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The Classic/Retro Pop Culture Thread

50 Years Ago This Week

Wiki said:
November 16 – The Lockheed L-1011 TriStar flies for the first time.
November 17
  • Vietnam War: Lieutenant William Calley goes on trial for the My Lai Massacre.
  • Luna programme: The Soviet Union lands Lunokhod 1 on Mare Imbrium (Sea of Rains) on the Moon. This is the first roving remote-controlled robot to land on another world, and is released by the orbiting Luna 17 spacecraft.
  • United Nations Security Council Resolution 288 is passed unanimously, urging all member states to avoid giving any form of recognition to the white-minority government of Rhodesia.
November 18 – U.S. President Richard Nixon asks the U.S. Congress for US$155 million in supplemental aid for the Cambodian government (US$85 million is for military assistance to prevent the overthrow of the government of Premier Lon Nol by the Khmer Rouge and North Vietnam).
November 19 – The six European Economic Community nation prime ministers meet in Munich to begin the new program of European Political Cooperation (EPC), a unified foreign policy for a future European Union.
November 20 – The Miss World 1970 beauty pageant, hosted by Bob Hope at the Royal Albert Hall, London is disrupted by Women's Liberation protesters. Earlier on the same evening a bomb is placed under a BBC outside broadcast vehicle by The Angry Brigade, in protest at the entry of separate black and white contestants by South Africa.
November 21
  • Syrian Prime Minister Hafez al-Assad forms a new government but retains the post of defense minister.
  • In Ethiopia, the Eritrean Liberation Front kills an Ethiopian general.
  • Vietnam War – Operation Ivory Coast: A joint Air Force and Army team raids the Sơn Tây prison camp in an attempt to free American POWs thought to be held there (no Americans are killed, but the prisoners have already moved to another camp; all U.S. POWs are moved to a handful of central prison complexes as a result of this raid).
  • 1970 Australian Senate election: The Liberal/Country Coalition Government led by Prime Minister John Gorton and the Labor Party led by Gough Whitlam each ended up with 26 seats; both suffering a swing against them. The Democratic Labor Party won an additional seat and held the balance of power in the Senate. To date, this was the last occasion where a Senate election was held without an accompanying House Of Representatives election.



Selections from Billboard's Hot 100 for the week:
1. "I Think I Love You," The Partridge Family
2. "We've Only Just Begun," Carpenters
3. "I'll Be There," Jackson 5
4. "The Tears of a Clown," Smokey Robinson & The Miracles
5. "Fire and Rain," James Taylor
6. "Indiana Wants Me," R. Dean Taylor
7. "Green-Eyed Lady," Sugarloaf
8. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)
9. "Gypsy Woman," Brian Hyland
10. "Montego Bay," Bobby Bloom
11. "Cry Me a River," Joe Cocker
12. "It Don't Matter to Me," Bread
13. "Super Bad (Pt. 1 & Pt. 2)," James Brown
14. "All Right Now," Free
15. "Engine Number 9," Wilson Pickett
16. "Heaven Help Us All," Stevie Wonder
17. "Cracklin' Rosie," Neil Diamond
18. "5-10-15-20 (25-30 Years of Love)," The Presidents
19. "Share the Land," The Guess Who
20. "You Don't Have to Say You Love Me" / "Patch It Up", Elvis Presley
21. "Still Water (Love)," Four Tops
22. "Stoned Love," The Supremes
23. "Lola," The Kinks
24. "See Me, Feel Me," The Who
25. "Yellow River," Christie
26. "Candida," Dawn
27. "Let's Work Together," Canned Heat
28. "One Less Bell to Answer," The 5th Dimension
29. "Stand by Your Man," Candi Staton
30. "It's Only Make Believe," Glen Campbell

32. "After Midnight," Eric Clapton
33. "For the Good Times," Ray Price

35. "Deeper & Deeper," Freda Payne
36. "No Matter What," Badfinger
37. "Does Anybody Really Know What Time It Is?," Chicago
38. "He Aint Heavy...He's My Brother," Neil Diamond

40. "Black Magic Woman," Santana
41. "Look What They've Done to My Song, Ma," The New Seekers feat. Eve Graham
42. "El Condor Pasa (If I Could)," Simon & Garfunkel
43. "Be My Baby," Andy Kim

45. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band

50. "Only Love Can Break Your Heart," Neil Young

55. "One Man Band," Three Dog Night

57. "Fresh Air," Quicksilver Messenger Service

59. "Stoney End," Barbra Streisand

64. "Domino," Van Morrison

68. "Pay to the Piper," Chairmen of the Board
69. "Groove Me," King Floyd

78. "It's Impossible," Perry Como

83. "Immigrant Song," Led Zeppelin

87. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
88. "We Gotta Get You a Woman," Runt

90. "Knock Three Times," Dawn

92. "Mr. Bojangles," Nitty Gritty Dirt Band


94. "Beaucoups of Blues," Ringo Starr
95. "Amos Moses," Jerry Reed


Leaving the chart:
  • "Lucretia Mac Evil," Blood, Sweat & Tears (7 weeks)
  • "Our House," Crosby, Stills, Nash & Young (9 weeks)

New on the chart:

"(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
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(#29 US; #3 R&B)

"One Man Band," Three Dog Night
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(#19 US)

"Immigrant Song," Led Zeppelin
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(#16 US)

"Mr. Bojangles," Nitty Gritty Dirt Band
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(#9 US; #10 AC)

"Knock Three Times," Dawn
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(#1 US the weeks of Jan. 23 through Feb. 6, 1971; #2 AC; #1 UK)


And new on the boob tube:
  • Hogan's Heroes, "The Big Record"
  • Rowan & Martin's Laugh-In, Season 4, episode 10
  • Hawaii Five-O, "The Last Eden"
  • Ironside, "The Man on the Inside"
  • The Odd Couple, "The Big Brothers"
  • The Brady Bunch, "The Not-So-Ugly Duckling"
  • The Partridge Family, "Did You Hear the One About Danny Partridge?"
  • That Girl, "That Girl's Daddy"
  • Mission: Impossible, "Hunted"
  • Adam-12, "Log 105: Elegy for a Pig"
  • The Mary Tyler Moore Show, "Assistant Wanted, Female"

_______

This is something I've heard many times on Oldies radio, but never given much thought to. It's enjoyable.
The Van Morrison saga continues...

I've never heard this one before. It's very good. I'm in love with Sunday, too. :rommie:
Neil Diamond's first Top 40 writing credit...a factoid I stumbled across accidentally.

About six years too early for the Duck Fad.
Duck Fad? Anyway, the dance song fad doesn't seem to be quite dead yet.

That was not the best cover I've ever heard, but not painful.
It's alright, but doesn't really grab me.

Poetic genius.
In my album playlist work, I was confused about this appearing on two consecutive albums, and learned about how it was originally recorded all acoustic and released in 1964; then the record label put the additional instrumentation on it and released it as the single.

You think I'm Gabe Kotter? :rommie: I'm sure I can dig up some proof....
Not quite what I was going for...I was riffing on the "or so I've heard".
 
"(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
I don't think I've ever heard this. Nothing really remarkable.

"One Man Band," Three Dog Night
Three Dog Night. 'nuff said. Although it's not one of their best.

"Immigrant Song," Led Zeppelin
Now here's a Led Zep song that I've always enjoyed. I think it took me a while to realize that it's Led Zep. :rommie:

"Mr. Bojangles," Nitty Gritty Dirt Band
This is lovely and sad.

"Knock Three Times," Dawn
One of their best. I always loved how it's so specific-- it tells a story of such unique personal circumstances.

The Van Morrison saga continues...
Oh, yeah, that Them.

Neil Diamond's first Top 40 writing credit...a factoid I stumbled across accidentally.
Interesting. It definitely sounds like him, in a hard-to-define way.

Duck Fad? Anyway, the dance song fad doesn't seem to be quite dead yet.
Howard the Duck, Disco Duck, a few other things I can't think of right now-- Ducks were big for a couple of minutes in 76.

In my album playlist work, I was confused about this appearing on two consecutive albums, and learned about how it was originally recorded all acoustic and released in 1964; then the record label put the additional instrumentation on it and released it as the single.
This is true of several of their songs. You'll see, for example, that a song called "Somewhere They Can't Find Me" is actually an expanded and enhanced version of the title track from "Wednesday Morning 3am."

Not quite what I was going for...I was riffing on the "or so I've heard".
Ah, okay. :rommie: I did find a picture of the two of us on Facebook....
 
55.5th Anniversary Viewing

12 O'Clock High
"The Hero"
Originally aired May 7, 1965
Season 1 finale
Xfinity said:
A World War I flying ace (James Whitmore) takes command of a new unit, but can't abandon his reckless technique of fighting.

https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-72#post-12266728
"The Hero" is a story we've seen in other shows...the older, behind-the-times warrior who's become a liability. In the context of this show, it strikes a decent balance of semi-anthology and mission of the week, focusing on Savage's personal connection to Whitmore's character, a beloved old mentor whom he wants to give every chance, but finds he has to get tough with. In this case, "Pappy" goes out in a blaze of glory, doing a successful (if unconvincingly portrayed) solo suicide run on a vital target before he can be put out to pasture.

Unfortunate sign o' the times: An archaic usage of a slur that we're more familiar with in a post-Korean War context, here apparently referring to people in South America...and nobody bats an eyelash at its casual use over drinks.

