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The Original Concept for Star Trek Voyager?

Let me use the Walking Dead as an example, in Season 3 they finally find a safe place they can build their own little colony at with walls and structure and farming land that's defensible from the Zombie Hordes. It all looks good until a nearby re-settled village run by a Sadistic Lunatic Dictator can't accept anything outside his control and war breaks out until both areas are destroyed and the characters have to move on again back to where they started before they found their new home.

From that point on it became the same repeating plot of them finding a new safe place until it's inevitably destroyed and they have to leave again. They just take the Season 3 plot and kept repeating it until the show ended after 11 seasons. So that's 8 more seasons of the repeated S3 storyline.

That's all Voyager could do, they find a place they can live at until something forces them to get back on the move. From that point on, you either repeat that same plot of "Stay somewhere, until they screw up and have to leave again" or they just find a way home and the story just ends.

They can't accomplish anything and still be on the move, not without things getting stale.
That's not the only way.
 
What other ways are there to keep them on the run for 7 years, exactly?
Why do you have to keep them on the run? There is this ongoing desire to say "They must be on the run." What if they are not? What if they start off trying to find their way through the quadrant, and then become lost, then discover a far greater threat (not the Borg) that means keeping them from knowing where Earth or something else is like that.

Play with the concept.

Again,
 
They wouldn't even need (major) enemies from outside. How about Janeway slowly getting unhinged from the constant strain and pressures and appeal on her to serve as the axis of the uneasy Maquis-Starfleet alliance? A sycophantic Chakotay methodically and psychologically manipulating the crew as chess pieces, all to take over when the time is ripe?

Hmm... perhaps I should write a dark Voyager::reimagined story. This wouldn't fly with the Voyager we got, after all.
 
They wouldn't even need (major) enemies from outside. How about Janeway slowly getting unhinged from the constant strain and pressures and appeal on her to serve as the axis of the uneasy Maquis-Starfleet alliance? A sycophantic Chakotay methodically and psychologically manipulating the crew as chess pieces, all to take over when the time is ripe?

Hmm... perhaps I should write a dark Voyager::reimagined story. This wouldn't fly with the Voyager we got, after all.

I'd read that. :D
 
Why do you have to keep them on the run?

Because that's the premise of the show.

What if they start off trying to find their way through the quadrant, and then become lost, then discover a far greater threat (not the Borg) that means keeping them from knowing where Earth or something else is like that.

That's not enough to drive the plot for 7 seasons.

They wouldn't even need (major) enemies from outside. How about Janeway slowly getting unhinged from the constant strain and pressures and appeal on her to serve as the axis of the uneasy Maquis-Starfleet alliance? A sycophantic Chakotay methodically and psychologically manipulating the crew as chess pieces, all to take over when the time is ripe?

Hmm... perhaps I should write a dark Voyager::reimagined story. This wouldn't fly with the Voyager we got, after all.

Because you can't drag that on for 7 seasons either. That's a plot you resolve in 1 or 2 seasons, and it has to end with certain characters dead because you can't just move on from that and keep everyone.

Again, look at Walking Dead. The Shane/Rick conflict, did they drag that on for 7 years? No, they resolved it in 2 seasons...and it ended with Shane dead.

Look at Farscape with Crichton and Crais' conflict. That barely had any life to it beyond ONE season and he didn't even become a proper member of Crichton's crew till Season 2. And then their conflict ended in Season 3...with Crais dying.

This is also why they killed Seska in Voyager. Because after everything she'd done, they couldn't just reintegrate her into the crew.
 
Yes, and you try to do it without dragging on plots till they get stale.
Yup. You do. You get creative.
Uh...everyone. Because the writing stagnates and viewers realize they're just repeating plots.
Who cares about 7 seasons?
Kor the Klingon? He died too, if you remember.
A hero. He tortures Kirk and Spock, threatens to kill and entire population for his ends, and glorifies killing and torture. Such a good guy.
 
Choosing the path and direction of a television series is not always up to the Producers and Writers. It's 100% based on ratings and revenue. For good or bad, they stuck with the same formula that kept ST-TNG the number 1 rated syndicated show for 7 years.

This show was pretty much the only show on UPN that people watched during it's first 3-4 years. For the affiliates, UPN was a dog, for the most part. It was very hard to sell advertising on, with the sole exception of Voyager. If I recall correctly, it was so bad, we would only sell Voyager ad slots to advertisers who agreed to buy other shows as well. It was the only show on UPN that was an easy sell.
 
With the power of hindsight, there's plenty of stories that could be told on the 7-year run and keep it serialized. Have a season-long arc, interrupted by the fast-paced two-parters, and a few three/four-episode mini-arcs.
Lost in the Delta Quadrant, searching for resources.
A culture Voyager encounters repeatedly wishes to join the Federation. Talaxian uprising?
Voyager stops at a planet to set up a colony.
Time jump forward (five or ten years). Voyager sets out in space again. Perhaps after meeting the Malon? Voyager travels to Malon Prime and spends a season reforming Malon society.
Voyager spends a season in a region, setting up the Delta Coalition (Myriad Universes: "Places of Exile") or Delta Alliance (STO: Delta Rising).
Borg civil war.
A season of adventure-of-the-week. Hirogen attacks, evading the Borg, etc.
Mini-arcs could involve missions to repair the reputation after Dala's Imposters; playing cat-and-mouse with the ISS Voyager, etc.
 
