50th Anniversary Viewing
The Midnight Special
September 17, 1976
Guest hosts: The Spinners
Featuring Kiki Dee; Dr. Hook; Electric Light Orchestra; England Dan & John Ford Coley; Elton John; Junior Walker; Salute to Wolfman Jack
Yes, Elton & Kiki appear via their video for the third time.
Shazam!
"Bitter Herbs"
Originally aired September 18, 1976
Wiki said:
Yale is a teenage boy who wants to join a club called "the Overlanders". The leader of the club does not want Yale to join because he is Jewish, but soon the racist gets what he deserves when a mountain lion attacks him.
Mentor's lost on the way to Desert City when a pickup with a blown tire screeches by the pulled-over van. Billy changes to Cap, who digs in his heels to serve as the crate-laden truck's emergency brake. When Mentor catches up and tells the driver, Orin Clyde (Linden Chiles), that he's on his way to visit his old friend, Jack Michaels (Milt Kogan), Clyde dismisses the Michaelses as that new Jewish family in town. Soon Billy and Mentor are at the modest Michaels homestead wearing yamakas in observation of Sukkot. Mentor learns that Jack is working with the authorities to track down some artifact smugglers working in the area; while Jack's son, Yale (David Gruner), is preoccupied with trying to get into a local club called the Overlanders--a name that was on the door of Clyde's truck. After the guests leave, they get their obligatory call from the Elders, who briefly speak of the importance of learning to understand those who are different (Mercury getting in the odd line for a change). Meanwhile, Clyde has instructed club member Harry (James Van Patten) to scare Yale off from his initiation, so the reluctant Overlander sabotages the chain of Yale's motorbike. The van's driving by when Yale's chain comes off on a rugged, windy desert road. Billy changes to Cap again, moving a boulder out of Yale's way and tossing a plank over a crevice in the road before catching the bike.
While Mentor and Billy learn at a bike shop that the chain was cut, Clyde and the club members are present as Yale starts his initiation, a hike up a Snake Mountain against the clock. Clyde's quick to split when he sees the van approaching, but orders Harry to do more than putting salt water in Yale's canteen to see that the boy doesn't pass. Harry catches up to Yale to taunt and discourage him, only to fall down a ravine, injuring his ankle. Yale springs into first aid action, causing a shamed Harry to confess to all he's been doing. Harry tries to discourage Yale from helping him to Clyde's nearby place; and indeed, Clyde chastises Harry for bringing Yale there. Clyde nevertheless proceeds to drive the two of them into town, but when a crate falls off the back, stolen Mexican art objects come out, and Yale puts together that Clyde is the smuggler his father's been after. The van passes in the opposite direction as Clyde proceeds to take the youths away from town. An Elders flashback motivates Billy into catching up with the truck as Cap. Clyde lets the youths out in the wilderness to hobble their way back to civilization while he makes a getaway; but is then pounced by a mountain lioness who's subbing for Chekhov's Snake. Cap lands as the lioness is approaching the mobility-challenged youths and gently wrassles her into splitting the scene. Then, with the aid of really fakey effects, Cap stops a revived Clyde from splitting in his truck by lifting the vehicle onto a perch between two rocks.
In the coda, Harry and a red-headed sidekick (Darel Glaser, whose character is billed as Joe Oliveira, though that's the name on the sign of the bike repair shop and no connection is made) join the Shazamic Duo at the Michaelses for a Sukkhot dinner...Harry now displaying interest in learning more about his hosts' ways and finding common ground with them.
Cap: Prejudice and bigotry are two words that mean not liking somebody...calling them names because they're different than we are. Pretty silly, isn't it? In some ways, all of us are different; in others, we're all the same. The important thing about a person is not the color of his hair or skin, his religion, or whether he's tall or short, skinny or fat. What is important is something called character. [Audio interruption] yourself, "Is he honest? Does he care about others? Is he good?" If the answer is "Yes," call him friend. [Cap nods because he's outta time to get in a "see you next week".]
Boy, could people today use some learnin' from this episode...!
The Secrets of Isis
"The Hitchhiker"
Originally aired September 18, 1976
Wiki said:
A girl learns a lesson about the dangers of hitchhiking when the boy she rides with loses control of his car.
Isis's magic powers become ever more ill-defined even as she introduces inconsistency with whether or not she needs to rhyme. And it just seems odd for the incarnation of an ancient Egyptian deity to be calling upon molecules to do her bidding. Plus they've got her talking to herself in flight.
