• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

The Classic/Retro Pop Culture Thread

It seems that we are starting to get some early stirrings of reggae. Johnny Nash will pop back up on the radar in 1972 when he scores a #1 with "I Can See Clearly Now," along with another Top 20 hit...
"Stir It Up," both great songs.

"A Very Special Love"
Not bad, kind of generic. I had no idea his career went back that far.

I'd give 'em a little more credit than that. I doubt we could do better. :p I can't dance, you won't dance....
Actually, I found them kind of charming. And I won't because I can't. :rommie:

Perhaps the Beatles' greatest achievement in the single format...the 7:11 epic that AM radio reportedly didn't dare cut short lest the stations incur the wrath of lit switchboards.
At least it falls under the iTunes cutoff.

Paul apologized for it as a filler lyric, but John opined that it was the best line in the song.
Paul and John in a nutshell. :rommie:

...with a more generic blue and white logo.
Uh oh. These kinds of changes generally do not bode well.
 
_______

50th Anniversary Album Spotlight

_______

Anthem of the Sun
Grateful Dead
Released July 18, 1968
Chart debut: August 31, 1968
Chart peak: #87, October 26, 1968
#287 on Rolling Stone's 500 Greatest Albums of All Time

The Grateful Dead is a band I've known primarily through reputation, and from their '80s mainstream hit. I bought a handful of the their vintage songs for my playlists, but wasn't encouraged to dig further, having been put off by what I perceive as Deadhead snobbery. "The only way to hear the Dead is to follow them around in concert for decades" isn't a great way to encourage people to try their records. But the people who contributed to the Rolling Stone list tell me that there are some albums that I might want to check out after all, so here goes.

This is the band's second album, and chronologically the first on the RS list. Some interesting info about the production of the album:
Wiki said:
The mix of the album combines multiple studio and live recordings of each song. The result is an experimental amalgam that is neither a studio album nor a live album, but both at the same time (though it is usually classified as a studio album).

Drummer Bill Kreutzmann's description of the production process describes the listening experience of the album as well: "...Jerry [Garcia] and Phil [Lesh] went into the studio with [Dan] Healy and, like mad scientists, they started splicing all the versions together, creating hybrids that contained the studio tracks and various live parts, stitched together from different shows, all in the same song — one rendition would dissolve into another and sometimes they were even stacked on top of each other... It was easily our most experimental record, it was groundbreaking in its time, and it remains a psychedelic listening experience to this day."


Side One consists of three tracks, with the first of these, "That's It for the Other One," consisting of four parts.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
"I. Cryptical Envelopment," seems to be about somebody who's condemned to death for nonconformity, or something to that effect; I'm particularly struck by the lyric "And all the children learning / From books that they were burning". I assume that "II. Quadlibet for Tenderfeet" is the change in the song at 1:25, where it gets less mellow and it sounds like a different vocalist. There's a reprise to Part I around 3:59, and I'm not sure if that's the end of Part II or the beginning of "III. The Faster We Go, the Rounder We Get," but it segues to a heavy instrumental section around 4:43, which is clearly a new part of the song. From this point forward, there are no lyrics. I think that "IV. We Leave the Castle" begins between 5:40 and 6:25, when the instrumental section segues into a Satanic Majesties-ish cacophonous experimental section.

The distinct tracks on this album also segue into one another...a technique that, in my recent period album listening, is surprisingly not as commonly utilized as you'd think following Pepper. Other than Satanic Majesties, the only other album in my recent listening that springs to mind for having used the technique extensively was The Notorious Byrd Brothers (released Jan. 15, 1968; debuted Feb. 3, 1968; peaked at #47, Mar. 30, 1968; #171 on Rolling Stone's 500 Greatest Albums of All Time).

Back to the Dead, the track being segued into is "New Potato Caboose," which has a very mellow vibe and cryptic lyrics.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
The last lyrics in this song fall less than halfway into its 8-1/2 minutes, followed by a long instrumental section. This track generally reminds me a lot of the first section of the previous song.

