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The Classic/Retro Pop Culture Thread



Post-50th Anniversary Viewing



All in the Family
"Mike's Friend"
Originally aired December 14, 1974
Prime Video said:
One of Mike's graduate school friends, Stuart, comes over one evening for a visit and Gloria begins to feel like an intellectual outcast. This leads her to believe that perhaps as Mike becomes more educated in school, he may start looking for a smarter woman.
IMDb and Prime Video said:
Carroll O'Connor does not appear in this episode, [which] was taped during O'Connor's hold out early in the season.
A-ha--Substitute Archie Syndrome!

As Gloria's preparing dinner for the visit of Mike's philosophy student friend Stuart Henderson, Edith tells her about a movie she watched in which a man sacrificed his life for his wife. When Mike comes home from school, Gloria asks Mike if she'd do the same for him.

Mike: Right after I finish this sandwich.​

This goes around a bit as Gloria brings up various hypothetical scenarios, with Mike giving unsatisfactory answers. When Stu arrives (Greg Mullavey), Mike immediately gets into high-brow conversation with him about philosophy and other subjects, while repeatedly shooing Gloria out of the room when she attempts to contribute. Stu, clearly uncomfortable about the situation himself, offers to switch from chess to charades so Gloria can join in; though she ultimately uses this as an opportunity to tell Mike to shove it.

Upstairs, Gloria frets to Edith that she's paying Mike's way through college so he can dump her for somebody more intellectually stimulating. Edith tells a story of how she used her "people smarts" to help Archie buy the house, and encourages Gloria to talk to Mike. Meanwhile, Mike learns that he's not in Stu's league when it comes to chess, and Stu tells him that he's coming on too strong with the intellectual angle, sharing that he'd rather have done something fun that included Gloria.

After Stu leaves, Gloria comes down and starts to talk, but a defensive Mike thinks she's accusing him of being intellectually inferior. When she clarifies what she's talking about, he admits that she's probably smarter than him despite not being as educated. After she expresses the root of insecurity, Mike offers to help her go to school after he's graduated and started his career, and they make up.



Needs more whips!
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Reports of a shadowy figure wearing a cloak and a top hat skating around remain unconfirmed.
Not sure who you're alluding to here.

There was a brief sequel series some years later, but I don't believe our boys made any guest appearances.
Actually, I recently learned that they did each make two. Apparently both appeared in the same episode as store owners (don't know if they were together); and each appeared in a separate episode as his old character--Malloy a captain and Reed a lieutenant.

Sadly, she died very young before the 70s were over.
Didn't know that.

Super-Fonz! I wonder how hard it was for Henry Winkler to play Hamlet as the Fonz rather than Henry Winkler. :rommie:
He was definitely the Fonz here.

Might have worked then. Personally, I would not have trusted it. :rommie:
They made sure the masks worked before going in further.

Interesting for the face of being topical, yet not political.
Doesn't seem especially topical for me. Just a scam.
 
Edith tells her about a movie she watched in which a man sacrificed his life for his wife. When Mike comes home from school, Gloria asks Mike if she'd do the same for him.
It's a trap!

When Stu arrives (Greg Mullavey), Mike immediately gets into high-brow conversation with him about philosophy and other subjects, while repeatedly shooing Gloria out of the room when she attempts to contribute.
I remember this one. I don't think I even noticed that Archie was MIA.

she ultimately uses this as an opportunity to tell Mike to shove it.
I definitely remember that part. :rommie:

Stu tells him that he's coming on too strong with the intellectual angle, sharing that he'd rather have done something fun that included Gloria.
I don't think 70s television was ready for that. :rommie:

After Stu leaves, Gloria comes down and starts to talk, but a defensive Mike thinks she's accusing him of being intellectually inferior.
One of the strengths of this show was that it didn't really spare anybody-- everybody had their flaws and failings.

After she expresses the root of insecurity, Mike offers to help her go to school after he's graduated and started his career, and they make up.
Did they ever say exactly what career he was working toward? I don't remember. :rommie:

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That's more like it! :rommie:

Not sure who you're alluding to here.
Just some mysterious, fog-enshrouded Victorian figure, like Jack the Ripper or whatever. Bit of a stretch, I guess. :rommie:

Actually, I recently learned that they did each make two. Apparently both appeared in the same episode as store owners (don't know if they were together); and each appeared in a separate episode as his old character--Malloy a captain and Reed a lieutenant.
Well, that's kind of weird that they made separate appearances both in character and out, but it's nice that they got to play Malloy and Reed again later in their careers. I like that sort of thing.

They made sure the masks worked before going in further.
"Okay, you go first and see if you die."

Doesn't seem especially topical for me. Just a scam.
Well, it's a topic. :rommie: I mean, it was something no doubt derived from the news, without being political, as opposed to a purely personal issue like this latest episode (and the missing-Archie episodes).
 
It's a trap!
Okay, Mike...

I remember this one. I don't think I even noticed that Archie was MIA.
And if they accounted for his absence, I didn't catch it.

I don't think 70s television was ready for that. :rommie:
Shame, shame, shame...

Did they ever say exactly what career he was working toward? I don't remember. :rommie:
I'm not sure if they've said it yet, but as I recall, he became a teacher.

That's more like it! :rommie:
I hope we all learned something today, Squiggy.

Well, that's kind of weird that they made separate appearances both in character and out, but it's nice that they got to play Malloy and Reed again later in their careers. I like that sort of thing.
I know nothing of the show. May have seen it coming on in the day.
 
Shame, shame, shame...
I'm a baaaad boy.

I'm not sure if they've said it yet, but as I recall, he became a teacher.
Okay, that rings a bell.

I hope we all learned something today, Squiggy.
DEVO sure did.

I know nothing of the show. May have seen it coming on in the day.
I never saw it, but I have a vague recollection of both it and Dragnet being revived briefly. They may have been syndicated as a package, but I'm not sure.
 
I'm a baaaad boy.
Abbott and Costello Meet...

50th Anniversary Cinematic Special

Young Frankenstein
Directed by Mel Brooks
Starring Gene Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, and Madeline Kahn
Premiered December 15, 1974
1975 Academy Award nominations for Best Writing, Screenplay Adapted from Other Material (Gene Wilder, Mel Brooks); Best Sound
Wiki said:
Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Victor Frankenstein. Peter Boyle portrayed the monster.

The film is a parody of the classic horror film genre, in particular the various film adaptations of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus produced by Universal Pictures in the 1930s. Much of the lab equipment used as props was created by Kenneth Strickfaden for the 1931 film Frankenstein. To help evoke the atmosphere of the earlier films, Brooks shot the picture entirely in black and white, a rarity in the 1970s, and employed 1930s-style opening credits and scene transitions such as iris outs, wipes, and fades to black. The film also features a period score by Brooks' longtime composer John Morris.
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This is, I'm pretty sure, the first time I've watched this all the way through, though I've seen parts of it on TV over the years.

Wiki said:
Early in the 20th century, Frederick Frankenstein, a lecturing physician at an American medical school, is actively distancing himself from his grandfather Victor Frankenstein, the infamous mad scientist, pronouncing his surname as "Fronkensteen".
I'm not sure that's the intended timeframe. It isn't explicitly established, but the students in Frederick's class look pretty contemporary. There's a bit of language-muting on Movies!, including when Frederick's trying to provoke a reaction from his classroom demonstration subject, Mr. Hilltop (Liam Dunn).

When Frederick inherits the family castle in Transylvania, he travels to Europe to inspect the property.
We first meet Frederick's comically proper and prudish fiancée, Elizabeth (Kahn) as she's seeing him off at the train station. They touch elbows in lieu of kissing to avoid ruining her makeup.

At the Transylvania train station, Frederick is met by a hunchbacked, bug-eyed servant named Igor [Feldman], whose own grandfather worked for Victor and who states his name is pronounced "Eye-gore".
Marty Feldman is definitely a personality I'm familiar with, but even browsing his credits, I'm not sure from exactly where other than this film. Possibly just general exposure from talk and variety shows.

Reportedly, the upcoming Aerosmith hit was inspired specifically by the iteration of the "walk this way" gag that Igor initiates here.
A young woman named Inga [Garr] also greets him.
The sexual innuendo, much of which centers around Inga, is a signature comedic element of the film, right down to the ending centering on it. This was probably the biggest thing Garr had done at this point.
Arriving at the estate, Frederick meets Frau Blücher [Leachman], the dour, intimidating housekeeper.
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Not only would I not have recognized Leachman in this, but I still don't.

After discovering the secret entrance to Victor's laboratory and reading his private journals, Frederick resumes his grandfather's experiments in reanimating the dead.

Frederick and Igor steal a recently executed criminal's corpse. He sends Igor to steal the brain of a deceased "scientist and saint" named Hans Delbrück.
The previously posted Brain Depositary door gag got the biggest laugh from me on first viewing.
Igor accidentally destroys Delbrück's brain and takes one labeled "Abnormal" instead. Frederick unknowingly transplants it into the corpse and brings the Monster to life.
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Also a bit of language-muting here.