And so ends Season 1 of 12 O'Clock High...and with it, General Savage's command of the 918th. I like Paul Burke, but I'll miss Robert Lansing's glowering presence.

The episode opens with Col. Paul "Pappy" Hartley (James Whitmore) manning the right seat of a bomber on what's supposed to be a milk run when the plane is attacked. He doesn't relinquish his seat and the pilot and co-pilot both get shot up.

General Stoneman makes one last subbing appearance before General Britt comes aboard for the rest of the series (though John Zaremba will be back as another guest general in a future season). He and Savage are impressed by Pappy's emergency landing, and there's a happy surprise reunion between Pappy and Savage (whom Pappy refers to as "Kiwi") on the airfield, though Stoneman is privately put off by Pappy's informality in not saluting Savage. Savage doesn't even think of it because he credits Pappy for everything that he became. (If you want to see lots of Robert Lansing smiling, this is your scene.) After years of private flying, Pappy is in back in service to potentially serve in a desk job. Savage persuades Stoneman to make an exception to his age and give him a chance at active duty, though Stoneman's skeptical that there must be a reason he's been grounded for so many years.

Pappy acts put off at having to undergo indoctrination under Major Cobb, thinking that he's ready to go straight into combat. On his first training flight he does things his own way, refusing to hand over control to the bombardier soon enough for him to hit the target. Then they spot a German E-boat (a fast attack/patrol craft) and he insists on going after it, though Cobb objects that it's not their job. To top things off, he "flat-hats" (showing off by buzzing the airfield) before his landing. Savage has to dress him down a bit on the field. Pappy is brought into Savage's office while Savage is on the phone with Stoneman...who wants to congratulate Pappy, though now Frank wants to get tough with him over his grandstand play, telling him that bomber duty isn't about personal combat.

On his first active duty mission, Pappy breaks formation during a Luftwaffe attack to take his bomber on the offensive against the attacking fighters. Cobb has to maintain formation for the good of the group. Under pressure to certify Pappy for command of his own group, Savage clamps down on Pappy, making him learn to toe the line. Pappy begrudgingly does what's expected of him and operates as a team player, chafing at every minute of it.

A mission against an ammo dump nestled in a tight mountain pass comes up that has Pappy advocating a "trench run" approach, so Savage decides to play it both ways...having one squadron take the more limited high road and the other take the more dangerous low one between the mountains. He puts Pappy in command of the low-flying squadron. Pappy's squadron has already taken off, with Savage's to follow, when Stoneman comes to the base with news about the testimony of the surviving co-pilot of the incident in the teaser. After beating himself up a little for not seeing through Pappy, Savage takes off. Catching up when they're almost on the target, Savage radios Pappy to abort the mission. He doesn't comply, thought he rest of his squadron does. Hartley loses his co-pilot and a couple of engines and gives his crew the order to bail, but stays on target solo, flying the plane itself into the ammo dump.

Hartley's career ends with good press about his heroic sacrifice. The last we see of General Savage, he's striking a sobering note with Stovall about the dangers of hero worship, and how he couldn't see the man for the idol.

_______

I don't think I've ever heard this. Nothing really remarkable.
It's also new to me. There's a longer album version as well, which I'm listening to as I type this.

Three Dog Night. 'nuff said. Although it's not one of their best.
It's doesn't seem very mem...wait, what were we talking about again?

Now here's a Led Zep song that I've always enjoyed. I think it took me a while to realize that it's Led Zep. :rommie:
Definitely a hard rock uber-classic. The album is a couple of spotlights away, FWIW.

This is lovely and sad.
Alas, I've always found this to be a little too cloying for my liking.

One of their best. I always loved how it's so specific-- it tells a story of such unique personal circumstances.
If they want to disturb their neighbors less, they should come up with a visual signal...perhaps a brightly colored piece of fabric displayed in a conspicuous location.

Oh, yeah, that Them.
You were expecting perhaps giant ants?

Howard the Duck, Disco Duck, a few other things I can't think of right now-- Ducks were big for a couple of minutes in 76.
Ah...we were talking about a song from '65, so that'd be about 11 years.

This is true of several of their songs. You'll see, for example, that a song called "Somewhere They Can't Find Me" is actually an expanded and enhanced version of the title track from "Wednesday Morning 3am."
I should clarify...I don't have the albums Wednesday Morning, 3 A.M. and The Sounds of Silence. For my album playlist purposes, in some cases, such as when there's particularly noteworthy single material involved, I'm letting whatever singles or other compilation tracks that I have in my collection represent an album, which keeps the songs in question in my shuffle a lot longer than just their single chart life.
 
(If you want to see lots of Robert Lansing smiling, this is your scene.)
Maybe this is why Lansing left the show-- he injured himself doing his own stunts.

Pappy acts put off at having to undergo indoctrination under Major Cobb, thinking that he's ready to go straight into combat.
"Just give me back my Sopwith Camel and I'll show those Ratzis a thing or three."

Hartley loses his co-pilot and a couple of engines and gives his crew the order to bail, but stays on target solo, flying the plane itself into the ammo dump.
Better to burn out than fade away, some say.

Hartley's career ends with good press about his heroic sacrifice.
Though he lost at least one man and his plane-- not even counting the earlier incident.

It's doesn't seem very mem...wait, what were we talking about again?
:rommie:

Alas, I've always found this to be a little too cloying for my liking.
Awww.

If they want to disturb their neighbors less, they should come up with a visual signal...perhaps a brightly colored piece of fabric displayed in a conspicuous location.
One if by elevator, two if by stairs...

You were expecting perhaps giant ants?
Yeah, I love that movie. :rommie:

Ah...we were talking about a song from '65, so that'd be about 11 years.
Oops. My head was in the wrong anniversary space.
 
This brings to mind an amusing public altercation between him and John Lennon in the '70s:
https://faroutmagazine.co.uk/john-lennon-beatles-letter-to-tdd-rundgren/
This is great. John really lays Todd out. He even accused Todd of copying the m elody of I Saw the Light from the Beatles There’s A Place.

It says in the article the feud started when Todd and Johnran into each other at the Rainbow in Hollywood. Todd recorded a live album at the Roxy in 1978, so sounds like that’s when the feud started. The Rainbow is just a few steps from the Roxy.
"(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield
Curtis wrote some of the most pointed protest and issue related songs of the 70’s, in addition to the love songs and movie scores. “Hell Below,” was Curtis at his most raw. He’s putting us all on notice with this one.
 
_______

50th Anniversary Viewing (Part 1)

_______

Hogan's Heroes
"Eight O'Clock and All Is Well"
Originally aired November 8, 1970
Wiki said:
New prisoner Captain Martin (Monte Markham) seems legit, but with the Gestapo sniffing around the colonel isn’t taking chances—especially with an ammunition train in need of destroying.

The episode opens with the prisoners on a commando mission blowing up a convoy...one of a series of recent sabotage missions that's been keeping them busy. Hochstetter noteice that all of the targets are in the vicinity of Stalag 13. Listening in to his conversation with Klink, Hogan decides that they need to lay low for a while. Then Captain Martin is brought in. Hogan warily tests Martin's story, and decides not to trust him with anything while he has him checked out. Carter tests him as well, with a number of false bits of info about the States. Everything checks out, so Hogan shows Martin the operation and let him in on a mission that's too good an opportunity to pass up.

At inspection, Martin picks a fight with Schultz to get taken into Klink's office and writes Klink a note identifying himself as a Gestapo agent names Seifert, while putting on a fake conversation for the sake of the listening device. Hogan still gets suspicious, and outside notices a Gestapo guard instinctively coming to attention when Martin walks by. Thus the prisoners hold Martin prisoner in the tunnel and proceed with the mission. Hochstetter comes to camp to talk to Martin, and the prisoners play ignorant regarding his disappearance. Meanwhile, the prisoners' latest target, a munitions train, blows up from timed explosives. Martin's singed jacket is found on the scene, suggesting that he was there and died in the explosion.

In the coda, Klink affirms that he doesn't officially consider this to be Stalag 13's first escape, though he doesn't explain why to Hogan.

DISSS-MISSED!

_______

Rowan & Martin's Laugh-In
Season 4, episode 9
Originally aired November 9, 1970
The Wiki list of guest appearances said:
Jim Backus, Greer Garson, Andy Griffith, Carl Reiner, Jilly Rizzo
I didn't catch Jim Backus or Andy Griffith. Carl Reiner is the main guest. The cast intro is in the form of a news segment.

A cocktail party segment:
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Carl and Artie in a skit about toasting.

The Mod World of the News Media, which overlaps with the usual news segment business:
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There's missing material between those two clips.

Trying to get straight intel out of Shakespeare:
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Carl as a Farkel.

This week it's a Whoopee Award:
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_______

Hawaii Five-O
"The Late John Louisiana"
Originally aired November 11, 1970
Wiki said:
McGarrett leads the search for the witness to a two-year-old murder to protect her against one of Hawaii's most-wanted criminals.

The episode opens with Julie (Marianne McAndrew) meeting Nick (Don Stroud), who commutes between islands, at the airport. They're followed by a shady type whom we later learn is named Tigner (John LaBrecque). Back at home, Nick sees Tigner looking in a window and goes outside with a gun. After hearing a shot fired, Julie finds Nick standing over Tigner's body, and says, "They found me."

