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The Classic/Retro Pop Culture Thread

By its nature, a movie does not have that time, and since by 1970, millions were familiar with pop-culture icon Barnabas he vampire, there would no need to try to pace the story in the way the TV series did, when it was all new.
The issue for me is that it effectively became a completely different story, and lost the novel approach that I enjoyed about the show in the first place.

How so? Throughout the film, Willie constantly protests Barnabas' interest in Maggie, and his eventual turn on Barnabas was foreshadowed early in the film when Carolyn visits the Old House, and while speaking to Willie, he is seen gathering a hammer and sharp metal tool.
If he was planning to kill Barnabas all along, then why jump in the path of the bolt for him? If I had to rationalize, I'd say that his imminent death broke whatever supernatural hold Barnabas had over him.

One of the best from Black Sabbath.
Just looking at the title, I always get this one mixed up with "Destroyer" by the Kinks, so when I put it on, I'm a little surprised that it's a different song. Now, with immersive retro listening for the chart life of the album, the song will have a chance to properly burn into my brain.

This is great.
The 1966 original by Ike & Tina Turner, while it didn't make the Top 40 of the Hot 100, is #33 on Rolling Stone's 500 Greatest Songs.
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According to the song's Wiki page, Phil Spector considered this recording to be his best work.

This is also great.
Gladys & The Pips' first Top 10er since "I Heard It Through the Grapevine" in '67.

This is a lovely song. Probably his best.
Insert album spotlight plug here.

This is a good one.
Afraid I'll have to break ranks with you here...not in my wheelhouse or my collection.

This is also very good. We're having a good week here. :rommie:
The kickoff of a noteworthy season that will give us the first major post-breakup albums by both George and John...and arguably the finest solo works by each of them. "My Sweet Lord" is a strong song in its own right, but will become the subject of a lawsuit in which George is found guilty of having unconsciously plagiarized "He's So Fine" by the Chiffons. Hey look, Jonathan King is earning his keep after all...
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Also of interest...
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This is nice. I don't know if I've ever heard it before.
I was a little surprised when I looked it up to find that the full-length album version was used on the single.

I can dig it.
I was planning to make a dismissive crack about "Five O'Clock World"'s use in the opening credits of The Drew Carey Show, which I didn't watch but had occasion to see in the day; but in that way that things you weren't into can take on an air of nostalgia, when I actually watched the credits sequence, I appreciated how much fun the cast seemed to be having performing to the song. This was back when it was still cool to enjoy stuff from the '60s.
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My original exposure to the song, IIRC, was the 5:00 Friday ritual of the DJ of the Top 40 station I was listening to in my early teens...I think he used to play this, "Friday on My Mind," "Working for the Weekend," and "Take This Job and Shove It".
 
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Just looking at the title, I always get this one mixed up with "Destroyer" by the Kinks
Oh, yeah. That's a good one, too.

The 1966 original by Ike & Tina Turner, while it didn't make the Top 40 of the Hot 100, is #33 on Rolling Stone's 500 Greatest Songs.
That's also very good.

Afraid I'll have to break ranks with you here...not in my wheelhouse or my collection.
It's a nostalgic one for me, because it reminds me of my Grandmother. I think she had the album or something. I do think it's a good song, though.

"My Sweet Lord" is a strong song in its own right, but will become the subject of a lawsuit in which George is found guilty of having unconsciously plagiarized "He's So Fine" by the Chiffons. Hey look, Jonathan King is earning his keep after all...
Even after listening to that, I don't see it. :rommie:

My original exposure to the song, IIRC, was the 5:00 Friday ritual of the DJ of the Top 40 station I was listening to in my early teens...I think he used to play this, "Friday on My Mind," "Working for the Weekend," and "Take This Job and Shove It".
WBCN used "Friday On My Mind" and "Working For The Weekend."
 
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50th Anniversary Viewing (Part 1)

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Hogan's Heroes
"The Big Record"
Originally aired November 15, 1970
Wiki said:
The team is forced to get creative when heightened security won’t let them anywhere near a top secret meeting going on in the rec hall.

Klink gathers the prisoners in the rec hall to record messages to their families, but has to suddenly clear the room when the SS show up. Back in the barracks with the recording machine, the prisoners trick some info from Schultz, learning that a Colonel Schneider (John Myhers) is coming to the stalag. Pretending to be writing for a camp newspaper, Hogan and Newkirk drop Schneider's name, letting on like they know more about him than they do from having read about it in another newspaper in order to goad the purpose of his visit from Klink. Then they use laundry as cover to string a listening wire to the rec hall, but the SS returns it. After hearing Schultz singing in the shower, they con him about wanting to make a recording and determine that they need to get inside the rec hall for a few minutes for the acoustics.

He helps them get in under cover of cleaning the place, and they plant the recorder there under a table and pretend to record Schultz using its empty box. Klink overhears the singing and comes in to find out what's going on. When they tell him, he insists that Hogan bring the recorder to his office to record him playing the violin...and they humor him, with the empty box, while the actual recorder captures all the details of a Luftwaffe offensive.

In the coda, Hogan gets Klink on Burkhalter's bad side when he has Klink play "Wild Blue Yonder" in the wake of the offensive having been countered by the US Air Corps.

DIS-MISSED!

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Rowan & Martin's Laugh-In
Season 4, episode 10
Originally aired November 16, 1970
The Wiki list of guest appearances said:
Bob Newhart, Desi Arnaz

This one goes straight into Gary Owens's intro with quick shots of the cast members in character. Dick comes out for the duologue in what's supposed to be a skirt (actually a long closed coat with no pants underneath).

The cocktail party:
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A Suzie Sorority bit.

This week's Quickies:
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Al does an impersonation of Jo Anne Worley singing the news intro:
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The Mod World of the Weird World Around Us (edited differently than in the aired episode):
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Bob does an imaginary phone skit:
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Bob with Wolfgang.

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Hawaii Five-O
"The Last Eden"
Originally aired November 18, 1970
Wiki said:
Five-O searches for the conspirators who frame a nightclub star who is outspoken against pollution.

The episode opens with Jimmy Nuanu (Ray Danton playing Native Hawaiian) fighting with a patron in his club because the guy objected to Jimmy getting in a word about his cause. (We never actually see Jimmy singing.) In the aftermath of the brawl, a man name Colfax (Paul Stevens) schemes with his chief henchman (didn't catch the character's name). That night, Jimmy is drugged and left at the scene of a sewage disposal plant that's blown up by a guy in scuba gear. Jimmy is arrested as a suspect, and it turns out that he already has a history with McGarrett. Demolitions gear was left as evidence in Jimmy's car. Things get tougher on Jimmy when the remains of a night watchman are found in plant. Che Fong finds evidence of another vehicle on the scene, but also determines that the explosive used required professional expertise...and Jimmy was in an Army demolitions unit. Nevertheless, Jimmy gets out on bail. We see Jimmy's longtime friend Eddie (Tom Fujiwara), who owes money to a gambling syndicate, being paid off by Colfax, who explains how he invested a great deal of money in a new process for cleaning up pollution, but hit political obstacles.

As usual, McGarrett suspects a frame because it's all too neat. His team looks into explosives--Chin determines that the explosive used is only available to the military; Danno talks to Capt. Lyons (Bruce Wilson), a charter boat skipper with Royal Navy explosives expertise; and Kono checks out the local military munitions depot, finding one case missing. A Professor Hale (Richard Morrison) advises McGarrett that this incident could cause new pollution legislation to be passed, which would benefit Colfax. McGarrett brings in Lyons, having learned that he was chartered by a Colfax executive. He then goes to talk to Colfax, noting that the businessman now has a monopoly for purposes of getting the government contract for replacing the old plant. Eddie goes to Colfax, panicky that Jimmy, who's decided to go after whoever set him up, is gonna find it out about his role, and Colfax and his crony are obviously planning to off him. A couple of Colfax's boys take Eddie back to his pad to pack and toss him out the window. By this point, McGarrett has sniffed out Eddie's gambling debt; and he and Chin find a button grasped in Eddie's dead hand.

