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55.5th-ish Anniversary Viewing
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The Ed Sullivan Show
Season 18, episode 21
Originally aired February 6, 1966
As represented in
The Best of the Ed Sullivan Show
Ed said:
Now, ladies and gentlemen, here from England...the Animals!
The pioneering blues rock group performs their Top 20 single "We Gotta Get Out of This Place," which has been off the chart for a few months at this point:
Next in the
Best of edit, Pompoff & Thedy (actually a trio) take the stage unannounced to do a brief comedic magic bit, in which one of them "accidentally" reveals that he's ringing a cowbell behind a cloth that he seems to be holding with what turn out to be false arms.
Ed said:
And now, ladies and gentlemen, here is...Rosemary Clooney!
The only thing that a brief search for "Baby, the Ball Is Over" turned up was that Clooney did it on
The Ed Sullivan Show.
Ed said:
And now for all you golfers, here's my big friend Tony Lema, of the touring pros!
Ed said:
Here's a comedy star of the impossible years, Alan King!
The
Best of edit picks up King's routine at 4:50 in this video.
Ed said:
And now, ladies and gentlemen, here is young Gino Tonetti!
Tonetti, whom I couldn't find much about, sings a number called
"Al di là".
Ed said:
...with their new record, "Inside, Looking Out," here are...my chums, the Animals.
This lower-Top 40 single was being released in February and would be entering the chart late in the month.
Other performances, as listed on Metacritic:
- Rosemary Clooney - "All Alone"
- Deli skit with Nancy Walker, Charles Nelson Reilly and Julia Meade
- Peter Gennaro with 6 women dancers - "I Got Rhythm" production number
- Audience bow: Jack Adams (Canada's Mr. Hockey, Detroit Red Wings coach)
- A clip from the movie Made In Paris with Ann-Margret and Louis Jordan
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Branded
"Nice Day for a Hanging"
Originally aired February 6, 1966
Xfinity said:
McCord steps in to prevent a friend's hanging.
Jason rides into a town as party tables are being set up in front of a gallows that's being prepared for a hanging. He finds an old acquaintance there, regional newspaper woman Nan Richards (Whitney Blake)--neither the same character nor actress as in "Mightier Than the Sword," which had Jason allying with a woman running the paper she'd inherited from her father. Jason tells her that he's there because he owes his life to the man they're hanging, Frank Allison. A young man from out of town, Lon (Beau Bridges), tears up one of the tables and shouts accusations at the townspeople. The deputy (William Tiny Baskin) starts subduing him, but Jason intervenes. It turns out that Frank is Lon's father.
In a local saloon, we learn that Jason knew Frank during the war, in which Allison won a medal, and Lon tells Jason and Nan how his father took to drinking and put him in an orphanage after his mother died, when he was 10. Jason visits Frank (James Anderson) at the jail and brings Lon. Frank accuses Lon of being a gutless kid and says that he doesn't want to see him. After Lon leaves, Frank gets into having experienced PTSD after the war, and relates how he's being executed for having killed a former bank robbing partner who'd tried to kill him and left him for dead. Meanwhile, Lon takes Nan hostage.
The gallows keg party commences and Frank is brought out. Allison is ready to face his fate, exchanging a meaningful look with Jason, when Lon reveals himself, holding Nan at gunpoint. He demands that his father be released, to Frank's visible approval. But Jason goes up to persuade Frank to talk the boy down, and Frank complies, telling Lon that he's guilty and not to throw his own life away...before tripping the trap door himself to settle the matter. Nan initially breaks away during Lon's moment of shock, then comes back to comfort him.
In the coda, Nan takes Lon with her to run the printing press at her newspaper, and leaves Jason with an open invitation to come back to her when he's ready.