The body found is found buried outside the house, which has been abandoned and thoroughly wiped clean of prints. McGarrett recognizes Tigner as the top man of a gangster named Harry Quon (Alfred Ryder in vague ethnicface). McGarrett goes to a restaurant run by Quon to question him, and brings up the alleged hit of a man named John Louisiana two years prior. Meanwhile, Julie in disguise with wig and sunglasses checks into sublet adjoining Nick's pad, and later has a nightmare of how she witnessed Quon murdering a man after a private card game where she was serving as a cocktail waitress. Nick goes to see Quon, behind whose back he's hiding Julie, and is hired to find whoever killed Tigner...which was him. Wave time!

Nick gives Quon false intel on who hit Tigner, but Quon wants further investigation and assigns another of his men, Charlie (Al Harrington), to help Nick. Back at the abandoned house, Che Fong manages to find exactly one print, on the underside of a closet shelf. It's identified as belonging to Julie Grant, a witness in the John Louisiana case who was believed to have been murdered. McGarrett approaches Nick and drops the info that Grant's alive, which is met with a reaction that makes Steve suspicious. A neighbor identifies photos of Grant and Nick Pierson as the former occupants of the house, a married couple named the Hollanders.

In an attempt to persuade her to flee, Nick reveals to Julie that he's a hitman who was contracted to kill her...but fell in love, so he killed another girl and left evidence that it was her. He seems regretful about his actions, but Julie seems less phased than she should be. Meanwhile, the team has figured out what's going on and look for Nick. They find Julie at his apartment, and Charlie, waiting outside, sees her getting into McGarrett's car. He tells Quon, who also figures out what was going on. Quon confronts Nick and gives him a chance to make amends by fulfilling his original contract.

Julie is now at HPD being questioned by McGarrett, who fills her in on what kind of guy she's hooked up with by showing her photos of some of his victims. Then Danno brings in Quon, but she won't admit to having seen anything. In the corridor, Nick dressed as a cop KOs Danno and takes Julie to his car for a getaway, but Charlie is in the back with a gun. He has them drive to an isolated spot at Makapuʻu and get out, and tries to persuade Nick at gunpoint to shoot Julie then and there. But once Nick has his gun out and pointed at Julie, he does a quick turn and shoots Charlie, but takes a bullet himself. With the aid of a helicopter, McGarrett and Danno, with Quon riding shotgun, follow the car as Nick, the life slipping out of him, drives Julie to a scenic spot near a radar station. McGarrett catches up with them to find Julie holding Nick's body. When McGarrett presses her, Julie agrees to testify against Quon.

_______

"Just give me back my Sopwith Camel and I'll show those Ratzis a thing or three."
I'd considered posting a picture of Snoopy...

Though he lost at least one man and his plane-- not even counting the earlier incident.
There's a war on. Dead heroes contribute more to the effort than live fuck-ups.

One if by elevator, two if by stairs...
Not sure if you got my reference there.

It says in the article the feud started when Todd and Johnran into each other at the Rainbow in Hollywood. Todd recorded a live album at the Roxy in 1978, so sounds like that’s when the feud started. The Rainbow is just a few steps from the Roxy.
No, the feud was in 1974, during John's "lost weekend" period when he was staying in L.A. during a separation from Yoko. John was in his househusband period in New York in 1978.
 
Hochstetter noteice that all of the targets are in the vicinity of Stalag 13.
Good old Sherlock Hochstetter. :rommie:

In the coda, Klink affirms that he doesn't officially consider this to be Stalag 13's first escape, though he doesn't explain why to Hogan.
When counting escapees, he only counts prisoners that didn't escape.

There's missing material between those two clips.
It's a cover up!

Trying to get straight intel out of Shakespeare:
I love that one. :rommie:

This week it's a Whoopee Award:
And a good one, too.

The body found is found buried outside the house, which has been abandoned and thoroughly wiped clean of prints.
They went to the trouble of sanitizing the house, but couldn't drop the body in the drink or something?

McGarrett recognizes Tigner as the top man of a gangster named Harry Quon
So Quon or Tigner tracked down Julie, and even located her at the airport where she was meeting Nick, without ever figuring out that she was living with Nick under an alias?

Nick goes to see Quon, behind whose back he's hiding Julie, and is hired to find whoever killed Tigner...which was him. Wave time!
Quon does not seem like the sharpest villain Five-0 has tangled with.

In an attempt to persuade her to flee, Nick reveals to Julie that he's a hitman who was contracted to kill her...
I'd certainly flee at that point.

He seems regretful about his actions, but Julie seems less phased than she should be.
If she was waitressing at Quon's private gig, she may have been involved in underworld stuff before.

Quon confronts Nick and gives him a chance to make amends by fulfilling his original contract.
Quon is really not cut out for this gangster stuff.

Why in the world is Quon riding shotgun in the Five-0 copter? :rommie:

McGarrett catches up with them to find Julie holding Nick's body. When McGarrett presses her, Julie agrees to testify against Quon.
The writers kind of went off the rails a bit with this touching tale of a hitman in love. :rommie:

I'd considered posting a picture of Snoopy...
:rommie:

There's a war on. Dead heroes contribute more to the effort than live fuck-ups.
I think they should have stuck with the desk job idea.

Not sure if you got my reference there.
Oh, yeah, I got the yellow ribbons. :D
 
_______

50th Anniversary Viewing (Part 2)

_______

Ironside
"Too Many Victims"
Originally aired November 12, 1970
Wiki said:
A captain sets out to take down the dealer who gave his daughter marijuana.

The episode opens with recently promoted detective Milt Stein (Forrest Tucker) enjoying a celebratory chili dinner with Team Ironside. At the same time, his daughter, Barbara (Kathy Lloyd), is driving home under the influence of pot and has an accident that hospitalizes her, placing her in the care of Dr. Paul Carr. At her bedside, dear ol' Dad chastises and yells at her, demanding to know the name of the guy she was smoking with. Eve pays her a more friendly and supportive visit, and Barbara opens up a bit about how she went to a party and succumbed to peer pressure, but doesn't seem to want to give Eve the name of her supplier. Nevertheless, we cut to Ed questioning a high school football player named Pete (Alex Kravett), who won't even admit to having been supplied...at least in the locker room. Later he calls Ed and gives him the name of his supplier: Marty Beale (M. Jonathan Steele), who has a record.

Barbara's home and being visited by Eve, who gives her a groovy but non-Squiggy-approved record as a present, and attempts to explain to Barbara where her old man's coming from. Having borrowed Beale's police record from a narc detective named Frank (Andrew Rubin), Captain Stein stakes out Beale. Later Detective Frank visits the Ironsidecave and informs Milt that he just brought Beale in on a charge of possession with intent to sell...but Ironside expresses doubt concerning Beale's guilt. At Beale's pad, the Chief is told how the super found his stash under a leaky sink while he was on one of his trips to Mexico. Bob and Frank both think it was too sloppy for Beale and more likely a frame. The Chief determines from the way the stash was packaged that it's more likely from the Midwest than Mexico, so he looks for potential suppliers who get their stuff from that region. Confronted by the Chief, Stein admits to having framed Beale...off the record...and tries to convince the Chief that his vigilantism was the right thing to do and that Beale needs to be kept off the streets.

In a moody moment as a heavy nighttime rain falls on the Cave, the Chief, heavy with the burden of weighing his options, tells Mark about his history with Milt from when they were partners in Homicide years back...and Cozi cuts to one of their damn late-night dating hotline commercials in the middle of the scene. When we come back, Barbara's popped by to plead on her father's behalf. When the Chief stands by his principles, despite Milt being less than a year from retirement, she freaks out on him. The next day the Chief visits Milt in his office, where he's cleaning out his desk while facing a suspended sentence. He tells Bob that if he could, he'd do it all over again. Cut to Ed coming out of a courthouse to reveal that Beale has been released, and the Chief vowing to put him away, feeling that he owes it to Milt. He'll bring Beale to justice in the same episode that Jeanine Duvalier visits Frisco.

This one was more of an atmospheric drama than a mystery. I couldn't really get behind Beale's motivation given that the drug was pot. If somebody has an accident while driving drunk, do you go on a revenge spree against the liquor store owner?

_______

The Odd Couple
"Oscar the Model"
Originally aired November 12, 1970
Wiki said:
An ad exec directs Felix to use Oscar in a big cologne campaign. Albert Brooks guest stars.

Felix's client Rudy Mandell (Albert Brooks) wants a "now" face for Mandar cologne ads, and sees a portrait of Oscar in Felix's office (as well as a file cabinet drawer full of pills).

Felix: I've known Oscar for fifteen years and he wasn't even "now" then.​

Well that handily contradicts the origin episode, which had them meeting seven years earlier.

Felix: You have a groovy, "in" look--you're what's happening.
Oscar: You been watching Mod Squad again?​

Rudy probably has been--he's sporting a very Pete look.

Oscar is afraid that working with Felix will stoke up the tensions between them, but agrees when he finds out there'll be female models involved. As expected, Felix proves to be a stern taskmaster...

Felix: At home I'm a lot of fun, I'm a barrel of laughs. But this is a place of business, we don't waste time messing around!​

Loretta (Timothy Near), a model who's cynical of Oscar's lines, cracks that he must have picked up a lot of girls on V-J Day.

