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The Classic/Retro Pop Culture Thread

That's good to know. I've been meaning to sign up for Roku, because not only do they have a bunch of good stuff, but my buddy Chris Mimi has his own channel on there.

Some more incentive for you to get one:



Roku - Streaming Stick+ 4K Streaming Media Player with Voice Remote with TV Controls - Black


Roku - Express HD Streaming Media Player with High Speed HDMI Cable and Simple Remote - Black


da0305ca6b1d73c5d1aee973f959fe03.svg

Roku - Streaming Stick+ 4K Headphone Edition with Voice Remote with TV Power and Volume Streaming Media Player - Black
 
Pernell Roberts never seemed to have a problem about going without a hairpiece. Michael Ansara, too.

70s John Saxon alternated between a full piece (as seen on The Bold Ones: The New Doctors and Enter the Dragon), and odd pieces that called attention to a thinning hairline.

All seasons of Route 66 are also streaming on Shout!TV, free with ads.

A one-for-the-ages series.
 
"Shapes of Things," The Yardbirds
Pretty good.

"Gloria," The Shadows of Knight
Classic.

"Kicks," Paul Revere & The Raiders
Minor classic.

"Secret Agent Man," Johnny Rivers
Oh, yeah. :mallory:

Petty revenge? Poor Ringo, indeed.
Let's just say mischievous. :angel:

Some more incentive for you to get one:
Wow, okay. And I thought it was just a website. Thanks. :D

Or two if you count Naked City.
Yes, there's a show I'd love to see more of.
 
50 Years Ago This Week

Wiki said:
March 15
  • The U.S. Department of State lifted a 21-year ban against travel by Americans to mainland China, as part of a new policy of improving relations with the People's Republic. However, officials noted that China had not yet expressed a willingness to allow Americans to visit, disclosing that only three Americans out of 1,000 applicants had been granted entry visas.
  • The 672nd and last original episode of The Red Skelton Hour was telecast, bringing an end to the show after 20 seasons. Skelton's comedy and variety show had made its debut on September 30, 1951.
March 16 – Trygve Bratteli forms a government in Norway.
March 18 – A landslide at Chungar, Peru crashes into Yanawayin Lake, killing 200.



Selections from Billboard's Hot 100 for the week:
1. "Me and Bobby McGee," Janis Joplin
2. "She's a Lady," Tom Jones
3. "Just My Imagination (Running Away with Me)," The Temptations
4. "One Bad Apple," The Osmonds
5. "For All We Know," Carpenters
6. "Proud Mary," Ike & Tina Turner
7. "Doesn't Somebody Want to Be Wanted," The Partridge Family
8. "What's Going On," Marvin Gaye
9. "Help Me Make It Through the Night," Sammi Smith
10. "If You Could Read My Mind," Gordon Lightfoot
11. "Amos Moses," Jerry Reed
12. "Have You Ever Seen the Rain?" / "Hey Tonight", Creedence Clearwater Revival
13. "Mama's Pearl," Jackson 5
14. "(Where Do I Begin?) Love Story," Andy Williams
15. "What Is Life," George Harrison
16. "Cried Like a Baby," Bobby Sherman
17. "Mr. Bojangles," Nitty Gritty Dirt Band
18. "Temptation Eyes," The Grass Roots
19. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus
20. "Another Day" / "Oh Woman, Oh Why", Paul McCartney
21. "Sweet Mary," Wadsworth Mansion
22. "Wild World," Cat Stevens
23. "Free," Chicago
24. "Oye Como Va," Santana
25. "Blue Money," Van Morrison
26. "One Toke Over the Line," Brewer & Shipley
27. "You're All I Need to Get By," Aretha Franklin
28. "No Love at All," B.J. Thomas
29. "Don't Let the Green Grass Fool You," Wilson Pickett
30. "Rose Garden," Lynn Anderson
31. "Amazing Grace," Judy Collins
32. "Soul Power (Pt. 1)," James Brown
33. "Love's Lines, Angles and Rhymes," The 5th Dimension
34. "Knock Three Times," Dawn

36. "Watching Scotty Grow," Bobby Goldsboro
37. "Country Road," James Taylor
38. "Eighteen," Alice Cooper

40. "Heavy Makes You Happy (Sha-Na-Boom Boom)," The Staple Singers

43. "Jody's Got Your Girl and Gone," Johnnie Taylor

45. "Joy to the World," Three Dog Night

52. "We Can Work It Out," Stevie Wonder

56. "Stay Awhile," The Bells

63. "Chick-A-Boom (Don't Ya Jes' Love It)," Daddy Dewdrop

65. "Superstar," Murray Head w/ The Trinidad Singers

67. "Timothy," The Buoys

71. "Put Your Hand in the Hand," Ocean

77. "I Don't Know How to Love Him," Helen Reddy
78. "Lucky Man," Emerson, Lake & Palmer
79. "I Don't Blame You at All," Smokey Robinson & The Miracles

96. "Here Comes the Sun," Richie Havens


Leaving the chart:
  • "Celia of the Seals," Donovan (3 weeks)
  • "(Do the) Push and Pull (Part 1)," Rufus Thomas (13 weeks)
  • "I Hear You Knocking," Dave Edmunds (12 weeks)

New on the chart:

"I Don't Blame You at All," Smokey Robinson & The Miracles
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(#18 US; #7 R&B; #11 UK)

"Here Comes the Sun," Richie Havens
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(#16 US; #18 AC)


And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 4, episode 26 (season finale)
  • All in the Family, "Archie Is Worried About His Job"
  • Mission: Impossible, "The Merchant" (season finale)
  • Ironside, "Lesson in Terror"
  • Adam-12, "Log 106: Post Time"
  • The Brady Bunch, "Tell It Like It Is" (season finale)
  • The Partridge Family, "A Knight in Shining Armor" (season finale)
  • That Girl, "The Elevated Woman" (series finale)
  • The Odd Couple, "What Does a Naked Lady Say to You?"

_______

55 Years Ago This Week Overflow Special

Also new on the chart the week ending March 19, 1966:

"Spanish Flea," Herb Alpert & The Tijuana Brass
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(#27 US; #4 AC; #3 UK)

"Frankie and Johnny," Elvis Presley
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(#25 US; #3 AC; #21 UK)

"What Now My Love," Herb Alpert & The Tijuana Brass
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(B-side of "Spanish Flea"; #24 US; #2 AC)

_______

Pretty good.
Distinctive.

Bleh...close soundalike cover that did better than the original. Them deserved the hit.

Minor classic.
Just a classic...and their biggest hit of this era.

Oh, yeah. :mallory:
One of his better singles, as it's primarily associated with him, rather than a watered-down cover of a song that has a more definitive version.

Yes, there's a show I'd love to see more of.
Alas, not on ShoutFactory. Haven't seen it anywhere in years.
 
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"I Don't Blame You at All," Smokey Robinson & The Miracles
Pleasant, with those Smokey vocals.

"Here Comes the Sun," Richie Havens
Now here's a cover that's worth it. Beautiful guitar work.

"Spanish Flea," Herb Alpert & The Tijuana Brass
It's one of them wordless thingies, but it's got great nostalgic value.

"Frankie and Johnny," Elvis Presley
Well done.

"What Now My Love," Herb Alpert & The Tijuana Brass
No nostalgic value and sounds more like "I'm A Believer." :rommie:

Bleh...close soundalike cover that did better than the original. Them deserved the hit.
I'll go along with that.

One of his better singles, as it's primarily associated with him, rather than a watered-down cover of a song that has a more definitive version.
There's also that connection to Danger Man (and thus, possibly, The Prisoner).

Alas, not on ShoutFactory. Haven't seen it anywhere in years.
It's on Prime, but not for free. And there's DVDs. Maybe I'll pick up season one for my birthday.
 
_______

50th Anniversary Viewing (Part 1)

_______

Hogan's Heroes
"Hogan's Double Life"
Originally aired March 7, 1971
Wiki said:
His search for the Hammelburg sabotage leader leads Gestapo major Pruhst (Malachi Throne) to Stalag 13 and Col. Hogan is in the crosshairs unless he can find a plausible alternative suspect.

Hogan & co. are staking out a wooded road with a couple of underground men (David Frank and Dick Wilson), based on intel about a shipment of paintings stolen from the Louvre, but Hogan sniffs out and demonstrates that it's a trap, sending the agents on their way. Klink subsequently gets a visit from Gestapo major Pruhst (Malachi Throne), who's deduced that all of the underground sabotage activity in the area centers on one man--Hogan--but he has to prove it to his superiors, so he wants to get a picture of him with a miniature camera to send to a witness who saw him at the site of a bridge-blowing. Having listened in via the coffee pot, Hogan and the men conspire to keep Hogan's back turned to the major outside. The major nevertheless gets his picture, and a positive identification is made.