The transition into "Born Cross-Eyed" isn't a smooth segue, but it does lack a distinct space between songs.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
This track makes good use of production techniques and stereo channels, painting an interesting sonic landscape when listening with earbuds.

Side Two consists of two lengthy tracks. The first, "Alligator," is over 11 minutes long. iTunes wouldn't let you buy it separately, but YouTube will let you listen to it for free:
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
This one has a somewhat Country Rock-ish vibe and seems to be a metaphorical description of a character who's bad news...apparently an ex-con. It's sonically noteworthy for its use of kazoos. Overall, I'd say that the album sounds very studio, but this track gets distinctly live-sounding at 3:20-ish when it goes into a jam section that starts with a call for everybody to get up and dance.

This segues into the 9-minute final track, "Caution (Do Not Stop on Tracks)":
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
This song sounds bluesy and is more narratively straightforward than the other songs on the album. It's about the singer going to a gypsy for help with his love life...with a medicinal-sounding solution. It starts getting distorted and experimental around 3:15-ish. What follows definitely sounds like that blending of different live and studio material that the Wiki article describes. The last segment of the song, starting at around 6:54, literally sounds like somebody playing with the knobs in the control booth.

Overall, not bad. There's nothing that really pops for me musically, but it all listens well and has a good psychedelic vibe. I can start to hear what the fuss is about, even without being there live or having anything in my system harder than an ale.

_______

And I won't because I can't. :rommie:
Ah...I'd been working under the impression that you were a one-man town from Footloose.

At least it falls under the iTunes cutoff.
Not that it matters to me in this case, as I own the CDs...and would be buying the whole albums if I didn't.

Paul and John in a nutshell. :rommie:
Yep...that and John adding "Can't get no worse" to "Getting Better". Paul says that the line in "Hey Jude" makes him a little emotional when he sings it, because it reminds him of John.
 
Last edited:
The Grateful Dead is a band I've known primarily through reputation, and from their '80s mainstream hit.
That more or less describes my feelings, although I was subjected to a lot of second-hand Dead back in the day. And I do have a fondness for "Casey Jones."

Ah...I'd been working under the impression that you were a one-man town from Footloose.
I think that means I have some moral opposition to dancing in general? Boy Howdy, no. :rommie:

Yep...that and John adding "Can't get no worse" to "Getting Better". Paul says that the line in "Hey Jude" makes him a little emotional when he sings it, because it reminds him of John.
I can imagine. :(

^^ That was unintended, but it worked out well.
 
_______

Selections from Billboard's Hot 100 for 55 years ago this week:
1. "My Boyfriend's Back," The Angels

3. "If I Had A Hammer," Trini Lopez
4. "Hello Mudduh, Hello Fadduh! (A Letter from Camp)," Allan Sherman
5. "(Love Is Like a) Heat Wave," Martha & The Vandellas
6. "Then He Kissed Me," The Crystals
7. "Surfer Girl," The Beach Boys
8. "The Monkey Time," Major Lance
9. "Sally Go 'Round the Roses," The Jaynetts
10. "Mockingbird," Inez & Charlie Foxx
11. "Hey Girl," Freddie Scott
12. "Candy Girl," The Four Seasons
13. "Cry Baby," Garnet Mimms & The Enchanters
14. "Frankie and Johnny," Sam Cooke
15. "Mickey's Monkey," The Miracles
16. "Wonderful! Wonderful!," The Tymes

18. "Denise," Randy & The Rainbows

20. "Be My Baby," The Ronettes
21. "Blowin' in the Wind," Peter, Paul & Mary
22. "The Kind of Boy You Can't Forget," The Raindrops
23. "Fingertips, Pt. 2," Little Stevie Wonder
24. "Martian Hop," The Ran-Dells
25. "Little Deuce Coupe," The Beach Boys
26. "More," Kai Winding & Orchestra

29. "A Walkin' Miracle," The Essex feat. Anita Humes
30. "Wait 'Til My Bobby Gets Home," Darlene Love