Oscar walks into the dark room door and Felix fires him, but Rudy intervenes, threatening to keep Oscar and fire Felix. Oscar is mad at Felix for yelling at him at the studio, but Felix tries to woo him over, comparing his plain look to Abraham Lincoln and Humphrey Bogart...the latter comparison giving Klugman an opportunity to slip into an impersonation.

Rudy's client, Mr. Whitehill (Peter Brocco), visits the studio for the shoot, for which Oscar's dressed in a bullfighter outfit. The tensions get to Felix, causing sinus issues and a blowup in which he insults Whitehill, after which Whitehill fires him, and takes the models with him, still in their costumes. Oscar tries to stick up for Felix, but it does no good.

In the coda, it turns out that Mandar used Felix's shoot, but put a blurb over Oscar's face.

_______

The Brady Bunch
"A Fistful of Reasons"
Originally aired November 13, 1970
Wiki said:
A bully named Buddy Hinton teases Cindy about her lisp ("Baby talk, baby talk. It's a wonder you can walk."). Peter tries to defend Cindy, but backs out of a fight with Buddy, and Buddy tells everyone at school that Peter is "chicken". Mike tells Peter to reason with Buddy, but instead Peter ends up with a black eye. Mike and Carol try to talk to Buddy's parents, and they turn out to be bullies themselves. Mike tells Peter that he can defend himself and Peter goes into training. The next day, Peter and Cindy are again teased by Buddy, but this time Peter punches him, which knocks Buddy's tooth loose. Cindy starts to tease Buddy, and everyone laughs. Buddy runs away to go to the Brady house to ask to borrow Cindy's tongue twister book.

Guest stars: Russell Schulman as Buddy Hinton, Paul Sorensen as Ralph Hinton, Ceil Cabot as Mrs. Hinton

Note: Eve Plumb (Jan) does not appear in this episode.

Cindy comes home from school crying, and won't come down for dinner. The parents go up to talk to her and learn what happened. They have her practice reading tongue-twisters to try to get rid of her lisp. Alice finds that she can't do "she sells seashells" herself. Even the boys chip in to help Cindy practice. Then comes the confrontation between Peter and Buddy at school. Back at home, the other boys encourage Peter to fight Buddy, but Mike disagrees, believing in reasoning. Following his father's advice, Peter tries talking with him at school and gets slugged during the comedic edit. Mike goes to talk to Mr. Hinton, who doesn't care what his son did and takes exception to Mike trying to tell him how to handle his son. Mike backs off, and back at home declares that Peter can defend himself. Carol disagrees and pays a visit to Mrs. Hinton, who agrees with Carol but, clearly intimidated by her husband, won't get involved in "man's business".

When Peter seems reluctant to engage in a rematch with Buddy, Mike agrees to teach him to fight, which he does with Greg's help. This sequence gives us the opportunity to see Alice in boxing gloves. At school, a bunch of kids follow Peter and Cindy in anticipation of the fight. Buddy goes into his routine, Peter tries to talk first, then puts up his dukes and gets in a lucky punch, for which he's sorry. Buddy finds that one of his teeth has been knocked loose, for which Cindy and the other kids tease him, but Peter puts a stop to it.

Buddy comes over in the coda, acting repentant. When Mike asks him if he's learned anything, he responds that Peter's got a good left hook.

We learn in this episode that Carol is from Swampscott, Massachusetts.

_______

The Partridge Family
"But the Memory Lingers On"
Originally aired November 13, 1970
Wiki said:
The Partridge Family is about to leave a different kind of lasting impression on their audience after a skunk hitches a ride on their bus and leaves them...and all their clothes...covered with the unpleasant scent.

Songs: "I Think I Love You", "Brand New Me"

The episode opens with the family on a picnic stop, accompanied by the show's debut of "I Think I Love You". After the family drives off, the kids discover their stowaway and toss it off the bus. Laurie tries putting perfume on everyone, which doesn't mask the odor, so they make an unscheduled stop at a motel to bathe. Shades of 50 years later, the family all have their mouths covered with bandanas, so the clerk calls the police. They end up moving on to the nicer hotel that they'd booked, to the consternation of the staff and guests. At check-in, they try what will one day be known as social distancing. As they head up to their room, everyone else gets off the elevator, including the operator. Reuben's booked them a last-minute benefit gig for children at a hospital, so Shirley coordinates everyone's bathing and discarding of their clothes. Of course, because they didn't know to pick up some tomato juice, the smell doesn't go away.

Reuben does thinks of tomato juice, and orders 40 cans via room service, which is brought up in a large number of individual glasses stacked on trays. It works, but the family then finds that the smell got into the clothes in their suitcases, so Reuben and Danny wearing one of Reuben's suits go out to try to borrow clothes from people. The family end up in an odd assortment of ill-fitting outfits, including a cocktail waitress outfit for Shirley, pajamas for Keith, and a circus outfit for Laurie. But when they pack into a cab, a kid puts their dog, Simone, in with them, re-exposing everyone to the odor. They end up doing a distanced benefit show at the hospital by performing in the surgical theater, with the kids up in the viewing area.
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In the coda, the family returns to the hotel, having gotten decontamination and changes of clothes at the hospital...but Reuben has since picked up the odor himself, and they clear the elevator for him.

This was a pretty amusing episode.

_______

And a good one, too.
It does continue to have some relevance.

So Quon or Tigner tracked down Julie, and even located her at the airport where she was meeting Nick, without ever figuring out that she was living with Nick under an alias?
I'd guess that Tigner was figuring things out, but didn't have a chance to report.

If she was waitressing at Quon's private gig, she may have been involved in underworld stuff before.
She was being played as more of a scared innocent.

Why in the world is Quon riding shotgun in the Five-0 copter? :rommie:
That was the McGarrettmobile. The chopper was their eye in the sky, tailing the car for them.

The writers kind of went off the rails a bit with this touching tale of a hitman in love. :rommie:
Marianne McAndrew will do that to ya.

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The episode opens with recently promoted detective Milt Stein (Forrest Tucker)
I actually saw this one not too long ago.

In a moody moment as a heavy nighttime rain falls on the Cave, the Chief, heavy with the burden of weighing his options, tells Mark about his history with Milt from when they were partners in Homicide years back...and Cozi cuts to one of their damn late-night dating hotline commercials in the middle of the scene.
Cozi realized that the Chief needed more than Mark at that moment. :rommie:

despite Milt being less than a year from retirement
He got promoted to detective with less than a year to go?

He'll bring Beale to justice in the same episode that Jeanine Duvalier visits Frisco.
More happens between episodes than in them. :rommie:

This one was more of an atmospheric drama than a mystery.
Yeah, I remember that nighttime rainy scene well.

I couldn't really get behind Beale's motivation given that the drug was pot. If somebody has an accident while driving drunk, do you go on a revenge spree against the liquor store owner?
I think they can hold bartenders responsible now, can't they? Anyway, I'm sure he'd rather blame someone besides his daughter.

Well that handily contradicts the origin episode, which had them meeting seven years earlier.
Yeah, I always thought they were longtime friends. That seven-year story didn't make sense to me.

Loretta (Timothy Near), a model who's cynical of Oscar's lines, cracks that he must have picked up a lot of girls on V-J Day.
Ouch.

The tensions get to Felix, causing sinus issues
The honking. The endless honking. :rommie:

Even the boys chip in to help Cindy practice. Then comes the confrontation between Peter and Buddy at school.
A rare episode where the boys and girls are on each other's side.

This sequence gives us the opportunity to see Alice in boxing gloves.
That should be enough to set the kid straight right there.

Buddy finds that one of his teeth has been knocked loose, for which Cindy and the other kids tease him, but Peter puts a stop to it.
This is Peter's episode, man. I wonder if he ever got another one.

We learn in this episode that Carol is from Swampscott, Massachusetts.
That's just on the other side of Boston from here.

They end up moving on to the nicer hotel that they'd booked, to the consternation of the staff and guests. At check-in, they try what will one day be known as social distancing. As they head up to their room, everyone else gets off the elevator, including the operator.
The smell of skunk isn't really that bad. :rommie:

The family end up in an odd assortment of ill-fitting outfits, including a cocktail waitress outfit for Shirley, pajamas for Keith, and a circus outfit for Laurie.
I think Laurie should have gotten the cocktail waitress outfit. :rommie:

They end up doing a distanced benefit show at the hospital by performing in the surgical theater
They don't call it a theater for nothing.

This was a pretty amusing episode.
Sounds very Vaudevillian.

That was the McGarrettmobile. The chopper was their eye in the sky, tailing the car for them.
Ah, I see.

Marianne McAndrew will do that to ya.
I'd appreciate that.

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Talk about an Uber Classic. Completely insane. I wonder if these come with a trigger warning now, too. :rommie:
 
50th Anniversary Album Spotlight

"Get Yer Ya-Ya's Out!" The Rolling Stones in Concert
The Rolling Stones
Released September 4, 1970 (UK); September 26, 1970 (US)
Chart debut: October 17, 1970
Chart peak: #6 (October 24, 1970)
Wiki said:
'Get Yer Ya-Ya's Out!': The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the US. It was recorded in New York City, New York and Baltimore, Maryland in November 1969, just before the release of Let It Bleed. It is the first live album to reach number 1 in the UK. It was reported to have been issued in response to the well known bootleg Live'r Than You'll Ever Be.
The tour was the first for Mick Taylor with the Stones, having replaced Brian Jones shortly before Jones's death in July; this was also the first album where he appeared fully and prominently, having only featured on two songs on Let It Bleed. It was also the last tour to feature just the Stones – the band proper, along with co-founder and pianist Ian Stewart – without additional backing musicians.