Frightened by Igor lighting a match, the Monster attacks Frederick and nearly strangles him before being sedated.
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Unaware the Monster exists, the townspeople gather to discuss their unease at Frederick continuing his grandfather's work. Inspector Kemp [Mars], a one-eyed police inspector with a prosthetic arm and a heavy German accent, visits the doctor's and demands assurance that Frederick would not create another monster.
The physical comedy with the arm is pretty good, and no doubt inspired by Mars's role in The Producers. They dial the gag to 11 with the battering ram bit.

Returning to the lab, Frederick discovers Blücher
Whinny!
releasing the creature. She reveals the Monster's love of violin music, her own romantic relationship with Frederick's grandfather,
"He...vas...my...BOYFRIEND!"
and her planning out the events that inspired Frederick to create a monster as Victor did. The Monster becomes enraged by electrical sparks...and escapes the castle. While roaming the countryside, the Monster interacts with a young girl [Anne Beesley] and a blind, hermetic monk [Gene Hackman].
Hackman was reportedly uncredited in the original release; and the soup gag was filmed afterward with Brooks standing in as the character's hand. While Brooks also does bits of voice work, including the cat hit by the dart, Wilder stipulated that he not appear on camera because he felt it would take people out of the film.

Frederick recaptures the Monster and locks himself in a room with him.
"Let me out. Let me out of here. Get me the hell out of here."
He calms the Monster's homicidal tendencies with flattery and a promise to guide him to success, embracing his heritage as a Frankenstein.

At a theater filled with prominent guests, Frederick shows "The Creature" following simple commands, then performing a musical number with him.
"'UHHIN' ONNA 'IIIIITZ."
A stage light explodes and frightens the Monster, who becomes enraged at the booing crowd, and charges at them when they throw rotten vegetables. He is captured and chained by police. Back in the laboratory, Inga attempts to comfort Frederick; they have sex on the suspended reanimation table.

The Monster escapes from prison the same night Elizabeth, Frederick's socialite fiancée, arrives unexpectedly.
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The Monster takes her captive, but she falls in love with him as he makes love to her.
And right after she refused to make things conjugal with her fiancé. After the monster captures her, the iconic Bride streaks appear in her hair.
While the townspeople hunt the Monster, Frederick plays the violin to lure his creation back to the castle and recaptures him. Just as the Kemp-led mob storms the laboratory, Frederick transfers some of his stabilizing intellect to the Monster, who reasons with and placates the mob. Kemp gives the Monster a warm reception.
Kemp extends his hand, and the Monster literally takes it.

Sometime later, Frederick and Inga are wed and Elizabeth marries the now-sophisticated Monster. While in bed with Frederick, Inga asks what he got in return during the transfer procedure. Frederick growls wordlessly like the monster and embraces Inga while Igor plays the [horn] on the roof.

Wiki said:
A critical and commercial success, Young Frankenstein ranks number 28 on Total Film magazine's readers' "List of the 50 Greatest Comedy Films of All Time," No. 56 on Bravo's list of the "100 Funniest Movies," and No. 13 on the American Film Institute's list of the 100 funniest American movies. In 2003, it was deemed "culturally, historically or aesthetically significant" by the United States National Film Preservation Board, and selected for preservation in the Library of Congress National Film Registry. It was later adapted by Brooks and Thomas Meehan as a stage musical.

In 2014, the year of its 40th anniversary, Brooks considered it by far his finest (although not his funniest) film as a writer-director.

Overall, not bad. There are definitely some all-time classic gags to be found in here. And with age and immersive retro context, I better appreciate what an artful homage this was to the Universal horror flicks.



DEVO sure did.
Cap it good!

I never saw it, but I have a vague recollection of both it and Dragnet being revived briefly. They may have been syndicated as a package, but I'm not sure.
I don't recall a latter-day Dragnet TV revival at all; just the 1987 Aykroyd/Hanks comedy film.
 
Last edited:
Abbott and Costello Meet...


Young Frankenstein
Now there's an idea.

This is, I'm pretty sure, the first time I've watched this all the way through, though I've seen parts of it on TV over the years.
I saw it originally at the dollar theater in Columbian Square, and then on TV, and a few times since then on tape or DVD.

I'm not sure that's the intended timeframe. It isn't explicitly established, but the students in Frederick's class look pretty contemporary.
They were probably trying to have it both ways, like the original movie did-- the novel dates back to the early 1800s, but the Universal adaptation has some anachronisms. It's pretty impossible to reconcile Frederick's status as Frankenstein's grandson either way, but it doesn't really matter since the thing is set in some kind of bubble universe-- like the 1950s of Happy Days. :rommie:

They touch elbows in lieu of kissing to avoid ruining her makeup.
If it's the early 20th century, it could be the pandemic. :rommie:

Marty Feldman is definitely a personality I'm familiar with, but even browsing his credits, I'm not sure from exactly where other than this film. Possibly just general exposure from talk and variety shows.
I think he's a nightmare from the collective subconscious.

The sexual innuendo, much of which centers around Inga, is a signature comedic element of the film, right down to the ending centering on it. This was probably the biggest thing Garr had done at this point.
The knockers joke is still one of my favorite lines. :rommie:

Not only would I not have recognized Leachman in this, but I still don't.
:rommie: I don't remember if I recognized her or not. I probably didn't.

:rommie:

"He...vas...my...BOYFRIEND!"
Exactly how old is Frau You-Know-Who? Maybe she's one of the Brides of Dracula. :rommie:

"'UHHIN' ONNA 'IIIIITZ."
Like Blazing Saddles, it goes kinda surreal at the end, although nowhere near the same degree.

And right after she refused to make things conjugal with her fiancé.
They just weren't right for each other. And I'm not even going to attempt to come up with science to explain the "transfer procedure." :rommie:

Overall, not bad. There are definitely some all-time classic gags to be found in here. And with age and immersive retro context, I better appreciate what an artful homage this was to the Universal horror flicks.
Definitely one of my all-time favorite comedies. All the articles written at the time always mentioned that it used the original Universal sets, which I thought was great.

Cap it good!
:rommie:

I don't recall a latter-day Dragnet TV revival at all; just the 1987 Aykroyd/Hanks comedy film.
Such a terrible parody. Okay, I'm going to Wiki it: And I was actually right for a change. They were the Jack of all Trades and Cleopatra 2525 of their day. :rommie:
 


50th Anniversary Viewing



Adam-12
"Something Worth Dying For: Part 2"
Originally aired May 20, 1975
Series finale
MeTV said:
Malloy recovers from his gunshot wound and returns to patrol with Reed, where they investigate a suspicious burglary call at a school for women, and confront a pair of armed intruders in a warehouse full of mannequins. Meanwhile, Reed contemplates taking the investigator's exam as he prepares to give a speech in acceptance of the medal of valor for saving Malloy's life.

This week, Kristin Nelson and Gary Crosby get in the opening credits, along with a "Special Appearance by" credit for Chief of Police Edward M. Davis. In the post-opening credits, the Medal of Valor presentation speech gets a separate writing credit from the rest of the story.

Malloy and Reed are back on duty together in the squad car.

Pete: [Judy] wouldn't mind seeing me behind a desk permanently.​
Jim: Why not?​
Pete: The desk she has in mind is a hardware store in Fresno.​

Jim: I've been getting the same static from Jean. You getting that purple heart didn't help any.​
Pete: It didn't do me a whole lotta good, either.​

While Hardwick isn't in this episode, his cynical influence lingers as Reed expresses his doubt about how much good they're doing when the citizens they're sworn to serve and protect are enabling street crime by, e.g., purchasing stolen property. The officers respond to a 211 at a school that teaches job skills to young women. As director Helen Newton (Virginia Field) describes the robber, she establishes that the school's on too tight a budget to afford losing $300, all while acting suspiciously uptight and unfriendly. Mac gives the guys a hard time when they return to the station for some investigation, their suspicions having been stoked by signs of a typewriter burglary that Newton didn't report. It comes up that Reed's thinking about taking the investigator's exam.

Back on patrol, the unit is assigned to a 459 at a mannequin warehouse. A security guard nursing a head injury (Don Brodie) describes the suspects as a young couple. Searching inside, the male, Angie Wilkins (Christopher Stafford Nelson), fires warning shots from behind concealment. Reed keeps him occupied while Malloy gets into a good position on a catwalk, following which the suspects are arrested. In the aftermath, the owner, Harold Thompson (Chuck Bowman), is informed that the young woman is his daughter, Jo Anne (Kimberly Beck); and it comes out that they were stealing from him for a wedding that he wouldn't support.

At the station, Mac turns up a lead about a load of electric typewriters that were stolen out of town; and the subject of the award presentation comes up, a topic that continues in the squad car.

Pete: Judy's coming....She's curious to see what you get because I got shot.​

Jim: Well, [Jean] does have a point. A medal of valor's not gonna keep her warm on a cold night.​

The officers return to the school, where Newton's assistant, Kate Gordon (Janear Hines), is obviously nervous while they have a look at the typewriters. When Newton returns, the officers confront her about the machines matching ones that were reported stolen elsewhere. Gordon, who wasn't in on this, confirms that Newton lied about the other units having been stolen in the burglary. Underscoring Reed's earlier argument perhaps a bit too patly, Newton defends her choice to cut some corners in running the fund-challenged school.

At home, Jean gives Jim the cold shoulder while little Jimmy isn't home. (I don't think we've seen him on camera since his birth the same week as mine.)