32. "Hey There Lonely Boy," Ruby & The Romantics

37. "Judy's Turn to Cry," Lesley Gore
38. "Busted," Ray Charles

41. "Wipe Out," The Surfaris
42. "Only in America," Jay & The Americans
43. "Green, Green," The New Christy Minstrels
44. "Wham!," Lonnie Mack

47. "I (Who Have Nothing)," Ben E. King

52. "I Can't Stay Mad at You," Skeeter Davis

58. "Honolulu Lulu," Jan & Dean

67. "Don't Think Twice, It's Alright," Peter, Paul & Mary

70. "Talk to Me," Sunny & The Sunglows
71. "Mean Woman Blues," Roy Orbison
72. "I'll Take You Home," The Drifters

75. "Donna the Prima Donna," Dion

86. "Blue Bayou," Roy Orbison
87. "Fools Rush In," Rick Nelson

94. "Deep Purple," Nino Tempo & April Stevens



Leaving the chart:
  • "Just One Look," Doris Troy
  • "So Much in Love," The Tymes
  • "Surf City," Jan & Dean
  • "Twist It Up," Chubby Checker
  • "(You're the) Devil in Disguise," Elvis Presley


55 Years Ago Spotlight

"Hey, the last song we did by that Dylan guy worked out...let's try another one!"

"Don't Think Twice, It's Alright," Peter, Paul & Mary
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #2 AC)

_______

And I do have a fondness for "Casey Jones."
I don't have that one, but it sounds familiar...possibly from classic rock radio. The 1970 album that it's from will be coming up eventually as 50th anniversary business, as it's on the RS list.
 
So H&I has made a significant seasonal change to its lineup. The Comic Book Heroes block is gone. They're now playing multiple episodes of The Incredible Hulk and The Greatest American Hero on Saturday morning, then moving on to other programming in the afternoon. Completely gone from their lineup, among other shows, are The Adventures of Superman, Batman, and Tarzan! No wonder Decades was paying so much attention to the latter show...Weigel was about to put it under. This marks a significant shift on H&I back toward '90s-era cop/detective shows, though the six-night-a-week All Star Trek block still seems to be working for them. Oddly, they also seem to have replaced their striking, colorful intro logos, which used tilted bits of footage from each show...
bss03-jpg.6128

...with a more generic blue and white logo.
^^^
And as of last Saturday - Star Trek (TOS) is off METV - and was replaced by "Buck Rodgers in the 25th Century" and effectively now paired with "Battlestar Galactica" (1978).
 
Whoa, looks like they kicked Superman and Batman off of Me as well....What's Weigel coming to?

Looks like they want a change to the schedule.

True enough. I wonder how hard it would have been to find one out in the bars and nightclubs of Hollywood, though, even then.


Clang!

There were all-women groups in the mid-to-late '60's that played their own instruments and were like guy groups, but they didn't get any big recognition, like a group that Chrissie Hynde knew back in Akron, Ohio in the mid-to-late '60's called The Poor Girls (mentioned in her book Reckless.)
 
Last edited:
And the reason it wouldn't is because people are way too sensitive and tetchy these days, in addition to not really having a sense of humor and also having no idea of satire or context (case in point, this silly moron and her campaign/fatwa against Stephen Colbert for some satire he did on The Colbert Report.)
At first I thought she must be trying to out-Colbert Colbert, because nobody could be that far gone-- but this is the 21st century, after all. :rommie:

"Don't Think Twice, It's Alright," Peter, Paul & Mary
This was on their Ten Years Together album, which was one of those 8-Tracks that I listened to endlessly around the turn of the decade, along with Simon & Garfunkel and Donovan. I love that album.

I don't have that one, but it sounds familiar...possibly from classic rock radio. The 1970 album that it's from will be coming up eventually as 50th anniversary business, as it's on the RS list.
It wasn't commonly played, but it was one of those gems you'd get late at night.

^^^
And as of last Saturday - Star Trek (TOS) is off METV - and was replaced by "Buck Rodgers in the 25th Century" and effectively now paired with "Battlestar Galactica" (1978).
Wow, it didn't dawn on me that Buck replaced Trek.

