I clearly recall the outlines of Scarlett Johansson's nipples pressing against the white dress she wore on that yacht during the opening credits...
TGT
Ergo, it was excellent film

Just kidding -- actually I thought The Island definitely had the potential to be a smart little film; It had an interesting story and a decent script...however, as usual, Michael Bay insisted on turning it into an action film, which it wasn't.
I'm convinced that if Michael Bay directed Casablanca, he would have included a 20-minute car chase through the streets of Casablanca between Rick and the apathetic Louis; or if would have directed Sunset Boulevard, he would have had Nora Desmond's mental breakdown include her running through the film shooting up the sets and people with an automatic machine gun, leading up to the ending with a 5-minute struggle between her and Joe for that gun -- until Joe gets blown away in a slow-motion barrage of scores of bullets.
My point is that it's easy to blame the srceenwriters for a bad film (and somestimes it is the fault of the script.) However, very often the director could turn a good script into a bad film. Take my Sunset Boulevard example (which was admittedly hyperbole):
***Sunset Boulevard spoilers to follow

I'm sure the screenwriter's screen direction was to have Nora shoot Joe. However, it was the manner in which Joe got shot in the back while defiantly walking away from her which made that climatic scene work so well -- and put a terrific exclamation mark on that film. Another director could have decided it would be better for Joe to go out in an exciting physical fight for his life; however, that would not have the same impact, and much of the film's meaning would have been lost.
That error in filmmaking would fall squarely on the director, not the screenwriter.
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