Meanwhile, a truck is found matching the tire treads that Che Fong found by the plant, now parked near Lyons's boat. Danno and Kono go to search the boat, and find a Sgt. Dobbs (Robert Harker) hiding there. They question both about discrepancies in Lyons's logs that indicate he may have been within striking distance of the plant, and Dobbs confesses to being the supplier of the explosives. Jimmy, having swiped a gun from the club bartender's cash register, goes to Colfax's office, TV Fu's the chief henchman, and confronts Colfax but is KO'ed from behind with a pistol butt by henchman #2. Colfax's boys are taking Jimmy to a car to get rid of him when Steve and Danno comes screeching into the garage, and a shootout ensues. The henches are taken down, and a button is found to be missing from the suit sleeve of henchman #1. Colfax slips away but is pursued by Jimmy, who's ready to push Colfax off a landing when Steve intervenes.

The episode ends on the note of Jimmy thanking Steve for saving him, but asking who's going to save everybody else.

I didn't catch the names being used, but according to the credits list, a couple of the characters--likely henchmen--were named Phelps and Briggs (Mitch Mitchell and Wallace Landford).

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it reminds me of my Grandmother
With all due respect to your grandmother...'nuff said.
 
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Pretending to be writing for a camp newspaper
POWs had camp newspapers? I wonder if they had comics.

Then they use laundry as cover to string a listening wire to the rec hall, but the SS returns it.
Without throwing anyone in the cooler? Or shooting them?

In the coda, Hogan gets Klink on Burkhalter's bad side when he has Klink play "Wild Blue Yonder" in the wake of the offensive having been countered by the US Air Corps.
I suspect Burkhalter is an Allied sympathizer. "We must prevent this offensive from being successful. Let's have the meeting at Stalag 13." :rommie:

Bob does an imaginary phone skit:
Bob Newhart is my favorite comedian. I love his old phone bits.

As usual, McGarrett suspects a frame because it's all too neat.
Plus, why would Jimmy drug himself at the location of the bombing?

A couple of Colfax's boys take Eddie back to his pad to pack and toss him out the window.
Ostentatious!

The episode ends on the note of Jimmy thanking Steve for saving him, but asking who's going to save everybody else.
This was a pretty good plot with a timely theme.

I didn't catch the names being used, but according to the credits list, a couple of the characters--likely henchmen--were named Phelps and Briggs
Aha! This proves they're obsessed with Mission: Impossible. :rommie:

With all due respect to your grandmother...'nuff said.
Ooh, you're lucky she's not around to hear that. Nobody trifles with Nana! :rommie:
 
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50th Anniversary Viewing (Part 2)

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Ironside
"The Man on the Inside"
Originally aired November 19, 1970
Wiki said:
An arrested drug pusher frames Ironside to get revenge.

After a tipoff allows the syndicate to avoid a bust, Ironside deduces that one of five people in on the operation is on the take--himself, Lt. Jimmy Burwell (Gerald S. O'Loughlin), Commissioner Randall, District Attorney Carmine De Bello (Simon Scott), or assistant DA in charge of the operation, Mike Sidney (Roger Perry). Following this, everyone starts getting suspicious of one another and having individual meetings with the Chief. Sidney goes to the Chief behind Burwell's back about a contact who may be able to give them information, a drug dealer named Lenny Josephs (Michael Bell). Ed arrests him at a park, and under questioning via the Lasso of Truth at the Hall of Justice, he says that he's heard that Ironside is on the take.

It's back to the park for Ed, who questions one of Lenny's customers, Hikey Komack (Than Wyenn), who claims that he saw Ironside having business meetings with a syndicate bigwig. Following this, the Commissioner and Sidney want Ed to investigate the Chief. Ed finds stocks in a holding company in the Chief's name that the Chief doesn't know about, and goes to the Chief first. While the paper trail is investigated, the Commissioner is forced to suspend Ironside, and the Chief hands his records on the syndicate case over to Burwell. Out in the corridor, we learn that the Chief is up to something, with Mark's aid...

Mark: I'm an accomplice now, I guess.
The Chief: You guessed right.​

Next Ed has to search the office...and the Chief asks him if he has a warrant, then leaves while Ed conducts the search. In the Chief's personal safe, Ed finds land deeds in Ironside's name, complete with what looks like his signature. Still thinking it's all a frame, he anticipates what other evidence might be planted and finds heroin packets in his flour jar. Ed goes straight to the Chief again, who's having a steak dinner with Mark, and the Chief shockingly asks him to suppress the information. In Hawaii they'd be showing a wave now, but we just get a fade-out to the high-volume dating hotline commercial.

Ed takes this as a tacit order to blow the whistle on the Chief...so he does. The Commissioner orders the Chief's arrest, and a tieless Ironside wheels himself into the cell next to Lenny. The Chief makes veiled threats about Lenny's impending fate, putting out the notion that Lenny made a deal with Sidney, who's out to convict Ironside as a way of getting himself elected attorney general. Lenny confesses to working for Sidney and the Chief persuades him to continue to play along.

Burwell subsequently gets a tip about a new shipment and he and Ed head to scene in his car, with Sidney in his own. Sidney makes a call to tip off his syndicate contact and immediately gets pulled over by Burwell, who tells him that they got the call on tape. Back at the Cave, the Chief reveals that he and Mark planted the evidence against him as a way of upsetting the scheme.

In one scene, the Chief, Mark, and Eve play poker using pretzels as chips.

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The Odd Couple
"The Big Brothers"
Originally aired November 19, 1970
Wiki said:
Felix tries to impress a young boy with his knowledge of the arts, but the kid is more interested in Oscar. Clint Howard guest stars.

When Oscar comes home from a hard day at work, Felix announces that tomorrow morning he'll be a father! Felix explains that he's enrolled the two of them in the Big Brothers of America program, which involves taking in a fatherless boy one day a week. Oscar isn't comfortable with it, so Felix volunteers to do most of the work.

The next day, Mrs. Grainger (Janice Carroll) brings over her son, Randy (Clint Howard). Felix opens by offering to let Randy vacuum by himself! Then he shows Randy his stamp collection and exposes him to classical music. Oscar comes home from playing baseball and Randy immediately becomes fixated with him. While Oscar listens to a race, Randy asks him questions about betting on horses. He even thinks that Oscar's room is neat (in the figurative sense)! All of this causes Felix to feel rejected, but Oscar still doesn't want to take responsibility for Randy. Nevertheless, Felix encourages Oscar to spend time with Randy, giving them tickets for the opera, but Oscar takes the lad to a pool hall instead.

Mrs. Grainger isn't pleased when Randy describes everything that he did with Oscar, so Felix wants Oscar to change his behavior to set a better example. Oscar tries to tidy his room; at first you can't tell the difference, but with Felix's guidance, it becomes unrecognizable and passes inspection. But Oscar's now afraid of seeming like a phony to Randy. And it turns out that Mrs. Grainger feels that the pros of Oscar's masculine influence outweigh the cons. So Oscar takes Randy out to play ball...but clearly because Oscar told him to, Randy comes back in as they're leaving and asks about listening to Felix's records after the game.

In the coda, Oscar somehow manages to get his room back in its old condition while Felix is in the kitchen for less than a minute.

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The Brady Bunch
"The Not-So-Ugly Duckling"
Originally aired November 20, 1970
Wiki said:
When her crush on classmate Clark Tyson is unrequited, Jan makes up a new boyfriend named George Glass. Her parents' suspicions are confirmed when the family's efforts to locate him for a surprise birthday party for Jan are unsuccessful. Clark tells Carol Jan doesn't wear groovy clothes, so Carol dresses Jan in a new dress and wows Clark, who barely recognizes her.

The episode opens with Jan having Clark over to help her with homework, though he mostly ignores her, but goes ga-ga over Marcia, Marcia, Marcia! Jan thinks that Marcia was trying to steal him, but when confronted, Marcia doesn't even remember him, and makes an offhand comment about boys not finding Jan attractive that hurts her. Jan goes to Greg for advice about boys...not knowing who she's asking for, he makes her self-conscious of her "crummy face". The adults decide to throw Jan a surprise birthday party to cheer her up, with Alice designating responsibilities for the other kids. Meanwhile, Jan goes to a drug store in a Jackie O.-style disguise to ask about getting rid of her freckles. She goes home and starts putting lemon juice on her face, but then overhears Peter talking about a girl he's attracted to who has freckles, decides that her problem is just her, and cries.