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12 O'Clock High
"Back to the Drawing Board"
Originally aired February 7, 1966
Xfinity said:
A civilian master technician (Burgess Meredith) invents a device that allows B-17's to bomb accurately through cloud cover.
https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-94#post-12419508
The 918th is having problems with cloud cover over the target again, while German colonel Ehrland (Alf Kjellin) waits pensively for all those 500-lb. shoes that never drop. Back at Archbury, Britt takes Gallagher to a section of the field where tents have been set up as the nefarious secret hideout of Dr. Michael Rink (Burgess Meredith) and his chief henchman, Sgt. Raymond Zemler (Robert Doyle). Rink plans to accompany a small group of bombers to hit the marshaling yards of Durand using his BTO (Bomb Through Overcast) device...a.k.a. airborne radar. While Rink has difficulty breathing at an altitude that doesn't normally require oxygen, the 918th catches the Germans with their pants down, and Ehrland leads a small group of fighters that he has hastily sent up for attempted interception despite the cloud cover.
Back in England, Rink is hospitalized and Britt and Gallagher learn that he has a heart condition. Zemler takes over for his mentor, briefing bombardiers on reading targets via radar. The 918th then strikes again, and while Ehrland's fighters locate them this time, their number is too small to take the group on However, one of Ehrland's men sees something on their ground radar that clues him in that the bombers are using radar, and he thinks that he can come up with a countermeasure. The next mission, led by Major Rice (Lee Farr) in the newly christened bomber Rink's Raidar, goes disastrously when the Germans use triangulation to accurately hit the group with AA. One of the three-plane force is shot down, Rice is killed, and Zemler's eyes are wounded, resulting in what appears to be permanent blindness. While Zemler's being taken to the operating room, he tells Sandy that he thinks the Germans zeroed in on their radar. While Rink wallows in self-pity, Gallagher takes Rink's Raidar back up, with Stovall back in the right seat for security reasons, and tests Zemler's theory by turning the radar on and off and maneuvering to avoid the flak, which results in the Germans firing at where the bomber was rather than where it's at.
Gallagher is ordered to bomb Hemstadt the next day regardless of the cost, and the bombardier needs a five-minute run with the BTO on. Sandy helps Gallagher get Rink back in the game by guilting him about Zemler, whom he's avoided visiting. When Rink finally does, the tin canteen cup that the sergeant's drinking from makes a light bulb go off over his head, and he has all the canteen cups available cut up into strips of what he calls "chaff". Dumped from the bombers by the waist gunners when the planes are approaching their targets, the chaff confuses the radar readings on the ground so that the AA doesn't know what to fire at; and after hitting the target, Gallagher--accompanied again by Stovall--manages to evade Ehrland's fighters by ducking back into the cloud cover.
In the coda, Zemler is planning to come up with a tuner that will let them find the Germans' radar frequency as a longer-term solution.
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Batman
"Zelda the Great"
Originally aired February 9, 1966
Wiki said:
The Dynamic Duo arranges a trap for an elusive annual bank robber, but the female magician they are hunting is on to them with a new scheme of her own.
Special Guest Villainess
ANNE BAXTER
as
ZELDA
And this would be kinda sorta our first underwhelming villain that the series made up. The story is based on one from the comics, but the Zelda character is standing in for a male magician in the original.
Gotham's First National Bank is robbed of $100,000 via explosives by a gas-masked thief wearing a bullet-proof vest. The crime fits an annual pattern of April 1 capers in recent years, so another small assembly of officers is shamed by Gordon before he resorts to the Batphone option. This time he proactively uses the Bat-Signal as well, though he had no way of knowing that Bruce and Dick would be outside using a telescope; they make an excuse about attending a lecture in Latin American politics to get away from the dinner that Aunt Harriet's prepared. The stock footage of the Batmobile is day-for-night tinted, and the Dynamic Duo pull up to what I assume is meant to be the back of police HQ, though it doesn't match up well with the front. From Gordon's office, Batman "makes a lead" by planting a story in the paper about the stolen money being counterfeit. Spectrographic analysis turns up traces of multi-colored silk and perfume, indicating a female criminal, and Robin references the Catwoman, whom we've yet to meet.