Choosing the path and direction of a television series is not always up to the Producers and Writers. It's 100% based on ratings and revenue. For good or bad, they stuck with the same formula that kept ST-TNG the number 1 rated syndicated show for 7 years.
That's why it gets a pass from me on matters like "not having a proper Maquis mutiny" or "not having a real Year of Hell". I would have liked these things, of course, but they were doing what they felt would attract viewers. But there's no excuse for not doing the little things... explain where they found sixty extra torpedoes, for instance. Invest ten seconds of dialogue to give the Borg baby a sendoff. And for crying out loud, stick a :censored:ing hollow pip on Harry's collar.
 
Choosing the path and direction of a television series is not always up to the Producers and Writers. It's 100% based on ratings and revenue. For good or bad, they stuck with the same formula that kept ST-TNG the number 1 rated syndicated show for 7 years.
Except, the ratings were already moving down at the tail end of TNG's run. So, while they felt the need to replace TNG, and largely did so, they did so at the expense of the promised premise.

With the power of hindsight, there's plenty of stories that could be told on the 7-year run and keep it serialized.
Indeed, but more than that it's really looking at the base premise that was sold to the audience and looking at the different arcs and mini-arcs that can be done within. One of the big weaknesses that I saw with VOY that I didn't see as much with other shows, was that interconnected style. Other shows I enjoyed at the time and later on scifi shows, at least had interconnected elements, and character movement and development that I found lacking in VOY of things not mattering. Things would come up, and never show up again. While other shows would have those repeated elements that I showed the characters growing and moving.

Even that little bit would have helped VOY for me.
 
True, they did. But Voyager did not have the same type of character development that TNG did. Not even close actually. While TNG had the ability to bring back past TOS characters, Voyagers simply could not do that, being in the Delta quadrant. And the feeble attempt to re-introduce Q into Voyager was not a success by any means. Don't get me wrong. I loved Voyager. Certainly my debatable third favorite series after TOS and TNG. I also really liked Enterprise and was sad it only made it 3 seasons. It was getting quite good by the time they cancelled it. However, low ratings are the king when it comes to cancelling a series, and Enterprise was dismal.
 
True, they did. But Voyager did not have the same type of character development that TNG did. Not even close actually.
No, because they doubled down on the episodic nature, wanting people to be able to tune in whatever, and ignoring what character development was present in TNG that would draw in people, as well as ridiculous guest star stunts. As much as I disapprove of Q, he was a fan favorite for many in TNG.
 
I think the first Q episode is still quite good (well, of course apart from Small Universe Syndrome, why of all places would they show up on Voyager again?). Unfortunately, Q themed episodes after that got progressively worse.
 
True, they did. But Voyager did not have the same type of character development that TNG did. Not even close actually. While TNG had the ability to bring back past TOS characters, Voyagers simply could not do that, being in the Delta quadrant. And the feeble attempt to re-introduce Q into Voyager was not a success by any means. Don't get me wrong. I loved Voyager. Certainly my debatable third favorite series after TOS and TNG. I also really liked Enterprise and was sad it only made it 3 seasons. It was getting quite good by the time they cancelled it. However, low ratings are the king when it comes to cancelling a series, and Enterprise was dismal.
No, because they doubled down on the episodic nature, wanting people to be able to tune in whatever, and ignoring what character development was present in TNG that would draw in people, as well as ridiculous guest star stunts. As much as I disapprove of Q, he was a fan favorite for many in TNG.

I mean, I guess the problem was that after all the backlash Voyager got anytime it tried to make any new unique characters of its own it only makes sense they'd decide "Oh Heck with it, if all the audience wants is old characters then just give them old characters."

Ideally, they should have used the Female Caretaker as the "Q" of the series like the Prophets were the "Q" of DS9. A Godlike Being with its own agenda appearing constantly through the series.

Or some other mysterious being that would eventually be revealed to be the evolved Kes from a bad future who was deliberately guiding Voyager in certain directions to be in the right place at the right time to fix what Future Kes was unhappy about in her time.

Yup. You do. You get creative.

After a while, it just does become rinse and repeat.

Who cares about 7 seasons?

The suits

A hero. He tortures Kirk and Spock, threatens to kill and entire population for his ends, and glorifies killing and torture. Such a good guy.

When you're given 100 years to work with a character you can do that. VOY didn't have that luxury.[/quote]
 
After a while, it just does become rinse and repeat.
It doesn't.
The suits
Are you one of them? I'm not so who cares?

When you're given 100 years to work with a character you can do that. VOY didn't have that luxury.[
Nope.

He's not a hero. He didn't get 100 years ro change. He was thrust in and said "he's changed."

Doesn't wash.

Oh Heck with it, if all the audience wants is old characters then just give them old characters."
Well, the audience continues that trend today so quelle suprise'. The more things change the more fans stay the same.
 
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