The performances captured for this release were recorded on 27 November 1969 (one show) and 28 November 1969 (two shows) at New York City's Madison Square Garden, except for "Love in Vain", recorded in Baltimore, Maryland on 26 November 1969....The finished product featured an overdubbed lead vocal on all tracks except for "Love In Vain" and "Midnight Rambler," added back-up vocals on three tracks, and overdubbed guitar on two songs ("Little Queenie" and "Stray Cat Blues"). However, this album is widely recognized as one of few actual 'live' albums during this era.


The album opens with a strong rendition of the 1968 hit that heralded the Stones' departure from their awkward psychedelic phase, "Jumpin' Jack Flash":
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The bit after the song with Mick teasing the audience about the possibility of his trousers falling down is eyeroll inducing.

Next is the first of two Chuck Berry covers, "Carol," which the Stones had previously studio-recorded for their 1964 debut album.

Following that is "Stray Cat Blues," a strong track from the 1968 album Beggars Banquet:
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The Stones then turn to country blues with "Love in Vain," a Robert Johnson cover that they'd previously done on 1969's Let It Bleed.

The first side closes with a nine-minute performance of another song from that album, "Midnight Rambler":
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This track was chosen to represent "Get Yer Ya-Ya's Out!" on the double-LP compilation Hot Rocks 1964–1971.

IIRC, the bit of audience commotion that includes a seemingly under-the-influence girl requesting "'Paint It Black,' ya devil" would be reused on another live Stones album. On my CD it appears at the end of the previous track, though in the clip below it appears where I imagine it must have on vinyl--accompanying the song that opens side two, stone-cold uber-classic Beggars Banquet highlight "Sympathy for the Devil":
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Let It Bleed's "Live with Me" is noteworthy for establishing the sound of Keith Richards and Mick Taylor on dual lead guitars.

"Little Queenie" is the second Chuck Berry cover, this time of a song that the Stones hadn't previously committed to vinyl.

Penultimately yours, 1969 chart-topper "Honky Tonk Women":
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The album closes with the controversial Beggars Banquet classic "Street Fighting Man".

In the Rolling Stone review of the album, critic Lester Bangs said, "I have no doubt that it's the best rock concert ever put on record."

'Get Yer Ya-Ya's Out!': The Rolling Stones in Concert was released in September 1970, well into the sessions for their next studio album, Sticky Fingers, and was well-received critically and commercially, reaching number 1 in the UK and number 6 in the US, where it went platinum.
The album has received consistent praise from critics as one of the greatest live albums ever made. In 2000 it was voted number 816 in Colin Larkin's All Time Top 1000 Albums. In 2007, NME ranked the album as the 7th greatest live album of all time. Q ranked the album as the 14th greatest live album of all time.


This is a perfectly solid, enjoyable listen, but it's exactly the sort of typical live album that I was contrasting Absolutely Live against. It's not bringing that something extra to the group's catalog that you're not getting from the studio albums.

_______

Cozi realized that the Chief needed more than Mark at that moment. :rommie:
:lol: It's too bad he doesn't have a girlfriend in Canada to fly down and ease his burdens.

He got promoted to detective with less than a year to go?
Promoted to captain.

And that's not exaggerating his age, either...Klugman was 23 then.

This is Peter's episode, man. I wonder if he ever got another one.
It was, and we'll see. As I recall, his voice changes during the series.

That's just on the other side of Boston from here.
I thought you'd like that. The closed captioning said "Swamscott" based on her pronunciation, but when I googled it, that's what I came up with.

I wonder if these come with a trigger warning now, too. :rommie:
I heard that they stopped the tradition of airing them this year, for what that's worth. It was free via Apple on my phone, though.
 
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The bit after the song with Mick teasing the audience about the possibility of his trousers falling down is eyeroll inducing.
Making fun of Jim Morrison, maybe? Not that I would condone such a thing. Or justifying the album title? :rommie:

This is a perfectly solid, enjoyable listen, but it's exactly the sort of typical live album that I was contrasting Absolutely Live against. It's not bringing that something extra to the group's catalog that you're not getting from the studio albums.
That's pretty much my general opinion of live music, with some exceptions (mainly The Boss).

:lol: It's too bad he doesn't have a girlfriend in Canada to fly down and ease his burdens.
Pick up the phone, Chief. Pick up the phone.

Promoted to captain.
Ah.

And that's not exaggerating his age, either...Klugman was 23 then.
And 48 when he was hitting on cute young models. You go, guy. :rommie:

I thought you'd like that. The closed captioning said "Swamscott" based on her pronunciation, but when I googled it, that's what I came up with.
If she was really from there, it would have said "Swamskit." :rommie:

I heard that they stopped the tradition of airing them this year, for what that's worth. It was free via Apple on my phone, though.
The way I understand it, Apple bought the rights to lure new subscribers, then decided to allow free viewing, and is now sharing with PBS stations.
 
_______

50th Anniversary Viewing (Part 3)

_______

That Girl
"That Cake"
Originally aired November 13, 1970
Wiki said:
Ann thinks she accidentally bakes her engagement ring in a cake that is going to the Governor of New York's residence.

Ann, in her role as Miss Everything, is baking a cheesecake consisting entirely of ingredients from New York on camera for a display at the New York Has Everything convention. The producer of the TV spot, Ron Rouser, is played by Regis Philbin. Afterward, when she's rushing to get around for a date with Donald at a Broadway show opening, she realizes that her ring is missing. Donald comes by her place when she doesn't show for their rendezvous at Nino's and quickly guesses what's wrong. Watching her spot on the news, Ann notices in closeups that the ring disappeared while she was making the cake.

She and Donald run to the convention center, but the cake isn't there, as it was scheduled to be sent to a dinner being held at the governor's residence. They head there and manage to persuade the chef to cut it to pieces, but they don't find the ring. When they get back to Ann's apartment, a package is waiting for her--it turns out that her cake collapsed so another one was baked for the governor, and the overseer of the convention, Clifford Magleson of the State Public Information Office (Woodrow Parfrey), sent the original cake back to Ann. Marcy digs in sloppily and finds the ring. Then when Donald's out of the room, Ann gets a call from Governor Rockefeller, offering his gratitude for her having lost her ring in service to her state...but when Donald comes back in after the call, he breaks into his impersonation, implying that it was really him.

In the coda, Donald's enjoying another cake that Ann made, trying to guess what the flavor is, when Ann makes him think that she dropped a bar of soap in the batter.

Mr. Marie appears briefly in a phone conversation with Ann.

"Oh, Donald" count: 15
"Oh, Daddy" count: 2
"Oh, Marcy" count: 1

_______

Love, American Style
"Love and the Fur Coat / Love and the Trip"
Originally aired November 13, 1970

"Love and the Fur Coat" stars Stu Gilliam as a character whom IMDb identifies as Leroy--though I didn't catch the name being used in the segment--who's working at a food stand with his domineering wife, Vera (Sonja Dunson), and under pressure from his secret girlfriend to buy her a fur coat. A stranger eating at the stand (Mantan Moreland) who overhears Leroy talking to his mistress in the phone booth wheels and deals over scoring him a good deal on a coat--and you know it's a con when the deal involves hiding their money nearby while they go to talk to the guy he knoes. Leroy ends up with no money or coat, but his brother, Hank (D'Urville Martin), offers to give Leroy his own wife's old coat that she's grown tired of. Leroy gives Hank a big bottle of liquor in gratitude and asks him to deliver the coat to his girlfriend and a box of washing powder to his wife. When Leroy calls his girlfriend to see how she likes the coat, it turns out that a very drunk Hank gave her the washing powder, and Vera shows up at the stand raving about her coat.


In "Love and the Trip," Vi and Tom (Ann B. Davis and John McGiver) are hosting their son Alan's (Dan Ferrone) fiancee, Stephanie (Vickery Turner). While Alan is showing Stephanie around, Vi, who's been helping Stephanie unpack (in a spare room that has a you-know-what), finds what looks like a bag of grass in her luggage. Tom gets paranoid about being caught with it in the house and wants to dispose of it...but Vi has other ideas, curious to try it. They decide to smoke it in the attic, using Tom's pipe. While they're loosening up and seeing themselves and the world in a new light while Eastern music plays, Alan and Stephanie return and she's wondering where her special blend of English green tea went. After the folks come back down from the attic she finds Vi holding the bag and Vi and Tom are embarrassed and disillusioned to find out what they thought they were getting high on.

_______

Mission: Impossible
"The Amateur"
Originally aired November 14, 1970
Wiki said:
While the IMF smuggles a secret weapon out of an Eastern-bloc country, they must contend with the meddling of a nightclub owner (Anthony Zerbe) who is not as clever as he thinks he is.