Jean (sniffling): One of these days, there's gonna be a knock at the door. And it'll be Pete, or Mac, or some other cop standing there with his hat in his hand, and he's gonna tell me that you're not coming home anymore....It was Pete this time! Aw, Jim, I can't think of anything that's worth you dying for.​

After she expresses her belief that the public doesn't care about what he does, the escalated argument ends without resolution.

Jim: Honey, I want you to come to the presentation tomorrow!​
Jean: What for, to meet the widows?​

I can appreciate here that they recast Jean after her years of absence. I don't think Jean I had the acting chops to pull off this sort of scene.

Cut to the next day at the Hollywood Palladium as it hosts the Los Angeles Area Chamber of Commerce Medal of Valor Awards Luncheon. LAPD officers attend in uniform, including Pete, who's accompanied by Judy. She expresses her concerns less tearfully.

Judy: You're gonna get buried in that uniform.​
Pete: Maybe, but I think it fits me better than a business suit....Somebody has to protect you and David and Jean and little Jimmy, and it just so happens that somebody is me. But I wouldn't do it if I didn't like it, and I wasn't good at it.​

They take their seats at a table along with Mac, Ed Wells, Jerry Woods, and their plus ones--I'm not sure offhand if Jerry is supposed to be married, but I think this is the only time that we see Mrs. Mac or Mrs. Wells, though they're just extras. Jean's absence is noticed.

Emcee Art Balinger opens with a story about the founding of the L.A. police department that segues into appreciation for the service of the line officer...during which the camera at one point focuses on Jean's empty chair. (As Balinger is one of Mark VII's frequent flyers, it's unclear if the emcee is supposed to be a previously established recurring character such as Captain Hugh Brown from Dragnet or Captain Grant, who appeared a few times in Seasons 4 and 5 of A12.)

Following a cut that skips past five other officers also being awarded, the emcee gives an account of Reed's act of heroism, during which Jean arrives.
A1239.jpg

Emcee: Faced with the alternative of seeking cover or attempting to rescue the fallen officer, Officer Reed unhesitatingly chose the latter course. He placed his life on the line to save an unconscious fellow officer who was in peril of an immediate and violent death. Officer Reed's skill, courage, and determination reflect the highest tradition of the Los Angeles Police Department and are hereby acknowledged with gratitude and with pride.​

Jean sheds tears again as she sees her husband presented with the award by, I presume, real-life Los Angeles Chief of Police Davis. The series ends with a standing ovation for the six officers, during which Pete looks especially appreciative, and Jim silently acknowledges that his wife showed up after all.
A1240.jpg

And that formally wraps up our in-sync 50th Anniversary Viewing season. The departure of Adam-12 leaves Hawaii Five-O as the last series standing in our lineup that started in the '60s...but fear not, it won't be going anywhere particularly soon.



They were probably trying to have it both ways, like the original movie did-- the novel dates back to the early 1800s, but the Universal adaptation has some anachronisms.
I was never under the impression that the movie was supposed to take place in the same period as the novel. The electrical equipment alone seems substantially later, if not the film's present.

t's pretty impossible to reconcile Frederick's status as Frankenstein's grandson either way, but it doesn't really matter since the thing is set in some kind of bubble universe-- like the 1950s of Happy Days. :rommie:
There was one particular student who stood out at me as looking very 1970s--an Asian guy with a mullet and mustache.

I think he's a nightmare from the collective subconscious.
I was surprised that the character turned out to be so benign. You expect your Igors to be a little more treacherous.

Such a terrible parody.
I enjoyed it at the time; and the '60s show being promoted in association with the film was my first direct exposure to it.
 
a "Special Appearance by" credit for Chief of Police Edward M. Davis.
Nice.

In the post-opening credits, the Medal of Valor presentation speech gets a separate writing credit from the rest of the story.
Whodunit?

Reed expresses his doubt about how much good they're doing when the citizens they're sworn to serve and protect are enabling street crime by, e.g., purchasing stolen property.
There are far better reasons than that to be cynical. :rommie:

she establishes that the school's on too tight a budget to afford losing $300
Come on, boys, open up those wallets.

Back on patrol, the unit is assigned to a 459 at a mannequin warehouse.
Ah, the long-awaited Adam-12/Twilight Zone crossover!

it comes out that they were stealing from him for a wedding that he wouldn't support.
This was worth getting into a firefight with the cops? Sell your gun, that'll get you a few bucks. :rommie:

Pete: Judy's coming....She's curious to see what you get because I got shot.
You'd think Judy would be grateful to Reed.

Underscoring Reed's earlier argument perhaps a bit too patly, Newton defends her choice to cut some corners in running the fund-challenged school.
Yeah, but there's some nuance here. She didn't act out of greed or malice. She's trying to accomplish something she thinks is important.

(I don't think we've seen him on camera since his birth the same week as mine.)
Come to think of it, we haven't seen you on camera either. Coincidence? I think not!

Jean (sniffling): One of these days, there's gonna be a knock at the door. And it'll be Pete, or Mac, or some other cop standing there with his hat in his hand, and he's gonna tell me that you're not coming home anymore....It was Pete this time! Aw, Jim, I can't think of anything that's worth you dying for.
When I worked in UR/QI at St Margaret's, my office partner was a nurse who was married to a cop. I heard this speech a few times. Personally, I can't imagine living with that kind of stress.

Pete: Maybe, but I think it fits me better than a business suit....Somebody has to protect you and David and Jean and little Jimmy, and it just so happens that somebody is me. But I wouldn't do it if I didn't like it, and I wasn't good at it.
We just won't mention that time he was going to quit because he had to bury his partner.

(As Balinger is one of Mark VII's frequent flyers, it's unclear if the emcee is supposed to be a previously established recurring character such as Captain Hugh Brown from Dragnet or Captain Grant, who appeared a few times in Seasons 4 and 5 of A12.)
I'm gonna go with Brown. That makes it a crossover.

the emcee gives an account of Reed's act of heroism, during which Jean arrives.
Whew.

The series ends with a standing ovation for the six officers, during which Pete looks especially appreciative, and Jim silently acknowledges that his wife showed up after all.
Well, that was actually a very nice series finale. Not perfect, and a little frustrating in some ways, but it worked well. Nothing was really resolved and nothing really changed for either of our boys, but it was complex and nuanced, and underscored the message of the show nicely.

I was never under the impression that the movie was supposed to take place in the same period as the novel. The electrical equipment alone seems substantially later, if not the film's present.
I don't think they wanted to set it in the same period as the novel, but I think they wanted to retain that feeling of antiquity. There's really nothing in the movie that I can recall offhand that can firmly date it. The electrical equipment is pure science fiction. It's kinda Steampunk, really, although that term wouldn't exist for another half century or so. :rommie:

There was one particular student who stood out at me as looking very 1970s--an Asian guy with a mullet and mustache.
Maybe mullets and mustaches were popular in China in 1901. :rommie:

I was surprised that the character turned out to be so benign. You expect your Igors to be a little more treacherous.
I think everybody turned out pretty benign. It was kind of a feelgood Horror movie. :D

I enjoyed it at the time; and the '60s show being promoted in association with the film was my first direct exposure to it.
I remember it being a rather unkind and inaccurate parody. Of course, I remember no details to back that up at this point.

The innuendo pretty much writes it's self.
:rommie:
 


Post-50th Anniversary Viewing



This is where the already-covered Happy Days episode "Guess Who's Coming to Christmas" falls (December 17, 1974).



Planet of the Apes
"Up Above the World So High"
Originally aired December 20, 1974
Series finale
Edited Wiki said:
Virdon, Burke, and Galen encounter a human named Leuric who is experimenting with flight in a hang-glider he has built himself. But when Leuric is captured by gorilla soldiers, a chimpanzee scientist named Carsia tries to persuade Zaius and Urko to replicate the glider for her own purpose.

Galen's picking wild berries just to the north of Malibu when he sees what he thinks is a flying reptile, but the astronauts recognize it as a crude glider. The fugitives have to hide when a gorilla patrol rides in looking for the flier; but are the first to find the pilot, Leuric (it's about time Frank Aletter showed up), who's caught in a tree. Back at his workshop, Leuric demonstrates how his glider works with a model and a bellows. He's incredulous that these humans claim to know more about something that he thinks he invented; while they don't want to share their knowledge to improve his design, trying to steer him into using his ingenuity for something more practical that won't get him killed by the apes. In Central City, the Ape Council wants the human found, but Zaius and Urko are dismissive about the value of the "toy" that the human was playing with until one of our recurring series elements, a female chimp scientist named Carsia (Joanna Barnes), informs them of evidence in pre-holocaust books that their ancestors had mastered flight. (None of their books seem to have pictures of who wrote them.) Shortly afterward, the fugitives find that Leuric has been taken by the apes, presumably for public execution.

A human carriage driver (Glenn Wilder) takes Carsia to where Leuric is being held, and she commandeers the quarters of Commander Konag (now also a recurring element, Martin Brooks). Carsia interrupts the beatings to question Leuric about his invention, which, once reunited with his confiscated tools, he's eager to prove. The fugitives snoop around the outpost and learn of Carsia's visit, so Galen approaches her posing as a traveling archaeologist who's eager for proper companionship and, while a spark ignites between them, learns of a scheduled demonstration in five days. Figuring that helping Leuric succeed despite his glider's dangerous flaws is their ticket to saving him, the astronauts get to work building their own glider, which they insist that Galen test, as any apes who see him wouldn't shoot. While terrified of the notion, Galen ends up having fun once he's aloft.
POTA03.jpg
In a subsequent visit to Carsia, he informs Leuric of the plan to smuggle their disassembled glider in for Leuric to use, but he learns that the demonstration has been moved up and Leuric is stubbornly invested in proving his own invention, though the fugitives think he'll break his neck using it.