When the parents are trying to give Jan some perspective about her future prospects, she makes up George on the fly...coming up with his last name when she glances at a drinking glass. The boys ask some questions about George that motivate her to step up the charade, faking phone calls from him. The parents decide to invite him to the party, but none of the other kids can find out anything about him. The parents realize that he's not real, and come up with the idea of having Clark over to scope out his feelings about Jan. It turns out he likes her, but doesn't think of her as a girl, dropping the tidbit that she doesn't wear groovy clothes. The parents get her a new dress, which doesn't look that groovy to me, but it does the trick. Jan's very pleased with the party, and when asked, declares that she's given George up.

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The Partridge Family
"Did You Hear the One About Danny Partridge?"
Originally aired November 20, 1970
Wiki said:
After a mishap onstage leaves the audience laughing, Danny takes it upon himself to provide a little comic relief to their show. Unfortunately, he's not as funny as he thinks he is.

Guest Stars: Morey Amsterdam as Ziggy Shnurr, Jackie Coogan as Max Pepper

Songs: "Somebody Wants to Love You", "All of the Things"

Danny's not as funny as he thinks he is? That's not exactly a one-episode situation. The story opens with the group playing "Somebody Wants to Love You" at an upscale-looking, older-audience club gig. Danny suffers some comical mishaps during Shirley's intro of him, gets upset about embarrassing the others, and locks himself in the men's room.

Danny (in front of a coin-operated shower): If I had a dime, I'd drown myself.​

Now that was funny. Reuben talks him out by telling him that the owner found his antics hilarious, getting Shirley to go along with him in deciding to have Danny keep his comedy in the act. Looking for material, Danny goes to Ziggy Shnurr, a professional comedy writer...perhaps in the witness protection program?

At the next gig the family plays "All of the Things":
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Following the song, Shirley introduces the family again, with Danny going last and breaking into a monotonously delivered bad stand-up routine that's taped to the back of his guitar. (This reminds me of how Paul kept the set list from the Beatles' last tour taped to the side of his Hoffner bass when he started using it again decades later.) What gets laughter out of the audience is when Shirley tries to drag Danny offstage.

Danny decides to take time off from rehearsing with the band to practice his routine. Reuben and the kids all agree that Danny has to be told the truth...and Reuben decides that the best way to do it is to have Danny audition with Max Pepper, who owns the hotel where they're going to be playing in Hawaii in a couple of weeks (let's see if that turns out to be an actual continuity point), but has his office in L.A., and owes Reuben a favor. Max hates Danny's routine, which Danny spins as his material being too sophisticated for current audiences. But he later seems to have come down to reality when he plays Shirley a tape of an apology/confession that he's really not funny. Glad we cleared that up.

In the coda, Ziggy tries to convince Danny and Shirley that what Danny needs is a ventriloquist's dummy to deliver the bad jokes for him.

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POWs had camp newspapers? I wonder if they had comics.
That's an episode premise right there...spoofing Klink in the strip.

Without throwing anyone in the cooler? Or shooting them?
I wondered about that. We can only surmise that they must have thought it was just a clothes line, but weren't taking any chances.

Ooh, you're lucky she's not around to hear that. Nobody trifles with Nana! :rommie:
:D
 
he says that he's heard that Ironside is on the take.
What's his motive supposed to be? He seems pretty wealthy.

While the paper trail is investigated, the Commissioner is forced to suspend Ironside
I thought he was an independent operator.

In Hawaii they'd be showing a wave now, but we just get a fade-out to the high-volume dating hotline commercial.
It's a trick to get Ironside in a compromising position.

Back at the Cave, the Chief reveals that he and Mark planted the evidence against him as a way of upsetting the scheme.
I had been about to joke about how the evidence was so clumsy and over the top-- but isn't heroin illegal even if you jokingly plant it as evidence against yourself?

Felix explains that he's enrolled the two of them in the Big Brothers of America program
PSA!

Felix opens by offering to let Randy vacuum by himself!
Aww, that's exactly what I usedd to do for my little Brother.

In the coda, Oscar somehow manages to get his room back in its old condition while Felix is in the kitchen for less than a minute.
And Randy, like a Canadian girlfriend, will never be seen again.

She goes home and starts putting lemon juice on her face, but then overhears Peter talking about a girl he's attracted to who has freckles
Maybe she should remember that Peter isn't really her brother.

It turns out he likes her, but doesn't think of her as a girl, dropping the tidbit that she doesn't wear groovy clothes.
Clark is weirder than Bug Boy.

Danny's not as funny as he thinks he is? That's not exactly a one-episode situation.
I think it's the premise of the show. :rommie:

What gets laughter out of the audience is when Shirley tries to drag Danny offstage.
And the biggest applause of the evening. :rommie:

In the coda, Ziggy tries to convince Danny and Shirley that what Danny needs is a ventriloquist's dummy to deliver the bad jokes for him.
Actually, he could probably be the ventriloquist's dummy.
 
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50th Anniversary Viewing (Part 3)

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That Girl
"That Girl's Daddy"
Originally aired November 20, 1970
Wiki said:
Ann's father is feeling much younger after he is introduced to a younger lady. Ann thinks he's going to leave her mother.

A neighbor lady, Mrs. McCarty (Betty Kean), calls the police (one of the officers being Lew Gallo) on Mr. Marie, who's trying to jimmy his way into Ann's apartment...but That Girl shows up just in time for the title card. He ends up staying with Ann while Mrs. Marie is visiting her allegedly sick mother. Mr. Marie makes dinner for Ann and Donald, and actually cracks a joke to his future son-in-law about having already made his favorite dish. He has a "feeling old" moment when he realizes that he's being hosted by his daughter and her fiance. Ann's acting class friend, Jeanne (Corinne Conley), comes to grab a cab with Ann while Don stays at her place to play poker with Mr. Marie and four friends (wasted opportunity for an Odd Couple crossover), including Charlie (Ralph Williams), who makes comments that further exacerbate Lew's midlife moment. When Ann returns, Jeanne starts getting friendly with Lew, asking him to walk her home.

Ann plays the part of the concerned parent, waiting for her father to come back, which isn't until after Ann goes to bed...and when he does, he has lipstick on his cheek. He raves about Jeanne and tells Ann that he's invited her to a planned dinner out with Ann the next night. Donald tries to talk Ann out of getting involved, but she meets Jeanne for lunch at Nino's to talk with her, during which Jeanne expresses her attraction to Lew. When Ann returns to her apartment, she finds that her father has dyed his hair, which brings her to the edge of tears...but is relieved when he says that he did it to please her mother, motivated by Jeanne helping him not to feel so old. And he's fine when Ann tells him that Jeanne won't be joining them.

"Oh, Donald" count: 3
"Oh, Daddy" count: 11

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Mission: Impossible
"Hunted"
Originally aired November 21, 1970
Wiki said:
While attempting to smuggle the ill leader of a black nationalist movement from the clutches of his country's murderous white settler minority, Barney is wounded by the secret police and forced to seek refuge with a deaf-mute seamstress.

This one goes straight into the tape scene before commencing with more teaser of the mission underway.
The miniature reel-to-reel tape in a camper trailer parked near a beach said:
Good morning, Mister Phelps. For the past ten years, the all-white government of African East Victoria has held Dr. Frederick Koldah prisoner. Now Koldah, black leader of a movement for the establishment of a biracial democracy, a symbol of freedom for all Africa, is seriously ill. Koldah has been transferred to a hospital in the capitol, where, according to our best information, he is receiving little or no treatment, and is under intensive interrogation.

Your mission, Jim, should you choose to accept it, is to go to Africa and rescue Koldah so that he can establish a government-in-exile around which his people can rally. As always, should you or any member of your IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim.

Doug and another agent (an uncredited Dick Dial) infiltrate the hospital and get Koldah out the window via emergency chute to a waiting van below, but the other agent gets shot in the leg and separated from the others. He stumbles into the shop of seamstress Maryana "Gabby" Renfrow (Ta Tanisha) and collapses. While she's dabbing his face with a moist towel, she discovers that he's wearing a mask and peels it off to reveal...Barney! While Barney's in the back room, Gabby's cousin Luddy (talk about your Boomers--Herbert Jefferson Jr.) comes by and expresses an interest in the reward that Chief Inspector Banco (Ivor Barry) has offered for the wounded fugitive. Barney slips out back and Gabby goes after him, bringing him back while he pretends to be a drunk. He has an advantage here in that the police think they're looking for a white guy.