In Ransdorf, East Europe, Dana is working at the club owned by Zerbe's character, Eric Schilling, which involves taking tourists' pictures. She writes rendezvous info on a pic for one customer, an agent named Max (Allen Joseph), who starts to burn it outside, but sees a man whom Schilling just tossed out of the club coming to, so he drops it and flees. Schilling retrieves the partially burned photo, the instructions still intact. Max brings Jim and Barney an item in an alley, but police are onto them (I'm unclear if this was because Schilling called them). Max gets killed in an exchange of gunfire and our regulars have to split the scene and avoid pursuit, which involves driving into the back of a van manned by Paris. Secret police colonel Eckert (Ronald Feinberg) attempts to trace Max's contacts. To further complicate things, the contact through whom the IMF contacted Max, Father Bernard (Peter Brocco), has--what else?--a list of all the Western operatives in the region.

Meanwhile, Dana has to maintain her cover while the rest devise a plan to get the key component of their newly acquired rocket laser out of the country. At the club, Schilling starts to question Dana and come on to her. Eckert shows up to question Schilling and becomes suspicious of Dana's contact with Max, particularly that the picture she took wasn't found on his body.

Father Jim and Brother Doug go to see Father Bernard, but the police are going through his church and question them. Father Bernard has had a stroke and can't talk, but he eye-motions Jim to his Bible, with which Jim fake-reads the father his last rites. (He makes a point of telling Doug afterward that he'll see that the proper last rights are performed later.) Jim takes the Bible with him and finds the list of agents concealed inside.

Schilling confides with his jealous cigarette girl, Clara (Lisa Pera), about how he sees an opportunity in playing spy. Going through Dana's things, he finds the component hidden in a fake jar of cold cream. He continues to attempt to seduce her, and is berated by Clara for being an amateur. When Clara insists on going to Eckert for Eric's own good, because she loves him, he shoots her in the back. When the IMF team gathers at Dornberg, they discovers that Dana's just got an ordinary jar of cold cream. With time being a factor, Jim hatches a plan for Schilling to bring the component to them at Dornberg Airport...but Eckert is listening in on Dana's call to him, and tails Eckert in order to sniff out the Dana's accomplices.

Paris in disguise pops out of a closed booth, makes the exchange with Schilling, and evades his tails while quickly popping the component into a vending machine, from which Jim subsequently retrieves it. Back in the IMF's airport maintenance van, the whole team assumes disguises as a television crew and Paris calls the airport manager posing as the deputy foreign minister. Eckert nabs Schilling and immediately sniffs out the funny money he was given. Schilling tries to tell Eckert that the whole scheme was Clara's idea, and Eckert indicates that he knows what became of her. The IMFers slip in with a group of passengers who are getting off a plane, and, at the deputy foreign minister's request, are denied entry to the country and told to re-embark...an order that Eckert threatens to enforce. As they depart the country with Eckert watching, the colonel refuses to guarantee Schilling his life, deriding him as a worthless amateur.

_______

The Mary Tyler Moore Show
"Bob and Rhoda and Teddy and Mary"
Originally aired November 14, 1970
Wiki said:
Rhoda's new boyfriend takes an interest in Mary, and the newsroom preoccupies itself with the impending Teddy Awards. Guest star: Greg Mullavey

Rhoda's so excited about her new boyfriend, Bob Peterson (Greg Mullavey), that she brings him over at two in the morning after a date while Mary's sleeping--the first time we see her in her own bed, which she has to up so they have somewhere to sit. But Bob seems to take a special liking to Mary. By the time Mary's put on coffee and gotten dressed, her guest have left. Back at the newsroom, we learn that Mary's been accompanying Rhoda and Bob on dates, at Bob's insistence. Then he comes to pick her up for lunch with the news that Rhoda won't be able to make it.

Mary's trying to talk with Rhoda about it when Bob calls her and Mary hands the phone to Rhoda. Rhoda can tell what's going on, asks Bob to make a choice, and he chooses Mary. Sore at Mary, Rhoda reluctantly attends the Teddy Award luncheon...where people start coming in to decorate for an Armenian wedding just as they're about to announce the award that Mary's public affairs program is up for, causing noise that drowns out the announcement. Rhoda thinks they announced Mary, so she gets up to grab the award only for the the announcer to repeat the actual winner's name. Afterward at Mary's apartment, Rhoda's enjoying Mary's embarrassment and the two of them release some tension by having a talk in which they come clean about things that they resent about each other.

In the coda, Lou's bought an award for the newsroom to lift their spirits after nobody won the awards that they were nominated for. Ted, who was up for two, seizes his opportunity to hold the trophy and give an acceptance speech...which continues into the closing credits, in lieu of the usual music and cast shots from the episode.

Henry Corden appears as Mr. Hartunian, who attends the luncheon because he's early for the Armenian wedding.

_______

Making fun of Jim Morrison, maybe?
Jim was a lot more wry and subtle referencing it himself.

If she was really from there, it would have said "Swamskit." :rommie:
Yeah...Florence Henderson doesn't talk funny enough to sell her character's background.

The way I understand it, Apple bought the rights to lure new subscribers, then decided to allow free viewing, and is now sharing with PBS stations.
Yeah, I caught an article about that just last night after posting. Talk about lousy timing with The Great Pumpkin...first time it hadn't aired in over 50 years, in the middle of the pandemic.
 
Ann, in her role as Miss Everything
Now she has two superhero names.

Then when Donald's out of the room, Ann gets a call from Governor Rockefeller, offering his gratitude for her having lost her ring in service to her state...but when Donald comes back in after the call, he breaks into his impersonation, implying that it was really him.
Then he removes his rubber mask, revealing Rollin Hand, and says, "I'm sorry, but I'm going to need that ring."

In the coda, Donald's enjoying another cake that Ann made, trying to guess what the flavor is, when Ann makes him think that she dropped a bar of soap in the batter.
But it was just a lye.

When Leroy calls his girlfriend to see how she likes the coat, it turns out that a very drunk Hank gave her the washing powder, and Vera shows up at the stand raving about her coat.
This sounds like a good one.

After the folks come back down from the attic she finds Vi holding the bag and Vi and Tom are embarrassed and disillusioned to find out what they thought they were getting high on.
Reminds me of the old Steve Martin routine: "I found a great new drug: Pla-cee-bo." :rommie:

Max brings Jim and Barney an item in an alley, but police are onto them (I'm unclear if this was because Schilling called them).
It seems like the title could apply to Max. Did Phelps pick this guy from his portfolio, I wonder, or is he somebody they got stuck with somehow?

the contact through whom the IMF contacted Max
That kind of implies the answer to that last question, I guess.

Father Bernard (Peter Brocco), has--what else?--a list of all the Western operatives in the region.
Josh Randall, Lucas McCain, Paladin, Lone Ranger.....

(He makes a point of telling Doug afterward that he'll see that the proper last rights are performed later.)
Nice touch.

Jim takes the Bible with him and finds the list of agents concealed inside.
Mary, Peter, James, Mark.....

He continues to attempt to seduce her, and is berated by Clara for being an amateur. When Clara insists on going to Eckert for Eric's own good, because she loves him, he shoots her in the back.
An amateur and a scumbag.

Paris in disguise pops out of a closed booth
Speaking of claustrophobia, whatever happened to Barney?

The IMFers slip in with a group of passengers who are getting off a plane, and, at the deputy foreign minister's request, are denied entry to the country and told to re-embark...an order that Eckert threatens to enforce.
Good one. :rommie:

But Bob seems to take a special liking to Mary.
Never introduce your boyfriend to Mary when she's in bed in her nightgown.

In the coda, Lou's bought an award for the newsroom to lift their spirits after nobody won the awards that they were nominated for.
Lou's just a big softie.

Yeah...Florence Henderson doesn't talk funny enough to sell her character's background.
True. :rommie:

Yeah, I caught an article about that just last night after posting. Talk about lousy timing with The Great Pumpkin...first time it hadn't aired in over 50 years, in the middle of the pandemic.
That's depressing. It's a changed world.
 
55 Years Ago This Week

Wiki said:
November 21 – Mireille Mathieu sings on France's "Télé-Dimanche" and begins her successful singing career.
November 22
  • Man of La Mancha opens in a Greenwich Village theatre in New York City and eventually becomes one of the longest-running and most iconic Broadway musical hits of all time.
  • The United Nations Development Programme (UNDP) is established as a specialized agency of the United Nations.
November 23 – Soviet general Mikhail Kazakov assumes command of the Warsaw Pact.
November 24 – Congolese lieutenant general Mobutu ousts Joseph Kasavubu and declares himself president.
Mark Lewisohn's The Beatles Day by Day said:
November 25 – Harrods department store in Knightsbridge, London, opens its doors to the Beatles for an after-hours, private Christmas shopping spree.
Wiki said:
November 26 – At the Hammaguir launch facility in the Sahara Desert, France launches a Diamant A rocket with its first satellite, Astérix-1 on board, becoming the third country to enter outer space.
November 27
  • Tens of thousands of Vietnam War protesters picket the White House, then march on the Washington Monument.
  • Vietnam War: The Pentagon tells U.S. President Lyndon B. Johnson that if planned major sweep operations to neutralize Viet Cong forces during the next year are to succeed, the number of American troops in Vietnam will have to be increased from 120,000 to 400,000.