The astronauts decide that rather than try to move up their own timetable, they should set Leuric's back, so they send Galen in to demonstrate a magnifying glass that Burke made from a hunk of byproduct glass that he found in Leuric's workshop. Galen places the device where it sets Leuric's glider on fire while he distracts Carsia and Leuric; then offers to bring in his own human servants to help Leuric rebuild his glider. Leuric sees through the ruse, but decides to cooperate because ultimately he just wants to fly. While Galen's becoming more intimate with Carsia, he learns that she's a chimp supremacist who's driven to see their kind in positions of authority on the Council. When the astronauts come into her quarters to report to Galen and see that she has clearly labeled fragmentation explosives among her belongings, they take Galen aside to fill him in. Asking her about them, Galen learns that she plans to employ Leuric's glider as a means to drop the bombs on the Council chamber in a coup attempt.

The fugitives go to Leuric's workshop to destroy the glider and get him out, but he resists and the humans have to employ their ape fu to escape, while Galen and Leuric are captured, the latter receiving a gunshot wound in one of his hands. After the astronauts slingshot a note into their cell to fill Galen in on their plan, the test commences and Galen maneuvers Konag into letting him fly with Leuric to help him compensate for his injury. The flight is successful, but the duo steers off course down to the water, making it appear that they've crashed, with Konag and Carsia being too quick to assume that they're dead. In actuality, the astronauts pick them up in a raft and Galen experiences a bout of seasickness.

And that's all for this half-season wonder, this being the actual last episode in production order as well. The episodes were later paired together into makeshift TV movies. I read that this one was joined with the fishing camp episode.



All in the Family
"The Best of All in the Family"
Originally aired December 21, 1974
Prime Video said:
In celebration of its first 100 episodes, Henry Fonda hosts a retrospective of the previous episodes and explores the relationships and the characters that make up the Bunker household, via flashbacks.

This double-length special is split into two parts for syndication and streaming. It opens with an introduction by Fonda emphasizing the controversial nature of the show that segues into Norman Lear introducing the cast to the studio audience (whom we see for a change, along with getting a look at how the Bunker house set is laid out). Lear explains that for technical reasons they can't show the opening credits to the audience, so he has O'Connor and Stapleton perform the song seemingly live instead, over which the opening credits play.

When Fonda returns, the first topic is, naturally enough, Archie's bigotry. Among the scenes represented are Archie discussing the ethnically balanced ballot and questioning Mike's sexuality for carrying a handbag, and Edith being led to believe that Abe Lincoln was Jewish.

Next up is Edith's way with a roundabout story, exemplified by her account of hitting a car with a can of cling peaches.

Then we get a compilation of Archie's raspberries; followed by various scenes featuring Gloria...including Edith trying to have The Talk with her before the wedding, in which Gloria does most of the talking. Then it's various scenes featuring Archie's dubious authority on religious matters, climaxing with drunk Archie coming face-to-face with "the Lord" in the cellar. And there's Edith's common-sense wisdom, culminating in Mike hugging Archie after she explains to Mike how Archie's jealous of him.

The closing credits of both parts play over the routine of the family silently passing dishes at the dinner table; punctuated by Archie belching in his chair.

Part 2 goes straight into the alternate take of the song. Fonda then introduces a sequence of occasions that Edith lost her temper; and scenes featuring Mike, including his peculiar way of putting his socks and shoes on, and his first argument with Archie, in which he was bestowed with his nickname.

Further sequences include scenes of Archie being hard to live with; Archie's challenged logic, including his TV interview and more examples of his bigotry; and Mike and Gloria fighting.

Some of the best is saved for last, first with scenes that got the longest laughs. These include, along with a couple of others, Archie holding up Mike and Gloria's wedding ceremony with toilet business; the scene of the flasher at the police station that was missing from its own recent episode; and Sammy Davis Jr. kissing Archie.

Finally, special moments are featured, including Archie's reaction to Gloria telling her she's not his little girl anymore; Archie apologizing to Edith about something; Archie having a gentle talk with Gloria after her miscarriage; and Archie and Edith starting to get romantic on their second honeymoon.

IMDb lists the following episodes as the sources of this installment's clips:
Judging Books by Covers
Gloria Has a Belly Full
Gloria Discovers Women's Lib
The First and Last Supper
Flashback: Mike Meets Archie
The Election Story
Edith's Accident
Edith's Problem
Archie and Edith Alone
Sammy's Visit
Archie and the Editorial
Lionel Steps Out
Mike Comes Into Money
Flashback - Mike and Gloria's Wedding: Part 1
Flashback - Mike and Gloria's Wedding: Part 2
Edith's Winning Ticket
Archie and the Bowling Team
The Hot Watch
Archie Learns His Lesson
The Battle of the Month
We're Having a Heat Wave
Henry's Farewell
The Games Bunkers Play
Archie in the Cellar
Black Is the Color of My True Love's Wig
Second Honeymoon
Archie Is Cursed
Mike and Gloria Mix It Up
Gloria's Boyfriend
Gloria Sings the Blues
Archie's Helping Hand
Gloria's Shock
Archie Is Missing



The innuendo pretty much writes it's self.
I did not see what I did there.

A1241.jpg

Whodunit?
S. H. Barnett.

Ah, the long-awaited Adam-12/Twilight Zone crossover!
But the warehouse didn't have a thirteenth floor...or a twelfth...or an eleventh...

You'd think Judy would be grateful to Reed.
I think that was just Pete being playfully snarky.

Yeah, but there's some nuance here. She didn't act out of greed or malice. She's trying to accomplish something she thinks is important.
Which wouldn't have saved her from a Joe Friday lecture.

Come to think of it, we haven't seen you on camera either. Coincidence? I think not!
They haven't cast me as an adult.

When I worked in UR/QI at St Margaret's, my office partner was a nurse who was married to a cop. I heard this speech a few times. Personally, I can't imagine living with that kind of stress.
Interesting.

We just won't mention that time he was going to quit because he had to bury his partner.
Character growth. That rookie he stuck around to train saved his life.

Well, that was actually a very nice series finale. Not perfect, and a little frustrating in some ways, but it worked well. Nothing was really resolved and nothing really changed for either of our boys, but it was complex and nuanced, and underscored the message of the show nicely.
It did hint that potential career advancement was on the horizon for both of them, without actually taking us there.

I don't think they wanted to set it in the same period as the novel, but I think they wanted to retain that feeling of antiquity. There's really nothing in the movie that I can recall offhand that can firmly date it. The electrical equipment is pure science fiction. It's kinda Steampunk, really, although that term wouldn't exist for another half century or so. :rommie:
I could see it taking place in that era.

I think everybody turned out pretty benign. It was kind of a feelgood Horror movie. :D
Indeed it was.
 
Series finale
Alas, POTA, we hardly knew ye. Both POTA and Night Stalker, which premiered on the same night, died premature deaths. I'm much more invested in Night Stalker, but it would have been nice to see this show continue for a while.

Galen's picking wild berries just to the north of Malibu
That's a very specific location.

Leuric (it's about time Frank Aletter showed up)
It would have been better if he crashed in a spaceship and said, "Damn, I overshot!" :rommie:

He's incredulous that these humans claim to know more about something that he thinks he invented
Must be a Millennial.

trying to steer him into using his ingenuity for something more practical that won't get him killed by the apes.
"Have you ever heard of a net?"
"Sure, she hangs out up at Malibu."

Zaius and Urko are dismissive about the value of the "toy" that the human was playing with
This part doesn't ring true for me. Urko, especially, should be quick to see the military applications of just about anything.

(None of their books seem to have pictures of who wrote them.)
Maybe she's just keeping that part to herself, like the original Zaius.

A human carriage driver
That answers that question.

Commander Konag (now also a recurring element, Martin Brooks)
Different characters, though, unfortunately.

While terrified of the notion, Galen ends up having fun once he's aloft.
And hang gliding returns to Malibu after seven hundred years! Or however long it's been. :rommie:

That sail does not look the slightest bit airworthy. :rommie:

Leuric is stubbornly invested in proving his own invention, though the fugitives think he'll break his neck using it.
Just keep him away from kite-eating trees.

Galen places the device where it sets Leuric's glider on fire
Urko would love that, too. :rommie:

she's a chimp supremacist
Oh, man. :rommie:

Galen learns that she plans to employ Leuric's glider as a means to drop the bombs on the Council chamber in a coup attempt.
Okay, this is pretty weird. The glider hadn't even been successfully tested yet, and she's already built some bombs? And who's going to fly the glider and drop them? Was she going to do it herself? She doesn't seem to have any minions or co-conspirators.

with Konag and Carsia being too quick to assume that they're dead.
That seems to happen a lot.

The episodes were later paired together into makeshift TV movies.
With very bad titles. Coincidentally, the same thing was done with some Night Stalker episodes.