Posing as an old friend in a disguise that involves a uniform and age makeup, Hogan attends the local birthday party of Field Marshal von Leiter (John Hoyt). For once, the disguise is meant to be seen through by Klink, as well as Pruhst. Hogan's research is so thorough that he fools the marshal and sews doubt in Klink and Pruhst, so they rush back to the stalag to see if Hogan's there...and he beats them there via the tunnel. When Hogan's arm isn't sporting a fake tattoo that his alter ego showed, they become convinced.

I found the premise of this scheme to be weak to the point of incoherence; particularly Klink and Pruhst's certainty that a tattoo couldn't be faked...and that it could wasn't even explained.

DIS!missed!

_______

Rowan & Martin's Laugh-In
Season 4, episode 25
Originally aired March 8, 1971
The Wiki list of guest appearances said:
Jack Benny, Johnny Carson, Bill Cosby, Sammy Davis Jr., Rich Little, Roger Miller, Claudine Longet, Rod Serling, Jilly Rizzo, Gore Vidal

Early Quickies.

Edith Ann about having an headache.

General Bull Wright now has a beard.

The News segment:
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The Cocktail Party:
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Laugh-In salutes the FBI:
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Gladys goes to Tyrone's place.

Everything you always wanted to know about Ernestine...
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The closing Joke Wall:
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_______

All in the Family
"Edith Has Jury Duty"
Originally aired March 9, 1971
Wiki said:
Edith goes on jury duty for a murder trial, and she alone thinks the accused is not guilty. Archie is upset that Edith is not at home to take care of him.

Edith gets home ahead of Archie, her first concern being to make dinner for him; but she shares with the kids her excitement at the experience of jury duty. She can't discuss the details, but thinks she may be sequestered. Archie comes home complaining about a man who threw himself on the tracks having held up the subway...it's not clear if the man died. Edith can barely contain herself, which he notices. While he considers her an ideal candidate because she has "no preconstrued notions," he takes exception that she won't discuss the case with him, her "own flesh-and-blood husband". Over dinner, he brings up his previous service and gets in an argument with Mike about capital punishment, "a well-known detergent to crime". Archie only learns that Edith may be staying in a hotel for at least a week when a neighbor, Clara (Holly Irving), comes by and Edith asks to borrow her valise. Mike correctly deduces which murder case she's serving on, and references the length of the Manson trial. Archie then tries to persuade her to get out of it under the pretense that he's sick, but she passes the buck for taking care of him to Gloria.

Archie finds himself coming home to an empty house because Mike and Gloria are attending the trial. They find out in the paper that the verdict is being held up by a lone juror, whom Archie guesses is a "lone dingbat". Meanwhile, Edith is rooming with Lydia Stonehurst (Doris Singleton), a well-to-do woman who has very little in common with her. While Edith is enjoying the hotel service, Lydia would rather be home being served by her personal chef, and pressures Edith about holding out. She ironically has more in common with Archie, sharing similar preconceived notions about the underprivileged Latino defendant. (Mike, for the record, holds society to blame for his alleged actions.) Edith explains how important this is to her because nobody ever asks her opinion about anything important, and she wants to get it right.

The jurors are ordered to return to the court after hours. Back at the Bunker house, Mike and Gloria are enjoying "I Want to Take You Higher" by Sly & the Family Stone while waiting for the news to come on. When it does, they learn of a breakthrough in the case. Edith comes home before the story airs, and Archie guilts her to make him something to eat, even though Gloria already did and he wouldn't eat it. Then they learn on TV about how another man confessed to the crime after Edith's two-day holdout. Edith herself is interviewed, but refuses to discuss the case even though it's over. Archie then complains that Edith was "wastin' the taxpayers' money, tryin' the wrong guy!"

_______

Hawaii Five-O
"The Grandstand Play (Part 2)"
Originally aired March 10, 1971 (season finale)
Wiki said:
Conclusion. McGarrett races against time to track down the ball player's son before the real killer (who saw his face in the newspaper) can identify him.

After a recap that clocks in at a minute and a half longer than "Hey Jude," the story briefly segues into its here-and-now, with Horton's car missing Gary but causing him to fall to the ground, before we proceed to the opening credits.

Chin talks to Mrs. Workman's maid, Mrs. Ahn (Soo Yong), at the funeral home; and while she's reluctant to talk of things that might further soil her lady's reputation, she finally admits that someone was using pictures to extort Emily...and that she believes that Mr. Workman was involved. Steve pays Lester another visit and presses him about whether he hired anyone to follow his wife. He denies it, but after McGarrett leaves, he promptly phones Horton's girl.

Steve has Danno's fingers do the walking so that Five-O can check out all of the PIs operating in Honolulu. Also filling time, Lon Phillips has a couple of scenes fretting about his son's welfare to his coach, Coley (Jock Mahoney). But while he's at the stadium in the hope that Gary will go there, Gary tries to call home, gets Kono, and hangs up. Meanwhile, Workman makes a rendezvous with Horton's girl, clarifying for us that she contacted him with a proposition after Emily met Horton at a bar. He confronts the girl with the knowledge that she was playing both sides, and that she and her friend were involved in the murder, which he considers to have been an unrequested favor...but he holds that knowledge over her head to firmly break off any ties. When the girl shares this with Horton, she argues for taking what money they have and going away, but Horton decides that he now has two people who know too much and need offing.

Gary ends up on a playground where he gives baseball tips to local kids, mentioning who his dad is to establish his cred. Danno finds an investigator named Galvin (Tom Fujiwara) who was hired by Lester Workman, but promptly fired...following which Galvin tailed Workman and took pictures of him paying Horton's girl. But Horton beats Steve and Danno to Workman's place, so they find him...where else?...his neck broken like Emily's.
H552.jpg

Steve works on the assumption that Gary won't miss one of his father's games, so he beefs up security there and preps using his Lucite map of the ballpark:
H553.jpg
What I missed last week is that Horton works as a security guard at the stadium, which is why Emily was meeting him there. We also see that his girl works there at the concession stand as they keep tense eyes open for Gary. Gary brings his new friends to the stadium, but backs out on getting them in through the front gate when he sees the police there, so the kids get him in the way that they usually do it; and while Horton sees them, his ability to act is stymied by his watchful boss. Meanwhile, one of the kids tells Steve about Gary. Gary sneaks through the Seymour Butts section, and is spotted by Horton's girl (woulda been nice if they'd dropped a name for her), who stalls him long enough for Horton to nab him. Horton starts to do his strangling thing, but Steve and Danno move in. A substantial brawl ensues between Steve and Horton...though it's only about 1/15 the length of the recap. Steve brings Gary to a happy reunion with his pa, and that's Season 3!

That last scene includes a very grainy, circular shot with black edges of Steve and Gary walking onto the ballfield, which I have to assume was an actual location shot of Lord and Elliott Street...though it's shot so tight that you can't even tell where they are.

_______

Ironside
"The Accident"
Originally aired March 11, 1971
Wiki said:
When Mark and a woman get into a traffic accident, Ironside suspects an insurance fraud was committed.

The episode opens with the team investigating a safecracking and theft of expensive jewelry from a young woman (Ahna Capri) whose married beau, Mr. Thomas (Charles Drake), knows the commissioner and wants the investigation kept quiet. Mark, who hasn't slept in three days, drops the Chief and Eve off outside the Cave, then heads for some van servicing, and accidentally hits a woman who's jaywalking from between parked vehicles on the backlot.

Dr. Robinson (Noah Keen) explains that the accident could have triggered previously undiagnosed osteoarthritis. The victim, Melissa Babcock (Juanita Moore), seems pleasant and is grateful that Mark waited at the hospital to talk to her and ask what he could do. Later in the corridor, he's approached by her lawyer, Carl Sloan (Jay Novello), who asks some seemingly casual questions but seems to be building a case. At the Cave, Mark's insurance rep, Charlie Culver (Edward Binns)--who's also involved in the burglary case--reprimands him for having talked to Sloan. On a follow-up visit, Babcock remains friendly to Mark and introduces him to her estranged but visiting daughter, college instructor Nancy Babcock (Chelsea Brown). The Chief takes an interest in Nancy's tale of how her mother came into money many years ago and provided for her but kept her at a distance. Back at the hospital, we see Sloan and Babcock in a mild argument about how he's handling the case. Some investigation by the team turns up that Melissa is a known fall artist, and Sloan her accomplice. The Chief goes to talk to her and she admits to it, relating how she got into the business as an act of desperation to escape from poverty. But she insists that this time--the first incident in several years--is for real.

Meanwhile, the team sans Mark has narrowed down the safecracking to a couple of suspects based on the skill involved. When they show some pictures to the victim--whom IMDb identifies as Miss Vickers, though I didn't catch the name being dropped in the episode--she recognizes one of the suspects as a man who'd attended a party she'd thrown a couple of weeks prior. The suspect, Frank Hansen (Bill Fletcher), has already been picked up in Miami, where he flew the day after the burglary, after shooting a jewelry fence. Ed heads to Miami to question him, and he proves unmotivated to cooperate with turning over the jewels.

