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The Fanzines of Trek -- in situ

We'll be reading 'zines and watching "City on the Edge of Forever Tonight" if folks want to join us. Should be a bumper crowd.

Fun starts at 8pm Eastern and Pacific (twice!). About half an hour from now for the first round.
 
Vaguely on-topic (given what the nominations are for...)

Wheeeeee!!!!!! :hugegrin:

2022Hugocard.jpg


2022Hugocard2.jpg
 
Okay, the new Yandro is in, and the first Trek-related stuff is a discussion on whether Menagerie or Naked Time should get the Hugo nod:


Don & Maggie Thompson

…Can you give us more background on "The Naked Time" , Juanita? From the description you give, neither of us can recall it at all. And yet it was one of the two best ST shows? (Could have been preempted here, Lord, knows. They do things like that in Cleveland.)

But we shall prolly vote for "The Menagerie" as best dramatic etc. How did it twist plot logic and lready-established character (Mr. Spock's)? There was only one point (suspense inserted for commercial break--when the broadcast from the planet cut off without reason) at which the logic really fell apart… And as I think you've mentioned, Spock's emotions/logic are not those of human beings, Earth-type. Once he settles on a logical act as such (what is more logical for the circumstance than returning his ex-captain to the one environment in which he can be useful, helpful, and happy (when he would otherwise be only a drain on a hospital and those about him?); it has been established that Spock is mighty difficult to turn aside. And his own life obviously matters little, if at all, to Spock. And Kirk never 1was in any danger--nor was anyone else on the Enterprise. And Spock doesn't ever act according to 'what Earth-types would consider strict logic (witness, his behavior when Kirk was confronted by that silicon thing--he wouldn't have killed the critter, but he violently urged Kirk to kill it when he believed Kirk's life in danger from it)...


["The Naked Time" opened with the Enterprise arriving at a dying planet, due for natural "breaking up", on a mission to collect the scientists manning the observation post there; the scientists are dead, under conditions implying mass insanity. Spock and Young Guilt-Ridden officer (who stupidly exposed his hand while on the planet) report their findings, and Young Guilt-Ridden Officer promptly starts infecting the rest of the crew…the bound-water molecule, turned Sulu into a bare-chested swashbuckler, Navigator Riley into a singing drunken Irish king, the nurse (later appearing in the Bloch script) into a nympho -- who grabbed Spook and made him temporarily lose control of his emotions and in effect become a crying drunk. The Drunken Irishman has locked himself in the Engineering Section and diverted power, the mass of the planet is pulling the ship down as the incipient breakup approaches…and all in all, characterization, editing, direction, and plot seemed, (to my humble eyes) quite good.

"The Menagerie" contained several holes, although I don't blame Roddenberry a bit for recouping his investment in that first pilot. 1) If the Talosians could reach clear out to the shuttle ship to create the illusion the Commander was a ,Passenger with Kirk, and later on the E. it seems far-fetched such omnipotent beings would be content to play games of imagination with two cripples the rest of their lives…a rather large chunk of space is at their mental disposal. 2) Spock, as he acted in the flashback sequences, was not at all consistent with the Spock of the current period -- the series has shown Spack gradually loosening up and humanizing from a strait-laced beginning; yet the flashbacks show him grinning, expressing a great deal of emotion, overreacting and being very unSpocklike. · 3) Well done with the first season, we have been shown Spocks gradually learning a few human tricks, including the ability to lie…which he had not done at the time "The Menagerie" was run… and yet the entire device for getting into the flashback involved Spock doing a lot of outright lying. Make no mistake. I liked "The Menagerie", but I didn't think it was as consistent or quite the quality of "Naked Time" and "Corbomite Maneuver"...see earlier comments on the "STAR TREK syndrome". Feel free to nominate "The Menagerie".... but if you nominate an episode of TARZAN all bets are off.... JWC]
 
Here's a fun one. The fourth issue of Vulcanalia is out (the third one no longer exists so I didn't get it).