This double-length special is split into two parts for syndication and streaming.
So do these count as two episodes out of the season? That would be kind of a rip off.

That's pretty cool.

S. H. Barnett.
Interesting. Looks like he had been a TV writer in the past, but was currently working in PR for the LAPD.

But the warehouse didn't have a thirteenth floor...or a twelfth...or an eleventh...
Sadly, no Anne Francis either.

I think that was just Pete being playfully snarky.
Ah.

Which wouldn't have saved her from a Joe Friday lecture.
Certainly not! :rommie:

They haven't cast me as an adult.
Do you think you could pull it off? :rommie:

Character growth. That rookie he stuck around to train saved his life.
He did.

It did hint that potential career advancement was on the horizon for both of them, without actually taking us there.
Yeah, it kind of felt like things were on the edge of change.
 
Alas, POTA, we hardly knew ye. Both POTA and Night Stalker, which premiered on the same night, died premature deaths. I'm much more invested in Night Stalker, but it would have been nice to see this show continue for a while.
It was reasonably enjoyable but pretty mediocre.

That's a very specific location.
It's where I read they shot the seashore episodes that I misidentified as being in Malibu.

It would have been better if he crashed in a spaceship and said, "Damn, I overshot!" :rommie:
More as-tro-nauts...there goes the neighborhood.

"Have you ever heard of a net?"
"Sure, she hangs out up at Malibu."
POTA01.jpg


This part doesn't ring true for me. Urko, especially, should be quick to see the military applications of just about anything.
Urko's played as being thick about everything; and this isn't the first time that human inventions were dismissed because of ape pride.

Just keep him away from kite-eating trees.
[Wonders what rank Snoopy's WWI flying ace was...]

Okay, this is pretty weird. The glider hadn't even been successfully tested yet, and she's already built some bombs? And who's going to fly the glider and drop them? Was she going to do it herself? She doesn't seem to have any minions or co-conspirators.
They were packaged explosives, I don't think she had to build anything. And it was implied that she knew like-minded chimps. Or maybe she wanted Galen to do the flying, I'm not sure.

So do these count as two episodes out of the season? That would be kind of a rip off.
The Wiki list doesn't count it as an episode for numbering purposes; IMDb counts it as one. If counted as one, there were 24 episodes this season.

Do you think you could pull it off? :rommie:
:whistle:
 
Last edited:
It was reasonably enjoyable but pretty mediocre.
Yeah, like I said, straightforward adventure, but fun-- I mean, it was the Planet of the Apes! :rommie:

More as-tro-nauts...there goes the neighborhood.
Makes me wonder why they keep sending them. Were there so many flights that a few detours to a post-Apocalyptic future were considered acceptable losses? :rommie:

:angel:

Urko's played as being thick about everything; and this isn't the first time that human inventions were dismissed because of ape pride.
And yet he's in charge. That probably means he's super smart by gorilla standards.

[Wonders what rank Snoopy's WWI flying ace was...]
I think Flying Ace was his rank. He was Special Ops. :D

They were packaged explosives, I don't think she had to build anything. And it was implied that she knew like-minded chimps. Or maybe she wanted Galen to do the flying, I'm not sure.
Hmm, okay. Still seems like she was ahead of herself.

The Wiki list doesn't count it as an episode for numbering purposes; IMDb counts it as one. If counted as one, there were 24 episodes this season.
Interesting, because that would put them under a typical season for a sitcom in those days.

:D
 
50 Years Ago This Week

DC450.jpg
Batman...in a comic book.
--The Old Mixer, 1975​


May 25
  • A central total lunar eclipse was visible in eastern Australia, Pacific, both Americas, Africa and western Europe, and was the 32nd lunar eclipse of Lunar Saros 130.
  • Bobby Unser won the 1975 Indianapolis 500, which was halted after 435 miles (700 km), with 25 laps left. Unser, in his second win, was in the lead when a rainstorm caused officials to stop the race.
  • The Golden State Warriors won the NBA championship in a four-game sweep over the Washington Bullets, 96-95, at Landover, Maryland.
  • Count Dante (John Keehan), 36, American martial artist who billed himself as "The Deadliest Man Alive", died in his sleep of internal hemorrhaging caused by a bleeding ulcer.

May 26
  • The Soyuz 18 rocket linked up with the Salyut 4 space station.

May 27
  • The Alaska Supreme Court ruled, 5-0, that the right to possession and use of marijuana within one's home could not be outlawed, citing constitutional guarantees of privacy, making Alaska the first of the United States to partially decriminalize cannabis. The decision came in the case of Ravin v. State, 537 P.2d. 494 (Alaska, 1975), a test case brought by lawyer Irvin Ravin of Homer, Alaska, who had arranged to be stopped while driving to his home with a small amount of pot in his possession.
  • The Philadelphia Flyers defeated the Buffalo Sabres, 2-0, to win the NHL's Stanley Cup, 4 games to 2. The series marked the first Cup finals, since 1923, that neither of the two finalists had been one of the "Original Six" (Boston, Chicago, Detroit, Montreal, N.Y. Rangers, or Toronto).
  • Laos and the United States reached an 8-point agreement in Vientiane, with all Americans to leave Laos, the last nation in Southeast Asia not controlled by Communists, by June 30.

May 28
  • Less than a month after the fall of South Vietnam created doubts about American commitment to its allies, U.S. President Ford reassured the other members of the North Atlantic Treaty Organization that "NATO is the cornerstone of U.S. foreign policy and has the unwavering support of the American public and of our Congress. Our commitment to this alliance will not falter." Ford declared in Brussels the next day that none of the 310,000 American troops in Europe would be withdrawn and re-emphasized that the U.S. "unconditionally and unequivocally remains true" to its pledge to defend Western Europe against an outside attack.

May 30
  • For the first time in eight years, the Suez Canal became navigable, after the last two ships, trapped since the Six-Day War of 1967, were raised and removed. The British freighters Scottish Star and Port Invercargill were towed 60 miles from the Great Bitter Lake to Port Said. The Suez Canal would officially reopen on June 5.
  • Paul and Linda McCartney, with George Harrison and his girlfriend Olivia Arias, attended a Frank Sinatra concert at the Royal Albert Hall, London. Afterward they all went to Annabel's nightclub.

May 31
  • Communist Pathet Lao troops took control of Savannakhet, the second largest city in Laos, as Laotian Prime Minister Souvanna Phouma ordered the Royal Army to lay down their arms and cease further resistance. By year's end, Laos would become the third nation in Indochina (after Cambodia and South Vietnam) to fall under Communist control during that year.


Selections from Billboard's Hot 100 for the week:
1. "Before the Next Teardrop Falls," Freddy Fender
2. "Thank God I'm a Country Boy," John Denver
3. "How Long," Ace
4. "Only Yesterday," Carpenters
5. "Sister Golden Hair," America
6. "Bad Time," Grand Funk
7. "Old Days," Chicago
8. "Shining Star," Earth, Wind & Fire
9. "I Don't Like to Sleep Alone," Paul Anka w/ Odia Coates
10. "When Will I Be Loved," Linda Ronstadt
11. "Love Won't Let Me Wait," Major Harris
12. "Philadelphia Freedom," Elton John
13. "Cut the Cake," Average White Band
14. "Hijack," Herbie Mann
15. "I'm Not Lisa," Jessi Colter
16. "He Don't Love You (Like I Love You)," Tony Orlando & Dawn
17. "Jackie Blue," The Ozark Mountain Daredevils
18. "Shoeshine Boy," Eddie Kendricks
19. "Only Women [Bleed]," Alice Cooper
20. "Wildfire," Michael Murphey
21. "Bad Luck," Harold Melvin & The Blue Notes
22. "Get Down, Get Down (Get on the Floor)," Joe Simon
23. "Magic," Pilot
24. "The Last Farewell," Roger Whittaker
25. "Love Will Keep Us Together," Captain & Tenille
26. "Take Me in Your Arms (Rock Me a Little While)," The Doobie Brothers
27. "I'll Play for You," Seals & Crofts

29. "Shakey Ground," The Temptations

31. "Attitude Dancing," Carly Simon
32. "Killer Queen," Queen
33. "The Way We Were / Try to Remember," Gladys Knight & The Pips
34. "Misty," Ray Stevens
35. "The Hustle," Van McCoy & The Soul City Symphony

37. "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song," B. J. Thomas

39. "Baby That's Backatcha," Smokey Robinson
40. "Walking in Rhythm," The Blackbyrds

42. "Dynomite, Pt. I," Tony Camillo's Bazuka

45. "Why Can't We Be Friends?," War

47. "Bloody Well Right," Supertramp
48. "Rainy Day People," Gordon Lightfoot
49. "Sail On Sailor," The Beach Boys
50. "Swearin' to God," Frankie Valli

52. "Hey You," Bachman-Turner Overdrive

56. "I'm on Fire," Dwight Twilley Band
57. "Trampled Under Foot," Led Zeppelin

59. "Long Tall Glasses (I Can Dance)," Leo Sayer
60. "Midnight Blue," Melissa Manchester
61. "Rockin' Chair," Gwen McCrae

64. "I'm Not in Love," 10cc
65. "Listen to What the Man Said," Wings

71. "The Rockford Files," Mike Post
72. "Slippery When Wet," Commodores

78. "One of These Nights," Eagles
79. "Every Time You Touch Me (I Get High)," Charlie Rich

81. "Rhinestone Cowboy," Glen Campbell

87. "Jive Talkin'," Bee Gees

Leaving the chart:
  • "Amie," Pure Prairie League (13 weeks)
  • "Chevy Van," Sammy Johns (17 weeks)
  • "It's a Miracle," Barry Manilow (13 weeks)
  • "Young Americans," David Bowie (11 weeks)

New on the chart:

"Every Time You Touch Me (I Get High)," Charlie Rich
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For more detailed information, see our cookies page.
(#19 US; #1 AC; #3 Country)

"Listen to What the Man Said," Wings
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(#1 US the week of July 19, 1975; #8 AC; #6 UK)

"One of These Nights," Eagles
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(#1 US the week of Aug. 2, 1975; #20 AC; #23 UK)

"Jive Talkin'," Bee Gees
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(#1 US the weeks of Aug. 9 and 16, 1975; #9 AC; #5 UK)

"Rhinestone Cowboy," Glen Campbell
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(#1 US the weeks of Sept. 6 and 13, 1975; #1 AC; #1 Country; #4 UK)



Timeline entries are quoted from the Wiki page for the month and Mark Lewisohn's The Beatles Day by Day, with minor editing as needed.



