I have a production related question I hope someone can answer. During the KTMA broadcasts, the Satellite of Love station was a kind of 4 point radial design, looking a bit like something from a 1960s Japanese televised production like "UltraMan". But for the Comedy Channel (only later was the network rebranded as Comedy Central) debut, that model was chucked for the now iconic "doggy chew bone" toy inspired station composed of interlocked "truncated icosahedrons" ("soccer ball" patterned) geodesic spheres. The set design of the "bridge" reflected the miniature's shape. It even made sense where the partitioned corridor was positioned.
Who was the clever son of a gun who proposed that motif? Though Best Brains endearingly called thir series a "cow town puppet show", there was some beautiful logic to that design and with just some minor tweaks could have worked in a "serious" production.
Sincerely,
Bill
Since Joel created the 'Bots he always seemed to act like more of a cool dad to them than Mike did. Mike tended to be the handsome frat boy buddy that would occasionally chastise them for doing something outlandish or disturbing (as when he freaked out and sternly lectured both of them when Crow did his "Girl in the Gold Boots" dance on top of the table), but at the end of the day he was the one host that Crow and Servo could torture mercilessly and play pranks upon without much if any fear of reprisal (can you see the 'Bots doing the tied-and-gagged "Thunderdome" skit with Joel? Don't think so).
Joel was their father who'd frequently drink a cold one and bond with the kids. Mike was treated like their little brother and they could get away with more obnoxious behavior around him.
Since Joel created the 'Bots he always seemed to act like more of a cool dad to them than Mike did. Mike tended to be the handsome frat boy buddy that would occasionally chastise them for doing something outlandish or disturbing (as when he freaked out and sternly lectured both of them when Crow did his "Girl in the Gold Boots" dance on top of the table), but at the end of the day he was the one host that Crow and Servo could torture mercilessly and play pranks upon without much if any fear of reprisal (can you see the 'Bots doing the tied-and-gagged "Thunderdome" skit with Joel? Don't think so).
Joel was their father who'd frequently drink a cold one and bond with the kids. Mike was treated like their little brother and they could get away with more obnoxious behavior around him.
I do get that such a big change was probably pretty jarring for some hardcore Joel fans, who probably saw things like the dropping of the invention exchange as a sign that Mike was stamping his own personality on the show too soon after Joel's departure, but it was simply a case of working to different comedy strengths. Joel is more adept at prop-based comedy, whereas Mike is stronger when playing comic characters.
At a public appearance of some of the cast members Joel admitted that Trace Beaulieu was responsible for choosing the bone shape for the Satellite of Love to directly reference the imagery of the bone tossed into the air by the proto-human ape at the beginning of 2001: A Space Odyssey. Back in the early days of the show's development both Trace and Joel were heavily involved in designing props and sets.
Did anyone else watch the pilot for "The TV Wheel"?The big thing is that Mike was the head-writer on MST3K from the first day he started working there. He was HAND PICKED by Joel to take over when Joel left and Joel left of his own decision making in order to pursue other interests (his comedy career, IIRC.)
Did anyone else watch the pilot for "The TV Wheel"?The big thing is that Mike was the head-writer on MST3K from the first day he started working there. He was HAND PICKED by Joel to take over when Joel left and Joel left of his own decision making in order to pursue other interests (his comedy career, IIRC.)
BTW, anyone plan on going to the Rifftrax Live: Sharknado 2 screening next week?
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