The Lord of the Rings was written by a little old lady from Leningrad.
You have not experienced it until you have watched it in the original Russian.
You joke, but you're closer to the mark than you know. There's a Russian Tolkien Expanded Universe -- retellings of
The Silmarillion from Morgoth's perspective, retelings of
The Lord of the Rings from Mordor's perspective (notably,
The Last Ringbearer, which has unofficially been translated into English), massive novels about the First Age, sequels to
The Lord of the Rings, etc. All published by reputable Russian publishing houses. And there are some gorgeous illustrated editions of Tolkien's work in Russia, notably a version that has paintings in a Byzantine icon style. All completely unlicensed.
Well, there's a thing that I never knew existed. I can't imagine the Tolkien estate was paid any money for the adaptation rights.
I'd very much doubt it, too.
IDK - I thought to the Ralph Bakshi animated take on "The Lord of the Rings" was okay, and it was too bad he couldn't finish the second film he had planned.
When Rankin Bass tried to finish what Ralph Bakshi had started, yes for me that definitely didn't work. Especially since they went back to referring to the Orcs as Goblins (which is what they were called in "The Hobbit" and in the Rankin Bass animated adaptation of that book.)
I don't know if it was something that the Rankin Bass was contractually obligated to do because of whatever licensing deal they',d struck with the Tolkien estate, or if it was something the production team decided to try and tie it back to their version of "The Hobbit", but yeah that and a lot of other things in their animated continuation of "The Lord of the Rings' didn't sit well with me.
Rankin-Bass always intended to adapt only
The Hobbit and
Return of the King. I don't know why they wanted to do it that way. The Bakshi film had nothing to do with their decision to skip ahead.
Bakshi intended to do
The Lord of the Rings, Part 2. He hoped that releasing Part 1 would get him the money he needed to do Part 2, but Part 1 wasn't successful and the project died.
I like the Rankin-Bass
Return of the King. Yeah, some of it is cringey. Yeah, "Where There's a Whip." But some of it is really effective; I think it does the Eowyn-Witch King fight better, and much as I love John Noble, William Conrad's Denethor and his madness is incredible. (Conrad's line reading on "The West has failed" is chilling.) And I'm sorry, but Glenn Yarbrough as the Minstrel of Gondor is great. It's not a deep film, but where else are you going to get those John Huston soliloquies?
To be fair though, I didn't like Peter Jackson's live-action take on "The Hobbit". Trying to expand the story in that book to encompass three films (and adding in extraneous material from "The Simarillian"), and some of his own suppositions about certain backstory elements didn't work for me at all.
I read
The History of The Hobbit a number of years ago, a two volume set that delves into Tolkien's writing of
The Hobbit and how it all came together. The books pointed out that 1)
The Silmarillion was always a part of
The Hobbit, even if Tolkien wasn't entirely sure when and where
The Hobbit was set in time and space when he wrote it and 2) Tolkien had an unfulfilled desire later in his life to make
The Hobbit more like
The Lord of the Rings in tone and style, to the point where he started a whole new version of the book. Peter Jackson, in my view successfully, was able to accomplish what Tolkien could not, a version of
The Hobbit that matched the tone and style of his version of
The Lord of the Rings. It doesn't work for everyone, and I understand that, but it works for me, and I enjoy it, even if I think that the third film needed a serious rethink.