There were all-women groups in the mid-to-late '60's that played their own instruments and were like guy groups, but they didn't get any big recognition, like a group that Chrissie Hynde knew back in Akron, Ohio in the mid-to-late '60's called The Poor Girls (mentioned in her book Reckless.)
Yeah, I figured there must have been, so it would have been nice to see a real one.
 
This was on their Ten Years Together album, which was one of those 8-Tracks that I listened to endlessly around the turn of the decade, along with Simon & Garfunkel and Donovan. I love that album.
It's got nothing on the Dylan original, but I assume that these early hit covers must have played a substantial role in his rise to prominence.

Speaking of Dylan covers...Best. One. Ever. coming up in next week's 50th anniversary list...you know, the one that makes people say, "I didn't know that was a Bob Dylan song."
 
_______

50th Anniversary Catch-Up Viewing

_______

The Monkees
"The Monkees Blow Their Minds"
Originally aired March 11, 1968
Wiki said:
The Monkees swing to the rescue when mentalist Oracullo (Monte Landis) gains control of Peter's mind to use him in a nightclub act. Director James Frawley appears as Oracullo's assistant Rudy.

Note: No laugh track. Final appearance of Mr. Schneider. Featuring cameos by Frank Zappa (who appears with Mike in the teaser) and Burgess Meredith (as the Penguin).
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

This time what would normally be the end-of-episode tag is at the beginning, with Mike and Frank Zappa impersonating each other as "Mike" interviews "Frank". During the interview, they reference the Beach Boys and the Byrds. Then they drop the disguises and smash up a car.
Mike as Frank said:
You're a popular musician. I'm dirty, gross, and ugly.
Any opinions on Frank and the Mothers of Invention? I skipped past a couple of their albums on the Rolling Stone list, as my impression from an odd song of theirs that I'd sampled was that they were a bit fringey and grotesque.

The single version of "Valleri" makes an appearance (12:07+) as Davy and Micky try to break Peter out of his trance.

Burgess Meredith appears intermitently at 17:57+. He's costumed but not made up, sitting at a table in the nightclub doing a subdued version of his Penguin laugh. The gag just keeps popping up without really going anywhere.

An instrumental version of "Gonna Buy Me a Dog" plays as everyone starts acting like dogs (20:48+). This climactic song sequence is vaguer than usual about how the Monkees get out of their predicament...maybe the director should have spent more time behind the camera.

Unconnected ending song sequence: "Daily Nightly" (21:58+). Being unconnected from a typical formula episode like this is not a bad thing.

_______

The Rat Patrol
"The Never Say Die Raid"
Originally aired March 11, 1968
H&I said:
Troy and Hitchcock are captured by a German colonel who plans to force them to radio misinformation back to their headquarters. Meanwhile, Moffitt and Pettigrew's rescue attempts are frustrated by an Italian lieutenant who insists upon surrendering to them.

Subbing for Dietrich this episode is Frank Marth as Col. von Bracht. He has vays of making zem radio in false information...including a laughing henchman with a blowtorch. Moffitt and Tully take the two surrendered Italians' uniforms to get into the German camp, with the happily cooperating Italians playing their American prisoners.
Col. von Bracht said:
Forgive me if I stare, but it is the first time I have ever seen an Italian with a prisoner.


Moffitt turns the tables by feeding the Germans false information as a diversion. The Rats ultimately get control of the German radio to send the actual information about the German offensive. Maybe the Colonel should have given them false info in the first place, instead of divulging the true details of the offensive.

There's a slightly eye-rolling coda gag where the two Italians' whole unit gleefully surrenders.

Overall, this was a fairly entertaining episode by TRP's lightweight standards.

_______

The Rat Patrol
"The Kill at Koorlea Raid"
Originally aired March 18, 1968
Series finale
H&I said:
The Rat Patrol is ordered to accompany a British sniper on a mission to assassinate a brutal German general, but Troy decides that capturing the general alive is a better plan.

The band's all back together for the finale, even Tully's bazooka. Dietrich gets another sympathy beat, reacting to General Koenig (Philip Bruns)'s atrocities. Meanwhile, Troy butts heads with the sniper, Corporal Freebairn (William Watson), who's played up as being just as unsympathetic a character as "The Butcher" (to use the general's rather uninspired nickname).