Eve drives the Chief to Sloan's place, which is empty, after Ironside learns that Sloan owes money to bookies and loan sharks. He then learns from Culver on the phone that a settlement had just been made the night before. Melissa subsequently calls Ironside to see her at her home. Having made a miraculous recovery, she confesses to having pulled one last con for Sloan, whom she hadn't seen in years. The reason she's coming clean is because Mark was her only mark who'd cared enough to visit her at the hospital. She offers to give back her half of the settlement money and work to pay off Sloan's. Culver doesn't want to play ball, as he has a long-vested interest in bringing Babcock to justice. Ultimately it's determined that Hansen will turn over the jewels in exchange for enough money to hire an expensive defense lawyer for the murder, which Culver is willing to provide. The Chief offfers to facilitate this exchange and keep the burglary quiet (which Culver is also interested in) if Culver won't press charges against Mrs. Babcock.

_______

Pleasant, with those Smokey vocals.
An obscuro, but it has a catchy little melody when you've heard it a few times. This will be the Miracles' last Top 40 hit with Smokey.

Now here's a cover that's worth it. Beautiful guitar work.
Nice to see Havens scoring a pop hit following his exposure in the Woodstock film and soundtrack. His "Freedom" is one of my playlist selections from the album.

It's one of them wordless thingies, but it's got great nostalgic value.
Best known to me from The Dating Game.

Well done.
It's good enough that I won't yank out my 1968 calendar page again...but still, this is the point where Hypothetical 1966 Me asks, "Is that guy still around?"

No nostalgic value and sounds more like "I'm A Believer." :rommie:
I could barely tell it was the same tune as the Sonny & Cher single.

There's also that connection to Danger Man (and thus, possibly, The Prisoner).
Ah...I wasn't factoring that in because I've never seen the former show. But still the Johnny Rivers version, I see, so it doesn't weaken his association with the song.
 
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Hogan & co. are staking out a wooded road with a couple of underground men (David Frank and Dick Wilson), based on intel about a shipment of paintings stolen from the Louvre
Hogan's Monument Men. :bolian:

Gestapo major Pruhst (Malachi Throne)
Noah Bane, of It Takes A Thief.

who's deduced that all of the underground sabotage activity in the area centers on one man--Hogan
What's a guy with brains doing in the Gestapo? :rommie:

I found the premise of this scheme to be weak to the point of incoherence; particularly Klink and Pruhst's certainty that a tattoo couldn't be faked...and that it could wasn't even explained.
What needs to be said about superior Allied tattoo technology?

Hmm. What a coincidence.

The Cocktail Party:
I'm surprised the fuzzy ball made it past the censors. :rommie:

"no preconstrued notions," ... "own flesh-and-blood husband" ... "a well-known detergent to crime".
Arch is a one-man Internet. :rommie:

whom Archie guesses is a "lone dingbat".
One Angry Dingbat.

She ironically has more in common with Archie, sharing similar preconceived notions about the underprivileged Latino defendant.
Nice touch.

Back at the Bunker house, Mike and Gloria are enjoying "I Want to Take You Higher" by Sly & the Family Stone
Interesting. You don't hear contemporary music too much on sitcoms.

Archie then complains that Edith was "wastin' the taxpayers' money, tryin' the wrong guy!"
Oh, yeah, Arch would have been perfect for the Internet. What was once parody is now normal. :rommie:

Steve has Danno's fingers do the walking so that Five-O can check out all of the PIs operating in Honolulu.
Hmm. Too late for Hawaiian Eye and too early for Magnum.

A substantial brawl ensues between Steve and Horton...
A little extra action for the finale-- Steve doesn't brawl very much. How'd his hair make out?

That last scene includes a very grainy, circular shot with black edges of Steve and Gary walking onto the ballfield, which I have to assume was an actual location shot of Lord and Elliott Street...though it's shot so tight that you can't even tell where they are.
Yikes. Sounds like a sniper POV. Maybe there's a part three. :rommie:

Nancy Babcock (Chelsea Brown)
From Laugh-In.

The Chief offfers to facilitate this exchange and keep the burglary quiet (which Culver is also interested in) if Culver won't press charges against Mrs. Babcock.
I like how the two separate stories dovetail at the end there. Nice little story for Mark, too. A little kindness goes a long way.

Best known to me from The Dating Game.
I recall seeing The Dating Game a couple of times, but I don't remember that connection.

Ah...I wasn't factoring that in because I've never seen the former show. But still the Johnny Rivers version, I see, so it doesn't weaken his association with the song.
I've actually never seen it, either, but I've read of the connection.
 
Noah Bane, of It Takes A Thief.
Better known in these parts for a guest role he did once...in the same broadcast episodes as John Hoyt's appearances, though their scenes were filmed a couple of years apart.

What's a guy with brains doing in the Gestapo? :rommie:
Not enough brains as it turned out. He was too easily snookered.

Nice touch.
And subtly presented. At face value, she acted appalled at Edith's mentions of Archie...but the opinions coming out of her mouth about the defendant were right in line with his.

Interesting. You don't hear contemporary music too much on sitcoms.
And rights issues often put the kibosh on it when it was originally used...so it was both noteworthy and very times-signy.

I'm wondering what they were watching that would have come on just before the news that would have included a performance by Sly & the Family. Maybe an American Bandstand-type program in weekday syndication? I should also note Archie's opinion of the music: that it sounded like "New Year's Eve at the nuthouse".

Hmm. Too late for Hawaiian Eye and too early for Magnum.
I had thought of the Magnum connection.

A little extra action for the finale-- Steve doesn't brawl very much. How'd his hair make out?
His hair was, of course, the true winner. And probably helped protect him from blows to the head.

Yikes. Sounds like a sniper POV.
Yeah, that's how I'd describe it, but without crosshairs.

I like how the two separate stories dovetail at the end there.
It was almost Seinfeld-like, but I was anticipating something like that happening, as the stories seemed a little too disconnected for most of the episode.

I recall seeing The Dating Game a couple of times, but I don't remember that connection.
It was used as the Bachelor Theme...apparently some of the time in the show's various incarnations. You can barely make out a bit of it in this clip:
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Better known in these parts for a guest role he did once...in the same broadcast episodes as John Hoyt's appearances, though their scenes were filmed a couple of years apart.
True, and he was also a peace-loving Romulan about a hundred years later.

Not enough brains as it turned out. He was too easily snookered.
Well, when you're up against Hogan...

And rights issues often put the kibosh on it when it was originally used...so it was both noteworthy and very times-signy.
Yeah, rights issues were a nightmare for some shows, like WKRP. And Bosom Buddies had to use a different theme on their DVD release (syndication, too, I think).

His hair was, of course, the true winner. And probably helped protect him from blows to the head.
:rommie:

It was used as the Bachelor Theme...apparently some of the time in the show's various incarnations. You can barely make out a bit of it in this clip:
Oh, yeah. Now that I see that I do remember it.
 
_______

50th Anniversary Viewing (Part 2)

_______

Adam-12
"Log 56: Vice Versa"
Originally aired March 11, 1971
Wiki said:
Malloy celebrates his birthday by having to let Reed drive 1-Adam-12 (due to Malloy allowing his driver's license to expire) and is nervous about his young partner driving the car. Calls include a bank robbery reported by the bank robber, a burglary involving several neighbors, an abandoned baby, a suicidal wife who killed her husband on their 22nd wedding anniversary, and a drug dealer selling his wares out of an ice cream truck.

Mac just happens to inspect the officers' drivers licenses before watch; when it turns out that Malloy thought his expired the following year, Reed can hardly contain himself. I'm surprised Mac didn't book Malloy right there for driving to work. Pete's less than enthusiastic to find himself responsible for the passenger-seat tasks that Reed normally performs. And while Pete does have some backseat driving moments, he doesn't make a big deal out of how his partner does that typical TV thing of constantly turning his head to talk to Pete, which Milner--hired in part for his "acting while driving" experience on Route 66--notably doesn't do.

On patrol, the officers are flagged down by a young girl named Alma Stanley (Christine Matchett), who tells them about a man in an ice cream truck who tried to sell her marijuana...accidentally, as she'd asked for a dime bag of popcorn. Malloy radios in the description.

Next is a 211 in progress for all units in their area. The officers enter the bank, where hostages are lying on the floor and the man standing over them with a gun, dressed in a suit (George Furth), is calling it in as if he were one of the victims. When the officers announce themselves, he seems pleased and puts down his plastic gun. It turns out that he wants to be committed to psychiatric help for his gambling addiction, and his doctor refused to support him in doing so.