670413vulcanalia.jpg


Some interesting points:

1) There are already seventy Trek clubs out there -- there may even be just 70 Nimoy clubs, which would make the number of Trek clubs larger.

2) Dana and Elyse were, and are again, in direct contact with Leonard Nimoy, so their assertions regarding Vulcan, which had not yet made it into the show, have a good chance of having come from the horse's mouth.

3) This is an earlier pub date for the Nimoy album than I'd seen on Wikipedia. I just confirmed it with Cash Box, so I changed the Wikipedia article. And now I can pull out my copy and finally listen to it!

4) There is a back-side--it's just a summary of week's 3 through 19's episodes. Useful if you missed some and want to catch them in the summer reruns.

And yes, we will be watching the summer reruns, and you can join us. :)
 
We're coming into a rich period, fanzine-wise.

This latest is a section of the genzine Antares with some lovely cover art:

670427antarescover.jpg


The article is just a review of Trek. I find it interesting as a perspective of a fan at the time, with no access to recorded episodes, even audio. He doesn't even get the opening narration right, and he's likely heard it a couple dozen times. Fan discussions were a different beast when there was no instant access to scripts or HD caps.

On with the piece!


SCIENCE FICTION OF THE SCREENS


by Gary Walker


Expectant silence. The set dims to dusky gray, then blackness. Dots of pointed light, stars, begin to appear in random distribution. A single note pierces the heavy quiet, followed by another and a third progressing down the scale in opening triad.

"Space," enters a voice into the music, "the final frontier." A ship sweeps toward the cameras and on past the field of vision. "These are the voyages of the starship Einterprise. Its five year mission: to seek out new life and civilizations; to explore strange new worlds; to boldly go where no man has gone before.”

The theme music breaks the final elements of expectancy. Another episode of STAR TREK has begun. For one hour each week, Captain James T. Kirk, analytical Mr. Spock, slant-eyed Sulu, stubborn Dr. McCoy, efficient Lieutenant Unura, Highlander-accented Seotty, and the remaining 400 members of the mighty ship come to life on the screens. For one hour they are real men and women, with real emotions, ambitions and inhibitions, faced by real problems in an unreal world that may never come to evolve.

Though there are undoubtedly many reasons for such vivid realism in unreal surroundings, much of the credit belongs to one man: Gene Roddenberry. the producer of the program. Too often shows, especially science fiction shows, unfortunately, are slapped together by a low-budgeted team of Hollywood professionals who know nothing about science fiction, care nothing about it, and, consequently, show nothing as a result of trying to produce soleiy for the purpose of making money. Happily, Mr. Roddenberry is a man apart. He is interested in his subject–so much so that he has written some of the shows, and often teams up with the program's regular writer, Gene Coon. More importantly, he is a man who is not afraid to part with money, particularly when that money brings him the best possible plots, special effects, and acting. Scripts alone pay $12,000 each episode of STAR TREK, making it possibly the highest for a regular series of all time! Results: some of the best s-f writers in the business, including several winners of the "science fiction Oscar", the Hugo award. Names such as Harlan Ellison, Thedore Sturgeon, Robert Bloch, Richard Matheson, and Jerry Sohl have at one time or another appeared on the STAR TREK writing credits.

The best writers do not always make the best show. However, STAR TREK not only has the best scripts in the business, but also the most realistic special effects. Compex arrays of equipment are impressive, to be sure, but equally impressive are the appearances of "faser rays", a likely successor to present-day laser and maser laboratory beams. The faser can, for instance, be used to stun or kill, depending on the setting desired by the user. Larger models are used in the Enterprise as a main offensive weapon.

The transporter room is an especially beautiful special effects locale. Although I am a steady follower of the STAR TREK adventures, the crystilization [sic] of human bodies into glittering colors and final shimmering disappearance never ceases to impress me.