Say, I remember railroad crossings without gates!
NBC's Saturday Night
Season 2, episode 1
Originally aired September 18, 1976
Host: Lily Tomlin
Guests: James Taylor; Jim Henson's Muppets
The cold open has Chevy fretting that Lily's too big and won't show; she blitzes in with an entourage, getting everyone's names wrong (including referring to Gilda as Goldie). This transitions into Chevy in a conversation with her little person chauffeur. Chevy's dismayed that they're not opening with a sketch that involves him falling, so the chauffeur trips him. In her monologue, Lily makes a show of seeming grateful and humble, only to drop the facade when she thinks they've cut to commercial.
Oddly, they do a presidential debate sketch ahead of the first actual debate, which means they couldn't have directly parodied it. This includes the famous moment of Chevy's Ford objecting, "It was my understanding that there would be no math"; while Dan's Carter flip-flops about flip-flopping. Ford takes a tumble, of course, and drags Carter down with him when he tries to help.
James Taylor performs "Shower the People," accompanied by a backing vocal tape that's plainly shown playing on camera.
The filmed message is Lily as Ernestine doing a spot for the phone company. Slogan: "We don't care, we don't have to."
Edited Wiki said:
The episode marks the final appearance of the characters from "The Land of Gorch". In this appearance, King Ploobis, Queen Peuta, Scred, and Wisss wake up in a filing cabinet assuming that they are in the afterlife. They find The Mighty Favog under a dust cover. The Mighty Favog states that this may be their last chance on the show and that they must do whatever they're told to do. The Muppets are then visited by Lily Tomlin. When Lily states that she heard about The Muppet Show that came out last week, Wisss states that they won't let them be on their show since it's a family show.
Lily: Aren't you family entertainment?
Scred: Hell, yes!
Lily and the Muppets try to sing "I Whistle a Happy Tune". Unfortunately, the Muppets can't whistle. Lily Tomlin leaves, promising to find something else for them to do.
This transitions into Lily asking James about his next number, a cover of Jr. Walker's "(I'm a) Road Runner," accompanied by David Sanborn on sax.
In the next sketch, Lily plays an uncouth woman in a shabby apartment who has a salesman played by Garrett over ostensibly to look at a high-priced vacation home, but it becomes apparent that this is just as an opportunity to socialize and possibly pick up a man.
James returns for a third number, "Sweet Baby James".
Dan hosts a commercial in which he asks Lily as a housewife to engage in an increasingly surreal variety of product demonstrations.
Laraine plays a spotlighted female author of the 1930s who just wrote mundane, plainspoken diary entries.
The Gary Weis film has Taylor Mead talking about watching television.
Following up on the punchline of the last commercial sketch, Lily sings a song to show the audience how to do the Antler Dance. Paul Shaffer does some of the singing as the cast members and James perform the dance onstage. This continues into the final bow segment, with the audience and Muppets joining in.
I know all of them, of course, although I could not name a single Siouxsie song.
Nor can I.
True, but it was like the networks were desperately trying to keep the format alive and it wasn't working.
I get the impression that it was genuinely popular for a spell, but then the bubble burst and that glitzy wave of variety shows joined disco in becoming a relic of the '70s.
Indeed--Lt. Casey (W. K. Stratton), their admin specialist, tended to make things happen via creative paperwork, as I recall; which included aiding Pappy in forming the squadron for himself in the first place.
I believe you, but I just don't understand it. It's adorable.
One person's adorable is another's cloying.
I meant the Mentor character and his mysterious true nature. DC never seems to have bothered with him, as far as I know.
Ah...as I believe came up before, during the period when they retooled the
Shazam! comic to reflect the situation in the TV show, they had Uncle Dudley made over to resemble Mentor.
I recall a cute moment in a '90s Shazam crossover in a Superman title when Pa Kent, who was traveling in an RV with Martha, offered to let Billy join them and made a comment about serving as his mentor.
Poor Don Heck.
He earned his name.
Yeah, I liked that. It was something I was actually hoping for for a long time.
Unfortunately, it segued into the "mindless Hulk wandering other dimensions" phase that put me off the series...though I returned for Byrne's super-brief fix-it run. Now when the creative teams switched places, I hated Mantlo on
Alpha Flight. He couldn't get rid of everything Byrne had done to make the series unique fast enough.
My friend was really into that. The Mike Golden art was beautiful, but it never clicked for me.
You could say that in its early days, it was a better Star Wars comic than the Star Wars comic.
Speaking of bad influences on the kiddies...