Meanwhile, the IMFers, once they've gotten Koldah into the care of another agent, go back and try to find Barney. Jim and Doug dress as police and even commandeer a vehicle, while Paris throws the search off by posing as the wounded fugitive (sans a face mask), making a point of being seen hobbling around the wrong area of town while keeping a step ahead of the law. He ends up getting in an altercation with a couple of guys at a blacksmith's shop and injuring some ribs. Barney is now being hidden in a secret room in Gabby's place and Barney brushes up on his sign language, learns about her father having been an close friend of Koldah, starts getting sweet on his savior, and speculates that her condition may be psychosomatic, caused by her father's death. Jim drops in to inspect the place in his role as a police officer, and Barney, while attempting to listen through the secret door in the fireplace, apparently doesn't hear enough of Jim's voice to recognize it.

Barney then tries to send Maryana to the IMF's Warehouse Digs of the Week, but the police are actively scouring the area when she gets there, so she doesn't go in. But Dana sees her and Jim recognizes her from Dana's description. Luddy drops by the shop again and finds Barney's blood-stained hospital clothes, so he calls the inspector. The IMF arrives as Maryana's struggling with him over the phone, are reunited with Barney, and take her with them.

Meanwhile, Paris has hobbled through the Not Southern Californian countryside to the IMF's planned helicopter extraction point, Not South Africa's scenic Not Morris Dam, and radios Jim. Jim's car is pursued by the real police while they race to the dam. The rest of the team get on the chopper first, then locate Paris, who's made his way to the top of the dam, and lower a rope ladder for him while under fire. Apparently Not South Africa doesn't have an air force, because at that point it's Mission: Accomplished.

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Adam-12
"Log 105: Elegy for a Pig"
Originally aired November 21, 1970
Wiki said:
This documentary-style episode shows Malloy telling the story of his best friend, Officer Tom Porter (Mark Goddard), who was killed chasing a suspect. Malloy reviews his and Porter's history together, including applying for the LAPD together (and Porter meeting his wife that day), graduating from the Police Academy together, and their history in the LAPD. Jack Webb provided the opening and closing narration.

This episode is quite the moody format-breaker. Jack Webb's opening announcement of the show's title and co-stars used to be used in a promo spot on Me or Cozi. After we see Tom shot during a rainy-night alley pursuit, Malloy arrives on the scene to see his friend's body and takes over the narration for the remainder of the dialogue-free episode. He and Reed go to Porter's home to inform his wife, Marge (Rachel Romen), that she's now a widow. Following her reaction, Malloy flashes back to happier days, when he and Tom applied for their jobs at City Hall, where Marge was working at the application desk. Pete walks us through their academy training, rolling off facts and statistics like it's all one, big Dragnet episode intro. After graduation, we switch scenes to Tom and Marge's wedding. Malloy recalls his first partner, Officer Howard D. Browne, a.k.a. Brownie, but then flashes ahead five years to when he found himself in his mentor's place, on the day that he met Reed. Jim is Pete's partner when Tom kills a man in the line of duty for the first time.

We then get an odd bit of narrated police business with the pursuit of a model in a stolen car, following which we witness a happier visit to the Porter home, with Reed and Malloy bearing fried chicken, and we meet Tom's young son. Switch to another case where Tom, his partner, Reed, and Malloy pursue three escaped mental patients at a cement yard. We're basically getting the show's usual quota of calls, it's just they're all narrated by Malloy and involve Porter and his partner working with Reed and Malloy. Pete recalls Porter being awarded the LAPD's Medal of Valor, and at the ceremonial luncheon we see that Tom and Marge had a daughter as well. Then we come back to the rainy alley in the present, and move forward to Tom's funeral. Malloy and Reed are two of the pallbearers, and fold the flag, which Malloy presents to Marge, who hands it to her son. Malloy ends the episode with a downbeat, very Webbian elegy...
Officer Pete Malloy said:
And if there must be a final postscript to all of this, then let it here be noted: The coffin will soon be buried. He will be be forgotten except by a very few...out of sight, out of mind. And strangely enough, in view of current custom, no one will raise a placard to denounce his senseless murder. No one will raise indignant cries of protest at the shedding of his blood. No one will march in anger because of his death.

Webb repeats the episode title, and then the closing credits play, completely silent against a black backdrop. Goddard and Romen are the only credited guests, though there are lots of other actors in the episode with just as many lines.

_______

The Mary Tyler Moore Show
"Assistant Wanted, Female"
Originally aired November 21, 1970
Wiki said:
Mary reluctantly hires Phyllis to be her assistant in the newsroom.

Mary's so far behind on her work that Lou tells her to hire an assistant. Meanwhile, Phyllis, who was excited to be working again, has quickly lost her fill-in job as a receptionist in Lars's dermatology office, and guilts Mary into taking her on, but immediately goes into overbearing mode, which includes getting a dig in about how she has a master's while Mary left college after two years; and not allowing Mary to refer to her as her assistant. Lou declares that Phyllis is fired as soon as he sees her, but the ladies persuade him to give her a chance.

Phyllis is still outspoken about the menial nature of her tasks. She's a little star-struck by Ted though, which feeds his ego, and goes missing to help him work on his material. Lou catches Mary doing the tasks that Phyllis was meant to relieve her of.

Lou: Rule number one: Don't hire friends! I hired a friend once--know what happened? Worked out great! But that's me, you can't handle it!​

Then Ted storms in, making a series of demands of Lou that Phyllis clearly put him up to, but Lou calls his bluff, starting to call a potential replacement.

Lou: Mary, she is dangerous...she's actually got Baxter convinced he's capable of human thought!​

Lou orders Mary to fire Phyllis. She does so promptly back at the apartment, and Phyllis instantly assumes that it's because Mary was jealous of her attractiveness. In the coda, though, we find Phyllis in the midst of apologizing, having recognized all of her shortcomings...but she also asks Mary for a letter of recommendation.

John Amos makes his first appearance in the recurring role of weatherman Gordy Howard.

_______

What's his motive supposed to be? He seems pretty wealthy.
Smug superiority over the simple-minded fools for whom he toils?

I thought he was an independent operator.
Yeah, I think he's supposed to be a contractor, but I guess they can still relieve him of his position, however they describe it.

I had been about to joke about how the evidence was so clumsy and over the top-- but isn't heroin illegal even if you jokingly plant it as evidence against yourself?
It was "borrowed" police evidence, FWIW.

Maybe she should remember that Peter isn't really her brother.
:devil:
 
50th Anniversary Album Spotlight

Led Zeppelin III
Led Zeppelin
Released October 5, 1970
Chart debut: October 24, 1970
Chart peak: #1 (October 31 through November 21, 1970)
Wiki said:
Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released in October 1970. It showed a progression from straightforward rock towards folk and acoustic music.

While hard rock influences were still present, such as on "Immigrant Song", acoustic-based songs such as "Gallows Pole" and "That's the Way" showed Led Zeppelin were capable of playing different styles successfully. The band wrote most of the material themselves, but as with prior records, included two songs that were re-interpretations of earlier works: "Gallows Pole", based on a traditional English folk song, by way of American singer Fred Gerlach; and "Hats Off to (Roy) Harper", a reworking of a blues song by Bukka White.

This is the only of Led Zep's first six albums that didn't make the original Rolling Stone album list...and I could hear why at first casual listen. It opens with its only familiar track, the stone-cold classic "Immigrant Song" (charted Nov. 21, 1970; #16 US), which "was written about the Viking invasions of England and inspired by a short tour of Iceland in June 1970."
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This is followed by "Friends," which features acoustic guitar and a string section, but still retains a distinctively Led Zep sound. It transitions directly into "Celebration Day," a more characteristic but thoroughly undistinguished rocker.
The range of instruments played by the band was greatly enhanced on this album, with [John Paul] Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, [Jimmy] Page served as producer on the album.


The longest track on the album at 7:25, "Since I've Been Loving You," is an immersive, smoky-atmosphered, slow blues rocker that plays more to the band's strengths:
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The first side closes with "Out on the Tiles," another straight-up rocker, but with catchier hooks than "Celebration Day".

