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The Classic/Retro Pop Culture Thread

Aptly named, if you ordered those as long ago as I think you did.
Yeah, it was a pre-order and I think there was a delay somewhere along the line

I never knew just how far-out the spy fi business in this show got. The gimmick of this episode--a contraption that puts people into the alternate dimensions of paintings--is pretty damn far-fetched for a contemporary setting, never mind steampunk tech.
Hmm. I don't remember that. And it's a Dr Loveless episode. I'll have to dig out my DVDs if I get a minutes.

This is the jungle. Hundreds of thousands of species and hundreds of native tribes call it their home. But sometimes people come along who get the idea to exploit its natural resources, regardless of the impact on those who live there. That's where I come in. I wear a loincloth.
"Jungle Squad! In Color! Tonight's Special Guest Star: Simon Oakland!"

Jai does bookends duty again...and another piece of paper with valuable information on it gets kept safe in the warmth of the space between Tarzan's loins and his cloth. I suppose it's possible that he's got a pocket sewn inside there....
Too bad they didn't have HBO in those days.

Clinton humor 25 years before its time!
There must have been a "Chain smoking" joke in there somewhere.

"To Love Somebody," Bee Gees
This is just beautiful. I think I've mentioned before how much I love 60s Bee Gees and this is right up there with "Massachusetts" and "Words."

"A Girl Like You," The Young Rascals
I have no recollection of this whatsoever. It's always surprising when I don're recognize a song at all, because that means it doesn't even get played on retro stations.

"Brown Eyed Girl," Van Morrison
Oh, yeah, this is a fantastic song and a genuine classic. There's actually an AM Radio-friendly version that replaces the line "making love in the green grass," but it probably doesn't get used anymore.

"Cold Sweat," James Brown
I'm not sure if I remember this one or not....

"Apple, Peaches, Pumpkin Pie," Jay & The Techniques
This is another song I absolutely love. When it comes up on my playlist, I inevitable hit repeat two or three times. :rommie:
 
Yeah, I remember that one straining my credulity even compared to TWWW's usual stuff.
When that batch of henchmen first appeared in front of the painting, I thought it was going to be an invisibility gimmick...that I could have bought.

I have no recollection of this whatsoever. It's always surprising when I don're recognize a song at all, because that means it doesn't even get played on retro stations.
Yeah, I had no radio familiarity with this one when I discovered it, either.

I'm not sure if I remember this one or not....
You don't have to know a classic James Brown song to feel the funk!
 
Batman
"Catwoman Goes to College"
Originally aired February 22, 1967

"Batman Displays His Knowledge"
Originally aired February 23, 1967

Most memorable as the final Julie Newmar appearance in the series. Undeniable end of an era--a blow, to be sure.

That "billboard" sure looks underwhelming. And a deathtrap with thousands of onlookers? Nobody can get up there and help the Dynamic Duo? Or call the police?

No different than today. People are more likely to capture a fight on their phones than get involved. In 1967, the lack of public responsibility in that area was occasionally mentioned on Dragnet (NBC, 1967-70), and was a joke in the teaser of "Here Come the Monkees", the pilot episode of that series. So, the death trap scene is not unusual at all, and might be a slight comment on how bystanders will stare, point, etc. before thinking about helping.

A French fence making spaghetti and saying "ciao"? I think they're mixing their European stereotypes.

The window gag wasn't the only too-on-the-nose joke this week...we also have Robin's comments upon getting out of the deathtrap, and Gordon's observation about the phone gimmick proving that Wayne isn't Batman (a suspicion that's never come up on the show before).[/quote]

Actually, it has, Gordon has mentioned it before as early as season one, only for Chief O'Hara to balk at the idea of a "dumb millionaire" being Batman.



Dark Shadows

Episode 261
Originally aired June 26, 1967

The week begins with a recap of Maggie escaping her cell and Barnabas in pursuit. The passage takes both outside to the beach at the foot of Widow's Hill. Barnabas finds Maggie lying exhausted on the ground and is preparing to kill her when her scream draws the attention of her nearby father. Barnabas slips away to eavesdrop as Sam finds his unconscious daughter.

Barnabas' fiend levels were on overload in this scene--nowhere is even a hint of the "sympathetic vampire" brush too many media historians use to broadly paint the character.