At the Gnome Book Store, "strange Albanian genius" Eivol Ekdal (Jack Kruschen) has gotten the fake word that his cash is fake, and confronts Zelda about it, who's been reluctantly robbing banks for him and is quickly driven to allegedly fake tears. Ekdal then demonstrates a new escape-proof trap for her act, for which she needs to cough up the real cash. Ekdal intends the trap for Batman, the world's greatest escape artist. Meanwhile, Batman creates a transmitter-equipped copy of the Star of Samarkand, a famous emerald that will briefly be on display...but Zelda smells a Bat-trap. The Dynamic Duo are aided by the starstruck jeweler, Hilary Stonewin (Barbara Heller), in setting their trap, which involves hiding on an indoor balcony and having the Batmobile at ready concealed in a utility tent outside...but Zelda scopes it all out. Her countermeasure involves a villain again randomly involving the Waynes, by calling Aunt Harriet with a story about Dick having been injured in a playground ball game. Zelda makes her move on the emerald for the sake of the Dynamic Duo, but vanishes via tiny mirrors on her hat. Outside they find the fake emerald on the street, and get a call from Gordon on the Mobile Batphone about Mrs. Cooper being held for a $100,000 ransom. In another bit of EIW (see below) that you'd think would be the sort of gimmick they'd have saved to shake things up in later installments, we find Aunt Harriet hanging over a flaming drum, a blindfold completely covering her face (as it's no doubt not Madge Blake).
HOLY BACKFIRE'S RIGHT!
AUNT HARRIET HAS JUST ONE HOUR!!
WHAT'LL IT BE??
SPLASH OR SALVATION??
HOLD A HOPEFUL BREATH FOR AUNT HARRIET UNTIL TOMORROW NIGHT..
SAME BAT-TIME!! SAME BAT-CHANNEL!!
There's another minor discrepancy between the written and spoken words (saying but not writing "night"), but this is the first time that "BAT-TIME" and "BAT-CHANNEL" appear in the written version. It's particularly odd that a story that sets up an inescapable trap for Batman wouldn't use
that as the cliffhanger.
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Batman
"A Death Worse Than Fate"
Originally aired February 10, 1966
Robin goes to Gordon's office solo and, as in the end of the previous episode, skirts with endangering his secret identity via his reactions to the situation. Batman's not with him so that Bruce can be there. The Conspicuous Duo then appear with Gordon on a sort of ransom-negotiation telethon, in which Robin confesses that the bank money is real, with Gordon producing a notarized statement from the editor of the Gotham City Times and Bruce's giving his assurance as the bank's director. Zelda agrees to release Mrs. Cooper, and drops her off on the street. Back at Stately Wayne Manor, Bruce reveals that he was able to deduce the kidnapper's identity from the incident, and Alfred produces a clue from the abduction--a matchbook from the Gnome Book Store.
At that establishment, Ekdal reveals that he plans for Batman to show him and Zelda how to escape from his trap, and that he's taken money from the Syndicate for giving them the opportunity to off the Caped Crusader after he's done that; while Zelda reveals that she left her clue deliberately. A pair of hitmen (Victor French and Bill Phipps) hide in sarcophagi with gun slits, and Zelda and Ekdal watch via periscopes as the Dynamic Duo are lured into the back room, where they rather naively walk right into the booth together. The hatch closes and Ekdal challenges them via microphone before releasing a deadly gas. The crimefighters use the electrified grill that the gas is coming from to ignite it, somehow blowing them free without harming them, which is handwaved by the duo covering their heads with their capes. Then Zelda warns them via microphone so that they duck in time and the hitmen take out each other--guess it was a bad idea to have the sarcophagi directly facing each other. Ekdal tries to run out and Batman intercepts him with a Batarang pulled from a very large, angled side pouch of his utility belt that isn't normally visible. Then Zelda reveals herself, again in tears, and there's an "if only" romantic moment between her and Batman as he takes out the Bat-cuffs.