Side two is generally more acoustic-oriented, for reasons elaborated upon below.
Following an exhausting concert tour of North America that spring, lead singer Robert Plant recommended to guitarist and producer Jimmy Page that they should retreat to Bron-Yr-Aur, an 18th-century cottage in Snowdonia, Wales....This remote setting had no running water or electric power, which encouraged a slight change of musical direction for the band towards an emphasis on acoustic arrangements. Page later explained that the tranquillity of Bron-Yr-Aur stood in sharp contrast to the continual touring of 1969, affecting the overall tone of the songwriting and dominance of acoustic guitars.
...
After preparing material for the album there, Page and Plant were joined by drummer John Bonham and bassist/keyboardist John Paul Jones at Headley Grange, a mansion in East Hampshire, to rehearse the songs. The rural atmosphere gave a relaxed feel to the sessions, and the band found it to be a more enjoyable environment in which to develop songs than a studio in the city.

The album was recorded between May and June 1970 at Headley Grange (using the Rolling Stones Mobile Studio) and at Olympic [Studios], with further recording at Island Records' Basing Street Studios in Notting Hill the following month.

The side opens with "Gallows Pole," which starts as an acoustic number but builds in intensity as it progresses. Wiki describes it as "an updated arrangement of a traditional folk song called 'The Maid Freed from the Gallows', inspired by a version recorded by Fred Gerlach."
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One of the more distinctive tracks on the album, "Tangerine," is a folk rock ballad that was written by Page a couple of years earlier when he was still with the Yardbirds:
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"That's the Way" is another strong number, driven by its rich acoustic guitar sound:
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The album's penultimate track, "Bron-Y-Aur Stomp," has a catchy, folk/country-flavored "hoedown" sound.

The album closes with its least enjoyable track to my ear, "Hats Off to (Roy) Harper," which, per Wiki, "was based on the Bukka White blues song 'Shake 'Em On Down' and named as a tribute to their friend and folk singer, Roy Harper....It features Plant's voice fed through a vibrato amplifier."

The album was one of the most anticipated of 1970, and its shipping date was held up by the intricate inner sleeve design based around a volvelle, with numerous images visible through holes in the outer cover. It was an immediate commercial success upon release and topped the UK and US charts. Although critics were typically confused over the change in musical style and gave the album a mixed response, Led Zeppelin III has since been acknowledged as representing an important milestone in the band's history and a turning point in their music.


Overall, while challenged in the department of stone-cold classic album cuts, this is a perfectly good album with some pretty strong tracks that become more memorable after a few listens.
 
He has a "feeling old" moment when he realizes that he's being hosted by his daughter and her fiance.
I just looked him up and he was only 50. He looks a lot older than that. He actually died two years later. :(

Don stays at her place to play poker with Mr. Marie and four friends (wasted opportunity for an Odd Couple crossover)
That would have been kinda cool.

she meets Jeanne for lunch at Nino's to talk with her, during which Jeanne expresses her attraction to Lew.
Probably should have kept her mouth shut. :rommie:

And he's fine when Ann tells him that Jeanne won't be joining them.
Cut from Ann's satisfied smile to a a shot of Jeanne lying in her coffin with a stake through her heart.

While she's dabbing his face with a moist towel, she discovers that he's wearing a mask and peels it off to reveal...Barney!
Groovy. I don't think Barney has ever done a Rollin before.

(talk about your Boomers--Herbert Jefferson Jr.)
:rommie:

Barney is now being hidden in a secret room in Gabby's place
"Do you... do you have a small enclosed space where I can curl up...?"

The IMF arrives as Maryana's struggling with him over the phone, are reunited with Barney, and take her with them.
Sadly, she will move to Canada and never be seen again.

Apparently Not South Africa doesn't have an air force, because at that point it's Mission: Accomplished.
They were right next to the border....

This episode is quite the moody format-breaker.
Indeed. At first, I thought it was going to be a flashback to Pete's old partner and show why he was reluctant to take on Reed.

Malloy ends the episode with a downbeat, very Webbian elegy...
And, sadly, still relevant.

Webb repeats the episode title, and then the closing credits play, completely silent against a black backdrop. Goddard and Romen are the only credited guests, though there are lots of other actors in the episode with just as many lines.
I'd love to see this episode. I've seen Mark Goddard in hardly anything besides Lost In Space.

Lou declares that Phyllis is fired as soon as he sees her
Oh, they've met. :rommie:

Lou: Rule number one: Don't hire friends! I hired a friend once--know what happened? Worked out great! But that's me, you can't handle it!​
Lou cracks me up. :rommie:

In the coda, though, we find Phyllis in the midst of apologizing, having recognized all of her shortcomings...but she also asks Mary for a letter of recommendation.
Which Mary writes, I'm sure.

Smug superiority over the simple-minded fools for whom he toils?
That works. :rommie:

It was "borrowed" police evidence, FWIW.
Kind of stretching it, but okay.

Led Zeppelin
Another classic and renowned band that never impressed me much. Granted, I was prejudiced against them because of "Stairway to Heaven," but even giving them a chance later on there wasn't much I cared for-- only two songs, as far as I can remember at the moment.

the stone-cold classic "Immigrant Song"
...is one of them (and it turns out to be surprisingly short). The other is "Fool in the Rain."
 
55 Years Ago This Week

Wiki said:
November 28 – Vietnam War: In response to U.S. President Lyndon B. Johnson's call for "more flags" in Vietnam, Philippines President-elect Ferdinand Marcos announces he will send troops to help fight in South Vietnam.
November 29 – The Canadian satellite Alouette 2 is launched.

December 1 – The Border Security Force is established in India as a special force to guard the borders.
Mark Lewisohn's The Beatles Day by Day said:
December 3 – First night of the Beatles' 1965 tour – the group's last ever – at the Odeon Cinema, Glasgow. First UK release of the 'Day Tripper'/'We Can Work It Out' single.
Wiki said:
December 3
  • The first British aid flight arrives in Lusaka; Zambia had asked for British help against Rhodesia.
  • Members of the Organization of African Unity decide to sever diplomatic relations with the United Kingdom, unless the British Government ends the rebellion of Rhodesia by mid-December.
  • The Beatles release their sixth album, Rubber Soul.
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  • The first album by The Who, My Generation, is released in the United Kingdom. An edited version is released in the United States under the title The Who Sings My Generation on April 25, 1966.



Selections from Billboard's Hot 100 for the week:
1. "Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds
2. "I Hear a Symphony," The Supremes
3. "1-2-3," Len Berry
4. "Let's Hang On!," The Four Seasons
5. "I Got You (I Feel Good)," James Brown & The Famous Flames
6. "Rescue Me," Fontella Bass
7. "Taste of Honey," Herb Alpert & The Tijuana Brass
8. "Ain't That Peculiar," Marvin Gaye
9. "I Can Never Go Home Anymore," The Shangri-Las
10. "Over and Over," The Dave Clark Five
11. "Get Off of My Cloud," The Rolling Stones
12. "Run Baby Run (Back into My Arms)," The Newbeats

14. "You've Got to Hide Your Love Away," The Silkie

16. "Make It Easy on Yourself," The Walker Brothers

19. "Something About You," Four Tops
20. "Fever," The McCoys
21. "Hang on Sloopy," Ramsey Lewis Trio
22. "I'm a Man," The Yardbirds
23. "A Lover's Concerto," The Toys
24. "Don't Think Twice," The Wonder Who?
25. "My Baby," The Temptations

27. "Puppet on a String," Elvis Presley
28. "My Girl Has Gone," The Miracles
29. "Let Me Be," The Turtles

31. "Sunday and Me," Jay & The Americans
32. "Keep On Dancing," The Gentrys
33. "You're the One," The Vogues
34. "The Sound of Silence," Simon & Garfunkel
35. "Mystic Eyes," Them
36. "It's My Life," The Animals

40. "Everyone's Gone to the Moon," Jonathan King
41. "Ebb Tide," The Righteous Brothers
42. "The Little Girl I Once Knew," The Beach Boys
43. "Everybody Loves a Clown," Gary Lewis & The Playboys
44. "Flowers on the Wall," The Statler Brothers
45. "Yesterday," The Beatles

54. "The Duck," Jackie Lee

56. "You Didn't Have to Be So Nice," The Lovin' Spoonful

67. "Five O'Clock World," The Vogues

75. "A Sweet Woman Like You," Joe Tex

80. "Sandy," Ronny & The Daytonas

84. "A Well Respected Man," The Kinks
85. "Just Like Me," Paul Revere & The Raiders