Selections from Billboard's Hot 100 for the week:
1. "I Hear a Symphony," The Supremes
2. "Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds
3. "1-2-3," Len Berry
4. "Let's Hang On!," The Four Seasons
5. "Get Off of My Cloud," The Rolling Stones
6. "Rescue Me," Fontella Bass
7. "Taste of Honey," Herb Alpert & The Tijuana Brass
8. "Ain't That Peculiar," Marvin Gaye
9. "I Got You (I Feel Good)," James Brown & The Famous Flames
10. "You've Got to Hide Your Love Away," The Silkie
11. "A Lover's Concerto," The Toys
12. "I Can Never Go Home Anymore," The Shangri-Las
13. "My Baby," The Temptations
14. "My Girl Has Gone," The Miracles
15. "Run Baby Run (Back into My Arms)," The Newbeats
16. "Over and Over," The Dave Clark Five

20. "Something About You," Four Tops
21. "Make It Easy on Yourself," The Walker Brothers
22. "You're the One," The Vogues
23. "Everyone's Gone to the Moon," Jonathan King

25. "Keep On Dancing," The Gentrys
26. "Yesterday," The Beatles
27. "I'm a Man," The Yardbirds
28. "Hang on Sloopy," Ramsey Lewis Trio
29. "Let Me Be," The Turtles
30. "Everybody Loves a Clown," Gary Lewis & The Playboys

32. "Don't Think Twice," The Wonder Who?

34. "But You're Mine," Sonny & Cher
35. "I Knew You When," Billy Joe Royal

37. "Fever," The McCoys
38. "Make Me Your Baby," Barbara Lewis

41. "I Found a Girl," Jan & Dean
42. "Where Do You Go," Cher

44. "Round Every Corner," Petula Clark
45. "Mystic Eyes," Them
46. "Puppet on a String," Elvis Presley
47. "It's My Life," The Animals

50. "Positively 4th Street," Bob Dylan

52. "Sunday and Me," Jay & The Americans

58. "Where Have All the Flowers Gone," Johnny Rivers

60. "Flowers on the Wall," The Statler Brothers

65. "The Sound of Silence," Simon & Garfunkel

69. "The Little Girl I Once Knew," The Beach Boys

75. "You Didn't Have to Be So Nice," The Lovin' Spoonful


77. "The Duck," Jackie Lee

94. "Five O'Clock World," The Vogues


Leaving the chart:
  • "I Want to (Do Everything for You)," Joe Tex (13 weeks)
  • "Just a Little Bit Better," Herman's Hermits (10 weeks)
  • "Say Something Funny," Patty Duke (8 weeks)

Recent and new on the chart:

"Something About You," Four Tops
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(Nov. 13; #19 US; #9 R&B)

"The Little Girl I Once Knew," The Beach Boys
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(#20 US)

"You Didn't Have to Be So Nice," The Lovin' Spoonful
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(#10 US)

"Five O'Clock World," The Vogues
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(#4 US)


And new on the boob tube:
  • Branded, "The Greatest Coward on Earth"
  • 12 O'Clock High, "Storm at Twilight"
  • Gilligan's Island, "Hi-Fi Gilligan"
  • The Wild Wild West, "The Night of the Red-Eyed Madmen"
  • Hogan's Heroes, "Happiness Is a Warm Sergeant"
  • Get Smart, "Too Many Chiefs"

_______

But it was just a lye.
There's a special circle of Hell reserved for people who make puns like that.

It seems like the title could apply to Max.
I was thinking the same thing.

Josh Randall, Lucas McCain, Paladin, Lone Ranger.....
:lol:

Mary, Peter, James, Mark.....
:angel:

An amateur and a scumbag.
You were expecting less from Anthony Zerbe?
MI58.jpg
All he needs is some hair dye dripping down the side of his face.

Speaking of claustrophobia, whatever happened to Barney?
He unlocked the vending machine and put an "Out of Order" sign on it. Yeah, disappointing that he didn't crawl in. And I believe he was manning his "Barney Briefcase" to patch in Paris as the deputy foreign minister.

Also, it looks like he'll be getting a spotlight episode this week.
 
Last edited:
At the same time, his daughter, Barbara (Kathy Lloyd)

This is a fun time for her credits, bouncing between Kathy, Kathleen, Gackle and Lloyd.

It's not bringing that something extra to the group's catalog that you're not getting from the studio albums.

Yeah... I guess I'll disagree. What you get on "Ya Yas" is a band having fun playing rock and roll, and streamlining its catalog to suit a back-to-basics two-guitar blues band format (with Stu, who idolized Johnnie Johnson, adding some piano on the Berry covers). But it's without the heaviness of Cream or Zeppelin, nor the extended-extended-extended soloing of Ten Years After. There's nothing on the record that could be called ponderous ("Midnight Rambler" is 9 minutes, but doesn't feel indulgent as it moves through tempo-shifted sections with guitar solos shorter bursts). There's also little of the "serious artist" posturing which would continue to snowball into the new decade (ahem, Stephen Stills).

The Easterny treble figures (which I assume came from Brian) are gone from "Jumpin' Jack Flash," the overdriven acoustic bed from "Street Fighting Man," but they lose nothing overall in their energetic upscaled bar band presentation. Probably the most revolutionary is "Sympathy for the Devil." What came from the studio as a kind of hypnotic Latin groove of piano, bass and percussion has been transformed to a swinging Bo Diddley rocker. Charlie is right on the money as always but has never felt looser, Wyman fully picks up the mantle of Keith's studio bass lines, and Keith's solo is one of his finest garage-Chuck Berry assimilations. Taylor's solos on the whole record are tasteful and well integrated, not as show-offy as his rapid and fluid hammer-on style would later become onstage, and there is a more equal division of guitar duties (especially on "Live With Me") than later in the Taylor era.

Is it as good as Live at Leeds? I vote yes.
 
Yeah... I guess I'll disagree. What you get on "Ya Yas" is a band having fun playing rock and roll, and streamlining its catalog to suit a back-to-basics two-guitar blues band format (with Stu, who idolized Johnnie Johnson, adding some piano on the Berry covers). But it's without the heaviness of Cream or Zeppelin, nor the extended-extended-extended soloing of Ten Years After. There's nothing on the record that could be called ponderous ("Midnight Rambler" is 9 minutes, but doesn't feel indulgent as it moves through tempo-shifted sections with guitar solos shorter bursts). There's also little of the "serious artist" posturing which would continue to snowball into the new decade (ahem, Stephen Stills).

The Easterny treble figures (which I assume came from Brian) are gone from "Jumpin' Jack Flash," the overdriven acoustic bed from "Street Fighting Man," but they lose nothing overall in their energetic upscaled bar band presentation. Probably the most revolutionary is "Sympathy for the Devil." What came from the studio as a kind of hypnotic Latin groove of piano, bass and percussion has been transformed to a swinging Bo Diddley rocker. Charlie is right on the money as always but has never felt looser, Wyman fully picks up the mantle of Keith's studio bass lines, and Keith's solo is one of his finest garage-Chuck Berry assimilations. Taylor's solos on the whole record are tasteful and well integrated, not as show-offy as his rapid and fluid hammer-on style would later become onstage, and there is a more equal division of guitar duties (especially on "Live With Me") than later in the Taylor era.

Is it as good as Live at Leeds? I vote yes.
You've definitely got a better-developed musical ear than I. For my money, I was judging based on whether the live album had substantial unique material not available on the studio albums...like Absolutely Live having multiple numbers, both covers and originals, that the Doors never did on their studio albums...including the full-length "Celebration of the Lizard". Live at Leeds also qualifies in that department, even just looking at the original 1970 track listing...including the dramatically extended version of "My Generation".

I should mention that the Who are among the artists who are currently enjoying a strong presence on my extended 50th anniversary master playlist that includes representative album tracks. Currently they've got a substantial amount of material from Tommy and Live at Leeds, as well as their performance on the Woodstock soundtrack. The new album playlist business persuaded me to belatedly buy both the Woodstock soundtrack and the Hair original cast recording.
 
"Something About You," Four Tops
This is okay. The opening sounds a little bit like "Love Machine."

"The Little Girl I Once Knew," The Beach Boys
Not their best, but still pretty good.

"You Didn't Have to Be So Nice," The Lovin' Spoonful
Love the Lovin' Spoonful.

"Five O'Clock World," The Vogues
I like this one. I'm surprised it's so short. I was going to say it's an Oldies Radio Classic, but I actually haven't heard it in a long time.

There's a special circle of Hell reserved for people who make puns like that.
It's a fun circle. We have Pi.

All he needs is some hair dye dripping down the side of his face.
Haha. :rommie:

He unlocked the vending machine and put an "Out of Order" sign on it. Yeah, disappointing that he didn't crawl in. And I believe he was manning his "Barney Briefcase" to patch in Paris as the deputy foreign minister.
Oh, okay, it seemed like he disappeared.

Also, it looks like he'll be getting a spotlight episode this week.
Ah, wonderful.
 
50 Years Ago This Week

Wiki said:
November 22 – Guinean president Ahmed Sékou Touré accuses Portugal of an attack when hundreds of mercenaries land near the capital Conakry. The Guinean army repels the landing attempts over the next three days.
November 23 - The American Indian Movement seizes a replica of the Mayflower in Boston.
November 25 – 29 – A U.N. delegation arrives to investigate the Guinea situation.
November 25 – In Tokyo, author and Tatenokai militia leader Yukio Mishima and his followers take over the headquarters of the Japan Self-Defense Forces in an attempted coup d'état. After Mishima's speech fails to sway public opinion towards his right-wing political beliefs, including restoration of the powers of the Emperor, he commits seppuku (public ritual suicide).
November 26
  • East Pakistan leader Sheikh Mujibur Rahman accuses the central government of negligence in catastrophe relief.
  • Pope Paul VI begins an Asian tour.
  • Rodgers and Hammerstein's Oklahoma! makes its network TV debut, when CBS telecasts the 1955 film version as a three-hour Thanksgiving special.
November 27 – Bolivian artist Benjamin Mendoza tries to assassinate Pope Paul VI during his visit in Manila.
November 28 – The Montréal Alouettes defeat the Calgary Stampeders, 23–10, to win the 58th Grey Cup.