The call after that is a 459. Lars Lowell (Charles McGraw) lets the officers into his home to show them how it's been completely cleaned out while he was away for six weeks...even of minor household items. A neighborhood kid told him how one kid broke in to steal a TV set, then the neighbors all started coming in and helping themselves. He accompanies the officers to the house of neighbor Camille Gearhardt (Ellen Corby), who has his living room furniture right there in her own living room. It turns out that while the Lowells were away because Mrs. Lowell's father having a heart attack, the neighbors assumed that the Lowells had abandoned the house and left their belongings for the taking. Malloy disabuses her of that notion and reads her rights.

The following call is for a 415, shots fired. The officers find a woman outside her home sobbing with a gun in her hand (Marie Windsor). Adam-12 and the other units who arrive take cover behind their doors as she fires wildly, begging to be shot. Pete manages to sneak behind her and disarm her. Reed finds a victim inside.

Next the officers see George Lum (Keye Luke), who found a baby in a trash can...in a shopping bag that says "Packed with loving care".

Finally, the officers spot an ice cream vendor matching the girl's description, doing a deal with a shady-looking adult customer. Pete nabs the customer, who tries to run, while Reed takes the vendor. They find heroin on the customer and a stash inside the truck. Then Pete discovers that Reed ran over his hat after Malloy jumped out of the car.

_______

The Brady Bunch
"Alice's September Song"
Originally aired March 12, 1971
Wiki said:
Alice's dashing former high school boyfriend, Mark Millard (Stephen Dunne), shows up at the Brady doorstep wanting to rekindle their romance. However, Mark makes a shady financial offer, and Carol and Mike have Mike's friend from the district attorney's office check Mark out, and it turns out that Mark just wanted Alice's money, as he's pulled this on several other woman. When Mike and Carol start to confront Mark, he tries to escape, but hits his head on a frozen leg of lamb, that Sam the Butcher was stopping by to deliver.

Alice comes home from shopping with Carol to find a message written by Cindy that her old school flame Mark Millard called. Mike and the boys are building a model airplane when Sam drops by, which Carol frets over because Alice is getting ready for a date with Mark. Mike is tasked with getting rid of him, so he tries to warn Sam that Alice isn't expecting him without telling him what it's about. Alice comes down all dressed up and Sam thinks she overdressed for the Meat Cutters' bowling semifinals that he was planning to take her to. She explains that she has another date, and he suspects the milkman, then somebody in produce at the supermarket. After Sam leaves, Alice waits nervously for her intended date, who finally arrives with a corsage and compliments about how Alice has aged. Carol stays awake worrying when Alice is out very late; when she finally comes in around 1:30, she appears to be on cloud nine.

A series of dinner and dancing dates ensue, to Alice's pleasure. She tries to lose weight via exercise with the help of the girls, starts using a night mask, and effectively sports a makeover for the next date that we see. Over dinner at a fancy restaurant, Mark starts telling her about the business deal that he's in town working on. She comes home and tells Carol how he's letting her in on an investment opportunity that she doesn't know much about. Carol is concerned and has Mike check into it, to find that Mark's been gambling with the money of a series of wives. When Mark comes over for a date, Mike confronts him. When the doorbell rings, he tries to slip out the back to avoid Mike's friend from the D.A.'s office, and runs into Sam's leg of lamb. Alice revives Mark with her watering can. In the coda, Alice is back to less romantic dates with Sam.

This was a change of pace because the kids weren't the focus.

_______

The Partridge Family
"A Partridge by Any Other Name"
Originally aired March 12, 1971
Wiki said:
A series of coincidences leads Danny to believe he was adopted and there doesn't seem to be anything anyone can say to convince him he's a natural-born Partridge.

The kids have to dig through stuff in the attic to find birth certificates for a gig in Canada. Not only can they not find Danny's, but an old photo album has no pictures of him. Their booking agent, Marty Burnes (Bernard Fox), also comments on how Danny doesn't look like one of the clan. Danny sees a private detective, Harry Klein (Ned Glass), and talks to a hospital orderly (Jim Connell), to try to get to the bottom of his origins. The latter finds no record of Danny's birth at the hospital, so Danny takes interest in the one boy whose birth was recorded on that day, with a parent listed as M. Young. The others try to throw him a surprise party, but by this point he's convinced that he's adopted, and wants information about his real parents.

Shirley tries to explain that Danny was born out of town. The other kids scour the house for evidence of Danny being part of the family all along, and Shirley brings over a neighbor, Mrs. Reinbolt (Renie Riano), as a witness to his being brought home...but she thinks that Chris is Danny. Danny tracks down a Michael Young (Art Metrano) working at a construction site and embraces him as his daddy. Shirley and Reuben go to the hospital and learn about Danny's search for M. Young. A musical montage of Danny checking out other suspects ensues, to current hit single "Doesn't Somebody Want to Be Wanted". Shirley beats Danny to his last suspect via phone and gets there as he's arriving...and that last suspect turns out to be another dead end (Sid McCoy). Danny comes home with Shirley--finally convinced that he's not adopted--to find that the other kids managed to dig up another photo album with baby pictures of him.

The coda has the group driving to their gig and performing "I Can Feel Your Heartbeat".

_______

That Girl
"Soot Yourself"
Originally aired March 12, 1971
Wiki said:
As a member of an ecology-minded group, Ann is assigned to picket in front of the Newsview Magazine building where Donald works. Donald tries to make amends by inviting his boss to Ann's house for dinner.

Ann gets her picture in the paper wearing a gas mask, which she excitedly shows to Marcy...and explains while wearing it. Donald finds out when Mr. Adams (James Gregory in his last of four appearances in the role this season) brings him the paper. Donald acts sure that it isn't her, but when he calls to confirm, she's still wearing the mask. At Nino's, Ann explains how Donald's article on pollution inspired the group that she belongs to, which is now picketing against pollution. Ann starts getting all activist on him, insisting, for example, that he not take a cab back to work. Donald demands that she stop picketing Newsview in the interest of his job, so Ann calls her group's leader about Plan B, which involves inviting Adams and his wife to her place for dinner.

Ann also asks her building superintendent, Mr. Stone (Peter Brocco), to turn off the furnace, which needs to be replaced. Meanwhile, back at the office, there's some awkwardness because Ann's story for inviting Adams involved a surprise party for Donald's birthday, which it isn't...while Donald tries to persuade Adams that they need to do more on the pollution issue. For the dinner, Ann makes a meal entirely out of leftovers, to avoid generating garbage. Far from the dinner being Donald's idea as described above, he's completely surprised when the Adamses (including Phyllis Hill as Mrs. Adams) come over for dinner. Once Mr. Adams is there, he's is completely wary to Ann's ploy, but is also receptive to Donald's plea that they do a follow-up article on pollution...then asks that they go to a warm restaurant for a proper meal. In the coda, Ann's pleased with the article in question.

"Oh, Donald" count: 7
"Oh, Marcy" count: 1
"Oh, Mr. Adams" count: 1

_______

The Odd Couple
"What Makes Felix Run"
Originally aired March 12, 1971
Wiki said:
To cure Felix of his neatness and help him win back his ex-wife, Oscar tries to turn him into a slob.

Oscar has Nancy Cunningham over to make him dinner while Felix is out having dinner with Gloria...but Felix comes home early and downtrodden, having pissed Gloria off by rearranging her furniture and rewashing her salad lettuce.

Oscar: You know, Felix, with you, being in love is ALWAYS having to say you're sorry!​

Unable to sleep later, Felix pulls up a chair and sits in Oscar's bedroom doorway...where he relates a story from when he was five (Johnny Scott Lee), being watched by his visiting grandfather (Tony Randall), who chastised him for leaving soap on the sidewalk, which injured his parents. Oscar mixes him a strong drink, which knocks him out, and following up on something that they'd been talking about, Felix dreams of running into Oscar in heaven...where Felix can't help criticizing angel Oscar's much-improved cleanliness, and gets sent to the other place. After waking up, he begs Oscar for help.

Using Gloria and the kids as motivation, Oscar tries coaching a horrified Felix by making him put his shod feet on the table and bed and throw wrappers and articles of clothing on the floor. Then Felix gets a "be careful what you wish for" moment, when Oscar finally cleans his room...by dumping all of his garbage in Felix's! This puts Felix into a state of shock, so Oscar calls Nancy to make a house call. When Felix comes to, he saunters out casually with his shirt open and starts eating with his hands and picking crumbs off his chest. Even Nancy becomes concerned when he starts dunking (following which he tosses his coffee out on the floor), so she calls a colleague, who thinks that Felix is suffering a temporary schizoid aberration, and recommends splashing cold water on his face. Oscar sprays him with a seltzer bottle, and Felix comes to his senses...horrified at his own mess, but assuming that Oscar made it!

In the coda, Felix comes home from another date with Gloria's sundae all over his suit, because he made a comment about her weight.