96. "Lies," The Knickerbockers


Leaving the chart:
  • "But You're Mine," Sonny & Cher (8 weeks)
  • "I Found a Girl," Jan & Dean (7 weeks)
  • "I Knew You When," Billy Joe Royal (11 weeks)
  • "Make Me Your Baby," Barbara Lewis (12 weeks)
  • "Positively 4th Street," Bob Dylan (9 weeks)
  • "Round Every Corner," Petula Clark (8 weeks)
  • "Where Do You Go," Cher (7 weeks)
  • "Where Have All the Flowers Gone," Johnny Rivers (9 weeks)

New on the chart:

"Lies," The Knickerbockers
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(#20 US)

"A Well Respected Man," The Kinks
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(#13 US)

"Just Like Me," Paul Revere & The Raiders
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(#11 US)

"Ebb Tide," The Righteous Brothers
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(#5 US; #13 R&B; #48 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 12
  • Branded, "$10,000 for Durango"
  • 12 O'Clock High, "We're Not Coming Back"
  • Gilligan's Island, "The Chain of Command"
  • The Wild Wild West, "The Night of the Human Trigger"
  • Hogan's Heroes, "The Scientist"
  • Get Smart, "My Nephew the Spy"

_______

I just looked him up and he was only 50. He looks a lot older than that. He actually died two years later. :(
According to IMDb he was 62-63 in 1970. Didn't know about him dying so soon after the show, though.

Cut from Ann's satisfied smile to a a shot of Jeanne lying in her coffin with a stake through her heart.
Evil Ann...hmmm...

"Do you... do you have a small enclosed space where I can curl up...?"
:guffaw:

Sadly, she will move to Canada and never be seen again.
Hell, Barney could marry her for all we see of the characters' personal lives.

I'd love to see this episode. I've seen Mark Goddard in hardly anything besides Lost In Space.
It's 3x8 if you wanna keep an eye open for it on Me...though it looks like they're on Season 6 at the moment. And I didn't realize that's who Mark Goddard was.

Oh, they've met. :rommie:
I wasn't sure offhand if they had or not.

That works. :rommie:
:lol: I knew you'd say that.

Granted, I was prejudiced against them because of "Stairway to Heaven,"
*elbowcough*nextalbum*elbowcough*

Odd point of interest...when I was looking up Me's schedule, I saw a news items that they'll be doing a Saturday morning cartoon block starting in January.
 
"Lies," The Knickerbockers
This is a nice little oldie. I like the band name. It feels like "Rip van Winkle." Also there was a thing called Knickerbocker Beer when I was a kid.

"A Well Respected Man," The Kinks
This is a good one.

"Just Like Me," Paul Revere & The Raiders
Another good one.

"Ebb Tide," The Righteous Brothers
Sounds nice, but not their most memorable.

According to IMDb he was 62-63 in 1970. Didn't know about him dying so soon after the show, though.
Yeah, I don't know where the heck I got 50. Bad early morning math maybe. I was right about his untimely death, though.

Hell, Barney could marry her for all we see of the characters' personal lives.
Yeah, that's true.

And I didn't realize that's who Mark Goddard was.
Not an LIS fan, I take it?

I wasn't sure offhand if they had or not.
Me neither. I was just joking about him firing her on sight. :rommie:

Odd point of interest...when I was looking up Me's schedule, I saw a news items that they'll be doing a Saturday morning cartoon block starting in January.
Yeah, I got an email about that. They're going to have Looney Tunes and Merry Melodies, Tom & Jerry, and Popeye.
 
50 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
November 30 – First UK release of George's triple album All Things Must Pass.
Wiki said:
November 30 – British Caledonian Airways Ltd. (BCal) is formed by the merger of Caledonian Airways and British United Airways.

December 1
  • The Italian Chamber of Deputies accepts the new divorce law.
  • Ethiopia recognizes the People's Republic of China.
  • The Basque ETA kidnaps West German Eugen Beihl in San Sebastián.
  • Luis Echeverría becomes president of Mexico.
December 2 – The United States Environmental Protection Agency is established.
December 3
  • October Crisis: In Montreal, kidnapped British Trade Commissioner James Cross is released by the Front de libération du Québec terrorist group after being held hostage for 60 days. Police negotiate his release and in return the Government of Canada grants 5 terrorists from the FLQ's Chenier Cell their request for safe passage to Cuba.
  • Burgos Trial: In Burgos, Spain, the trial of 16 Basque terrorism suspects begins.
December 4
  • The Spanish government declares a 3-month martial law in the Basque county of Guipuzcoa, over strikes and demonstrations.
  • The U.N. announces that Portuguese navy and army units were responsible for the attempted invasion of Guinea.
December 5
  • The Asian and Australian tour of Pope Paul VI ends.
  • Fluminense wins the Brazil Football Championship.



Selections from Billboard's Hot 100 for the week:
1. "I Think I Love You," The Partridge Family
2. "The Tears of a Clown," Smokey Robinson & The Miracles
3. "Gypsy Woman," Brian Hyland
4. "I'll Be There," Jackson 5
5. "We've Only Just Begun," Carpenters
6. "Fire and Rain," James Taylor
7. "One Less Bell to Answer," The 5th Dimension
8. "No Matter What," Badfinger
9. "Heaven Help Us All," Stevie Wonder
10. "Share the Land," The Guess Who
11. "You Don't Have to Say You Love Me" / "Patch It Up", Elvis Presley
12. "See Me, Feel Me," The Who
13. "My Sweet Lord" / "Isn't It a Pity", George Harrison
14. "5-10-15-20 (25-30 Years of Love)," The Presidents
15. "Montego Bay," Bobby Bloom
16. "Does Anybody Really Know What Time It Is?," Chicago
17. "Black Magic Woman," Santana
18. "Indiana Wants Me," R. Dean Taylor
19. "Engine Number 9," Wilson Pickett
20. "Stoned Love," The Supremes
21. "After Midnight," Eric Clapton
22. "Be My Baby," Andy Kim
23. "Yellow River," Christie
24. "For the Good Times," Ray Price
25. "It Don't Matter to Me," Bread
26. "Let's Work Together," Canned Heat
27. "Domino," Van Morrison
28. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)
29. "Green-Eyed Lady," Sugarloaf
30. "Cry Me a River," Joe Cocker
31. "He Aint Heavy...He's My Brother," Neil Diamond
32. "Super Bad (Pt. 1 & Pt. 2)," James Brown
33. "Knock Three Times," Dawn

35. "Only Love Can Break Your Heart," Neil Young
36. "It's Impossible," Perry Como

39. "One Man Band," Three Dog Night

41. "Pay to the Piper," Chairmen of the Board

43. "Stoney End," Barbra Streisand
44. "Immigrant Song," Led Zeppelin
45. "River Deep - Mountain High," The Supremes & Four Tops
46. "Groove Me," King Floyd

54. "We Gotta Get You a Woman," Runt

59. "If I Were Your Woman," Gladys Knight & The Pips

63. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield

67. "Rose Garden," Lynn Anderson

69. "Mr. Bojangles," Nitty Gritty Dirt Band
70. "Amos Moses," Jerry Reed
71. "Your Song," Elton John

76. "Paranoid," Black Sabbath

81. "Lonely Days," Bee Gees

87. "Beaucoups of Blues," Ringo Starr


Leaving the chart:
  • "All Right Now," Free (16 weeks)
  • "Cracklin' Rosie," Neil Diamond (15 weeks)
  • "Deeper & Deeper," Freda Payne (12 weeks)
  • "Fresh Air," Quicksilver Messenger Service (9 weeks)
  • "Lola," The Kinks (14 weeks)
  • "Stand by Your Man," Candi Staton (14 weeks)
  • "Still Water (Love)," Four Tops (14 weeks)

New on the chart:

"Lonely Days," Bee Gees
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(#3 US; #28 AC; #33 UK)

As we've got some room this week, here are officially available promo clips for the above song and another recent 50th anniversary chart entry, which I didn't use for the main posts because the audio differed:

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And new on the boob tube:
  • Hogan's Heroes, "Operation Tiger"
  • The Ed Sullivan Show, Season 23, episode 11
  • Rowan & Martin's Laugh-In, Season 4, episode 12
  • Hawaii Five-O, "Beautiful Screamer"
  • Ironside, "Backfire"
  • The Odd Couple, "It's All Over Now, Baby Bird"
  • The Brady Bunch, "The Tattle-Tale"
  • The Partridge Family, "This Is My Song"
  • That Girl, "Super Reporter"
  • Love, American Style, "Love and the Intruder / Love and the Lost Dog"
  • Adam-12, "Log 135: Arson"
  • The Mary Tyler Moore Show, "Anchorman Overboard"

_______

55 Years Ago This Week Overflow Special

Also new on the chart for the week ending December 4, 1965:

"A Sweet Woman Like You," Joe Tex
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(#29 US; #1 R&B)

"Sandy," Ronny & The Daytonas
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(#27 US)

_______

This is a nice little oldie. I like the band name. It feels like "Rip van Winkle." Also there was a thing called Knickerbocker Beer when I was a kid.
An enjoyable, poppy, one-hit wonder.

