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News The Man Who Killed Don Quixote will screen on April 10 only

I'm glad he didn't have a stroke!

As much as I deeply enjoy several of his films, I wish he could release one that I enjoyed without any reservations. Right now even the ones I enjoy have some issues, and it's typically those same types of issues that make me unable to really enjoy some of his other films.
 
Slate has less of a review of The Man Who Killed Don Quixote and more of a meditation on the film in light of the journey to get it made.

This bit I found touching, emphasis mine:

Pryce joked, too, that the real reason that the film had taken so long to get made was because Gilliam had been waiting for him to age into the lead role—a bittersweet line given the completed film’s dedication to Jean Rochefort and John Hurt, both previously cast as Gilliam’s Quixote, neither of whom lived to see the film completed.
 
Because the film can't have a happy ending, Screen Daily reports that Terry Gilliam has lost the rights for the film to producer Paulo Branco, courtesy of the Paris Court of Appeals.

The appeals court judge ruled a contract drawn up and signed by Branco and Gilliam in 2016 – confirming the Portuguese producer’s rights to Gilliam’s long-gestated film – remained intact.

Friday’s decision also demands Gilliam pay Branco’s Paris-based production house Alfama Films €10,000 ($11,600) towards the costs of launching the appeal.

For his part, Gilliam has always held Branco did not deliver the finance he had promised for the production, thus rendering the contract null and void.
Damn. That's what I get for actually believing I would get to watch this film. :(
 
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I am not surprised by this turn of events.

This is also not the first time that Gilliam has had a producer's contract come back to haunt him. Mark Forstater, the producer on Holy Grail, sued the Pythons when they stiffed him on Spamalot profits. To pay their lawyers' bills the Pythons did the 2014 reunion shows.
 
Yeah, I'm not surprised either, just bummed out.

I had forgotten about the Spamalot case, but I did know they did those reunion shows to raise money for those bills. Almost obvious considering they had repeatedly said they wouldn't ever do anymore reunions prior to that tour.
 
I read Forstater's book about the lawsuit a couple of months ago. I'm glad I read it, but it's a really difficult book to recommend, and Forstater himself isn't always a sympathetic figure in his own narrative.
 
The fact that Fathom Events is involved means this is probably going to be a very limited special event rather than a full release. Fathom Events are the ones who handle the theatrical airings of things like the event TV episodes, operas, ballet, and special showings of classic movies. They're stuff is usually only one or two showings over a couple days. I just checked their website, and it's not on their schedule yet.
 
The fact that Fathom Events is involved means this is probably going to be a very limited special event rather than a full release. Fathom Events are the ones who handle the theatrical airings of things like the event TV episodes, operas, ballet, and special showings of classic movies. They're stuff is usually only one or two showings over a couple days. I just checked their website, and it's not on their schedule yet.

Yeah, last night I saw Fathom's showing of Peter Jackson's World War I documentary, They Shall Not Grow Old. Very good film, I liked it a lot, but it's niche. I'll see Gilliam's film, but it's going to be a "clear the calendar that night" deal, not a "I have a week or two, and I'll go the night that's convenient for me" scenario.
 
Yeah, that's pretty much what I figured already. Chances are my local art theater will play this film and I'll be sure to go during the week they're playing it. I saw The Favourite this past weekend because no one else was playing it.
 
Fathom Events usually play in regular theaters. My mom and I saw the Victorian episode of Sherlock at the regular theater right up the street, and they show a lot of the other Fathom Events on a fairly regular basis.
 
My regular theater doesn't usually play those kind of showings. I have a better chance with the art theater.
 
One more trailer:

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According to Rolling Stone, the film is apparently only being show on one single day, April 10. This is very disappointing, especially since I would have to go to neighboring city to see the film and I don't have a car.
 
I've finally watched the film this evening. this long-suffering, long-gestating production, a work of labor and love for nearly three decades, and it's truly a film that only Terry Gilliam could direct.

Avoiding the obvious pitfalls of actually adapting the material (which is truly unsuitable for even a three-hour film), Gilliam instead tells a surreal story about a man who directs a troubled production of Don Quixote and finds himself tumbling down a rabbit hole of his own creation. He re-encounters an old man who he cast in the lead role ten years previously in his student film of the epic, but in the intervening years, the man has convinced himself that he is indeed Don Quixote and the director is his faithful companion Sancho Panza. What ensues forthwith is the director having to face the consequences of his decisions of his past in a mad journey with Don Quixote that blurs reality and sanity to the very end, while paying tribute to the grand novel itself.

I only wish that more people had gotten the opportunity to see this film and I certainly wish I had been able to see it on the big screen. It ranks among Gilliam's finest films such as Time Bandits, Brazil, The Fisher King, and Twelve Monkeys, not coincidentally all dealing with the same themes.
 
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