_______

Love, American Style
"Love and the Fuzz / Love and the Groupie / Love and the Housekeeper / Love and Women's Lib"
Originally aired March 12, 1971 (season finale)

"Love and the Groupie" opens with wig-wearing rock star Rick Jagmund (Richard Dawson, doing a Beatlesque Liverpool accent here) and his manager Warren (Warren Berlinger) in their brass bed-equipped hotel room reacting to how Rick is constantly swarmed by fans. Warren wishes that he could get some of the attention, so Rick comes up with the idea of having him don the wig and pose as Rick while Rick slips out for some privacy. Warren is quickly visited by a maid named Joyce (Angel Tompkins), whom he initially assumes is a groupie sneaking in, even though she's all business. She's not impressed with him as Rick, so he removes his wig and tries to convince her that he's really Warren, but she thinks that he's Rick and a phony. Then Rick comes back in the front through the mob of girls, who've sniffed him out, and backs up Warren's story. But when Warren leaves the room to change, Joyce becomes starstruck by the real Rick and comes on to him.

"Love and the Housekeeper" features Harry Guardino and Valerie Harper as newlyweds Harry and Barbara Watkins. She's supposed to be a housewife, but their place is a hopeless mess because she's slovenly and doesn't seem to know the first thing about housekeeping. Then she trips over the vacuum cleaner that she left out and gets amnesia, which includes being appalled by what she doesn't know is her own clutter, and insists on cleaning it up. Thus Harry lets her believe that she's actually his maid. When he comes home from work, the place and Barbara are completely transformed....but when he tries to get romantic with her, she proves to be all business. He allows her to continue believing that he's a divorcee, but tells her that they were a couple, and she's the reason that he left his wife. Barbara seems to enjoy this, but slips out and leaves him a Dear Harry note about not wanting to come between him and his wife. Then she comes back in the front as the old Barbara, not remembering anything after she tripped over the vacuum...and immediately starts messing the place up again. She finds the note, he has to explain what happened...and he seems to warm up to who she really is.

_______

Yeah, rights issues were a nightmare for some shows, like WKRP. And Bosom Buddies had to use a different theme on their DVD release (syndication, too, I think).
Also Greatest American Hero, which had episodes based around the use of specific songs, which were replaced by generic ones.

I guess you could say that his hair came out...on top.
 
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I'm surprised Mac didn't book Malloy right there for driving to work.
I'm surprised Malloy didn't turn in his badge. :rommie:

It turns out that he wants to be committed to psychiatric help for his gambling addiction, and his doctor refused to support him in doing so.
He took quite a chance with that plan.

A neighborhood kid told him how one kid broke in to steal a TV set, then the neighbors all started coming in and helping themselves.
This kid doesn't know how to call the cops?

It turns out that while the Lowells were away because Mrs. Lowell's father having a heart attack, the neighbors assumed that the Lowells had abandoned the house and left their belongings for the taking.
I wouldn't be surprised if this was a true story.

The following call is for a 415, shots fired. The officers find a woman outside her home sobbing with a gun in her hand (Marie Windsor). Adam-12 and the other units who arrive take cover behind their doors as she fires wildly, begging to be shot. Pete manages to sneak behind her and disarm her. Reed finds a victim inside.
This is a pretty grim interlude in what was unfolding as a lighthearted episode.

Next the officers see George Lum (Keye Luke), who found a baby in a trash can...in a shopping bag that says "Packed with loving care".
As is this, but at least the baby is okay.

Then Pete discovers that Reed ran over his hat after Malloy jumped out of the car.
Happy Birthday, Pete. :rommie:

Alice comes down all dressed up and Sam thinks she overdressed for the Meat Cutters' bowling semifinals that he was planning to take her to.
Alice already had a date with Sam? Or he stopped by unexpectedly?

When Mark comes over for a date, Mike confronts him.
Wow, serious drama for the Bradys.

When the doorbell rings, he tries to slip out the back to avoid Mike's friend from the D.A.'s office, and runs into Sam's leg of lamb.
A nice Hitchcockian touch.

Danny takes interest in the one boy whose birth was recorded on that day
One birth? What hospital was this? :rommie:

with a parent listed as M. Young.
Great record keeping there. Not to mention respect of privacy. :rommie:

The other kids scour the house for evidence of Danny being part of the family all along
I would think that they would be okay with the notion of Danny being adopted. :rommie:

to find that the other kids managed to dig up another photo album with baby pictures of him.
For some reason the album with the Danny pictures was hidden away.

For the dinner, Ann makes a meal entirely out of leftovers, to avoid generating garbage.
But it's too late, as the slimy detritus that has accumulated at the bottom of the garbage disposal begins to move with a life of its own, sending dripping, rancid tentacles up through the drain.

In the coda, Ann's pleased with the article in question.
This one seemed short on story and long on preaching.

Felix pulls up a chair and sits in Oscar's bedroom doorway...where he relates a story from when he was five (Johnny Scott Lee), being watched by his visiting grandfather (Tony Randall), who chastised him for leaving soap on the sidewalk, which injured his parents.
The Origin of Felix Unger!

Oscar sprays him with a seltzer bottle
I bet the whole episode was written to justify that moment. :rommie:

In the coda, Felix comes home from another date with Gloria's sundae all over his suit, because he made a comment about her weight.
Why does Gloria continue to date an ex that she inevitably ends up assaulting? I think she's as messed up as Felix is.

She's not impressed with him as Rick
It takes more than a wig to be Rick. :mallory:

But when Warren leaves the room to change, Joyce becomes starstruck by the real Rick and comes on to him.
Chaos. All is chaos. :rommie:

She's supposed to be a housewife, but their place is a hopeless mess because she's slovenly and doesn't seem to know the first thing about housekeeping.
Is this a backdoor pilot? :rommie:

Barbara seems to enjoy this, but slips out and leaves him a Dear Harry note about not wanting to come between him and his wife. Then she comes back in the front as the old Barbara
There seems to be a lot of mental illness in today's reviews. :rommie:

Also Greatest American Hero, which had episodes based around the use of specific songs, which were replaced by generic ones.
Wow, I didn't know that. I only watched the show sporadically.

I guess you could say that his hair came out...on top.
:rommie:
 
_______

50th Anniversary Viewing Revisited

_______

The Mod Squad
"A Time to Love, a Time to Cry"
Originally aired November 12, 1968
Wiki said:
A probation officer (Robert Lansing) with an eye for Julie joins the Squad in its search for a young photographer accused of murder.

Photographer Robbie Larson (Jerry Ayres) comes to in his studio disoriented with scratches on his face and finds the body of girlfriend Luanne. Identifying the body, Robbie's probation officer, Dave Emmons (Robert Lansing), insists that Robbie didn't do it and asks Greer to be given the chance to find him first. Greer assigns the Mods to work with him. Dave describes Luanne as a bad influence who was trying to get Robbie back on drugs, and points the squad to her pusher, Kincaid. Julie volunteers to stay in Robbie's apartment/studio in case he returns, impressing Dave, who takes the other Mods to an artists' retreat funded by a man named Jason (Harry Townes). We see that Jason is sheltering Robbie, though Jason's bothered to find out what Robbie thinks he may have done.

Back at Robbie's place, Julie hides when Kincaid (Rex Holman) comes in looking for something, but he finds and questions her, and Dave comes to the rescue, though Kincaid gets away. Dave and Julie realize that Robbie may have taken pictures that Kincaid wants. Sneaking around the retreat, Pete and Linc find Robbie's motorcycle, and later Robbie, who's being kept in an attic. Pete gets the immediate impression that Robbie's a nice guy, and bellyaches about having to turn him in to Greer. While they're arranging to pick him up quietly, Kincaid pays Jason a visit and roughs him up looking for Robbie, then roughs up Robbie himself, while looking for the pictures he took that night...though Kincaid maintains that Robbie killed Luanne. Robbie runs out and flees the premises on his bike. Dave and the Mods chase after him, while the sight of Greer's uniformed accompaniment motivates Kincaid to split the scene. Robbie heads to a pier and rides himself into the drink!

Fished out by the male Mods, Robbie confesses to what he thinks he did in the hospital. He recalls hitting her while high and her hitting her head on the bathtub. The Mods continue to work with Dave to try to find the camera with the film that Kincaid wants. While Dave has Robbie's flower-adorned wheels fished out of the drink, he opens up to Julie about how he relates to Robbie because Robbie reminds him of himself when he was younger; though Julie's reluctant to open up about her own past, as that'll be the subject of a different episode. It turns out that the camera is missing from its case on the bike. Secretly persuaded by a gun-toting Kincaid, Jason insists to the male Mods that Robbie didn't have a darkroom on his premises...then takes Kincaid to it. But having been covertly clued in by Jason, Pete and Linc are waiting there to take Kincaid by surprise. Elsewhere, Dave opens up to Julie some more, about his feelings for her, lamenting that they're separated by the Generation Gap.