Outside of her room, Woodard reminds us of his ironclad medical ethics when he suggests that the three of them should fake Maggie's death in order to protect her.

Suggesting her family fake her death is not really a medical ethics issue; he's still doing his job (including referring her to Julia Hoffman), but it make it much easier if Maggie were not....you know...dead.

Barnabas tries to locate Maggie at the hospital, to be told of her supposed death by Doc Woodard. As he's the only person in town to show up looking for her, I have to think that this incident plays a role in making the doctor suspicious of Barnabas's involvement in Maggie's abduction.

Which shows his fevered, single-minded desire to kill her would eventually lead others to take a second look at this "cousin from England".

Episode 262
Originally aired June 27, 1967

Even Vicki's blatant hints that she knows something about the hold that Jason has over Liz aren't enough to steer Carolyn out of the melodramatic angst zone.

Carolyn's attitude is more realistic than not, as she--being very much a spoiled young woman--tends to see the Jason/Liz situation through the "how is this troubling me" lens, so she's not ready to learn anything other than that which reinforces her behavior.

Vicki tries to convince Liz to tell Carolyn the truth now, and despite Liz's reluctance, shows her support by agreeing to stand with Elizabeth at her wedding after all. Always a witness, never a blackmailed bride....

Not blackmailed, but a bride lost in a century not her own...

The people at Dark Shadows Before I Die did a little tribute to the departing Mitchell Ryan...they're a lot more fond of him than I am. It's too soon to say much about George...he seems a bit softer and more youthful here, not as much of a lantern-jawed Alpha Male as Ryan's Burke.

Have a problem with Alpha-Males, hmmm? :D

Anyway, this episode sees the end of Young George Lucas . Back to USC, no doubt.


Episode 263
Originally aired June 28, 1967

At Collinwood, Carolyn reads in the paper that another girl has been attacked, and shares the story with Vicki. She also shares a dream that she had in which she was the mysterious madman's next victim.

Good of the series to continue building the vampire threat beyond Maggie, or when Barnabas is on screen. Even when he's nowhere around, his presence (and evil deeds) is felt.


Back at Collinwood, Vicki and Carolyn compare notes about Sam and Joe for a bit before the angst and spite resume. While at Sam's cottage, Sam and Joe remind the audience of why it's important that they maintain the ruse that Maggie's dead.

The best way of selling Maggie's death would have been for say Sam was so overwhelmed with grief that he had Maggie cremated--wanting to avoid the ceremony of a funeral--and privately disposed of the ashes at sea. Its such a act of cold finality that it forces the mind to accept death easier than the expectation of funerals, graveyards, etc.

Episode 264
Originally aired June 29, 1967

At Collinwood, Roger is giving Jason the cold shoulder while Jason raids the brandy. After some threats from McGuire, Roger reveals that he's having papers drawn up to prevent his prospective brother-in-law from taking over the estate.

Man, when Roger puts down the booze, he really leaps into action!

At the Old House, Barnabas and Willie discuss the aftermath of Maggie's supposed death. Loomis expresses guilt and regret over his role in the matter...and while Barnabas tries to play it cool

...building the monster in Barnabas, while proving all of the Main House believers of class distinction wrong about Willie, clearly the most good-hearted person on that property.

Willie gets a surprise visit from Sarah. He's understandably a bit more patient with the girl than he is with her snarky, serial-breaking-and-entering playmate, David.

She obeys, completely disappearing when he briefly turns his back on her.

As time goes on, Sarah is seen as being a good judge of character. Whether its her nature or insight gained from her supernatural state is unknown, but she's not as easily conned as the living of Collinwood.

At the Great House, while Roger goes upstairs to look at the deeds, Barnabas decides to show Jason who's the top bad guy around heah..er, here. Jason wastes no time in digging his own grave by expressing his pointed suspicions about Barnabas's activities. When Barnabas returns to the Old House and hears of Willie's encounter with the strange little girl, the lord of the manor seems vaguely disturbed.

There's nothing like two strong villains sizing each other up; Frid and Patrick--though they do not have much screen time together (overall), they play off each other well.

Barnabas disturbed by "the little girl" suggests he knows the supernatural is at work, but he would not necessarily suspect Sarah, as he never knew her as a ghost the last he saw her in 1795.