This is a good one.
Indeed! A very distinctive classic.

Another good one.
Now these guys popping up really makes it feel like we're heading into 1966--the year-already-in-progress in which I started this cockamamie immersive retro shit.

Sounds nice, but not their most memorable.
A surprisingly high charter for something you never, ever hear on the radio.

Not an LIS fan, I take it?
Nope, just occasionally have it on in the background.
 
  • The Beatles release their sixth album, Rubber Soul.
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My second favorite Beatles album or disc one my favorite Double Album Revolver Soul
  • The first album by The Who, My Generation, is released in the United Kingdom. An edited version is released in the United States under the title The Who Sings My Generation on April 25, 1966.
My second favorite 60's band.
 
"Lonely Days," Bee Gees
Nice. The Bee Gees are still in their classic period. Hearing it now after a long time, I seem to hear a strong Beatles influence.

"A Sweet Woman Like You," Joe Tex
Not very remarkable.

"Sandy," Ronny & The Daytonas
Ditto.

Nope, just occasionally have it on in the background.
When I was in grade school, I was as into LIS as I was Trek-- both were stripped on Channel 56. Major West was one of the heroes of my youth.
 
55th Anniversary Holiday Album Spotlight

Merry Christmas
The Supremes
Released November 1, 1965
Wiki said:
Merry Christmas is the seventh studio album recorded by Motown girl group The Supremes, and released on Motown Records in November 1965. The LP, produced by Harvey Fuqua, includes recordings of familiar Christmas songs such as "White Christmas", "Santa Claus Is Coming to Town", "My Favorite Things", and "Joy to the World". Two originals, "Children's Christmas Song" and "Twinkle Twinkle Little Me", were issued as the sides of a late 1965 Supremes holiday single.
While this album isn't on Rolling Stone's 25 Greatest Christmas Albums of All Time, it is represented on the 1973 compilation album A Motown Christmas, which ranks at #5 on the list. I've had several tracks originally from this album in my collection for years as they were included in the various volumes of the Ultimate Christmas Album series.

The original album opens with one of those tracks, the Supremes' silky version of the biggest holiday song of all, Irving Berlin's "White Christmas":
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This is followed by a pleasant if uninspired arrangement of another familiar holiday standard, "Silver Bells":
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"Born of Mary," credited as a traditional song, I'm less familiar with. Melodically it sounds similar to "God Rest You Merry, Gentlemen". I think it would be a better showcase of the ladies' vocal chops if the production weren't so murky-sounding. The heavy bass isn't helping.

Next is one of the songs original to this album, "Children's Christmas Song" (written by Harvey Fuqua and Isabelle Freeman), which is notable for a couple of spoken sections of Diana leading a children's choir:
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The children's names aren't made up...the youngsters providing vocals on the song are Diana's younger brother, Chico Ross, and Berry Gordy's three eldest children, Berry IV, Joy, and Terry.

Diana shows off some trilled R's in "The Little Drummer Boy".

The first side closes with an album original that I wasn't previously familiar with, the melancholy "My Christmas Tree," credited to Jimmy Webb. (I had to look some of these up, as the sparse info on the album's Wiki page wasn't clear if only the two single sides mentioned were album originals.)

I find Diana's listing of the reindeer at the beginning of side two to be a bit grating, but "Rudolph the Red-Nosed Reindeer" gets points for its swing arrangement.

"Santa Claus Is Coming to Town" is also musically distinctive, though I'm not sure of what specific sound it's emulating. Maybe just being a little more Motown. The dramatic intro sounds kinda Martha & The Vandellas. "There's gonna be a snowstorm! SNOWSTORM!"

The Supremes' take on Rodgers & Hammerstein's "My Favorite Things" is solid and enjoyable and is currently the only version of this number in my holiday shuffle:
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"Twinkle Twinkle Little Me" is another album original, and one of the songs that had already been in my collection for years. I used to find it kind of corny, but you know how these things eventually go...doubly so when it comes to holiday music.
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"Little Bright Star" is apparently an album original that I wasn't previously familiar with, and it's got a pretty groovy sound.

The album closes with a rapid, Hallelujah-heavy rendition of "Joy to the World".

Overall, this makes for a good, festive listen. It's generally polished and elegant, and while it doesn't take enough chances with the more familiar material (compare and contrast with our next holiday album spotlight, from the same season), it has enough new and less-familiar material to keep it interesting. It will certainly be getting some more plays in the coming month.

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My second favorite Beatles album or disc one my favorite Double Album Revolver Soul
My favorite album period...in its original UK form. Of course, here I'll be covering the American version, which you could consider disc one of two or three, as they moved some of Rubber Soul's best tracks to Yesterday and Today, which also previews a few tracks from the British version of Revolver.

When I was originally buying the British versions of the albums in chronological order, I was finding the earlier ones to be something of an acquired taste. Rubber Soul is the one where it all clicked for me...where my ears perked up and I went, "This is what I got into the Beatles for!"

Nice. The Bee Gees are still in their classic period.
Quite the contrast with where we'll find them at the other end of the same decade. I have to laugh at that video. "I'm so sad and lonely...even though I have all these awards...and this Rolls-Royce..."

Hearing it now after a long time, I seem to hear a strong Beatles influence.
You know what else has a strong Beatles influence? Rubber Soul! :p

Not very remarkable.
This does seem to sound just like his previous one.

Now this one I think has quite a nice sound.
 
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When I was originally buying the British versions of the albums in chronological order, I was finding the earlier ones to be something of an acquired taste. Rubber Soul is the one where it all clicked for me...where my ears perked up and I went, "This is what I got into the Beatles for!"
The American version was the first one I heard, back in college when I was haunting the record shop near campus. I didn't hear the British one until CDs became a thing.
 
If he was planning to kill Barnabas all along, then why jump in the path of the bolt for him?

Willie did not deliberately run in front of Jeff's crossbow bolt; in fact, he knocked Jeff out only moments before, so he did not expect him to be at the top of the chapel staircase. He was running to stop Barnabas from biting Maggie and accidentally ended up in the path of the bolt. And again, earlier in the film, he was gathering a sharp object and hammer as he spoke to Carolyn, so his turning against Barnabas was foreshadowed, but the full surprise occurred at the end when Barnabas--having killed most of his enemies and was set to vampirize Maggie--seemed invincible..until Willie opposed him.
 
I didn't hear the British one until CDs became a thing.
I didn't get into the Beatles until CDs became a thing, though I originally bought the UK versions on vinyl.

Willie did not deliberately run in front of Jeff's crossbow bolt; in fact, he knocked Jeff out only moments before, so he did not expect him to be at the top of the chapel staircase. He was running to stop Barnabas from biting Maggie and accidentally ended up in the path of the bolt.
OK, I'd have to see the scene again to watch for that.
 
Overall, this makes for a good, festive listen. It's generally polished and elegant, and while it doesn't take enough chances with the more familiar material (compare and contrast with our next holiday album spotlight, from the same season), it has enough new and less-familiar material to keep it interesting. It will certainly be getting some more plays in the coming month.
It's strange that we never seem to hear any of these on the radio anymore, not even "Children's Christmas Song," which I think was the most popular (at least it's the one I'm most familiar with).

Quite the contrast with where we'll find them at the other end of the same decade.
That's for sure. Although Bee Gees 2.0 still has some good stuff coming in the next five or six years.