Also stimulating to the imaginationing of advanced science concepts are the defensive "shields" raised around the Enterprise when the ship is under attack. These barriers are never visible, indicating a sort of forcefield phenomenon.

There exists an entire vocabulary of terminology in STAR TREK shows. “Faser" and “shield" are not too puzzling, but what of the term “warp", an enigmatic word used in the same manner as a naval commander might say, “all ahead one third." Captain Kirk frequently can be heard to say in an analogous manner, “take her to warp factor 1, Mr. Spock." One theory is that “warp” means the same as to the speed of light as the word "mach" is to the speed of sound. However, if this be true, then warp factor 6 would mean the starship is travelling at 6 times the speed of light. That is really moving, even if the series does take place thousands of years in the future. Just how many thousands of years is another thing to ponder over, since all mention of calendar time is measured in integer and decimal “stardates".

As is evident, STAR TREK is a program of great and meticulous detail. It is my own opinion that the detail of the show makes it truly outstanding. Advanced terminology is only one item of a long list of details to be maintained. Sound effects, such as the suctioning noise made when doors open or close on the starship, and the “cricket sounds" of the communicators are other fine points kept up in the show.

The music background in STAR TREK is as superb as the rest of the presentation, playing up the mood of the scenes---emphasizing critical situations with tense, stacatto [sic] music, supplementing humerous [sic] moments with light and mocking passages.

Isn't there any fault to this show? Well, yes...Mr. Spock. Generally the characterature is entirely enjoyable, with his quirks of understatement and non-emotion, adding great variety to the program. Lately, however, Mr. Spock has become something of a superman. His Vulcanian origin is used to explain his Hinduistic power of mind over body, super strength, and even super eyes (from a recent episode in which Spock recovered from an experience that would have blinded anyone else). Add to this his uncanny ability to give computerized answers to complex problems and Mr. Spock comes out as a pretty powerful person! Or is it that humans are merely weak? It is a minor fault–generally I enjoy Spock for his bewildered questions about the human race.

Producing, script, special effects, acting, humor, drama, realism, questions on the human race…and tomorrow you'll probably talk to someone who will state flatly that science fiction shows aren't worth watching. If so, let him know about STAR TREK.

[Notes: Wow. "Slant-eyed Sulu"? I broke up and couldn't stop laughing in bewilderment the first time I read that to the group last Wednesday!

And 'faser' -- I guess that makes sense. If one hadn't read the Blish, how would one know how to spell the word? I guess it means "Fandom Amplified by Stimulated Emission of Radiation"..

Warp=Mach re: speed of light. 6x the speed of light seems fast. It's reaaaallly slow on a Trek scale.

"Thousands of years in the future" -- interesting conjecture given the several times a rough time frame (on the order of centuries) is stated.

Again, not knocking Gary -- just noting how looseygoosey everyone's understanding of Trek was back in the day, necessarily. It's just a different world when you only see something once (summer reruns had just begun) and have to rely on memory.

But "Slant-eyed Sulu"? Thank goodness Uhura got "efficient"...]
 
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Wooooo... It was acceptable in the '60s I guess? Every other cast member gets a decent enough adjective as a descriptor but not poor 'Slant-eyed Sulu...'

Wild. It was another time. Thanks again for taking the time to do this!

To be fair, Scotty gets "Highlander-accented", which isn't great.

You're welcome! That one was a pain. Impossible to OCR...
 
The latest Vulcanalia came out last week. Lots of good Leonard Nimoy news, much of which is corroborated in the LNAF Chatterbox #2 (coming soon). Nimoy's first album is big news, and Lord of the Rings is huge.

670504vulcanalia.jpg
 
This week's 'zine is a doozy!: The Leonard Nimoy National Association of Fans, Garland, Texas, Chatterboxes #2 (I don't have #1).

[Typed on one of those lovely calligraphic typewriters that makes it both hard to read and to transcribe. You're welcome.]