Greer, Dave, and Mods arrange a slideshow of the pictures, which reveal that Kincaid was there the night of the murder; that Luanne was in a fight with Robbie, even as he took pictures of her; but pictures from after he passed out reveal her still alive and another party in the apartment. A photo is slowly brought into focus that reveals a reflection of...Dave. He confesses to how he arrived on the scene to find everything that he'd worked for with Robbie in shambles, and took it out on Luanne. In the struggle that ensued, she fell against the bathtub. Dave insists that he would have confessed before letting Robbie take the fall.

In the coda, Pete and Linc drive out in their borrowed wagon (the woodie having needed work) to console Julie on the pier. The Mods walk off the dry end of the pier, away from the lapping drink.

_______

The Mod Squad
"Find Tara Chapman!"
Originally aired November 19, 1968
Wiki said:
The Squad tries desperately to track down a dying girl on the run who may unwittingly spark a meningitis epidemic. The girl is also wanted by a mafioso, as she witnessed a mob killing in New York City before having fled to Southern California.

Tara (Yvonne Craig in a long blonde wig) and Suzie (Jana Taylor) pull into a gas station, the latter clearly suffering from something. They end up in the hospital, where Tara clearly doesn't want to give contact information. The staff tries to hold her for a spinal tap and she runs. Greer has the Mods given shots to send them after her, and finds out that the NYPD has an APB out on Tara because somebody's trying to kill her.

Because Tara's a folk singer, Pete and Linc go to see an agent, Mr. Frank (Sid Melton); while Julie gets all hippie'd up and hits a local folk bar with artwork of Donovan on the window. Meanwhile, Tara cuts and dies her hair to look more like Yvonne Craig does when she's not wearing a long blonde wig. Pete and Linc next hit a club owned by soul singer Paula (Della Reese), where Tara had worked about a year before. She points them to a Western bar run by Burt Koverly (Gene Nelson). Like Paula, he thinks that Tara's in New York. He points them to Tara's father, a movie producer...then makes a call to a man named Lou in New York who's looking for Tara. Pete talks to Mr. Chapman (Phillip Terry) on the set of a Western film. He's upset to be asked about Tara, saying that she died two years earlier in an auto accident. Mr. Chapman identifies a sketch of "Tara" as Lila Mason, Tara's roommate, who asked him about using Tara Chapman as a stage name; and tells the Mods of a high school boyfriend named Ken Lacey.

Lila in disguise (with glasses) goes to Paula asking for a place to stay; she tells them that people are looking for her, and Lila/Tara assumes they're the mob and flees. Paula proceeds to call the Public Health Service. The Mods are informed of Tara's new Barbara Gordon look as an informant listens nearby. Meanwhile, Lou Anthony (Peter Leeds) has flown out from New York, wanting to silence Tara before she can make a deathbed confession.

Tara goes to see Ken (Mills Watson) at the lumber yard that he now runs. By this point she's obviously very sick. She tells him that she's looking for her real father, a seaman whom she's never known, to help her get out of the country; that she witnessed a hit in New York; and mistakenly tips him off that Pete and Linc are working for the mobsters. Their ears burning, the duo show up asking about her, and he evades their questions...then, as they're talking in a car that they borrowed from Greer, drops a load of lumber on it as they narrowly happen to exit it again. A lumber yard brawl ensues, including dramatic dives into a bin of sawdust, during which Lila escapes, and is tailed by the stoolie. Pete and Linc sternly turn Ken on to the fact they're the good guys, that Lila's in danger...and now, so is he--PSA time!

Mod04.jpg
"We're not killers, man, but spinal meningitis is!"

At Lila's motel room, the Mods learn that Lila's been asking about a freighter coming in; and Lila has gotten a ride to a pier, where she meets a sailor named Karl (John Van Dreelen), who says that he's a friend of her father's. As he's trying to convince her that she needs medical help, the Mods arrive and explain the situation. They're carrying out a now-unconscious Lila when Lou shows up firing shots. Karl uses his home deck advantage to hold off Lou while the Mods get Lila into a launch, and gets winged. Lou commandeers a motorboat by pushing someone in the drink and pursues them while Karl calls Harbor Patrol, who end up plugging Lou when he won't heave to...though he doesn't even fall out of his boat.

In the coda, Lila's been taken to a hospital, and the Mods deduce that Karl's been the one writing the letters to Lila, supposedly on behalf of her father...though they seem to be implying that he's actually her father and not admitting to it. The Mods do their walk-off on the pier while telling Greer what happened to his car.

_______

I'm surprised Malloy didn't turn in his badge. :rommie:
Or have a crossover!

Thursday, March 11: It was fair in Los Angeles. We were working the day watch out of Internal Affairs Division. The boss is Captain Frankle. My partner's Bill Gannon. My name is Friday.

This kid doesn't know how to call the cops?
And be a dirty snitch!?!

As is this, but at least the baby is okay.
Nothing that a lifetime of therapy can't handle...or maybe adoption by a family who forms a band...

Happy Birthday, Pete. :rommie:
They actually closed on the note of Reed telling Malloy that now he knew what to get him for his birthday.

Alice already had a date with Sam? Or he stopped by unexpectedly?
The latter.

Wow, serious drama for the Bradys.
But a missed opportunity for...

Friday, March 12: It was cloudy in Los Angeles. We were working the day watch out of Bunco Forgery Division. The boss is Captain Brown. My partner's Bill Gannon. My name's Friday.

One birth? What hospital was this? :rommie:
One male birth.

Great record keeping there. Not to mention respect of privacy. :rommie:
Danny did have to wheel and deal a bit with the orderly.

But it's too late, as the slimy detritus that has accumulated at the bottom of the garbage disposal begins to move with a life of its own, sending dripping, rancid tentacles up through the drain.
Good one.

This one seemed short on story and long on preaching.
And this week's final episode will be short on anticipated wedding, long on clips...

The Origin of Felix Unger!
Except that it really wasn't, because they just established that he was always like that, in spite of the influence of his elders.

Why does Gloria continue to date an ex that she inevitably ends up assaulting? I think she's as messed up as Felix is.
Again, Felix was always like that, and she married him anyway.

It takes more than a wig to be Rick. :mallory:
I have to wonder why Dawson did Scouse when his own accent was more Mick.

Wow, I didn't know that. I only watched the show sporadically.
"Operation Spoilsport" was my first exposure to (a rerecording of) "Eve of Destruction," which plays a prominent role in the plot and is mentioned by name onscreen...but is replaced by something else in syndication.

I'm unclear whether the episode "Desperado" actually originally used a recording of the Eagles song that it's clearly evoking.

I recall (probably a cover of) "Rocket Man" coming up in an early episode in original broadcast; never caught it in the background on H&I, so it must've been replaced.
 
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Robbie heads to a pier and rides himself into the drink!
Pier One, Robbie Zero.

Elsewhere, Dave opens up to Julie some more, about his feelings for her, lamenting that they're separated by the Generation Gap.
He's about eighteen years older than her. What's that rule? Divide by 2... add 5... square root of.... logarithm.... I forget.

but pictures from after he passed out reveal her still alive and another party in the apartment.
Lotta pictures from after the photographer passed out. Were the partygoers just playing around with his camera?

He confesses to how he arrived on the scene to find everything that he'd worked for with Robbie in shambles, and took it out on Luanne.
Sad, but touching, reveal. He really cared about what happened to the kid. But now the kid has to deal with the fact that his probation officer killed his girlfriend. That's gonna mess him up.

Dave insists that he would have confessed before letting Robbie take the fall.
So what was he trying to accomplish? If they find the film, he gets caught, and if they don't, Robbie takes the fall-- was he hoping to frame Kincaid or something?

In the coda, Pete and Linc drive out in their borrowed wagon (the woodie having needed work) to console Julie on the pier.
Julie don't care about no generation gap when it's Robert Lansing. :rommie:

She tells him that she's looking for her real father, a seaman whom she's never known, to help her get out of the country
Yeah, that ought to go over real well. :rommie:

"We're not killers, man, but spinal meningitis is!"
It's all a plot by the secret world government to plant microchips in us, man.

Lou commandeers a motorboat by pushing someone in the drink
There's more drink in Mod Squad than there is in Hawaii Five-0. :rommie:

The Mods do their walk-off on the pier while telling Greer what happened to his car.
That's the last time he lets the kids borrow the car. :rommie:

Or have a crossover!
"Offer Pete Malloy was remanded to the custody of the DMV and required to pass a written exam and a road test before being returned to duty."

And be a dirty snitch!?!
He'd be mostly snitching on grups.

But a missed opportunity for...
So many potential cool crossovers in the Classic TV-verse.

One male birth.
Even so, that's at the far end of the probability spectrum. :rommie:

Good one.
Thanks. :rommie:

And this week's final episode will be short on anticipated wedding, long on clips...
Final episode of the series, or just the season?

Except that it really wasn't, because they just established that he was always like that, in spite of the influence of his elders.
And didn't they also contradict how long the guys have known each other?

Again, Felix was always like that, and she married him anyway.
True. And remarried him, eventually.