Troy changes the plan when it turns out that the general's family, including three kids, are with him at his retreat. While Troy's point of not wanting to have the general shot in front of his kids is well taken, I have to question whether his plan to go in commando-style isn't more dangerous to the little ones...especially as it results in holding the general at rifle-point in front of the kids! One would think they'd find that pretty traumatic, but the unspeaking child extras take it all in stride.

Dietrich gets winged in the climax; and denied his original target, the corporal scores a symbolic prestige kill on the Butcher's empty chair. Moffitt seems to get where his fellow Brit is coming from somewhat, but Troy continues to express his disapproval right into the episode's coda.

And so the Patrol rides off the desert set, onto location, and into TV limbo....
TRP05.jpg

Overall, this show was...pretty underwhelming. It's easily watched, but I wouldn't highly recommend it.

_______

The Monkees
"The Frodis Caper"
Originally aired March 25, 1968
Series finale
Wiki said:
The Monkees match wits with the insane Wizard Glick (Rip Taylor), who is out to control the minds of television viewers worldwide.

Notes: No laugh track. Directed by Micky Dolenz. Special guest appearance by Tim Buckley in the end-of-episode tag segment. One of Wizard Glick's henchmen says that the Monkeemen monitor "Ain't been activated in 5 years", implying that the fictional Monkees have been together since at least 1963, and had battled Wizard Glick before. The alternative title, "Mijacogeo" comes from the name of Mickey Dolenz' childhood pet dog, who was named after all the members of Micky's family at the time: Micky, Janelle (his mother), Coco (his sister) and George (his father).
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

The Monkees wake up to the playing of "Good Morning Good Morning" from Sgt. Pepper, though the rooster crow comes before the needle hits the record.
An IMDb Trivia post said:
The Beatles were such fans of the show that when they learned the Monkees wished to use this track, they graciously licensed it free of charge, with no royalties owed. This was the only time the Beatles allowed any of their recordings to be used in a film or TV show royalty-free. This was also the first time a licensed Beatles song was heard on a Prime Time television program.
If that's all true, I assume that last part is just counting American broadcasts, as The Prisoner had used "All You Need Is Love" over a month earlier in the UK.

The basic premise of this episode is a bit too similar to the previous one, but this installment has the benefit of being more surreal and unusually shot.

The gag about Dragnet being on indicates that a few days must have passed since the gag about The Monkees being on...and they got Dragnet's timeslot wrong from what Wiki tells me. And shouldn't the Monkees be on Pacific time anyway...?

At one point the Monkees use a pseudo-Fizzbin gag to escape, but it involves cribbage and is much more brief in its execution.

The climactic song sequence (or "Typical Monkee Romp" as the text flashed onscreen describes it) features "Zor and Zam" (18:15+).

In the unconnected end sequence (21:08+), Tim Buckley performs "Song to the Siren" while sitting on or in front of the car that Mike and Frank Zappa smashed up.

The appearances of Zappa and Buckley seem to be an indication of what I was just reading about, that the Monkees wanted to continue the show in an hour-long variety format. It would seem, then, that I'm in good company in being unsatisfied with the show's usual routine.

This might not be our last 50th anniversary viewing business involving the Monkees, as I'm inclined to give Head a try when it comes up in the Fall...though I caught some of it on TV back in the '80s and it seemed incomprehensible.

_______

I'll, uh, watch for it.....
It's fun to blast while driving by this place:
Watchtower.jpg
 
Last edited:
Any opinions on Frank and the Mothers of Invention?
I like some of Zappa's stuff, but I have to say that I admire his work more than I actually enjoy it.

Overall, this show was...pretty underwhelming. It's easily watched, but I wouldn't highly recommend it.
I don't really have any interest in the war genre, but Twelve O'Clock High definitely seems the better of the two.

Series finale
That's it for Rat Patrol and Monkees. Do we have any other animal shows to replace them?