Also on the stands by this point (exact week unclear from online sources):
Wiki said:
The correct title of this article is Uncanny X-Men #94. The substitution of the # is due to technical restrictions.
Just say "no."

Yeah, like I said, straightforward adventure, but fun-- I mean, it was the Planet of the Apes! :rommie:
Roddy and Mark did more than their share to make it as watchable as it was, I'd say.

Makes me wonder why they keep sending them. Were there so many flights that a few detours to a post-Apocalyptic future were considered acceptable losses? :rommie:
To them, it would have seemed like the Bermuda Triangle...of SPAAAAAAAAAACCCE...

And yet he's in charge. That probably means he's super smart by gorilla standards.
Or he's just the idiot who's got the mojo to make lots of other idiots follow him. Think current politics.

I think Flying Ace was his rank. He was Special Ops. :D
I was wondering if he might have made captain....

Hmm, okay. Still seems like she was ahead of herself.
An opportunity fell in her lap a tree.

Interesting, because that would put them under a typical season for a sitcom in those days.
No, 24 has actually become the typical number at this point.


Seems to have been that way for some time, too. Every season of MTM had 24 episodes, and that's going back to '70-'71.
 
Last edited:
50 Years Ago This Week

View attachment 46704
Batman...in a comic book.
--The Old Mixer, 1975​


May 25
  • A central total lunar eclipse was visible in eastern Australia, Pacific, both Americas, Africa and western Europe, and was the 32nd lunar eclipse of Lunar Saros 130.
  • Bobby Unser won the 1975 Indianapolis 500, which was halted after 435 miles (700 km), with 25 laps left. Unser, in his second win, was in the lead when a rainstorm caused officials to stop the race.
  • The Golden State Warriors won the NBA championship in a four-game sweep over the Washington Bullets, 96-95, at Landover, Maryland.
  • Count Dante (John Keehan), 36, American martial artist who billed himself as "The Deadliest Man Alive", died in his sleep of internal hemorrhaging caused by a bleeding ulcer.

May 26
  • The Soyuz 18 rocket linked up with the Salyut 4 space station.

May 27
  • The Alaska Supreme Court ruled, 5-0, that the right to possession and use of marijuana within one's home could not be outlawed, citing constitutional guarantees of privacy, making Alaska the first of the United States to partially decriminalize cannabis. The decision came in the case of Ravin v. State, 537 P.2d. 494 (Alaska, 1975), a test case brought by lawyer Irvin Ravin of Homer, Alaska, who had arranged to be stopped while driving to his home with a small amount of pot in his possession.
  • The Philadelphia Flyers defeated the Buffalo Sabres, 2-0, to win the NHL's Stanley Cup, 4 games to 2. The series marked the first Cup finals, since 1923, that neither of the two finalists had been one of the "Original Six" (Boston, Chicago, Detroit, Montreal, N.Y. Rangers, or Toronto).
  • Laos and the United States reached an 8-point agreement in Vientiane, with all Americans to leave Laos, the last nation in Southeast Asia not controlled by Communists, by June 30.

May 28
  • Less than a month after the fall of South Vietnam created doubts about American commitment to its allies, U.S. President Ford reassured the other members of the North Atlantic Treaty Organization that "NATO is the cornerstone of U.S. foreign policy and has the unwavering support of the American public and of our Congress. Our commitment to this alliance will not falter." Ford declared in Brussels the next day that none of the 310,000 American troops in Europe would be withdrawn and re-emphasized that the U.S. "unconditionally and unequivocally remains true" to its pledge to defend Western Europe against an outside attack.

May 30
  • For the first time in eight years, the Suez Canal became navigable, after the last two ships, trapped since the Six-Day War of 1967, were raised and removed. The British freighters Scottish Star and Port Invercargill were towed 60 miles from the Great Bitter Lake to Port Said. The Suez Canal would officially reopen on June 5.
  • Paul and Linda McCartney, with George Harrison and his girlfriend Olivia Arias, attended a Frank Sinatra concert at the Royal Albert Hall, London. Afterward they all went to Annabel's nightclub.

May 31
  • Communist Pathet Lao troops took control of Savannakhet, the second largest city in Laos, as Laotian Prime Minister Souvanna Phouma ordered the Royal Army to lay down their arms and cease further resistance. By year's end, Laos would become the third nation in Indochina (after Cambodia and South Vietnam) to fall under Communist control during that year.


Selections from Billboard's Hot 100 for the week:


Leaving the chart:
  • "Amie," Pure Prairie League (13 weeks)
  • "Chevy Van," Sammy Johns (17 weeks)
  • "It's a Miracle," Barry Manilow (13 weeks)
  • "Young Americans," David Bowie (11 weeks)

New on the chart:

"Every Time You Touch Me (I Get High)," Charlie Rich
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For more detailed information, see our cookies page.
(#19 US; #1 AC; #3 Country)

"Listen to What the Man Said," Wings
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For more detailed information, see our cookies page.
(#1 US the week of July 19, 1975; #8 AC; #6 UK)

"One of These Nights," Eagles
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For more detailed information, see our cookies page.
(#1 US the week of Aug. 2, 1975; #20 AC; #23 UK)

"Jive Talkin'," Bee Gees
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For more detailed information, see our cookies page.
(#1 US the weeks of Aug. 9 and 16, 1975; #9 AC; #5 UK)

"Rhinestone Cowboy," Glen Campbell
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For more detailed information, see our cookies page.
(#1 US the weeks of Sept. 6 and 13, 1975; #1 AC; #1 Country; #4 UK)



Timeline entries are quoted from the Wiki page for the month and Mark Lewisohn's The Beatles Day by Day, with minor editing as needed.



Also on the stands by this point (exact week unclear from online sources):

Just say "no."


Roddy and Mark did more than their share to make it as watchable as it was, I'd say.


To them, it would have seemed like the Bermuda Triangle...of SPAAAAAAAAAACCCE...


Or he's just the idiot who's got the mojo to make lots of other idiots follow him. Think current politics.


I was wondering if he might have made captain....


An opportunity fell in her lap a tree.


No, 24 has actually become the typical number at this point.


Seems to have been that way for some time, too. Every season of MTM had 24 episodes, and that's going back to '70-'71.
I didn't buy any solo Bat-titles on a regular basis, but I do recall getting that one,
 
50 Years Ago This Week

View attachment 46704
Batman...in a comic book.
--The Old Mixer, 1975​
I wasn't buying any DC at all at that point, I don't think, but I remember that cover. Most likely I saw it at a friend's house, but probably also at the store or at a convention.

Count Dante (John Keehan), 36, American martial artist who billed himself as "The Deadliest Man Alive", died in his sleep of internal hemorrhaging caused by a bleeding ulcer.
Not surprising that the Deadliest Man Alive would be Type A.

The Soyuz 18 rocket linked up with the Salyut 4 space station.
You go, Comrades. :beer:

The Alaska Supreme Court ruled, 5-0, that the right to possession and use of marijuana within one's home could not be outlawed
Super groovy!

Paul and Linda McCartney, with George Harrison and his girlfriend Olivia Arias, attended a Frank Sinatra concert at the Royal Albert Hall, London.
They didn't jump up on the stage and jam with him?

"Chevy Van," Sammy Johns (17 weeks)
"It's a Miracle," Barry Manilow (13 weeks)
"Young Americans," David Bowie (11 weeks)
All good ones. Strong nostalgic value.

"Every Time You Touch Me (I Get High)," Charlie Rich
I never heard this before. It doesn't even sound like him.

"Listen to What the Man Said," Wings
Good one. Strong nostalgic value.

"One of These Nights," Eagles
They're hitting their stride now. Strong nostalgic value.

"Jive Talkin'," Bee Gees
Yes, I like this one a lot. Strong nostalgic value.

"Rhinestone Cowboy," Glen Campbell
I guess this is one that I like because of the strong nostalgic value.

Also on the stands by this point (exact week unclear from online sources):
Ah, good times. Such a great book and for such a long time-- with, admittedly, a bit of a bad stretch in there for a while.