"Operation Spoilsport" was my first exposure to (a rerecording of) "Eve of Destruction," which plays a prominent role in the plot and is mentioned by name onscreen...but is replaced by something else in syndication.

I'm unclear whether the episode "Desperado" actually originally used a recording of the Eagles song that it's clearly evoking.

I recall (probably a cover of) "Rocket Man" coming up in an early episode in original broadcast; never caught it in the background on H&I, so it must've been replaced.
Actually, one of the episodes I did see involved a Rock concert-- there was some threat, like a bomb or something. At the end, William Katt says to Robert Culp, "You saved the concert! And you don't even like Rock'n'Roll." Robert Culp replies, "I don't even like music." Robert Culp was the best part of that show. :rommie:
 
Lotta pictures from after the photographer passed out. Were the partygoers just playing around with his camera?
They were from a static position. I assume that he had the Peter Parker setting on or something, but wasn't clear on that.

So what was he trying to accomplish? If they find the film, he gets caught, and if they don't, Robbie takes the fall-- was he hoping to frame Kincaid or something?
I'm not sure, but I don't think that he knew the film would implicate him...and it barely managed to.

There's more drink in Mod Squad than there is in Hawaii Five-0. :rommie:
The Mods don't tend to engage in gunplay, so they get in their action where they can.

Final episode of the series, or just the season?
Series, man...show's ending. 1966-1971. But I still have to go back and cover the February episodes.

And didn't they also contradict how long the guys have known each other?
Previously, but I don't think that came up in this episode.

True. And remarried him, eventually.
Spoilers, dude!

Actually, one of the episodes I did see involved a Rock concert-- there was some threat, like a bomb or something. At the end, William Katt says to Robert Culp, "You saved the concert! And you don't even like Rock'n'Roll." Robert Culp replies, "I don't even like music." Robert Culp was the best part of that show. :rommie:
In Bill's defense, he was having to endure the attempt to promote the student characters as a band, assuming that's the episode. As I recall, they even had the audacity to use freakin' Woodstock footage to depict the audience!

I haven't watched the show in detail, but have seen the same episodes come up many times in the background on H&I when I was routinely putting it on weekend mornings. One interesting dynamic that I caught, in the first season at least, was a sort of Big Chill-era All in the Family dynamic, with Ralph and Pam as now-professional but still liberal and idealistic ex-hippies, and Bill as the cynical conservative. That would have been completely lost on me when I was originally catching the show first run.
 
They were from a static position. I assume that he had the Peter Parker setting on or something, but wasn't clear on that.
Seems a little convenient.

I'm not sure, but I don't think that he knew the film would implicate him...and it barely managed to.
Oh, right, blurry face.

Series, man...show's ending. 1966-1971. But I still have to go back and cover the February episodes.
Oh, bummer. I'll have to find something else to turn into little horror movies. :rommie:

Spoilers, dude!
Oops. :alienblush:

One interesting dynamic that I caught, in the first season at least, was a sort of Big Chill-era All in the Family dynamic, with Ralph and Pam as now-professional but still liberal and idealistic ex-hippies, and Bill as the cynical conservative. That would have been completely lost on me when I was originally catching the show first run.
Yeah, that's interesting. I don't remember that at all, but I barely watched it. I didn't care for the actors playing the hero and his girlfriend very much.
 
55 Years Ago This Week

Wiki said:
March 20 – Football's Jules Rimet Trophy is stolen while on exhibition in London; it is found seven days later by a mongrel dog named "Pickles" and his owner David Corbett, wrapped in newspaper in a south London garden.
March 21
  • NASA announced the crew for the first manned Apollo launch, AS-204, commonly referred to as Apollo 1. Selected for the ill-fated AS-204 mission were Gus Grissom, Ed White and Roger Chaffee. Senior pilot White was replacing Donn F. Eisele, who had suffered a shoulder injury.
  • In Lower Manhattan, the Ajax Wrecking and Lumber Corporation began the long-awaited demolition of the first of 26 buildings on "Radio Row" (so named for the many electronics stores on Cortlandt Street and nearby warehouses) in order to make way for construction of the planned Twin Towers of the World Trade Center.
  • In one of the more well-known unidentified flying object incidents of the 1960s, 87 students at a women's dormitory at Hillsdale College in Hillsdale, Michigan, along with the county Civil Defense director William E. Van Horn, observed a bright glowing object in the sky that momentarily touched down at a nearby field before departing again. Van Horn determined that the area had significantly higher radiation levels than the surrounding terrain and was contaminated with the element boron.
  • The final original episode of the popular TV medical drama Ben Casey was broadcast on ABC.
March 22
  • The first schedule of the Apollo Applications Program was released by NASA, announcing plans for 45 different launches of Saturn rockets, in addition to the ten manned lunar landings ranging from Apollo 11 to Apollo 20.
  • In Washington, D.C., General Motors President James M. Roche appears before a Senate subcommittee, and apologizes to consumer advocate Ralph Nader for the company's intimidation and harassment campaign against him.
March 23 – For the first time in 400 years, the spiritual leaders of the Roman Catholic Church and the Church of England met, as Pope Paul VI received the Archbishop of Canterbury, Michael Ramsey, in Rome. The following day, they issued "The Common Declaration", pledging to inaugurate between their followers "a serious dialogue which, founded on the Gospels and on the ancient common traditions, may lead to that unity in truth, for which Christ prayed"....It marked the first discussion concerning unity between the Catholic and Anglican churches since the English Reformation had been completed in 1534, although Ramsey's predecessor, Geoffrey Fisher, had met privately with Pope John XXIII on December 2, 1960.
March 26
  • Protesters in dozens of American cities demonstrated against the Vietnam War. In New York 20,000 marched down New York City's Fifth Avenue after a rally in Central Park, while a crowd of 2,000 paraded down State Street in Chicago. In Boston, about 2,000 protested peacefully until someone in the crowd began throwing eggs at the police and, as MIT Professor Noam Chomsky would later recall, "they cleared everybody away in about three seconds". Marches also took place in Washington, San Francisco, Denver, Atlanta, Oklahoma City, and Hartford.
  • After 14 seasons, the ABC television series The Adventures of Ozzie and Harriet, the network's third-oldest prime time show, telecast its last original episode....Starring the family of bandleader Ozzie Nelson, his wife, and their sons David and Ricky, portraying themselves, the TV series had started as a radio show on October 8, 1944.



Selections from Billboard's Hot 100 for the week, with a Bubbling Under bonus:
2. "19th Nervous Breakdown," The Rolling Stones
3. "Nowhere Man," The Beatles
4. "These Boots Are Made for Walkin'," Nancy Sinatra
5. "Homeward Bound," Simon & Garfunkel
6. "Daydream," The Lovin' Spoonful
7. "California Dreamin'," The Mamas & The Papas
8. "(You're My) Soul and Inspiration," The Righteous Brothers
9. "Elusive Butterfly," Bob Lind
10. "Listen People," Herman's Hermits
11. "Love Makes the World Go Round," Deon Jackson
12. "I'm So Lonesome I Could Cry," B. J. Thomas & The Triumphs
13. "634-5789 (Soulsville U.S.A.)," Wilson Pickett
14. "Sure Gonna Miss Her," Gary Lewis & The Playboys
15. "Woman," Peter & Gordon
16. "Baby Scratch My Back," Slim Harpo
17. "Bang Bang (My Baby Shot Me Down)," Cher
18. "Shake Me, Wake Me (When It's Over)," Four Tops
19. "I Fought the Law," Bobby Fuller Four
20. "You Baby," The Turtles
21. "Time Won't Let Me," The Outsiders
22. "Secret Agent Man," Johnny Rivers

24. "My Baby Loves Me," Martha & The Vandellas
25. "This Old Heart of Mine (Is Weak for You)," The Isley Brothers
26. "Magic Town," The Vogues
27. "Little Latin Lupe Lu," Mitch Ryder & The Detroit Wheels
28. "The Cheater," Bob Kuban & The In-Men
29. "One More Heartache," Marvin Gaye
30. "Walkin' My Cat Named Dog," Norma Tanega

32. "Get Ready," The Temptations
33. "Lightnin' Strikes," Lou Christie

35. "Batman Theme," The Marketts

38. "Batman Theme," Neal Hefti
39. "Kicks," Paul Revere & The Raiders
40. "Good Lovin'," The Young Rascals
41. "Inside, Looking Out," The Animals
42. "Working My Way Back to You," The Four Seasons
43. "Satisfaction," Otis Redding

49. "My World Is Empty Without You," The Supremes

52. "Shapes of Things," The Yardbirds
53. "What Now My Love," Herb Alpert & The Tijuana Brass