If that's all true, I assume that last part is just counting American broadcasts, as The Prisoner had used "All You Need Is Love" over a month earlier in the UK.
That's probably what they mean by "prime time."

The appearances of Zappa and Buckley seem to be an indication of what I was just reading about, that the Monkees wanted to continue the show in an hour-long variety format.
Interesting idea. I envision an amalgam of Ed Sullivan and Laugh-In.

It's fun to blast while driving by this place:
You should go up to the door and knock. :rommie:
 
"Monkees Mind Their Manor"
Originally aired February 26, 1968

The "manor" is a Screen Gems backlot structure which appears in several Monkees episodes, as well as just about any other SG production you can think of.

Davy breaks the fourth wall by identifying the customs agent as the show's property man. The other three are introduced at the manor as "Pisces, Aquarius, and Capricorn."

That was a funny scene; in the background, you can see Mike and Peter crack up when Micky wraps his arms around Jack Williams like a hysterical fan.

Overall, a "blah" episode, which is unfortunate for Peter's only turn at directing an episode.

The Monkees
"Some Like It Lukewarm"
Originally aired March 4, 1968

Plenty of laughs from the usual season two weirdness.

MC's play-by-play during the song is pretty annoying.

The "MC" was a very popular disc jockey named Jerry "The Geator with the Heater" Blavat. Among his credits is bringing exposure to key songs from The Isley Brothers ("Twist and Shout") and the Four Seasons ("Sherry").

After a Cinderella-ish romance beat between Davy and the Daphne, the guys and gals join forces for "She Hangs Out" (18:00+).

Daphne was played by Deana Martin, Dean's daughter.

This episode might have been better if they'd actually given the girl group their own material, performed by a female singer. I don't think the rest of the group even got any lines. The tall girl was very striking to behold.

That's the joke: the Monkees find Westminster Abbey entertaining--because they're playing the sped-up "Last Train to Clarksville". More season two weirdness.

In the tag segment (20:51+), Charlie uses Ringo's drumming as an example while describing different rhythms.

The Monkees have said if the series had a third season, musical guest spots would have been a regular feature, sort of moving away from the sitcom format.

New on the chart:
"Hold Me Tight," Johnny Nash
[(#5 US; #20 AC; #21 R&B; #5 UK)

Ahh, Johnny Nash. He would have a much-loved hit in 1972 (I'm sure everyone knows the song i'm referring to), but to 60s cartoon fans, he's known for singing the theme song to The Mighty Hercules (Adventure Cartoons/Trans-Lux, 1963-66) --

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

...and he's named in the closing credits--

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

"Hey Jude," The Beatles
"Revolution," The Beatles
(B-side of "Hey Jude"; #12 US)

That was a two-headed monster release, if ever there was such a thing.
 
I don't really have any interest in the war genre, but Twelve O'Clock High definitely seems the better of the two.
Easily.

That's it for Rat Patrol and Monkees. Do we have any other animal shows to replace them?
Not in my viewing line-up. We also lost Batman and Tarzan.

Interesting idea. I envision an amalgam of Ed Sullivan and Laugh-In.
They did one special, 33 1/3 Revolutions per Monkee, which aired in April '69, and is available on YouTube. I may visit it when the time comes.

The "MC" was a very popular disc jockey named Jerry "The Geator with the Heater" Blavat. Among his credits is bringing exposure to key songs from The Isley Brothers ("Twist and Shout") and the Four Seasons ("Sherry").
I hope he didn't talk over the songs like that on the radio. And I hope his mob connections don't rub me off for criticizing him.

Daphne was played by Deana Martin, Dean's daughter.
Ah, didn't catch that.

That's the joke: the Monkees find Westminster Abbey entertaining--because they're playing the sped-up "Last Train to Clarksville". More season two weirdness.
I didn't find anything about the use of the sped-up song funny. It just screamed "Cheap!" And maybe "Lazy!," too.

but to 60s cartoon fans, he's known for singing the theme song to The Mighty Hercules (Adventure Cartoons/Trans-Lux, 1963-66)
The things you learn around here!
 