670504chatterbox2.jpg


Our first LNNAF Journal will be issued in July. One of the articles which will be featured is an "Open Forum" in which LNNAF members are invited to express their opinions on a given subject. The subject of the first "Open Forum" will be: "What do you like best about Mr. Spock?"--and members are urged to submit their opinions for publication no later than May 31st.

[Well, what do YOU like best about Mr. Spock? I like that he made smart sexy.]

The LNNAF announces the establishment of "The NIMOY Award" to be presented each December to the member who, in the opinion of the LNNAF staff, Mr. Nimoy and his staff, has been most consistently active in the LNNAF and is considered most deserving of the Award.

[I know who won it in 1968. I wonder if it ever was given out again.]

Mr. Nimoy has selected as his favorite charity: UNICEF [follows a long paragraph about what UNICEF is and that Nimoy wants donations to UNICEF in lieu of gifts. Of course, in time, it would come out that UNICEF was highly corrupt; this no longer seems to be the case as of 2022.]

[@UssGlenn ]

Mrs. Priscilla Hale of Eau Gallie, Florida has sent to me a newspaper clipping which should interest all you members who have inquired about the existence of the three-dimensional chess game used on "Star Trek". The clipping reads follows:

"NBC WANTS YOU TO WRITE RULES FOR TV CHESS GAME"--"Just as though all the Cape Kennedy scientific types didn't have problems enough, now a surrealistic TV show wants their HELP! (HELP! is the name of the column, incidentally.)

Nice thing about it, though, they'll stand to make a nice bundle if they come up with a solution.

It began last September when NBC's "Star Trek" kicked off its first season.

Fertile-minded script writers invented something they called "three dimenstional chess" for the leading characters to have at from time to time."

If you watch the show, you've caught fleeting glimpses of the weird looking board they study in such simulated deep thought.

A Merrit Island (Florida) HELP! reader wrote "TODAY's" public service column asking for a set of three-dimensional chess rules.

There aren't any rules because there isn't any such game", Roddenberry explained.

Then he had a brainstorm.

Why not brainstorm the top scientific and engineering minds in the world?

So Roddenberry turned the tables and asked HELP! to help him.

Any chess-minded TODAY reader who can come up with a workable set of three-dimensional chess rules will be in business with Roddenberry.

First write him at "Star Trek", Desilu Studios, 780 N. Gower, Hollywood 38, California

He will send you a release form to sign. That's protection for him in case duplicate rules are submitted.

The best, most playable set of rules for the game nobody has invented yet will be manufactured, bank-rolled for publicity and promotion by Roddenberry and "Star Trek" and the rules writer gets cut in on the profits.

Go, men, Go!"



*****


Help, help! Many members have begun sending to me mail addressed to Leonard Nimoy. However, to send his mail to me only delays his receiving it, because I only re-address it to him ℅ NBC - Burbank, California. He asks that the LNNAF members write to him often at NBC because NBC keeps track of the amount of mail he receives; and the more mail he receives, the more aware NBC is made of what a favorite person of the public Leonard Nimoy is!

Many letters have been received inquiring when Mr. Nimoy will return to Desilu to begin filming next season's episodes of "Star Trek"--May 1st is the date!

The AFTRA [American Federation of Television and Radio Artists] strike couldn't have happened at a worst time for us Leonard Nimoy fans because before the strike was called, he was scheduled to appear on an afternoon game show, "You Don't Say" during the week of April 24-28! However, the strike has either postponed his appearance to another time or cancelled [sic] the appearance altogether. On the subject of appearances, there has been a slight discussion about his appearing on the "Pat Boone Show", so I'm appealing to all you members to write to that show ℅ NBC (Burbank) requesting they have him on the show. Important: Please request that they have Leonard Nimoy appear without his makeup, but please express your letter in your own words. Thanks!