Episode 265
Originally aired June 30, 1967

At the sanitarium, Maggie is being examined by our definitely not male but very wicked-looking new character, Dr. Julia Hoffman. Meanwhile, back at the Evans home, Doc Woodard is defending Hoffman's unusual methods, which include not allowing visitors. Sam coerces the doc to let him and Joe go up to see Maggie on the condition that she not see them.

Grayson Hall as Julia Hoffman was a bit of inspired casting; her type of actress was the opposite of the cookie-cutter head shot kind, instead, she used her skill to flesh out the anti-glamour, confident, at times overbearing standout character (after Barnabas) of Dark Shadow's early period. Although Dr. Woodard would continue to investigate and be a threat to Barnabas, Julia was the true antagonist, and the media's first female Van Helsing type of character.

And the show really blows out the budget for the occasion by giving us the odd guest character with a speaking role, a nurse at the sanitarium!

It was not a budget matter. Most soaps of the period (unlike other TV series) were staged like plays, with only necessary cast in the scene.

Hoffman reluctantly allows her uninvited guests to visit Maggie openly, feeling it's the only way to convince them not to meddle with her work on her patient...who reacts as Hoffman expected, much worse than the last time that she saw her father and boyfriend...not just childlike, but completely traumatized.

In her scenes with Woodard, Hoffman makes it clear that she's only concerned with getting the results that she wants, not with the needs or feelings of others. She also cryptically hints that she knows a lot more about the true nature of Maggie's condition than she's willing to share....

A lot to sink your teeth into (ahem)--and tells the audience that Julia is not the average "take this, and call me in the morning" doctor.
 
You don't have to know a classic James Brown song to feel the funk!
That's why I'm not sure if I heard it or not-- the funk is universal. :rommie:

No different than today. People are more likely to capture a fight on their phones than get involved. In 1967, the lack of public responsibility in that area was occasionally mentioned on Dragnet (NBC, 1967-70), and was a joke in the teaser of "Here Come the Monkees", the pilot episode of that series. So, the death trap scene is not unusual at all, and might be a slight comment on how bystanders will stare, point, etc. before thinking about helping.
That was a major topic in those days. The name of Kitty Genovese was often mentioned, although the actual situation was shown to have been exaggerated in later years. It also inspired Ellison's classic "The Whimper of Whipped Dogs," which came out a few years after Batman was off the air.
 
The name of Kitty Genovese was often mentioned, although the actual situation was shown to have been exaggerated in later years.
[Rorschach Voice]
Kitty Genovese. Raped. Tortured. Killed. Here. In New York. Outside her own apartment building. Almost forty neighbors heard screams. Nobody did anything. Nobody called cops. Some of them even watched. Do you understand? Some of them even watched. I knew what people were then, behind all the evasions, all the self-deception. Ashamed for humanity, I went home. I took the remains of her unwanted dress...

...and made a face that I could bear to look in the mirror"

[/Rorschach Voice]
 
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Suggesting her family fake her death is not really a medical ethics issue
A doctor hatches and personally carries out a scheme to fake his patient's death? I have to think that the medical community would have issues with that sort of thing, whatever the purpose.

Have a problem with Alpha-Males, hmmm? :D
Nah, I'm just mocking the fact that his Alpha Male status seemed to be Burke's only reason for being on the show. Though at least Mitchell Ryan brought that much to the table...George has no presence in the role.

There's nothing like two strong villains sizing each other up; Frid and Patrick--though they do not have much screen time together (overall), they play off each other well.
And Jason's fate is tied in with Barnabas in a very significant way.

[Rorschach Voice]
Kitty Genovese. Raped. Tortured. Killed. Here. In New York. Outside her own apartment building. Almost forty neighbors heard screams. Nobody did anything. Nobody called cops. Some of them even watched. Do you understand? Some of them even watched. I knew what people were then, behind all the evasions, all the self-deception. Ashamed for humanity, I went home. I took the remains of her unwanted dress...

...and made a face that I could bear to look in the mirror"

[/Rorschach Voice]
Hurm.
 