55. "Spanish Flea," Herb Alpert & The Tijuana Brass

59. "Somewhere," Len Barry
60. "Frankie and Johnny," Elvis Presley

70. "A Sign of the Times," Petula Clark

75. "Gloria," The Shadows of Knight

80. "Caroline, No," Brian Wilson

83. "Rhapsody in the Rain," Lou Christie

86. "Together Again," Ray Charles

94. "I'll Take Good Care of You," Garnet Mimms

119. "One of Us Must Know (Sooner or Later)," Bob Dylan


Leaving the chart:
  • "At the Scene," The Dave Clark Five (7 weeks)
  • "Crying Time," Ray Charles (15 weeks)
  • "Don't Mess with Bill," The Marvelettes (12 weeks)
  • "My Love," Petula Clark (13 weeks)
  • "Uptight (Everything's Alright)," Stevie Wonder (14 weeks)
  • "What Goes On," The Beatles (2 weeks)
  • "What Now My Love," Sonny & Cher (8 weeks)

Bubbling Under:

"One of Us Must Know (Sooner or Later)," Bob Dylan
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(#119 US; #33 UK)

New on the chart:

"Caroline, No," Brian Wilson
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(#32 US; #211 on Rolling Stone's 500 Greatest Songs of All Time)

"Together Again," Ray Charles
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(#19 US; #1 AC; #10 R&B; #48 UK)

"Rhapsody in the Rain," Lou Christie
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(#16 US; #37 UK)

"A Sign of the Times," Petula Clark
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(#11 US; #2 AC)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 27
  • Branded, "The Ghost of Murietta"
  • 12 O'Clock High, "Cross Hairs on Death"
  • Batman, "The Penguin Goes Straight"
  • Batman, "Not Yet, He Ain't"
  • Gilligan's Island, "Ghost a Go-Go"
  • The Wild Wild West, "The Night of the Druid's Blood"
  • Hogan's Heroes, "The Safecracker Suite"

_______

Seems a little convenient.
Which is why Dave wasn't expecting it.

Oh, right, blurry face.
Seen in a reflection through a doorway.

Bottom line, I don't think Dave knew he was on Spidey-Cam.
 
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"One of Us Must Know (Sooner or Later)," Bob Dylan
It's like a little novel.

"Caroline, No," Brian Wilson
This is really good and I'm surprised it charted at all.

"Together Again," Ray Charles
Sweet.

"Rhapsody in the Rain," Lou Christie
Not exactly "Bohemian Rhapsody," but it's evocative of "Lightning Strikes."

"A Sign of the Times," Petula Clark
She really seems to only have one song in her, but luckily it's a good song. :rommie:

Bottom line, I don't think Dave knew he was on Spidey-Cam.
That makes sense.
 
50 Years Ago This Week

Wiki said:
March 23 – General Alejandro Lanusse of Argentina takes power in a military coup.
March 25 – The Pakistani army starts Operation Searchlight in East Pakistan (now Bangladesh) from midnight, after President Agha Muhammad Yahya Khan, a military ruler, voids election results that gave the Awami League an overwhelming majority in the parliament.
March 26
  • East Pakistan’s (now Bangladesh) independence is declared by Ziaur Rahman on behalf of Sheikh Mujibur Rahman and transmitted using East Pakistan Rifles (now Border Guards Bangladesh) radio.
  • Nihat Erim (a former CHP member) forms the new government of Turkey (33rd government, composed mostly of technocrats).
March 27 – East Pakistan (now Bangladesh) independence is repeatedly declared by Army Major (later President of Bangladesh) Ziaur Rahman on behalf of Sheikh Mujibur Rahman from Kalurghat Radio Station, Chittagong.



Selections from Billboard's Hot 100 for the week:
1. "Me and Bobby McGee," Janis Joplin
2. "Just My Imagination (Running Away with Me)," The Temptations
3. "She's a Lady," Tom Jones
4. "Proud Mary," Ike & Tina Turner
5. "For All We Know," Carpenters
6. "Doesn't Somebody Want to Be Wanted," The Partridge Family
7. "What's Going On," Marvin Gaye
8. "Help Me Make It Through the Night," Sammi Smith
9. "One Bad Apple," The Osmonds
10. "What Is Life," George Harrison
11. "(Where Do I Begin?) Love Story," Andy Williams
12. "Amos Moses," Jerry Reed
13. "If You Could Read My Mind," Gordon Lightfoot
14. "Another Day" / "Oh Woman, Oh Why", Paul McCartney
15. "Oye Como Va," Santana
16. "Temptation Eyes," The Grass Roots
17. "Have You Ever Seen the Rain?" / "Hey Tonight", Creedence Clearwater Revival
18. "Mama's Pearl," Jackson 5
19. "Wild World," Cat Stevens
20. "Cried Like a Baby," Bobby Sherman
21. "You're All I Need to Get By," Aretha Franklin
22. "One Toke Over the Line," Brewer & Shipley
23. "Free," Chicago
24. "No Love at All," B.J. Thomas
25. "Blue Money," Van Morrison
26. "Mr. Bojangles," Nitty Gritty Dirt Band
27. "Theme from Love Story," Henry Mancini, His Orchestra and Chorus
28. "Love's Lines, Angles and Rhymes," The 5th Dimension
29. "Sweet Mary," Wadsworth Mansion
30. "Soul Power (Pt. 1)," James Brown
31. "Heavy Makes You Happy (Sha-Na-Boom Boom)," The Staple Singers
32. "Eighteen," Alice Cooper
33. "Don't Let the Green Grass Fool You," Wilson Pickett
34. "Joy to the World," Three Dog Night
35. "We Can Work It Out," Stevie Wonder

37. "Put Your Hand in the Hand," Ocean
38. "Stay Awhile," The Bells

41. "Country Road," James Taylor

45. "I Am...I Said" / "Done Too Soon", Neil Diamond

56. "Chick-A-Boom (Don't Ya Jes' Love It)," Daddy Dewdrop

60. "I Don't Blame You at All," Smokey Robinson & The Miracles

64. "Timothy," The Buoys

68. "Lucky Man," Emerson, Lake & Palmer

72. "If," Bread

75. "I Don't Know How to Love Him," Helen Reddy

88. "Sweet and Innocent," Donny Osmond of The Osmonds

94. "Here Comes the Sun," Richie Havens

98. "Layla," Derek & The Dominos


Leaving the chart:
  • "Amazing Grace," Judy Collins (15 weeks)
  • "Jody's Got Your Girl and Gone," Johnnie Taylor (10 weeks)
  • "Knock Three Times," Dawn (18 weeks)
  • "Rose Garden," Lynn Anderson (17 weeks)
  • "Superstar," Murray Head w/ The Trinidad Singers (19 weeks total; 12 weeks this run)
  • "Watching Scotty Grow," Bobby Goldsboro (13 weeks)

New on the chart:

"Layla," Derek & The Dominos
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(#51 US; #7 UK; #27 on Rolling Stone's 500 Greatest Songs of All Time)

"Sweet and Innocent," Donny Osmond of The Osmonds
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(#7 US)

"If," Bread
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(#4 US; #1 AC)

"I Am...I Said," Neil Diamond
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(#4 US; #2 AC; #4 UK)


And new on the boob tube:
  • Hogan's Heroes, "Look at the Pretty Snowflakes"
  • The Ed Sullivan Show, Season 23, episode 24
  • All in the Family, "Gloria Discovers Women's Lib"
  • The Odd Couple, "Trapped" (season finale)

_______

It's like a little novel.
This song in particular, heard in isolation, doesn't make as much of an impression on me as the upcoming album in its entirety. He maybe coulda opened up with something a little stronger.

This is really good and I'm surprised it charted at all.
Advance singles from Blonde on Blonde and Pet Sounds coming up in the same week! This one has the novelty of having been released as a Brian Wilson solo single, though it would be appearing on a Beach Boys album; and having been released only a couple of weeks before an advance single from the album credited to the band...which, as I recall, is somebody's favorite Beach Boys song...

I'm afraid that Ray Charles from this era doesn't really grab me. It's alright.

Not exactly "Bohemian Rhapsody," but it's evocative of "Lightning Strikes."
Geez...I never even realized the cheesy weather theme connection... :ack:

She really seems to only have one song in her, but luckily it's a good song. :rommie:
I'd give Petula a little more credit for song diversity than that.
 
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"Layla," Derek & The Dominos
Mondo Classico.

"Sweet and Innocent," Donny Osmond of The Osmonds
WTF?

"If," Bread
Beautiful poetry. I love Bread.

"I Am...I Said," Neil Diamond
Some nice early Neil Diamond.

This song in particular, heard in isolation, doesn't make as much of an impression on me as the upcoming album in its entirety. He maybe coulda opened up with something a little stronger.
That's probably true. It's very low key compared to some of his others.

This one has the novelty of having been released as a Brian Wilson solo single
I noticed that it said Brian Wilson.

and having been released only a couple of weeks before an advance single from the album credited to the band...which, as I recall, is somebody's favorite Beach Boys song...
Good memory!

I'd give Petula a little more credit for song diversity than that.
They all seem to have that same lilt to them. :rommie:
 
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