[The strike lasted from end of March to April 10, just before the Oscars. Johnny Carson quit The Tonight Show (but mostly to get more money). News team Huntley and Brinkley split over the issue. For Nimoy to miss the show after the strike must have been the result of ripple effects.]

670407strike.jpg


A paperback entitled "Star Trek" has been published by Bantam Books which contains the following seven episodes of "Star Trek" (as Adapted by James Blish): "Charlie's Law", "Dagger of the Mind", "The Unreal McCoy", "Balance of Terror", "The Naked Time", "Miri", and "The Conscience of the King". However, these stories are only adaptations and do not follow the storylines exactly as they appeared on the TV show. The paperback has just be [sic] issued following its second printing and is available at this time in your local stores which carry paperbacks. Should you not be able to find a copy of the book locally and wish to order it directly from the publisher, send 50¢ plus 10¢ handling charge to: Bantam Books - Room 300 - 271 Madison Avenue - New York, New York 10016. You may be interested in knowing that a second "Star Trek" paperback will be published next year.

["Star Trek (1)" came out in January, so we have a second edition already just four months later. I don't know what the run size was, though. There's more on this in Science Fiction Times, which I'll post later.]

The Nimoys recently returned from a short vacation–having driven through Santa Barbara, Carmel, Monterey, and up to San Francisco. The stores were so mobbed with fans that he had to have protection; and fans who recognized him as he drove through the streets after the car. So goes a day in the life of our star.

[And yet Nimoy had almost no one show up when he flew into New York – but that may have been a surprise.]

On the other side of the subject, Dot Records advises that the best way we fans can help get deejays to play selections from the album is to ask by letter, for radio stations very often get annoyed by too many phone calls. So—---write often!

Fans in the New York City area were lucky to have a return visit by Mr. Nimoy on April 20-22. He was there to promote his new album and appeared in many of the large stores there. Then, on April 23, he was in Aqawam, Massachusetts (close to Springfield) at Riverside Park and gave four shows during that day (singing, etc.)

[Some of this trip described in Vulcanalia #5 above]

ODDS AND ENDS: Because of the tremendous mail volume which is received each day at LNNAF Headquarters, may I ask all you members to do me a favor? Please put somewhere on your letters your return address so it will not be necessary to keep the envelope handy or look up your address on the membership records. Thanks!

The Penpal Dept. has been completely reorganized by our Vice-President, Thelda Hall, of Reno, Nevads, and anyone wishing to obtain a copy of the current list or wishing to be added to the list may do so by requesting a copy of it from Thelda and mentioning that you would like to be added to the list–please enclose a stamped, self-addressed envelope with your request, and write to: Miss Thelda J. Hall – LNNAFF Penpal Dept. - P.O. Box 7232 - Reno, Nevada 89502.

There's an excellent article with excellent pictures in the May issue of "Movieland & TV Times"!

Due to popular demand, the recent membership drive which was held by members of the National Chapter (those members who do not belong to another Leonard Nimoy club) is being extended as long as the supply of autographed records lasts. For the benefit of the newer members who are not familiar with the membership drive, anyone in the National Chapter who gets ive new members for the LNNAF receives an autographed copy of the single record entitled, "Theme From Star Trek" (these records are personally furnished by Mr. Nimoy). Members wishing to take part in the drive can obtain the Membership Application forms by writing to LNNAF Headquarters/

[The Leonard Nimoy Pyramid Scheme!]

Special thanks are in order to those members of you who have begun sending stamped-self-addressed envelopes with your letters to me or stamps "beyond the call of duty".

Ray Rutledge, Jr., of Dallas, Texas, telephoned me recently with the news that most of the hobby stores now carry a miniature model of the USS Enterprise. Check your local stores.

I've received many good suggestions lately; and for those of you have inquired about the possibility of ordering T-shirts or sweatshirts carrying a sketch of SPock and lettered "LNNAF", I have looked into the matter and T-shirts (white) would cost about $2 plus a shipping charge and white sweatshirts would cost about $3, plus a shipping charge. The idea is not definite as yet, but I would be interested to hear from you members who are interested in the idea.