In the coda, Bruce pays Zelda a visit at Gotham Penitentiary, where he offers her a job as resident magician at childrens' hospitals funded by the Wayne Foundation when she gets out. Zelda uses her sleight of hand to produce a flower, which she asks Bruce to give to Batman. Bruce puts it in his lapel as he leaves.
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Gilligan's Island
"Gilligan's Living Doll"
Originally aired February 10, 1966
Wiki said:
A robot parachutes on to the island and the Professor learns it can be taught to do anything a man can do. A radio broadcast reveals that a search for the lost robot will not be conducted. The Professor insists that they can program it to rescue them. He puts a message about the castaways in the robots memory bank and then sends it off to walk under water to Hawaii. In the end Gilligan's rabbit's foot turns out to be not so lucky after all, when he attaches it to the robot for good luck, but it consequently fouls up the robot's message.
Gilligan's doing laundry with a pedal-powered makeshift contraption (using a metal barrel rather than bamboo--Where was this when the Professor was scraping together metal for an anchor?) when he and the Skipper see a parachute dropping toward the island. Gilligan soon runs into the robot (an uncredited Robert D'Arcy), which initally mimics everybody's speech. The Professor is hopeful that the Air Force will come looking for it, and once he's learned to give it commands, is amazed at the possibilities of the tasks it could perform for the castaways in the meantime, which prove to range from doing the laundry to caddying. Then they receive a report that the plane that accidentally dropped it was remote controlled, and there won't be a search because the Air Force doesn't know where it dropped. The Professor then orders it to build them a boat, but it produces a toy-scale sailing ship. It confirms that it can build full-scale modern ships, but would need the appropriate tonnage in steel. The Howells float the idea of a searchlight, but the robot says it would need electricity or carbon for batteries. (What about the robot's power source? Or what they use to charge the radio?) Ginger tries using her feminine wiles on the machine, which produces some reactions, including the typical smoke coming from the ears, but no useful results. Then Gilligan does it again when he comes up with the idea of having it swim to Hawaii. They show it how to dog paddle, but unsurprisingly, it proves to be too heavy; so Gilligan comes up with the alternate idea of having it walk to Hawaii, which the Professor calculates will take about 111 hours. The castaways see it off as it walks into the lagoon, and later listen on the radio as it's found...but the only information it conveys is a scrambling of the various tasks the castaways had it do; and the scientists find the rabbit's foot inside the robot, which has demagnetized its spools.
I have to wonder if the episode's title was a deliberate reference to the previous TV year's one-season wonder
My Living Doll.
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Hogan's Heroes
"The Pizza Parlor"
Originally aired February 11, 1966
Wiki said:
Hogan decides the best way to win an Italian’s heart is with his native food when he prepares to recruit an Italian POW commandant to his side of the war, a plan which involves a complicated game of "Telephone".
Schultz watches as the prisoners conceal the signs of LeBeau's cooking in various hiding places in the barracks before Klink comes in. Klink informs them that Italian major Bonacelli (Hans Conried) will be visiting the stalag to study Klink's methods. As Hogan's reporting to our Mama Bear of the Week (submarine skipper Harry Lauter), Bonacelli is attempting to desert to Switzerland by holding his German driver (Bard Stevens) at gunpoint. The driver escapes during an air raid, and the prompt arrival of an unaware motorcycle patrol forces the major to proceed to Stalag 13, where Klink is embarrassed when Bonacelli notices that Newkirk is holding Schultz's (unloaded) rifle while he's participating in a volleyball game. Hogan wastes no time in sewing some German/Italian rivalry, and when the major reacts negatively to the the German food--lots of potato options and sauerkraut--Hogan decides to have LeBeau, against national culinary pride-fueled objections, make pizza...for which they need Mama Bear to patch them through to a pizzeria in Newark run by the father of one of the prisoners for a recipe, though Mama has some trouble enlisting cooperation from Papa Bear (Jack Goode and Elisa Ingram) in London. While he's got indirect communication with Mr. Garlotti (Ernest Sarracino) established, Hogan also asks for the words to "Santa Lucia".