[Rorschach Voice]
Kitty Genovese. Raped. Tortured. Killed. Here. In New York. Outside her own apartment building. Almost forty neighbors heard screams. Nobody did anything. Nobody called cops. Some of them even watched. Do you understand? Some of them even watched. I knew what people were then, behind all the evasions, all the self-deception. Ashamed for humanity, I went home. I took the remains of her unwanted dress...

...and made a face that I could bear to look in the mirror"

[/Rorschach Voice]
Brrr. Rorschach was quite a character. I think he actually enjoyed believing that people were irredeemable scum, though. Which is something else that has become commonplace.

:rommie:

"It was Kovacs who closed his eyes. It was Rorschach who opened them."
 
Been binging through the last half-season of Adam-12. Just had a "robot with Kryptonite inside of him" moment of my own...there's an episode that I partly saw as a kid when it first aired in which Malloy is kidnapped and used as a hostage by some radicals. Something about seeing him trussed up and gagged disturbed 5-year-old me. Though I think I'd also caught this one when it actually aired last Christmas week.

Good bit of continuity in that one, too...the clue that Malloy drops to his location in his phone call actually refers to a bit of business in another recent episode.

In at least a couple of late episodes, they put Reed in situations where he goes into action off-duty, driving his own car...yet he still never drives the squad car. Was it in Milner's contract or something?

ETA: Well, crap--I spoke mere minutes too soon! Fourth from last episode kills two birds with one stone...Malloy is subbing for Mac, so Reed takes the wheel and gets assigned a temporary rookie partner: Mark Harmon.

Malloy's out driving around as part of his sergeant duty, but it's in another squad car, not the station wagon that Mac's always driven.

ETA: And the episode after has the same premise, except this time Reed's partner is...a wimman! Welcome back to 1975.
 
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Been binging through the last half-season of Adam-12. Just had a "robot with Kryptonite inside of him" moment of my own...there's an episode that I partly saw as a kid when it first aired in which Malloy is kidnapped and used as a hostage by some radicals. Something about seeing him trussed up and gagged disturbed 5-year-old me.
Wow, I don't remember that one. Things don't usually get so heavy for these guys.

ETA: Well, crap--I spoke mere minutes too soon! Fourth from last episode kills two birds with one stone...Malloy is subbing for Mac, so Reed takes the wheel and gets assigned a temporary rookie partner: Mark Harmon.
I wonder how he felt about getting a partner who was more handsome than he was? :rommie:

ETA: And the episode after has the same premise, except this time Reed's partner is...a wimman! Welcome back to 1975.
Imagine! I think they had Women's Lib or something. :rommie:
 
Speaking of Adam-12...H&I is showing a Season 4 TMFU right now (guess I'll be getting to it in the coming season) that has William (Sgt. MacDonald) Boyett as a uniformed THRUSH guard.
 
In other news, according to their latest email, MeTV is adding Love, American Style to their schedule at the inconvenient time of 6:30pm.
 
Well, I was planning to split the Catch-Up Viewing into its own post this week anyway to make room for Sonny & Cher...and that post is still awaiting tomorrow's H&I airings of Batman, so...
_______

This Week's 50th Anniversary Viewing

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Dark Shadows

Episode 271
Originally aired July 10, 1967
IMDb said:
Elizabeth tells the story of what happened at Collinwood eighteen years earlier, when she thought she killed Paul.

The week begins with a recap of last week's climactic moment, right down to the part when Carolyn drops her handbag with the gun inside. And they're still announcing Anthony George, though I think this is the last time....

Judge Crathorne vacates the episode to recuse himself as Elizabeth tries to explain the killing-her-dad thing to Carolyn, and Carolyn confesses her own attempt at a killing-her-would-be-stepfather thing. Roger wants Liz to call a lawyer, while Jason is kept from departing by Burke 2.0 at gunpoint, though the episode doesn't take a moment to dwell on that. Elizabeth proceeds to show her guests a flashback sequence that includes Paul Stoddard, who's apparently only been seen once before, and isn't shown fully here. He comes off as being a lot like Jason...and no wonder, as IMDb tells me that Dennis Patrick had previously played him, and would again many times in the future. I wonder if Patrick did the voice here, explaining the similarity of the performance.