Last edited:
Ahh, Johnny Nash. He would have a much-loved hit in 1972 (I'm sure everyone knows the song i'm referring to), but to 60s cartoon fans, he's known for singing the theme song to The Mighty Hercules (Adventure Cartoons/Trans-Lux, 1963-66)
Fascinating! I loved that cartoon when I was a kid and that theme song still pops into my head frequently to this day.

Not in my viewing line-up. We also lost Batman and Tarzan.
Damn. You don't realize how cool these animal-based shows are until you lose them. :(

They did one special, 33 1/3 Revolutions per Monkee, which aired in April '69, and is available on YouTube. I may visit it when the time comes.
Oh, interesting. I never heard of that.

I didn't find anything about the use of the sped-up song funny. It just screamed "Cheap!" And maybe "Lazy!," too.
Actually, they were too lazy to scream and to cheap to hire someone to do it.
 
_______

50 Years Ago This Week
September 17 – The D'Oliveira affair: The Marylebone Cricket Club tour of South Africa is cancelled when the South Africans refuse to accept the presence of Basil D'Oliveira, a Cape Coloured, in the side.
September 20 – Hawaii Five-O debuts on CBS, and eventually becomes the longest-running crime show in television history, until Law & Order overtakes it in 2003.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
September 21 – The Soviet's Zond 5 unmanned lunar flyby mission returns to earth, with its first of a kind biological payload intact.



Selections from Billboard's Hot 100 for the week:
1. "Harper Valley P.T.A.," Jeannie C. Riley
2. "People Got to Be Free," The Rascals
3. "Hey Jude," The Beatles
4. "Hush," Deep Purple
5. "1, 2, 3, Red Light," 1910 Fruitgum Co.
6. "Light My Fire," Jose Feliciano
7. "Born to Be Wild," Steppenwolf
8. "The Fool on the Hill," Sergio Mendes & Brasil '66
9. "I've Gotta Get a Message to You," Bee Gees
10. "The House That Jack Built," Aretha Franklin
11. "Time Has Come Today," The Chambers Brothers
12. "Revolution," The Beatles
13. "Slip Away," Clarence Carter
14. "I Say a Little Prayer," Aretha Franklin
15. "Fire," The Crazy World of Arthur Brown
16. "Girl Watcher," The O'Kaysions
17. "You're All I Need to Get By," Marvin Gaye & Tammi Terrell
18. "On the Road Again," Canned Heat
19. "My Special Angel," The Vogues
20. "Do It Again," The Beach Boys
21. "Midnight Confessions," The Grass Roots
22. "You Keep Me Hangin' On," The Vanilla Fudge
23. "Hello, I Love You," The Doors
24. "Tuesday Afternoon (Forever Afternoon)," The Moody Blues
25. "Sunshine of Your Love," Cream
26. "Magic Bus," The Who
27. "Little Green Apples," O.C. Smith
28. "Love Makes a Woman," Barbara Acklin
29. "(The Lament of the Cherokee) Indian Reservation," Don Fardon
30. "Classical Gas," Mason Williams
31. "Say It Loud - I'm Black and I'm Proud (Part 1)," James Brown
32. "Turn Around, Look at Me," The Vogues

34. "Special Occasion," Smokey Robinson & The Miracles
35. "Sealed with a Kiss," Gary Lewis & The Playboys
36. "Stay in My Corner," The Dells
37. "I Can't Stop Dancing," Archie Bell & The Drells

40. "The Snake," Al Wilson
41. "The Eyes of a New York Woman," B.J. Thomas
42. "In-a-Gadda-da-Vida," Iron Butterfly

44. "Suzie Q," Creedence Clearwater Revival
45. "Piece of My Heart," Big Brother & The Holding Company

47. "Baby, Come Back," The Equals

54. "Over You," Gary Puckett & The Union Gap

57. "Street Fighting Man," The Rolling Stones

60. "Hey, Western Union Man," Jerry Butler
61. "Down on Me," Big Brother & The Holding Company

