I knew that technically, I could make a second post without violating forum protocol, but though I composed the following earlier today, I wanted another member to offer their feedback before I "yammered" again. As a result, I was unaware of Netflix being greedy with existing footage. It helps explain I question I have in my second to last paragraph.
In my last post I noted that nearly 2 hours had passed without the movie playing. Joel crew must have finally corrected the fault because early Saturday morning I tried the link again and there was a video spanning roughly 2 and a half hours.
Activating it, it started with the same clip of Joel introducing the event and experiencing the audio problems, soft at first and then achieving robust volume. When the feed cut from Joel at the 2 minute, 28 second mark, it displayed the "Please Stand By" placard as it did Friday night. Thankfully, at the 3 minute, 28 second mark, it quickly faded to the opening credits, thus cropping at least 1 hour 45 minutes of "dead air" (probably more).
From that point, it played pretty much as a typical MST3K episode. Jonah and the Mads (Kinga and Max) present invention exchanges, trade jabs and then the movie is pumped to the SoL, triggering the door sequence. I won't bother with details of the or the riffs as that will bloat this post far longer than it needs to be.
Since this latest season is hosted upon an online service that does involve some monetary investment, there were no conventional commercial breaks as was the case for KTMA, Comedy Central, and so on. But during one of the host segments, Jonah did give a shout out to a premium backer who I suspect plunked down a multi thousand dollar donation, but they did so in character upon the SoL bridge. At least the sponsor was on theme for a show like MST3K as they're a publisher of books focusing upon genre media.
From that we cut to a break with Joel (as himself) and writer/producer Matt McGinnus (sp?). It started as though they were going to discuss a legitimate nacho recipe (as this was a live event), but it slyly evolved into an invention exchange routine with Joel demonstrating an off brand soda dispenser offering beverages like Spite instead of Sprite and other parody brands. Joel even acknowledged his inspiration, the old "Wacky Pack" gum card collections.
The feed cut back to the movie, completing its third and final act. Again, I won't bother with those details. I will only note there was no closing "love" theme as we have grown to expect for the last 30 years. But this was addressed when the feed cut to a 47 minute Zoom call that wrapped up the presentation. In short, the episode as streamed was a rough cut and the credits will added in the next few weeks.
The call featuring Joel, Matt, and three other creative personnel discussed various subjects including something few would have missed during the opening credits, the scenes within the "Moon 1" control room (where Kinga and Maxx stood) and the door sequence. It was all effectively 2D design, flat artwork instead of physical miniatures as in the past. In brief, it was an aesthetic choice to blend better with what we will eventually see upon the GizomPlex streaming site. Everything within that domain will have a vector line and digital airbrush look, so Joel and the Alternaversal team decided to mimic that style with the environments seen in the episodes themselves. Now, I assumed the new 2D door sequence (closely mimicking what was done for the NetFlix run using physical miniatures) was achieved with with some digital program, but Joel surprised me. An assistant brought in something akin to a tabletop standing picture frame. Held erect was a piece of art depicting one of the bulkheads, one seen in the sequence. But it had sections that slid apart behind which another "standee" could be positioned, one showing another bulkhead. Joel endearingly called the process "flat-imation". So, in a way, they are still kicking it "old school".
As most of us reading this thread probably know, we will have three different "test subjects" subjected to Forrester's experiments, Jonah, Emily and Joel taking turns. Thus, the latest iteration of the opening theme does not reference a single person, instead relying upon plural pronouns like "they", "them", "we" and "us".