels relief at finding his tools.

In the pit, the crew are defending themselves from a ring of guards while Chavvo Gah hangs from Ghant's grip, trying still, to choke out commands for his guards to attack.

Naxx kicks a cloud of the silicate dust up and throws a hoarded handful, as well. Somehow, Nexx disappears from the edge of the group, into the dust cloud, only to reappear as the dust clears, right next to one of the guards about to trigger his baton. Naxx turns the baton on the guard and the Orion goes down in a fit of tremors to the ground.

S'Talla focuses her attention on the second guard ready to fire his baton. “Hesitate.” she whispers, and the guard does, just long enough for Skyvik to grab the baton and hurl the Orion away.

They have the rest of the guards and warriors held in a stand-off.

Charlie helps Damian over the wall, Art helps Cialoa, and S'Talla scales the fence topped wall herself. In moments they are all together in The Pit. S'Talla says, “We must go. Art says Vulcan is ready. Ghant? What are you going to do?”

Ghant looks at the Orion he is holding and puts him down. “He is not worthy of death at my hands. I will not keep his name alive.”

“Get these Crikkahs! Kill them! Gah shouts. He sees his dropped microphone and scoops it up. He yells into the PA mic, “I'll never stop chasing you, Vulcan!”

S'Talla looks at him and answers, “I know, but you should.” She turns back to her gathered crew and says, “Vulcan, fifteen to beam up.”

Three figures, two Orion women and an Orion man holding a slaver's baton watch from the entrance to the Cages, Section 2, as the Vulcan's crew fade into a cluster of photons, then disappear.

Chavvo Gah, alone in the bottom of The Pit, screams into his microphone, “You can't escape me! No one gets away from ME! I'll make you remember my name!”

Mihnta grabs the baton from Jarnos's hand and charges at Gah. Letting out a scream of frustration, anger, and fear, she hits the slavehunter with the slaver's baton. Chavvo Gha drops in a spasming mass on the deck. His microphone pops with an electrical short, laying, smoking in the dust.

Jarnos, looking up at the empty cage where Cialoa had been held, says, “We need to find a ship. I know one, but we must hurry."

Aboard Vulcan, the theater on Deck C:

A group of slaves, sixteen, beam onto the audience floor of the theater on deck C of Vulcan. As they are wondering what is going on, another sixteen slaves beam into the room, then another and another. Soon it is standing room only in the theater audience.

Vulcan speaks, “Welcome aboard Vulcan. Please have a seat, make yourselves comfortable, the show will start any moment now.”

“What's happening?”

“What's going on?”

A few questions are called out, but mostly it is silent as the slaves follow the instructions.

On stages, a tall woman with long black hair down her back, light bluish hue to her largely exposed skin, dressed, as many in her audience are, in the pleasure slave costume of Orions, beams onto the stage. She is accompanied by a similarly dressed Orion slave woman on her left, and a red headed human woman in a torn dress on her right. Filling the stage behind her are twelve others ranging from an enormous and muscular Klingon side-by-side with an equally large Vulcan, a young human male dwarfed by the two big men, a Coridonite man, four more Vulcan women, a human male in a black bandana or skull cap accented with a silver band floating around his forehead, two other human males and a Tiburonian male. They look as confused at their surroundings as the audience.

Vulcan announces, “Welcome back, Mother, Captain S'Talla. I am happy you have all made it back. I took the liberty of rescuing all the people I could identify as slaves from Kehtua'k station. I thought you might like to personally welcome them aboard and inform them of their new status and their choices.”

A murmur of questions and confusion finally rises from the audience.

S'Talla scans the audience. She finally states, “I count over one hundred and fifty people.”

Vulcan concurs, “one hundred seventy two. There may be more aboard the station, but I could not be certain of the status of many and a number of others are already saving themselves. What would you like to do next, Captain?”

