Post-58th Anniversary Viewing
The Invaders
"The Miracle"
Originally aired February 27, 1968
Edited MeTV/Frndly mashup said:
A young woman is given an alien crystal that David and the invaders match wits to obtain.
One of
them (Rayford Barnes) drives into a wooded area with a ruined shrine at a spring. Bearing something in a small fabric bag, he loiters around waiting while Beth Ferguson (Barbara Hershey) and her boyfriend, Ricky (Robert Biheller, Corky-to-be from
Here Come the Brides), make out nearby. While Ruth's going to the spring for some water, she witnesses the man being bitten by a rattlesnake. He stumbles to her, gives her the sack, and tells her, "She will come for this"...then glows up before her eyes. She gets down on her knees before a small statue of the Virgin Mary and declares it to be a titular happening.
The QM Narrator said:
News of a miracle finds David Vincent and draws him to a small New Mexico town. Here, according to legend, the Virgin appeared to two Indian children and wept...her tears forming the spring known as Las Lagrimas de la Virgen...the stream where, years later, a young girl was presented a gift by a vanishing stranger--a gift that is, in fact, the heart of an awesome new weapon aimed at mankind.
After visiting the shrine, David proceeds to the dusty town of Lagrimas, where a local urchin named Johnny (Christopher Shea) teases "Saint Beth"--now effecting a plainer look than when she was making out with Ricky--as she's leaving the apartment above a bar & grill run by her father, Harry. While Johnny tries to sell the just-arriving David a car wash or shoeshine, David proceeds inside to talk to the proprietor...

Harry shows David the crystal given to his daughter, which now sits on a pool table in a glass case, with local Indians gathered around it as if it were a shrine. David offers to buy the crystal for $50, and while Harry haggles for $100, a scraggly towns
them named Merritt (uncredited) sneaks around through the back and tries to steal the crystal. David brawls with the man, who runs out into an alley and reports Vincent's involvement by FIND to an alien boss (also uncredited), at which point we learn that it's a laser crystal without which an arriving weapon will be useless. David catches up with the man and unsuccessfully struggles to prevent him from taking a suicide pill and ultimately glowing up. Harry locks the crystal in a safe and Beth returns from a visit to the shrine, where she was confronted by Ricky, whom she's been avoiding. Beth refuses to let her struggling single parent sell what she sees as a holy object to fix up his establishment a little. When David returns, Harry reneges on their deal for his daughter's sake.
David intercepts Beth as she's leaving the local mission church to warn her of danger from others who are after the crystal. He's at the point where he doesn't want to get into exactly whom, but he connects with her about having experienced things that others won't believe. We also learn that she has an issue with being touched, which is later elaborated on to be from working in her father's saloon. Back at said establishment, Beth's showing the crystal to a group of local workers when Father Paul (Arch Johnson) drops in--brought by David--to admonish her about declaring miracles not being her business. David then offers Beth to donate $500 to the church in exchange for the crystal. After she leaves, Harry offers to go around Beth to sell David the stone...now for $1,000, a transaction big enough that David needs to go to a bank in Santa Fe and call New York. (Kent Smith does not appear in this episode.) Back at the shrine, Johnny sets up that Beth has a better-to-do uncle in Denver whom she met once, who has no kids and might take them both in...and that Beth dreams of getting away from her father's saloon. She's then approached by a nun (Marion Thompson) who declares that she's come for the gift.
Beth returns to the saloon excited to retrieve the crystal, to be told by her father that he can get $1,000 for it, which could mean renting a small house. Their conflicting issues with Beth's mother come out here--Harry deludes himself into thinking that she might return to him after running off with a whiskey salesman ten years prior; whereas Beth, who'd led David to believe that her mother was dead, considers her to be "no good". Harry, who's been drinking, refuses to open the safe unless somebody can match Vincent's offer, and Beth runs out. Beth intercepts David in the lobby of his hotel to plead with him not to fuel her father's delusions. We learn that her mother's behavior plays into her own self-worth issues, and that she sees her "miracle" as an opportunity to purify herself--while Beth makes a bit of a scene for the extras. David's starting to get into the crystal being part of a weapon when Johnny runs in to tell them that Harry's been robbed of it.
Beth assumes that David's responsible, refusing to believe that the nun would be responsible. But later the alien on the phone slips into David's room, chloros him while he's sleeping, and searches the place, reporting to the nun afterward that he couldn't find the crystal. Johnny, who's seen some of this, tails the nun to a burned-out barn outside of town. Beth subsequently pays a visit to David's room, now dressed and made up like she was in the intro, and very forwardly comes onto him in her desperation for the crystal. Motivated to change the subject, David tells her of his group "of about six people" who need the crystal to prove to the government that her man at the stream and nun are flying saucer people...which is enough to send Beth on her way, declaring him to be either evil or insane. In the lobby, Johnny informs Beth that David doesn't have her "piece of junk"; and takes her to the barn, where they spy on the nun getting a regen; and are seen by one of
them when they run off.