The prisoners lure Bonacelli into the barracks via the song and the smell of pizza, and as he enjoys the latter, they quickly learn of his intention to desert. Hogan persuades him to stay in Italy as an Allied agent, appealing to his national pride as a counter to his objections to being a traitor. But a kink is thrown in the plan when the injured driver is brought to the stalag and identifies the major as a deserter. Hogan uses the cooler tunnel (I think for the first time) to spring Bonacelli, then arranged a faux escape of ten prisoners so that the major can bring them back as a hero...which only takes a little stoking of Klink's ego by Hogan.
In the coda, Klink reads Hogan a letter from Bonacelli about how he has his American prisoners making pizzas for him, the number of which is an indicator of local German troop strength.
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Get Smart
"Dear Diary"
Originally aired February 12, 1966
Wiki said:
Max must find the secret diary of a retired agent who lives at a rest home for retired spies. Burt Mustin and Ellen Corby guest star as elderly retired CONTROL agents.
Max visits the Spy City Retirement Home for Secret Agents in response to a message via carrier pigeon from Max's idol, legendary Agent 4 Herb Gaffer (Vaughn Taylor), who thinks somebody's after his diary, which contains all sorts of classified information. While Max is reacting to a decoy eavesdropping, Gaffer is nabbed through the balcony/patio doors.
In the Chief's office, Max insists on using the Magna-Lamp to examine a plan of Spy City, which blinds everyone and eventually burns the plan to ashes. An unseen individual is holding Gaffer captive in plain site...knocked out and tied hooded to a rack in the Spy City Museum, appearing to be a mannequin. Max and 99 are given a brief tour of the museum by CONTROL's retired gadget man, Professor Bush (Byron Foulger). Then they proceed to the rec room, where retired Security Agent 11, Agnes Davenport (Ellen Corby), TV Fu's Max to check his ID. Agent #8 (Burt Mustin), an old friend of the Chief's, is manning a small room full of mostly extremely outdated messages with a window hidden behind a dartboard, where he finds a note from Gaffer that contains a clue to the diary's location. Searching Gaffer's room, 99 finds the handyman (Ted Gehring) hiding behind a curtain, but he's shot by an unseen figure.
At the prodding of another retiree named Newfield (William Keene), the agents use Bush's invisible dust to make footprints appear to indicate the trail of the double agent when he searches for the diary again...but the footprints lead to discarded shoes in the museum, where Gaffer revives and shows the agents where he has the diary hidden in the same room. Newfield then reveals himself as the double agent, and Max uses an umbrella gun to take him out.
There are a couple of gags in the episode that demonstrate how Gaffer is an older version of Max, involving a moment of mutual clumsiness and a shared "Would you believe...?" gag.
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Too unbelievable. I'll pass on that script.
Whereas I can't get the sax riff from the Gerry Rafferty song out of my head.
I remember Woodsy. I haven't seen him for a while.
As do I. I was gonna post a video, but I couldn't find one labeled as a 1971 original.
Well, it sounds like the 70s, I guess.
I just recently stumbled across the fact that I'd missed an earlier low-charting single from this album.
An excellent cover, as one would expect.
Dunno...Marilyn McCoo doing easy listening covers kinda gives me
Solid Gold flashbacks.
I love this one. This is one of several great songs that Cher released in a brief period around this time, like "Half Breed" and "Dark Lady."
We're definitely getting into her peak classic period now.
Okay, I know I should know what EIW and LIW mean, but it's just not coming to me.
I've been using EIW as an abbreviation for Early Installment Weirdness lately; LIW would be Late Installment Weirdness.
I don't know. "House of the Rising Sun," "Don't Let Me Be Misunderstood," "We Gotta Get Out of This Place,".... "See See Rider." One of these things doesn't belong here, one of these things just isn't the same....
This is why some artists don't want to "sell out" by doing pop singles.