I have to laugh at that video. "I'm so sad and lonely...even though I have all these awards...and this Rolls-Royce..."
I noticed the camera's love for those gold records. :rommie:

You know what else has a strong Beatles influence? Rubber Soul! :p
I'll probably feel really stupid for not getting this.... :rommie:
 
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50th Anniversary Viewing (Part 1)

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Hogan's Heroes
"It's Dynamite"
Originally aired November 22, 1970
Wiki said:
The dynamite the Gestapo is storing in the cooler is making everyone uneasy. To further alarm the POWs, the dynamite trucks leaving camp seem to be mysteriously disappearing.

Hochstetter is notably secretive about what the dynamite is to be used for. Schultz is chosen to drive the first shipment out to its secret destination because he's considered expendable...so he pays up his debts to the prisoners beforehand. The prisoners get what little he knows about the route and plan to hijack the shipment with Resistance help. The truck passes two lookout checkpoints but never passes by Hogan's group, leaving them to question where it went. Resistance contact Berger (Michael Fox) locates the destination and arranges a rendezvous with Hogan's team. He shows them that some of it was buried in the woods near a bridge, and tells them that more was buried near a power plant; Hogan determines that it's meant to blow up the installations in the event of an Allied invasion. The scheme to counter this operation involves Carter posing as the fire chief of Hammelburg, with Resistance member Elsa (Lyn Peters) as his secretary. They inspect the cooler, with Carter smoking a cigar, making Hochstetter very nervous. While Elsa distracts the major, Carter places several smoke bombs. The prisoners are called in to fight the apparent fire, giving them an opportunity to pilfer the major's briefcase. Klink commends the prisoners for apparently saving Hochstetter's life, rewarding them with increased food rations.

DIS-MISSED!

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The Ed Sullivan Show
Season 23, episode 10
Originally aired November 22, 1970
As represented in The Best of the Ed Sullivan Show

All of these segments come from a Best of installment dedicated to this original episode, which was a salute to Richard Rodgers, broadcast from the Hollywood Bowl.

Ed said:
Here now are Johnny Mathis and the Lennon Sisters...
Johnny sings "My Funny Valentine" from Babes in Arms; then the sisters Lawrence Welk things up by joining him for "Johnny One-Note," during which he very impressively holds one note for the entire number...stumbling backward when it's over.

Ed said:
Tonight we have some real country people to play the starring roles [of Oklahoma!]. Here's John Davidson as Curly, Jeannie C. Riley as Laurey, and Minnie Pearl as the peppery old Aunt Eller.
John Davidson doesn't strike me as being particularly "country". Anyway, the three of them recreate a scene, complete with costumes, which commences with John briefly singing "Oh, What a Beautiful Mornin'"; then transitions into John singing "The Surrey with the Fringe on Top" to Jeannie.

Ed said:
Now in this scene [from the The King and I], we see that the women's liberation movement must have started back there when Anna met the king of Siam. Now here is the scene, starring Shirley Jones and Herschel Bernardi...
They also perform a scene in costume, which includes Shirley singing "Shall We Dance?" and dancing with the king, who joins her in continuing the song.

Next, without a separate announcement from Ed, we get more of Johnny and the sisters doing material from Babes in Arms...likely resequenced for Best of. Johnny Mathis solos "The Lady Is a Tramp," and the sisters quartet "Where or When". Wonderful, wonderful...somebody get that bubble machine cranking.

For the finale, Ed has Rodgers on stage to praise him, leading into a full-cast performance of "My Favorite Things" from The Sound of Music, for which the personalities already shown in Best of are joined by Cass Elliott. There's a grander finale in this clip than was shown on Best of.

According to tv.com (Yes, it's back!), Cass had performed "Blue Room" and "The Girlfriend" from The Girlfriend, accompanied by the Peter Gennaro Dancers. There were also more numbers from Oklahoma!, The King and I, and The Sound of Music, and Danny Kaye sang a number from Two by Two.

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Rowan & Martin's Laugh-In
Season 4, episode 11
Originally aired November 23, 1970
The Wiki list of guest appearances said:
Desi Arnaz, Phyllis Diller, David Frost, Jilly Rizzo, Rod Serling

Arnaz is the main guest, with Dan and Dick announcing the occasion as Desi and Lucy (one of Laugh-In's timeslot rivals, as is often alluded to by Wolfgang) playing against each other.

Desi meets the Scandinavian Storyteller:
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Desi leads a Cuban-flavored news intro song.

Desi at the cocktail party:
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The Mod World of Brevity is over before you know it.

There's a recurring bit of Al as a fairy godmother, performed in Joanne Worley style.

Talk show Speak Out:
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Desi and Wolfgang:
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Desi does some singing and guitar playing in a couple of bits.

Desi's Joke Wall:
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Hawaii Five-O
"Over Fifty? Steal"
Originally aired November 25, 1970
Wiki said:
Lewis Avery Filer, an elderly master burglar (Hume Cronyn) plays cat-and-mouse with Five-O in a series of publicity-grabbing thefts, using cards from the Parker Brothers game, Monopoly, as intentionally planted clues.

He was more middle-aged at this point (59), though he sometimes disguised himself as an elderly person. In the opening, Filer begs his way into a jewelry store as it's closing, then politely asks if anyone needs to use the restroom before he locks them in the supply closet, pulling his gun. He leaves the employees a recording telling them that he's left them a thermos of coffee and a deck of cards, then calls McGarrett to report his robbery-in-progress. When Five-O arrives, they find that he's stolen $51,000 worth of diamonds. Filer calls McGarrett again at the store to taunt him about future jobs...allowing Steve to see him with a pair of binoculars that he set up on a tripod--filer being across the street in a phone booth and wearing a mask. He directs McGarrett to where he left a Monopoly calling card--"Go directly to jail"; and later has a package sendt to Steve in Che Fong's lab: "Bank error in your favor, collect $200," accompanied by some of the diamonds. Looking for similar jobs, Five-O finds a pattern of groups of three jobs with increasing antes--I got the distinct impression that this was in emulation of the Monopoly board, but nothing comes of that. The binoculars, tripod, and tape recorder were bought via money orders under the names of Chin, Danno, and Steve, with a print left behind that turns out to be Kono's.

Five-O responds to a job in progress at an importers downtown, to find a babbling old man who appears to be the proprietor. The man leaves the room, careful not to leave the prints, removes his disguise, and slips out dressed as a cop, leaving the "Go directly to jail" card on the safe. Danno catches him acting conspicuously after he gives the apparent police officer an order outside, and pursues his getaway vehicle, but Filer abandons it and gives Danno the slip on foot. Various bits of trace evidence found in the car by Che Fong isolate an area where the car was likely parked overnight, but with several miles on the odometer unaccounted for. Steve consults a psychologist about the thief's motive, his pattern indicating a little guy who's been kicked around all his life. Meanwhile, a newspaper does another satirical cartoon of McGarrett.

The entire next robbery, which has Filer wearing a yellowface disguise, is caught on a closed-ciruit camera, which he shoots with his gun...a squirt gun, which gets a laugh out of the team and the Governor. Chin comes in with info indicating that the thief is Lewis Avery Filer, a former insurance investigator who just payed a large medical bill for his now-deceased wife...deliberately overpaying with a bill from the last robbery. Steve holds a press conference with Filer's former employer, presenting a case that Filer is the thief while being careful not to make the charge. A man questions McGarrett from behind a curtain and steps out to reveal himself as Filer, threatening to sue McGarrett for libel.

McGarrett has Filer in his office and jousts with him, expressing his intent to not convict Filer until the evidence is solid enough; tracing Filer's deduced rental car route on a map; and grabbing his shoe to extract a soil sample. As threatened in this meeting, Five-O proceeds to have Filer thoroughly staked out and tailed. Filer trades in his rental for a sportier model and takes off, trying to shake them. The closest place for one of the samples that Che Fong found is Paradise Park, which doesn't match the odometer reading, but then they realize that he tampered with it somehow and figure that's where he's headed now. Posing as a groundskeeper there, Filer accesses his buried stash, only to find McGarrett already standing nearby. Steve hands him the "Go directly to jail" card.

This was a quirky, lighthearted episode, accentuated by a comical score. Filer's antics reminded me of a Batman villain.

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It's strange that we never seem to hear any of these on the radio anymore, not even "Children's Christmas Song," which I think was the most popular (at least it's the one I'm most familiar with).
Perhaps due to the now-trendy "the '60s ain't cool anymore" movement.

I'll probably feel really stupid for not getting this.... :rommie:
The album might have come up recently. :shifty:
 
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