Just say "no."
That's a rookie limitation for Wiki. You'd think you could just precede it with a double-backslash or something.

Roddy and Mark did more than their share to make it as watchable as it was, I'd say.
Indeed. Roddy in particular. He elevates everything he appears in.

To them, it would have seemed like the Bermuda Triangle...of SPAAAAAAAAAACCCE...
I wonder what the scope of the phenomenon is, the minimum and maximum distance in time. Not that there's any answer to that question....

Or he's just the idiot who's got the mojo to make lots of other idiots follow him. Think current politics.
:rommie:

I was wondering if he might have made captain....
Captain Cool. :mallory:

An opportunity fell in her lap a tree.
She let her impatience get the better of her. Although I do think she would have made a good recurring antagonist, since she would have been at odds both with the astronauts and the other species of apes.

No, 24 has actually become the typical number at this point.


Seems to have been that way for some time, too. Every season of MTM had 24 episodes, and that's going back to '70-'71.
Weird. I would have bet a week's pay that 26 was the norm in the 70s.
 
I didn't buy any solo Bat-titles on a regular basis, but I do recall getting that one,
I wasn't buying any DC at all at that point, I don't think, but I remember that cover. Most likely I saw it at a friend's house, but probably also at the store or at a convention.
As things turned out, I wasn't much into solo Batman in the '70s either, but this issue has an obvious personal value to me. I don't own my original copy...that would have gone coverless and been thrown out by my Mom not too far ahead into 50th Anniversaryland. I did pick up a replacement at some point years later. I remember impressing my parents by reading the splash page copy aloud, though at that point I was pronouncing the words more than comprehending them.
DC450a.jpg
At this point I'd just gotten out of nursery school, which was an optional pre-kindergarten level in my hometown school system. My Grandma on my father's side taught me to read while I was a preschooler. When the other kids were doing Dick and Jane in first grade, they sent me out for library time, which is when I devoured every Dr. Seuss book they had.

Not surprising that the Deadliest Man Alive would be Type A.
I can't say I'm familiar with this guy, but was wondering if he'd be of interest, as apparently he appeared in comic book ads.

You go, Comrades. :beer:
Are we being overcompensatively supportive of the Soviet space program these days...?

They didn't jump up on the stage and jam with him?
I'm wondering if that was an occasion on which he introduced "Something" as his favorite Lennon/McCartney number.

I never heard this before. It doesn't even sound like him.
One of these things is not like the others....We go from a week with nothing whatsoever of interest to one with the debut of four chart-toppers--perhaps unprecedented here--and we still get this forgettable bit of odd business, which we could have used last week.

I can better appreciate the situation that "I'm Not in Love" was in...not all of these songs directly competed with it for the top spot, but overall there was a sudden influx of competition on the chart.

Good one. Strong nostalgic value.
Enjoyable in its own right, but kinda middling to me as major Paul/Wings hits go.

They're hitting their stride now. Strong nostalgic value.
It's a decent, moody song, but I find it hard to reconcile that this was their second of five songs to top the chart while so many earlier classic hits didn't come close. "Peaceful Easy Feeling" and "Already Gone" didn't even crack into the top 20!

Yes, I like this one a lot. Strong nostalgic value.
The Dee Gees have arrived, and the '70s will never be the same again! I read that this one had a convoluted songwriting process, starting out as "Drive Talkin'" and based on the sound their car made on the road. It changed into "Jive Talkin'" with the intent that it was about dancing, until they learned that was slang for bullshitting, at which point they changed the lyrics.

I guess this is one that I like because of the strong nostalgic value.
Looks like it's going on five years since Glen would've last popped up in 50th anniversary business. A cover of a song written and originally recorded by Larry Weiss in '74, this memorable number was Campbell's only single to top the Hot 100.

Ah, good times. Such a great book and for such a long time-- with, admittedly, a bit of a bad stretch in there for a while.
I'm wondering if this bad stretch would've been before or after my time. I lost interest by the mid-'80s.

I wonder what the scope of the phenomenon is, the minimum and maximum distance in time. Not that there's any answer to that question....
And this is another one of these things that their space program should have had a clue about by 1980, if Cornelius and Zira were part of their timeline.

We should be careful that we don't get deported to El Salvador or Libya... :shifty:

Weird. I would have bet a week's pay that 26 was the norm in the 70s.
Even more to the point, surrounding seasons of AITF typically numbered 24 episodes. Looks like the only season with a larger number will be 7, with 25 episodes...apparently owing to the season premiere being a double episode that aired on the same night.

By contrast, around a decade prior, GI's three seasons numbered 36, 32, and 30 episodes. You could see from the rapidly diminishing number where things were headed.

MGG01.jpg
"Good evening."
 
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50th Anniversary Cinematic Special

The Man with the Golden Gun
Directed by Guy Hamilton
Starring Roger Moore, Christopher Lee, and Britt Ekland
Premiered December 19, 1974
Wiki said:
The Man with the Golden Gun is a 1974 spy film, the ninth in the James Bond series produced by Eon Productions and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's posthumously published 1965 novel of the same name, the film has Bond sent after the Solex Agitator, a breakthrough technological solution to contemporary energy shortages, while in a game of cat and mouse facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.

The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script; Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then-popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there.

TMWTGG is easily the most mediocre installment of the franchise to date...a bit too low stakes, and too obviously following trends, not just with the martial arts, but also with the plot revolving around the energy crisis, which has already been buzzed to death in our TV viewing at this point. Nevertheless, it's perfectly watchable and has its strong points, chief among them the casting of the lead antagonist. I've long felt that Christopher Lee was wasted as the wrong Bond villain--he would have been a much better Blofeld than any of the ones we got. Fun fact: Lee was a cousin of Ian Fleming, who wanted him to play Dr. No.

Edited Wiki said:
An American gangster, Rodney [former Diamonds Are Forever gangster Marc Lawrence], visits famed crack shot hitman Francisco Scaramanga [Lee] to kill him and collect a bounty, but he is directed into a funhouse section of the estate, where Scaramanga eventually retrieves his golden gun and kills him.
We also meet secondary Bond Girl Andrea Anders (future Octopussy Maud Adams), compact main henchman Nick Nack (pre-Fantasy Island Herve Villechaize), and Scaramanga's third nipple in this sequence. I can't help thinking that the fun house with its live-firing figures must have been inspired by Westworld, particularly the way they lead off with the cowboy (uncredited Leslie Crawford, who was Moore's double; uncredited Ray Marioni plays Al Capone). This is one of those odd teasers that Bond technically isn't in, just his likeness (as with the series' first teaser in From Russia with Love).

Ah, how far Lulu has fallen from To Sir, with Love. The title song is generally regarded as one of the weakest in the series. The lyrics are silly and the sexual references are too on-the-nose to be called innuendo. But being by John Barry, the music is pretty good and works well as used in the film, though Barry came to consider it his weakest Bond score.

In London, a golden bullet etched with "007" is received by MI6; it is believed to have been sent by Scaramanga. Because no one knows of his appearance outside of having a third nipple, M relieves Bond of his current mission involving the location of a solar energy scientist named Gibson.
Here we get an unusual number of characters in M's office. This is the first of a few odd movie appearances of Chief of Staff Bill Tanner (here portrayed by uncredited Michael Goodliffe), who had been a regular character in the MI6 scenes of the Fleming books. I can't see why he was needed, though. Colthorpe (James Cossins), at least, is being set up for appearing in a later scene, though one that Q could have handled solo. Bond getting his chief's tacit approval for going after Scaramanga is a noteworthily good bit of M business.

In Moneypenny's office, we get what I think is our first case of a 00 agent whose death (in this case offscreen and years prior) is meant to set the high stakes--002, Bill Fairbanks.
At a hint from Moneypenny, Bond sets out unofficially to locate Scaramanga, first by retrieving a spent golden bullet from a belly dancer in Beirut.
Bond kissing the bullet out of Saida's (Carmen Sautoy) navel only to swallow it when accosted by the thugs (uncredited Terence Plummer, George Silver, and Rocky Taylor) is a good bit of Moore comic business; following which we get a pretty good closed-space fight scene in which Roger appears to be doing most if not all of his own physical business.

Desmond Llewelyn returns as Q after skipping Live and Let Die. It is a cute bit of business that he has someone to bounce off of in identifying the bullet's maker.
He traces the bullet to a gun maker in Macau, and forces him to reveal how he ships the bullets.
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I always thought Bond was being a little harsh with Lazar (Marne Maitland) here. He's a shady character, but a non-combatant who takes pride in his work and admires Bond.