Anyway, Liz relates how he was trying to leave with a decent hunk of the Collins fortune, emphasizing through her flashback self that he'd be stealing Carolyn's inheritance and didn't care about her; then, how Flashback Liz hit Paul over the head with a poker and, after leaving the room, was told by Flashback Jason that Paul was dead; and finally, how Flashback Jason then hatched the scheme to hide the body in the room in the basement and cover up Paul's death.

Only minor costuming/hairstyle effort is put into pulling off the actors as their younger selves, but Dennis Patrick does a good job differentiating Flashback Jason as a rougher-around-the-edges character than his contemporary self.


Episode 272
Originally aired July 11, 1967
IMDb said:
After the police arrive, the locked room in the Collinwood basement is investigated. A buried trunk is found beneath the floor.

Today's episode opens with a recap of the end of yesterday's flashback, with Flashback Jason showing Flashback Liz where he allegedly buried Paul in the basement room.

Back in the present, Jason insists that they'll find nothing if they dig up that spot. As Liz calls the sheriff, Jason takes advantage of Burke's carelessness with his gun (in one shot, he's basically holding it at Carolyn's back), knocking it out of his hand and running in a comically frantic fashion out of the house, to be pursued by Burke and Roger, followed by the sound of shots coming from off-camera.

On the woodsy outdoor set, it's Most Dangerous Game time, as pistol-toting Burke and rifle-wielding Roger commence the hunt. Some drama flairs up between the two to remind us of Burke's old plotline. Meanwhile, back at the house, Carolyn milks the revelation of her father's murder at her mother's hands for all the drama that it's worth.

By the time Sheriff Patterson arrives, shorn of his one-shot mustache, Roger's back at the house to be followed by Burke, who seems to have outsourced the pursuit to unseen deputies so that he can be recruited for excavation duty. While Victoria reveals upstairs that Carolyn has left the house to be alone, Burke and Patterson find the buried trunk.


Episode 273
Originally aired July 12, 1967
IMDb said:
Jason explains that Paul was not killed and that he helped him escape. Elizabeth insists Jason be allowed to leave without arrest.

After coming back upstairs, Patterson gives an order to have the newly captured Jason brought back to Collinwood and reveals to Elizabeth and Roger that the trunk was empty.

When Liz sees the truth for herself, she loses her shit over the enormity of the false secret that she's kept and how it's shaped the last eighteen years of her life. Jason tells Liz the truth of how he and Paul Stoddard conspired to fake the latter's death. Jason only comes clean in return for being allowed to go free despite his ongoing blackmail...an arrangement that Roger is none too pleased about. Despite Liz's agreement to not press charges, Patterson orders Jason to leave town ASAP.

And the first place that Jason heads is...the Old House. He thinks he has one last angle to play in Collinsport. It'll be his last, alright....


Episode 274
Originally aired July 13, 1967
IMDb said:
Jason spies on Willie and Barnabas holding jewels. After Willie refuses to be blackmailed, Jason breaks into the Old House.

The foreshadowing in Victoria's opening voice-over is a little on-the-nose...especially when being played over shots of Jason sneaking through the outdoor set toward the Old House.

Barnabas tells Willie that he needs to get another Josette soon, and that he already has a candidate. Conveniently, his new plans involve browsing through his bling-bling chest (Where did he dig that up?) while Jason eavesdrops.

Afterward, Jason runs into Willie walking outside with a flashlight...though I'm not clear what Willie was doing outside with a flashlight. They have another nice "old cohorts" moment discussing how Jason's scheme fell through, before Jason plunges into the deep end and tries to blackmail Willie into giving him some of the jewels. Does Jason have any idea what he's getting himself into? Willie does...when he says that he knows what he has to do, it doesn't bode well for his former partner-in-crime.

Vicki visits the Blue Whale to ask the bartender if he's seen Carolyn. Since they're not paying him to speak this episode, she ends up in an unpleasant conversation with Jason, who's been imbibing a brew while taking in the stock '60s music. He drops some very vague threats about what's in store for her, as well as hints that he may know something of her origins. After Vicki leaves, Willie drops in for a planned rendezvous with Jason, who doesn't take it well when he's given only one piece from Barnabas's trunk. Thus Jason's next move is to break into the Old House...insert ominous cliffhanger music cue.


Episode 275
Originally aired July 14, 1967
IMDb said:
Jason opens Barnabas' coffin in the basement of the Old House. Barnabas' hand reaches out and begins to choke Jason.