63. "Shape of Things to Come," Max Frost & The Troopers

66. "All Along the Watchtower," The Jimi Hendrix Experience

70. "The Weight," The Band

77. "Fool for You," The Impressions

89. "Light My Fire," The Doors
90. "Hold Me Tight," Johnny Nash

97. "Elenore," The Turtles


Leaving the chart:
  • "Dream a Little Dream of Me," Mama Cass w/ The Mamas & The Papas (11 weeks)
  • "Journey to the Center of the Mind," The Amboy Dukes (12 weeks)
  • "Please Return Your Love to Me," The Temptations (7 weeks)
  • "Soul-Limbo," Booker T. & The MG's (10 weeks)
  • "Stoned Soul Picnic," The 5th Dimension (16 weeks)

New on the chart:

"All Along the Watchtower," The Jimi Hendrix Experience
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#20 US; #5 UK; #48 on Rolling Stone's 500 Greatest Songs of All Time)

"Over You," Gary Puckett & The Union Gap
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#7 US; #3 AC; #54 UK)

"Elenore," The Turtles
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#6 US; #7 UK)


And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 2, episode 1
  • Ironside, "Shell Game" (Season 2 premiere)
  • Hawaii Five-O, "Cocoon" (series premiere)
  • Star Trek, "Spock's Brain" (Season 3 premiere)
  • Adam-12, "Log 1: The Impossible Mission" (series premiere)
  • Get Smart, "The Impossible Mission" (Season 4 premiere)

_______

Fascinating! I loved that cartoon when I was a kid and that theme song still pops into my head frequently to this day.
Whereas I'd never heard of it...the difference less than a decade makes.

Damn. You don't realize how cool these animal-based shows are until you lose them. :(
How are those Tarzans going, by the by?

Odd thing now is that stuff on my DVR that was recorded from Decades says that it was recorded from Start. At least it still plays, instead of swapping in episodes of Dr. Quinn, Medicine Woman.

Oh, interesting. I never heard of that.
From what I glanced over on its Wiki page, it sounds like they took more of a Star Wars Holiday Special approach...presenting variety show content in the framework of a questionable story. Peter described it as "the TV version of Head."

Actually, they were too lazy to scream and to cheap to hire someone to do it.
Practically speaking, they didn't even need an actual all-female band...they just needed an actual female singer, perhaps performing an existing Monkees song, for Deana Martin to lip-sync to.
 
Last edited:
My dislike of Jack Lord prevented me from ever getting into Hawaii Five-0, despite the exotic locale and the babes, but that is one of the greatest TV themes and intros of all time.

"All Along the Watchtower," The Jimi Hendrix Experience
I was never a big fan of Jimi, but in terms of nostalgia this really conjures up the time and place.

"Over You," Gary Puckett & The Union Gap
Another great single from these guys.

"Elenore," The Turtles
I love this one. A prime example of Happy 60s. :D

Whereas I'd never heard of it...the difference less than a decade makes.
Based on what I learned from Wiki, I was watching reruns, which I should have known since I remember it as a Sunday-morning show (I think it came on after Davy & Goliath, which was at the opposite end of my fondness spectrum).

How are those Tarzans going, by the by?
Due to stuff, we've only watched one of them, but we'll probably see a couple more today. The one we saw was the first-filmed blind Jungle Girl episode, which I found entertaining, but rather bad in terms of quality. The story was very disjointed and badly directed, with a lot of those post-production voiceovers that make a show seem amateurish. And I found it hard to swallow that Tarzan never before encountered a blind Jungle Girl and her pet lion that lived in his territory all those years.

Odd thing now is that stuff on my DVR that was recorded from Decades says that it was recorded from Start. At least it still plays, instead of swapping in episodes of Dr. Quinn, Medicine Woman.
That would have been a disaster. :rommie: It's interesting that the DVR does continue to communicate back to the source, though, even after recording.

Practically speaking, they didn't even need an actual all-female band...they just needed an actual female singer, perhaps performing an existing Monkees song, for Deana Martin to lip-sync to.
True. I was just thinking that it would have been an opportunity to give a boost to an existing band. The Monkees seem like the kind of guys who would want to do that.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top