Meanwhile, David has gotten a call from Harry, offering him a proposition. Beth and Johnny run back into town to fetch David, who drives with them to the barn, which is now cleared out, of course. Beth, perhaps symbolically still in her come-on clothes, is now a little-
b believer. Harry subsequently sends her on an errand so that a heat-packing David can meet him to buy the crystal, the robbery having been a ruse. David's tailed by a pair of
them, who sneak into the saloon, but not without setting off David's Kooky-Sense. An altercation ensues in which both of
them are shot into glowing up, which sets off propane from an unintentionally severed hose. We get our final signal that Harry is a bad man when he socks David to run back into the flame-engulfed room for his money, followed by an explosion signaling his fate.
In the Epilog, Beth--now back in repentant mode--is happy to let David take the crystal to Washington. When David learns of her plan to take Johnny with her to Denver, he gives her some extra cash that he'd brought along in case her father tried to raise his price again.
The QM Narrator said:
So David Vincent leaves Lagrimas, New Mexico, with a crystal from an alien planet. He leaves behind two orphans who have met in the desert; and who, having lost everything, gained a new life.
This one went in a more disturbing direction that I'd expected from the show. It seems like normally their M.O. would be to end with a reaffirmation that Harry and Beth's love for one another was more important than money. Here Harry had to burn with his money to buy Beth what was set up and played as a happy ending.
If you felt like they were setting up Ricky and/or Beth's aversion to being touched for another story beat,
apparently there was a scene of them in the saloon that got cut for syndication.
The Invaders
"The Life Seekers"
Originally aired March 5, 1968
Frndly said:
David drives a wedge between the invaders, pitting alien doves against alien hawks.
Near Redstone, Indiana, patrol officer Joe Nash (recent obsessed ensign Stephen Brooks) pursues and pulls over a speeding car that's passengers are a woman, Claire (Diana Muldaur), tending to an ailing older man, Keith (you may have seen Special Guest Star Barry Morse on another QM show). The driver (Donner [Scott Graham]) claims that his uncle in back is having a heart attack and has to get to a hospital, but when Keith's face glows bright red and Nash wants to know what's going on, Donner puts a bullet in him. Their car starts to pull away, but for some stupid reason, Donner gets out a little way down the road so that the still-conscious Nash can retaliate, glowing him up.
The QM Narrator said:
A critically wounded officer. A garbled account of glowing, vanishing assailants. A phone call from a physician who has come to believe in invaders from space. And David Vincent moves into the center of a widening dragnet.
BUMMMMM-BA-DUMP!BUMP!
When Doctor Stark (Herb Armstrong) brings in David to see Nash, the officer retracts things that he said when he was brought in, clearly not wanting to attract the kind of attention that it would bring. This is hinted to have something to do with protecting his superior and surrogate father, police captain Bill Battersea (R. G. Armstrong), in relation to an earlier incident. Declaring David to be a crank, Bittersea sends him out, but is motivated to get the people responsible for shooting Nash. As he coordinates the dragnet, he's visited by Captain Jim Trent (Arthur Franz) and Lieutenant Rawlings (Morgan Jones) of the state police. Meanwhile, at
their facility, Keith, feeling that only Vincent can come to the saucer people, persuades Claire to call David at his hotel against her better judgment. (Yes, their HQ has a phone.) Claire claims to have seen a half-human monster, so David arms up and heads out to pick her up at a gas station.
He's wary as she leads him down a dirt road, and when he deliberately drops a reference to having brought oxygen with him, she grabs the wheel and pulls the car off the road to get out. He pursues her into a ruined farmhouse, where he finds their facility in the basement--a regeneration chamber from an earlier phase of the alien infiltration that uses gases.

Keith tells David that he's been marked for death by his own people because, when he and five other leaders were brought to Earth to help plan the final assault, he came to see that humans were too advanced a species to slaughter. (The implication here is that Mr. Ryder was one of the six leaders.) He wants help getting past the police roadblocks to make a rendezvous with a friendly saucer so that he can take an attaché case-contained memory bank back to the home world, full of information about human civilization, philosophy, and science.

David justifies Claire's concerns when he's more interested in bringing the two of them in; though Keith warns that if
they're exposed, his people will be left with no option but a direct assault on humanity.
Knowing where Keith would have to go for regen, a pair of
them approach in a car, triggering an alarm. Keith and Claire come out to meet Dorsey (Barry Cahill) and his uncredited sidekick. After Keith and Claire refuse an offer to spare them if they name his collaborators, Dorsey pulls
their weapon and David pops out of the barn, shooting both visitors into glowing up. When Keith offers to give David the case so he can hold it to be given to other like-minded aliens, David agrees to go along with their plan; and calls Scoville from his hotel to discuss the opportunity. David subsequently brings
their license plate to Bittersea as bait to come with him. The captain gets the two of them past the roadblock, and anticipates that David's taking him to the farmhouse. David forces Bittersea into the basement chamber at gunpoint, where Claire uses CTP on him. When Bittersea's car returns through the roadblock, the officer manning it, Sgt. Leeds (recent alien-hating lieutenant Paul Comi), is suspicious at the captain's trance-like behavior. The station nevertheless gets through--Keith and Claire having been smuggled in the back under a blanket--to switch to David's car. Bittersea resists the CTP, and when Claire attempts to reapply, the captain pulls the Windom Maneuver, whacking the crystal out of her hand so that it smashes on the ground. David holds his gun on Bittersea again to force him to go along with them.