Bond follows the shipment carried to Hong Kong by Andrea Anders, Scaramanga's mistress.
As Bond's attempting to tail Andrea, we meet local support agent Mary Goodnight (Ekland), who appears to be an intelligence officer on the embassy staff.
In her Peninsula Hotel room, he coerces her to expose information about Scaramanga, his appearance and his plans.
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Bond: How will I recognize him?​
Andrea: Tall, slim, and dark.​
Bond: So's my aunt. Anything distinctive about him?​

Bond being so rough with Andrea is an unusual bit of Early Moore Weirdness, though one of the moments in his run that he's closest to the Fleming version of the character that he couldn't take seriously. Reportedly this was Guy Hamilton's idea, and Moore didn't agree with it.
She directs Bond to the Bottoms Up Club where Scaramanga snipes Gibson [uncredited Gordon Everett] when he steps outside, and Nick Nack steals a small device called the Solex Agitator off his body.
Uncredited Wei Wei Wong plays the Bottoms Up waitress.
Bond, who had pulled out his pistol outside the club, is arrested by Hong Kong police lieutenant Hip.
we've seen Soon-Taik Oh in lots of stuff at this point, including The Wild Wild West, Ironside, M*A*S*H, three appearances on Kung Fu, and five appearances so far on Hawaii Five-O. He's mostly dubbed here, which was common practice for ESL actors in the Bond films up to this point, but is odd in this case, given the actor's fluency in English and extensive experience in American productions. A noticeable place where his own voice is retained is when he says "you will" in the car while taking Bond to the boat.
But instead of going to the station, he is transported to the wreck of RMS Queen Elizabeth in the harbor, where he meets M and Q and is assigned to work with Hip to retrieve the Solex.
The station house in the half-sunken ship is a good bit of classic Bond business, and reminiscent of the slanted camera angles used for villain hideouts in Batman. Gerald James appears as Prof. Frazier, and Michael Osborne as the naval lieutenant.

Bond: Q, I'll need this. [Writes on a pad and hands the sheet to Q.]​
Q: Really, 007!​
Bond: Well, I admit it's a little kinky.​

Bond travels to Bangkok to meet Hai Fat, a wealthy Thai entrepreneur suspected of arranging Gibson's murder.
Richard Loo's been around a bit as well, including six appearances on Kung Fu, three of which were as a recurring master. Uncredited Francoise Therry (voiced by Nikki Van der Zyl) appears as Chew Mee, the flirtatious girl in Fat's pool who doesn't need no stinkin' swimsuit.
Posing as Scaramanga by showing off his fake third nipple, Bond is invited to dinner, but his plan backfires because, unbeknownst to him, Scaramanga himself is operating at Fat's estate.

Bond (as Scaramanga): There are very few people who haven't heard of Bond.​

Apparently Richard Maibaum and/or Tom Mankiewicz were under the impression that Bond was supposed to be a celebrity in his own world, as they also portrayed him as a being well known outside of espionage circles in Diamonds Are Forever.

It looks like Moore himself grabbed the sumo's butt cheeks in Fat's garden. Now that's dedication to the craft.

Bond is captured and taken to Fat's martial arts academy, where the students duel to the death and then are instructed to kill him. Bond battles high grade scholar Chula [Chan Yiu Lam].
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Uncredited Qiu Yuen and Joie Vejjajiva play Hip's nieces, Nara and Cha. It's really odd how Hip, who's otherwise portrayed as a pretty competent support agent, takes off without verifying that Bond's in the car, and doesn't seem to make any effort to correct the error.

Bond speeds away on a long-tail boat along the river.
Bond navigates the klongs of Bangkok
I had to search outside of IDMb to identify uncredited Sayan Jantanarat as the boy selling elephants. Bond pushing him in the water, while arguably for the boy's safety, is another example of Bond's Hamilton-directed dickish behavior. Clifton James reprises his role of J. W. Pepper, the redneck sheriff from Live and Let Die...here vacationing with his wife, Maybelle (uncredited Jay Sidow). The clip above cuts away before he gets a look at Bond, accompanied by a motif from Live and Let Die.

Scaramanga subsequently kills Fat with his golden gun and assumes control of his empire and the Solex.

Anders reveals to Bond that she sent the bullet to London. She wants him to kill Scaramanga, and promises to give him the Solex as they spend the night together.
Two Girls, One Bond
As Bond girls go, Goodnight's low-hanging fruit...a comically mishap-prone sex object, though Ekland's entertaining and easy on the eyes doing it. Surprisingly, Adams is a few years younger than Ekland...those cheekbones make her look more mature. But I was familiar with her from the later Octopussy first, which was at an age when women in their forties looked ancient.

At a Muay Thai event the next day, Bond finds Anders sitting and staring silently, dead from a bullet to the heart. Scaramanga arrives and introduces himself to Bond, but Bond is able to smuggle the Solex to Hip, who passes it to Goodnight.
A Gun and a Bag of Peanuts
Scaramanga's circus background story is one of the few things they kept from the book, in addition to the third nipple, which was pure Fleming. This was another case of Moore having an easy rapport with one of his co-stars from having worked with them before. By contrast, he reportedly found Villechaize to be "creepy".

When Goodnight follows Nick Nack to place a homing device on Scaramanga's car, Scaramanga traps her in the car's boot. Bond discovers Scaramanga driving off and steals an AMC Hornet from a showroom to give chase, coincidentally with the holidaying J. W. Pepper sitting inside.

Pepper: Nowww...I know you!​
Bond: Oh, no.​
Pepper: You're that secret agent! That English secret agent from England!​

As comical Moore-era business goes, I find Pepper to be somewhat entertaining...a good contrast to Moore's Bond, but I think Connery probably would've kicked him out of the moving car.
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While infamously undermined by Barry's choice to play a slide whistle over it, the corkscrew jump is this installment's claim to fame--an unprecedented stunt that was worked out with the help of a computer, which was reportedly also a first. It's also played in slow motion, as in reality it happened very quickly.

The chase concludes when Scaramanga's AMC Matador hides in a building and then transforms into a plane that flies off.
The Flying Car
By contrast, this was fakery--a practical modified car for the ground shots, but a model when it becomes airborne.

MGG04.jpg
M: So if I heard correctly, Scaramanga got away.​
Bond: Yes, sir.​
M: In a car that sprouted wings.​
Q: Oh, that's perfectly feasible, sir. As a matter of fact, we're working on one now.​
M: Oh, Q, shut up!​

Tracking Goodnight's homing beacon, Bond takes an RC-3 Seabee seaplane and flies to Scaramanga's island in Red Chinese waters.
N87545, reportedly flown all the way there by the owner, who was an American fan of the series.
MGG02.jpg
De plane, de plane! The location became a tourist attraction following the film, commonly referred to as James Bond Island.

Scaramanga shows Bond the solar power plant facility that he has obtained from Hai Fat, the technology for which he intends to sell to the highest bidder. While demonstrating the equipment, Scaramanga uses a solar-powered energy beam to destroy Bond's seaplane, preventing him from escaping.
Scaramanga reveals his plans
A rather underwhelming MacGuffin as Bond plots go...not much of a world threat, just a fictional technological advancement on the market with some localized destructive power. Kra is played by uncredited Sonny Caldinez.

During lunch, Scaramanga proposes a pistol duel with Bond on the beach.
Bond and Scaramanga's Dinner Party
While we get things like the flying car and the titular weapon--which is assembled from a pen, lighter, cigarette case, and cufflink--this film is notably lacking in Q gadgets used by Bond (artificial third nipple notwithstanding). There were a couple featured in deleted scenes, one of which was a gag--a camera so loaded with gadgets that it couldn't take pictures, which can be seen in Q's lab.

With Nick Nack officiating, the two men take twenty paces, but when Bond turns and fires, Scaramanga has vanished.
This sequence was originally longer, and cut for pacing issues. It would have included some action on the beach featuring the other gadget, an explosive martini shaker--a bit of business that survives in the film's teaser trailer. How Bond smuggled a martini shaker in without drawing suspicion I don't know.
Nick Nack leads Bond into Scaramanga's manor and funhouse section. Bond eventually outwits and kills Scaramanga by posing as his mannequin.
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Chekhov's Wax Bond Sculpture with a Loaded Walther comes through!

Goodnight kills Scaramanga's security chief, Kra, but the latter's fall into a liquid helium vat causes the plant's temperature to spiral out of control.

The sign said,
ABSOLUTE ZERO MUST BE MAINTAINED
TO PREVENT PROMPT CRITICALITY--
Ugh!

Bond retrieves the Solex unit just before the plant is destroyed,
Reportedly Ekland wasn't acting Goodnight's fright while the facility was exploding all around them.
and they escape unharmed in Scaramanga's Chinese junk.

Goodnight: But, darling, who's at the wheel?​
Bond: George.​
Goodnight: George?​

After Bond fends off a final attack by Nick Nack, he romances Goodnight.
In the fine tradition of a surviving villain taking one last shot at Bond...
I'll Kill You
The ensuing bit of business with M interrupting Bond and Goodnight via phone and being hung up on is also per tradition. "She's just coming, sir."

Lulu's lead-in to the closing credits version of the theme song is a striking if silly bit of business, which will be echoed in the male chorus lead-in to the closing credits of the next film.

MGG03.jpg

Wiki said:
The film received mixed reviews from critics, who described it as the lowest point in the canon up to that time. Christopher Lee's portrayal of Scaramanga as a villain of similar skill and ability to Bond was praised, but reviewers criticized the film as a whole, particularly its comedic approach and Britt Ekland's performance. Whilst profitable, the film is the fourth lowest-grossing in the series, and its relatively modest returns by comparison with those of Live and Let Die (1973) reportedly placed the continuation of the franchise in jeopardy.

The Man with the Golden Gune was the last Bond film to be co-produced by Albert R. Broccoli and Harry Saltzman, with Saltzman selling his 50% stake in Danjaq, LLC, the parent company of Eon Productions, after the release of the film.
 
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