It must be Alexandra Moltke's day off...the opening voiceover is done by Nancy (Carolyn Stoddard) Barrett, who doesn't introduce herself in character the way that Vicki does. In fact, I read that from this point, even when Moltke does the voiceover, it will no longer be in character...which makes sense, as with the advent of Barnabas, Voiceover Vicki exhibits knowledge of affairs that Vicki couldn't have and isn't likely to acquire in the foreseeable future.

Anyway, the episode opens with Liz sleeping fitfully, kept from peaceful slumber by her own voiceover obsessing about Carolyn's disappearance. But Carolyn had to leave the set for that brief outdoor shot of her wandering the shoreline! Following the credits, the prodigal daughter returns to mend fences with her mother only to get filled in on the true nature of her father's fate. And just as the reunited mother and daughter speculate as to Jason's whereabouts...

...cut to the Old House, where Willie catches Jason sneaking around, and tries to warn his old accomplice away for his own good....
Willie Loomis said:
Now you gotta get outta heah, you're not safe heah!

After Jason roughs Willie up a bit for old time's sake, Willie tells Jason that the box of jewels is in the basement, but attempts to dissuade Jason from going down there for his own good. What ensues is the moment that always stuck out at me as an example of the show's avoidance of the V-word going from cleverly subtle to belabored...
Willie said:
Barnabas, he isn't alive--He can walk at night, but he's dead!


Blinded by greed, Jason won't accept a handful of jewels that Willie desperately tries to give him to get rid of him. Finally, Willie relents and allows Jason to open the coffin. Jonathan Frid doesn't appear in the episode, so the task of killing off Jason is delegated to his hand double.

Technically Jason appears in the next episode, but it's just a recap of this week's climax and a bit of corpse acting. In a general sense I've enjoyed Patrick's portrayal of Jason as a slimy character that you love to hate...but his plotline has been so tedious that I'm happy to see him go at this point.

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50 years ago this coming week:
July 16 – A prison riot in Jay, Florida leaves 37 dead.
July 18 – The United Kingdom announces the closing of its military bases in Malaysia and Singapore. Australia and the U.S. disapprove.
July 19
  • A race riot breaks out in the North Side of Minneapolis on Plymouth Street during the Minneapolis Aquatennial Parade; businesses are vandalized and fires break out in the area, although the disturbance is quelled within hours. However, the next day a shooting sets off another incident in the same area that leads to 18 fires, 36 arrests, 3 shootings, 2 dozen people injured, and damages totaling 4.2 million. There will be two more such incidents in the following two weeks.
  • Eighty-two people are killed in a collision between Piedmont Airlines Flight 22 and a Cessna 310 near Hendersonville, North Carolina.
July 20 – Chilean poet Pablo Neruda receives the first Viareggio-Versile prize.
July 21 – The town of Winneconne, Wisconsin, announces secession from the United States because it is not included in the official maps and declares war. Secession is repealed the next day.


A holdover chart entry from last week:

"Thank the Lord for the Night Time," Neil Diamond
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(#13 US)

New on the charts in the current week:

"The Look of Love," Dusty Springfield
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(#22 US; #31 AC)

"Baby, I Love You," Aretha Franklin
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(#4 US; #1 R&B; #39 UK)

"Come Back When You Grow Up," Bobby Vee & The Strangers
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(#3 US)

"Pleasant Valley Sunday," The Monkees
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(#3 US; #11 UK)


And new on the boob tube:
  • Dark Shadows, episodes 276-280
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"Thank the Lord for the Night Time," Neil Diamond
Neil Diamond was always mocked quite a bit-- he was kind of the Barry Manilow of the 60s and early 70s-- but he did a lot of great stuff. This isn't his best, but it's pretty good.

"The Look of Love," Dusty Springfield
This is beautiful. It's one of the songs that's pretty much time travel for me.

"Baby, I Love You," Aretha Franklin
Aretha. 'nuff said.

"Come Back When You Grow Up," Bobby Vee & The Strangers
I think this was the last of his handful of hits, and it's really nice.

"Pleasant Valley Sunday," The Monkees
It's been said that one either really loves or really hates The Monkees-- I really love them and this is my favorite of theirs.