I hope all of you were able to catch the TONIGHT SHOW on Apri 19th and the TODAY SHOW on April 21st–Mr. Nimoy's appearances were very entertaining! On the TONIGHT SHOW, he sang "Lost in the Stars", and on the TODAY SHOW, the beginning of "Twinkle, Twinkle Little Earth" was played from the album while the camera took closeups of Leonard Nimoy.

[Again, the appearance on the TONIGHT SHOW is also described in Vulcanalia.]

NBC reports that THE MONKEES series has broken all fan mail records at the networks–in second place: STAR TREK! Good work, you letter writers!

'QUOTE:'

The following items appeared in the "Dallas Times Herald" and may have appeared in your local newspapers, too. If not, I quote them for you:

MUSICAL EARS: Leonard Nimoy, who portrays the unemotional Mr. Spock in NBC-Ch.5's STAR TREK, plans to unbend by preparing a nightclub act as a vocalist. Leonard not only has big ears, but, according to insiders, he also has good ears-for music.

TALENT SEARCH: Talent hunt for a gal to play the regular role of a femme alien in NBC-Ch. 5's STAR TREK has been launched by producer Gene Roddenberry. Leonard Nimoy plays the part of Mr. Spock, an alien in the science-fiction series. Said Roddenberry, "The strange thing is more of the audience identify with the alien than with the earthling regulars."

[I wonder who this "femme alien" was supposed to be…]

Leonard Nimoy is scheduled to appear on the MIKE DOUGLAS SHOW, but I don't have the date [May 2, per Vulcanalia]. Because the MIKE DOUGLAS SHOW is syndicated [not put on by any of the three networks, but sold to any and all affiliate stations], I suggest you keep a close watch in your "TV Guide".

The preparation of the Journal is well underway, and although the deadline for submitting anything for publication is May 31st, the sooner you can send the items in, the better chance there is that room will be available for their incorporation into the Journal. And the sooner everything is received, the sooner the Journal can be issued. I look forward to receiving any items you members wish to contribute to the Journal.

[The next page is a full-page ad for Nimoy's first album; the following two an ad for UNICEF].

[Hope you enjoyed!]
 
Tangentially Trek-related...

I got invited to headline one of the nights at AbSciCon in Atlanta this year--it's a bunch of exobiologists discussing alien life. My talk is on astrobiology and science fiction in the '60s (natch) and I bring in a lot about Star Trek. Well, one of the other SF authors I mention a bit is Larry Niven, since I start the talk discussing what we knew about the planets of the solar system in the 60s, and Niven wrote a lot of cutting edge planetary SF (and also a story set on Mercury that was outdated before it was published).

As it turns out...

Larry Niven attended my presentation. So when I namechecked him, I could point to him and say, "and there he is!" Then we had a lovely dinner together.

I grew up on Niven's known space stories, and of course, "The Slaver Weapon", so it was pretty darned awesome. :)

Thanks for listening. Just needed to share.
 
Tangentially Trek-related...

I got invited to headline one of the nights at AbSciCon in Atlanta this year--it's a bunch of exobiologists discussing alien life. My talk is on astrobiology and science fiction in the '60s (natch) and I bring in a lot about Star Trek. Well, one of the other SF authors I mention a bit is Larry Niven, since I start the talk discussing what we knew about the planets of the solar system in the 60s, and Niven wrote a lot of cutting edge planetary SF (and also a story set on Mercury that was outdated before it was published).

As it turns out...

Larry Niven attended my presentation. So when I namechecked him, I could point to him and say, "and there he is!" Then we had a lovely dinner together.

I grew up on Niven's known space stories, and of course, "The Slaver Weapon", so it was pretty darned awesome. :)

Thanks for listening. Just needed to share.
Fantastic. Well done and Wow!
 