Sam steps up and addresses the people in the audience. “Let me welcome you all aboard our ship Vulcan. We hope to help you find your liberation from Kehtua'k Station. We will be happy to accommodate you until we can bring you to the authorities of the Federation, where I'm sure they will see to it you get to where you wish to go. Until then, my crew and I will help you find berths on our passenger deck.”

Vulcan informs Sam, “I have already sent the Federation authorities, as well as the Klingon, and Romulan Empires, all the evidence they need to prosecute Chavvo Gah, and Chak'Truk, the Station owner, for crimes of trafficking illegal goods, controlled substances, weapons, and sentient beings. I have included a report of Chavvo Gah's ship's recorded activities outside Syndicate authority to the Orion Syndicate, as well.”

The people in the audience lift their voices in praise and approval. Their tone sounds much more hopeful, since their first arrival aboard.

“Now,” speaks Sam, “Please follow me to the guest suites, and we'll make sure you are all settled in.” Sam steps down off the stage and moves to the exit into the rest of Deck C.

On Kehtua'k Station, The Pit:

Chak'Truk enters the bleachers of The Pit, looking down upon Chavvo Gah standing alone, the smoking microphone in his hand. Chak'Truk's guards spread out to search for any danger.

“They're all gone, Chavvo,” Chak'Truk announces. “All the slaves are gone. Many ran and stole ships, most have just disappeared. Probably beamed out by the Vulcans you brought aboard. I saw the recordings. You brought them aboard my station. We… No, I… have to start all over again.”

Gah starts to speak, “I…”

Chak'Truk aims his blaster at Chavvo Gah.
 
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My last story, Episode 9, was posted almost a year ago, but I think this one was worth the wait. I hope you enjoyed reading it.

I spent a lot more time than I should have, trying to work with AI, ChatGPT, and Gemini, trying to come up with more finished artwork for my stories, but AI is highly influenced by the established tropes. It was very hard to get just an image of a Vulcan that wasn't wearing a Star Fleet uniform, or looking like a Vulcan Ambassador. That was one of the more minor problem. Just try a ship design that doesn't sport nacelles.

-Will
 
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Lots of non-stop action that is entirely on-brand for this series.

You might want to run your text through AI to spot missing quotation marks, of which there are a few, but otherwise, spot on. I like that in a fight filled entry, Skyvik is largely sidelined and we get to see how the other characters fare. Very interesting use of S'Talla's mental abilities.

Thanks!! rbs
 
Thanks Robert. I'll go back and fix the quotes.

Skyvik and Ghant were in my mind to fight, but I'm not really a big fight fan within my own writing. I love Kung Fu action movies, but got a little bored of the cliché in my writing. I was running long and didn't feel like it added much to the story. So I pulled S'Talla out early and skipped the beating by a huge Orion both Art and Jarnos were going to get. I think Jarnos recovering from Cialoa's spell and helping the other two women out of the cages was a better story anyhow.

Charlie will have to fight blindfolded another episode.

-Will
 
Another fun story from this corner of the Trek universe. Thanks for sharing! :D

Enjoying how the ship itself is developing as one of the characters as the story goes on, and the emergence of S'Talla's handy little Force powers :lol: Up there with Leonard Nimoy's nerve pinch brainwave in terms of ways to make a pacifist Vulcan useful in a fistfight. :vulcan:
 
Spock was able to control the minds of weaker willed characters on the original series. (E23-S1)
https://memory-alpha.fandom.com/wiki/A_Taste_of_Armageddon_(episode)
Spock employs trickery of his own: using a form of telepathy, he plants a suggestion in their jailer's mind through a wall. Thinking the Federation prisoners have escaped, he opens the door, and is quickly overpowered.
S'Talla, as a monk, has much more mental training, and can make an Octilian drop it's weapon, because they have a more primitive reptile brain, or she can plant simple suggestions into the unconscious minds of beings in emotionally charged situations, such as during a battle to the death.

-Will
 
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