Selections from Billboard's Hot 100 for the week:
1. "I Think I Love You," The Partridge Family
2. "The Tears of a Clown," Smokey Robinson & The Miracles
3. "I'll Be There," Jackson 5
4. "We've Only Just Begun," Carpenters
5. "Fire and Rain," James Taylor
6. "Gypsy Woman," Brian Hyland
7. "Indiana Wants Me," R. Dean Taylor
8. "Montego Bay," Bobby Bloom
9. "Heaven Help Us All," Stevie Wonder
10. "Green-Eyed Lady," Sugarloaf
11. "You Don't Have to Say You Love Me" / "Patch It Up", Elvis Presley
12. "See Me, Feel Me," The Who
13. "Cry Me a River," Joe Cocker
14. "Engine Number 9," Wilson Pickett
15. "5-10-15-20 (25-30 Years of Love)," The Presidents
16. "Share the Land," The Guess Who
17. "Super Bad (Pt. 1 & Pt. 2)," James Brown
18. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)
19. "It Don't Matter to Me," Bread
20. "Does Anybody Really Know What Time It Is?," Chicago
21. "Stoned Love," The Supremes
22. "All Right Now," Free
23. "Yellow River," Christie
24. "No Matter What," Badfinger
25. "One Less Bell to Answer," The 5th Dimension
26. "Let's Work Together," Canned Heat
27. "Black Magic Woman," Santana
28. "Still Water (Love)," Four Tops
29. "After Midnight," Eric Clapton
30. "For the Good Times," Ray Price

32. "Cracklin' Rosie," Neil Diamond

34. "He Aint Heavy...He's My Brother," Neil Diamond
35. "Be My Baby," Andy Kim
36. "Lola," The Kinks
37. "Stand by Your Man," Candi Staton
38. "Deeper & Deeper," Freda Payne

43. "One Man Band," Three Dog Night
44. "Only Love Can Break Your Heart," Neil Young

47. "Domino," Van Morrison

51. "River Deep - Mountain High," The Supremes & Four Tops

56. "Stoney End," Barbra Streisand
57. "Groove Me," King Floyd
58. "Pay to the Piper," Chairmen of the Board

62. "It's Impossible," Perry Como

65. "Knock Three Times," Dawn
66. "Fresh Air," Quicksilver Messenger Service

68. "We Gotta Get You a Woman," Runt

71. "Immigrant Song," Led Zeppelin
72. "My Sweet Lord" / "Isn't It a Pity", George Harrison

78. "(Don't Worry) If There's a Hell Below We're All Going to Go," Curtis Mayfield

83. "Mr. Bojangles," Nitty Gritty Dirt Band

86. "If I Were Your Woman," Gladys Knight & The Pips
87. "Beaucoups of Blues," Ringo Starr

89. "Your Song," Elton John

91. "Amos Moses," Jerry Reed

93. "Rose Garden," Lynn Anderson
94. "Paranoid," Black Sabbath


Leaving the chart:
  • "Candida," Dawn (18 weeks)
  • "El Condor Pasa (If I Could)," Simon & Garfunkel (11 weeks)
  • "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band (15 weeks)
  • "It's Only Make Believe," Glen Campbell (12 weeks)
  • "Look What They've Done to My Song, Ma," The New Seekers feat. Eve Graham (12 weeks)

New on the chart:

"Paranoid," Black Sabbath
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(#61 US; #4 UK; #250 on Rolling Stone's 500 Greatest Songs of All Time)

"River Deep - Mountain High," The Supremes & Four Tops
(#14 US; #7 R&B; #11 UK)

"If I Were Your Woman," Gladys Knight & The Pips
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(#9 US; #1 R&B)

"Your Song," Elton John
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(#8 US; #9 AC; #7 UK; #136 on Rolling Stone's 500 Greatest Songs of All Time)

"Rose Garden," Lynn Anderson
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(#3 US; #5 AC; #1 Country; #3 UK)

"My Sweet Lord," George Harrison
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(#1 US the weeks of Dec. 26, 1970, through Jan. 16, 1971, as double A-side w/ "Isn't It a Pity"; #10 AC; #1 UK; #454 on Rolling Stone's 500 Greatest Songs of All Time)

"Isn't It a Pity," George Harrison
(#1 US the weeks of Dec. 26, 1970, through Jan. 16, 1971, as double A-side w/ "My Sweet Lord")


And new on the boob tube:
  • Hogan's Heroes, "It's Dynamite"
  • The Ed Sullivan Show, Season 23, episode 10
  • Rowan & Martin's Laugh-In, Season 4, episode 11
  • Hawaii Five-O, "Over Fifty? Steal"
  • The Partridge Family, "Go Directly to Jail"
  • That Girl, "Stop the Presses, I Want to Get Off"
  • Love, American Style, "Love and the Champ / Love and the Pen Pals"
  • Mission: Impossible, "The Rebel"
  • Adam-12, "Log 25: Indians"
  • The Mary Tyler Moore Show, "1040 or Fight"

_______

This is okay. The opening sounds a little bit like "Love Machine."
It reminds me of the Supremes' "Love Is Like an Itching in My Heart," which is five months off at this point. I read that the guitar riff was unusual for Motown at the time, and likely meant to emulate "Satisfaction".

Not their best, but still pretty good.
While not one of their better-known singles, this is a particularly noteworthy bit of business because, though not used on the album, it was the first release from the sessions for Pet Sounds, recorded right after "Sloop John B". I read that "The Little Girl I Once Knew" had trouble getting airplay because of the full stops...DJs having a knee-jerk aversion to even brief moments of dead air. It did, however, famously receive a rave peer review in the fan magazine The Beatles Book...
John Lennon said:
This is the greatest! Turn it up, turn it right up. It's GOT to be a hit. It's the greatest record I've heard for weeks. It's fantastic. I hope it will be a hit. It's all Brian Wilson. He just uses the voices as instruments. He never tours or anything. He just sits at home thinking up fantastic arrangements out of his head. Doesn't even read music. You keep waiting for the fabulous breaks. Great arrangement. It goes on and on with all different things. I hope it's a hit so I can hear it all the time.


RJDiogenes said:
Love the Lovin' Spoonful.
This one is a particular goodie among their classic hits.

I like this one. I'm surprised it's so short. I was going to say it's an Oldies Radio Classic, but I actually haven't heard it in a long time.
It's getting to be more like a 7:30 world to me, now that I'm working from home.

It's a fun circle. We have Pi.
:mad: :scream: :angryrazz:
 
I read that the original idea was to actually use material from the show, reedited.

It was, but wiser heads prevailed, and an original film was greenlit. That, and the original Barnabas storyline ran for so long on the TV series, that it would have been close to impossible to cobble together a coherent film with weeks of important plot/character development edited out.


Even if they'd gotten rid of him after a few months, I'm sure that it still would have played as it did on the series up to a point, which involved giving the storyline a lot more breathing room and maintaining the mystery of Barnabas's true nature longer. Too much of what I enjoyed about the show was lost in this version.

By its nature, a movie does not have that time, and since by 1970, millions were familiar with pop-culture icon Barnabas he vampire, there would no need to try to pace the story in the way the TV series did, when it was all new.

I didn't think that it was set up clearly enough...he gets shot taking the bolt for Barnabas, then immediately turns on Barnabas.

How so? Throughout the film, Willie constantly protests Barnabas' interest in Maggie, and his eventual turn on Barnabas was foreshadowed early in the film when Carolyn visits the Old House, and while speaking to Willie, he is seen gathering a hammer and sharp metal tool.

I thought that bit was in the film.

No, the scene of Roger and others investigating Carolyn's mausoleum never made the theatrical, cable or home video version of the film. There were a contact sheet of the scene discovered and released to the public in the past 20 years, but the actual footage has never been recovered.
 
"Paranoid," Black Sabbath
One of the best from Black Sabbath.

This is great.

"If I Were Your Woman," Gladys Knight & The Pips
This is also great.

"Your Song," Elton John
This is a lovely song. Probably his best.

"Rose Garden," Lynn Anderson
This is a good one.

"My Sweet Lord," George Harrison
This is also very good. We're having a good week here. :rommie:

This is nice. I don't know if I've ever heard it before.

recorded right after "Sloop John B".
Now there's a great song. My favorite Beach Boys song.

I read that "The Little Girl I Once Knew" had trouble getting airplay because of the full stops...DJs having a knee-jerk aversion to even brief moments of dead air.
Understandable, given how quick people are to change the station, especially in their car (I could never understand why home radios didn't come with those buttons).

It did, however, famously receive a rave peer review in the fan magazine The Beatles Book...
That's some serious praise. I like the song for how well it encapsulates and embodies a commonly shared life experience.

It's getting to be more like a 7:30 world to me, now that I'm working from home.
I can dig it.

:D
 
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