This latest is from Yandro 170, which arrived in mailboxes sometime in mid-May. This is from Juanita Coulson's intro:

Yesterday we received Goliard Broadsheet from Karen Anderson, and while it is going to be too late to do any nominating for Hugos when you receive this, it will not be too late to consider votes on the final ballot, Karen's one pager contains some very good points about STAR TREK and the problem: how can the STphiles in the voting audience avoid the scattergun effect they will achieve if each one votes for his or her favorite episode?

Last Issue I mentioned the "ST Syndrome" of fans disagreeing occasionally quite emphatically, about which episodes they preferred, but in very large numbers agreeing they liked STAR TREK as a whole. The way we're going, logically, we're going to splinter our efforts, and FANTASTIC VOYAGE will get the awards. Karen comments "Not that there is anything wrong with Gernsback-era science fiction....but STAR TREK is up in the Campbell era, at least." Suggestion? Though many of us are sure Roddenberry has much to do with every episode, there is an episode which is undeniably his: "The Menagerie". The STphiles, STrekkers, whatever you care to call the group, should by now be aware that none of the episodes would have reached the air without Roddenberry; the idea was his, the Spock-like determination to sweat out not one but two pilots, to actually come to the field of science fiction, to enable "our boys" — Bloch, Sturgeon, Ellison, Sohl, Matheson..etc, to get byline.

"The Menagerie" was not my favorite, but I agree with Karen that voting for that episode is in effect voting for STAR TREK's creator- Gene Roddenberry. And I think that is a splendid idea. I would very much like to hear from some of you other ST devotees out there. The rules were overhauled to - let's face it - keep TWILIGHT ZONE from copping the award every year. TWILIGHT ZONE was an anthology and quite a different cup of tea. The changed rules work to hurt STAR TREK's chances, but if the fans like the show as much as they claim, I think for once they can bury petty quibbling and cooperate. If they do not, they will prove, I suppose, that they are impressively stubborn - but hardly logical.

In most of the years of Yandro's publication, I have been largely content to plod along with my styli and mimeo and leave editorial policy and such up to Buck. But I feel very strongly about STAR TREK. I had become, I confess, a bit jaded about sf. Roddenberry-changed that, has given me a great deal of enjoyment these past eight months. I don't think I'm alone in wanting to thank him for that. Am I?

As Karen emphasizes, it is not a specific episode we're really plugging (whatever our favorite). None of our favorites would have made it without Roddenberry. Let's get him a Hugo for "The Menagerie."

Incidentally, I have it on good authority that Spock is now a Commander. Are you listening, people over there at CØsign?

[A couple of notes of interest: This may be how "The Menagerie" got on the Hugo ballot over "Corbomite", "Balance", "Naked Time", and other fan favorites--a bit of logrolling to make sure the vote didn't get split. The category Juanita is talking about is the Best Dramatic Presentation.

Also interesting is that Trekkies don't have an official name: STphiles, STrekkers, etc. are in use right now.

I wonder what her "good authority" re: Spock's rank is.]
 
Tangentially Trek-related...

I got invited to headline one of the nights at AbSciCon in Atlanta this year--it's a bunch of exobiologists discussing alien life. My talk is on astrobiology and science fiction in the '60s (natch) and I bring in a lot about Star Trek. Well, one of the other SF authors I mention a bit is Larry Niven, since I start the talk discussing what we knew about the planets of the solar system in the 60s, and Niven wrote a lot of cutting edge planetary SF (and also a story set on Mercury that was outdated before it was published).

As it turns out...

Larry Niven attended my presentation. So when I namechecked him, I could point to him and say, "and there he is!" Then we had a lovely dinner together.

I grew up on Niven's known space stories, and of course, "The Slaver Weapon", so it was pretty darned awesome. :)

Thanks for listening. Just needed to share.
I wish I could have gone.
 
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