• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

The Slow Reveal

FabiusMaximus

Lieutenant Commander
Red Shirt
Given the alternate timeline rumors…

Many of the theories I’ve seen posted about the new film begin with Old Spock’s POV as he ends up chasing the baddie through time to prevent the murder of JTK. But wouldn’t it be more dramatic (and easier for the new audience) if the film begins in the 23rd Century with the origin stories and no mention of Older Spock or the Romulan assassins? It could play out as the natural events of our heroes’ beginnings – although we would certainly be aware of larger events happening in the background.

For example, first scene of the movie -- the father and very pregnant mother of Kirk traveling through space are inexplicably fired upon by a strange ship. They are saved from destruction by a passing Vulcan ship (Sarek, Amanda and young Spock as passengers perhaps?) The birth of Kirk could then be witnessed by these Good-Samaritan Vulcans (potential for much drama and humor there). But whoever sent the distress call to the passing Vulcan ship would remain a mystery.

Later young Jim and his brother are at home or in some safe setting when they are threatened by Romulans. The attack is thwarted by a cowled stranger who performs this heroic act without revealing who he is to the boys.

These life events could continue until Nero’s plan escalates to the point where Older Spock is forced to make contact with his younger self to enlist his help. Perhaps they could mind-meld at this point and Younger Spock would then realize the importance of his friendship with Kirk. They may have to force fate’s hand and round up of the famed crew before it was suppose to happen.

It could then be deep in the film before Older Spock reveals the time-travel elements. In fact the 24th Century angle might only arise as he flashes forward to explain Nero’s plot to the young crew.

Probably won’t happen this way, but I think the slow reveal would be the best way to do this kind of origin story.

Oh, and Kegek, don’t worry – I’m working on an alternate script where Nero fiddles as Romulus burns and he throws the Christian Romulans to the hortas.
 
That's actually a good idea, but, unless that is how it was written, too late now. I hope it was.
 
Is that JJA's style, to go in chonological order? I haven't seen a lot of his work, namely LOST, but from I read here, he prefers to use flashbacks a lot to tell his stories. Is this true?
 
T'Cal said:
Is that JJA's style, to go in chonological order? I haven't seen a lot of his work, namely LOST, but from I read here, he prefers to use flashbacks a lot to tell his stories. Is this true?

Almost every single episode of Lost is dedicated to learning about one of the character's background, which they somehow relate to the story and all the background knowledge we receive is through flashbacks.
 
....and Nero could be (suspected Romulan) 'Future Guy' from Enterprise.

And Spock learns of the Temperal Cold War, and is trying to stop him.

Ehh ?
 
T'Cal said:
Is that JJA's style, to go in chonological order? I haven't seen a lot of his work, namely LOST, but from I read here, he prefers to use flashbacks a lot to tell his stories. Is this true?

A large part of "Lost" involves flashbacks and flashforwards in time. MI:3 utilized another of Abrams' favorite story frames - open with a dramatic moment, then flash back to tell the story from the beginning leading up to that dramatic moment, then proceed to finish the story. He used this in "Alias" a lot, too.
 
Keeping on the "Lost" non-linear storytelling theme for a moment...

What I like about the "Lost-style" flashbacks (and now flashforwards) is that there is no clichéd 'thinking back' -- that is to say there is no character reminiscing about something in these flashbacks.

The flashbacks and flashforwards on Lost are for the benefit of the viewing audience and to provide them with information and insight into the events happening "in the present".

I highly doubt Nimoy's only role in this is to "reminisce about the old days", but I would be disappointed if his role turned out to be just that.
 
An addendum:

I don’t know the legalities involved in such a move, but if there is to be a mind-meld involved between the older Spock and his younger self in which it is necessary to show the relationship Spock is to have with the rest of the crew, wouldn’t it be wonderful if they could incorporate scenes from TOS and some of the TOS films. You know, a montage of quickly flashed scenes as Young Spock absorbs the history behind the crew. It could be a great nod to the original cast.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top