Trent and Rawlings are in charge of the dragnet when Scoville--who's an old friend of a name-dropped police chief this week--arrives at the station to advocate against hunting down David like a dangerous criminal, while not letting on that he's a kook himself. David and Claire hole up in a backroad motel room with Bittersea loosely trussed up in a chair. Claire brings to light how a year ago, a couple of teenagers named the Tanners came to the captain with a story about seeing a man burn up and disappear outside the farmhouse, which Bittersea was quick to dismiss. Later the Tanners came out after reading about David, only to die in a house fire--a source of guilt that drives the captain's denial of aliens, which Claire breaks through by cutting her arm.

DRINK!
At the hospital with Trent, Nash retracts his retraction and briefly mentions Bittersea's close encounter--which is enough to motivate Trent to FIND him dead. After calling Scoville to bring another car, David sits with Claire outside the motel. She asks him about his motivations for going to such extremes and asserts to him that some of
them feel with their minds as deeply as humans do with their hearts; following which David, clearly turned on since she cut herself, plants a kiss on her. Battersea, who now wants the aliens to be killed without regard to their intentions, struggles out of his chair and is caught making a phone call giving his location. Meanwhile, Rawlings intercepts Scoville on the road to arrest him and keep him from helping David.
The next morning, the fugitives have to risk using David's car in broad daylight despite chopper patrols in order to make the saucer rendezvous. Claire screeches a u-ey when they come upon a police roadblock, following which David holds Bittersea hostage to keep Leeds and his partner at bay. Then Trent, Rawlings, and a uniformed officer arrive on the scene, and Rawlings fires
their weapon at the fugitives, disintegrating Leeds's patrol car instead; following which Trent promptly does the same to the two witnessing roadblock officers...all clearly opening Bittersea's eyes. David and company flee through the wilderness to hide in a nearby stable, where Bittersea shoots Trent into glowing up, while David does the same to Rawlings and the uniformed officer who came with them. In the aftermath, Bittersea signals that he's on board with making the saucer rendezvous, which is only minutes away.
In the Epilog, the party uses
their patrol car to make it to the clearing where the saucer lands. Claire gives David a peck and declares that she won't be returning before climbing with Keith into the craft, which promptly takes off.
The QM Narrator said:
For David Vincent and his new ally, sadness for what they have lost, and hope for what they may have gained. Already tens of thousands of miles away, an alien saucer speeds through the void on a mission not of death, but of life.
They will beat no computer before its time. Or something.
Had to do a confirming look-up of that...I remembered the commercials, but not the name.
Could have thought that one through better.
He brought a lead pipe to a Marine fight.
I wasn't aware of this. It could have set up an interesting alternate timeline.
Reagan probably would've completely sidelined his running mate once they were in office.
Fifty years at this point. I wonder why it's never been broken. There's been tons of advances in materials science.
They may not have ever made an aircraft faster than the Blackbird, though. (Apparently the experimental X-craft like the X-15 aren't counting toward this record on technicalities.)
I guess we know why Professor X ordered one of these things.
Highly modified to accommodate passengers. The real craft only seats two in tandem, which is a much narrower fuselage.
Yep, that turned into a big deal.
There were more details about it in the Wiki entry, but the news items were running long.
"Am glad to be in New York."
Skippered.
Yeah. But at least he didn't live to get rounded up and deported to Venezuela.
Referencing a song written by Paul McCartney, if I'm not mistaken, and it doesn't really make sense anyway.
It fits with something I've read in Beatle bios about how the general public often erroneously associated John with that most famous of Beatle songs. I recall one account of how a violinist played it for him at a restaurant, and he laughed it off with, "I couldn't have expected him to play 'I Am the Walrus,' could I?"
I guess I can't complain about TV shows if real mobsters can't get it right.
Or could it have been the CIA...or the BBC...B. B. King...?
Great song. Strong nostalgic value.
A very distinctive classic rocker. Were you familiar with the linked-to SNL sketch or the meme that spawned from it?
I like a few of their songs, but I'm not sure if they had any other singles.
I have three of their songs that I was familiar with. One of them is their only other Top 40 single (and only barely at 40), which will be coming up in a handful of years. The third is a track about a giant monster native to 70th Anniversaryland that was regularly played on album rock stations in the day, but apparently wasn't a charting single.
ABC used this song to promote their Fall season this year and it's all I can think about when I hear it.
It was actually in the '77-'78 and '78-'79 seasons, which I looked up because that's the association burned into my brain as well.
I was thinking about a Superboy TV series, but now I'm not sure if that might have been in the 90s.
Indeed, that ran from '88 to '92. I didn't catch much of its first couple of seasons because it was a syndicated show that wasn't regularly airing in the market where I was living at the time.