I always liked that song. I lived in a "Pleasant Valley" for a while. It was about as far removed from the place in the song as one can get. :lol: Mowing would probably involve a tractor.
My Brother is a musician, and he was one of those kids who was always in a band, out in the garage with his guitar, annoying the neighbors in the middle of the night, and so on-- now he's pushing 40 with a wife and a house and pool and a BBQ and so on. I tell him that he's devolved from line one to line two of "Pleasant Valley Sunday." :rommie:
 
I lived in a "Pleasant Valley" for a while. It was about as far removed from the place in the song as one can get. :lol: Mowing would probably involve a tractor.
New York?

I think this was the last of his handful of hits, and it's really nice.
Yep, his last Top 20 at least. He barely got a couple more in the Top 40 within a year of that.

It's been said that one either really loves or really hates The Monkees
Can't say that holds true for me. I don't love them, but whoever was playing the instruments, they did churn out some good, classic pop tunes.

_______

50th Anniversary Catch-Up Viewing

What was going on the week these episodes aired.

_______

Batman
"King Tut's Coup"
Originally aired March 8, 1967
Xfinity said:
Seeking a queen, King Tut grabs a socialite.
"Batman's Waterloo"
Originally aired March 9, 1967
Xfinity said:
King Tut plans to boil Robin in oil.

There's a good gag at the beginning with the reactions to Alfred openly telling Bruce that the commissioner is on the phone. (You'd think that Gordon would have overheard Alfred telling Bruce that the call isn't for Batman...or at least that the World's Greatest Detective might have noticed for himself which phone was off the hook.) The bit with the victim at the crime scene being left in the noose was also a good one...that's the sort of thing that Get Smart should be doing more often. And the part with Batman wearing an earphone is the ear of his cowl. (But notice that's not where he puts the earpiece of a phone.)

John E. Carson? That's a little on the nose, isn't it? And at 31, Lee Meriwether seems a bit mature to be playing a rich girl waiting for her daddy to marry her off, particularly by the age standards of the times.

Not only is the Suzy Knickerbocker appearance obscure to modern viewers, but she also describes Bruce Wayne as "one of the hippies," using an older, more general meaning of that term that was becoming outdated at just about the same time that this episode was made. In addition, the pull of gravity on her earrings attests to the camera orientation trick used for the climbing scenes.

The Caped Crusader said:
The size of the package, Alfred, is in no way an indication of the value of its contents.
Holy unintended innuendo, Batman!

Speaking of, Robin sure is mum after he's captured by Tut.

The excuse for referencing Barbara really is thin, but it's still an interesting bit of setup if they were conceiving the character at the time.

_______

The Wild Wild West
"The Night of the Colonel's Ghost"
Originally aired March 10, 1967
Xfinity said:
West and Gordon fear an attempt on President Grant's life while they are escorting him to a conference.

It seems like President Grant would have some sort of entourage with him, not just West and Gordon. Though I suppose there must be people in other compartments of that train, operating it and such.

A passenger pigeon makes for a far better bit of 19th-century spy tech than paintings serving as portals to other dimensions. There's also a bit in which Gordon conceives of the tank as a wood carving.

The mystery of this story was a bit half-baked, what with the gold that everyone was looking for having been in the most obvious place, the statue.

TOS guest: Kathie Browne (Deela, "Wink of an Eye")

_______

Tarzan
"The Perils of Charity Jones: Part I"
Originally aired March 10, 1967
Xfinity said:
A missionary enlists Jai's help to fulfill her father's last wish and deliver an organ to a primitive tribe.

This is the first half of a Jai-centric two-parter which involves the titular missionary petitioning the government to take Jai out of Tarzan's custody so she can take the boy to her school. It conveniently forgets how Jai was originally in the custody of a tutor, or how after that character disappeared, Tarzan was once shown sending Jai off to a school.

Tarzan gets more than bookend duty this time, though, playing a substantial role in the setup and then on the sidelines. Of particular note, he gets to show off his savage side when he gets inaccurate news that Jai's been killed and smashes up the office of the government official who allowed Jai to go with Charity (TOS guest Abraham Sofaer [Thasian, "Charlie X"; Melkotian, "Spectre of the Gun"]). After that, he gets pretty nasty with the bad guys in his pursuit of Jai and Charity, threatening to carve one interrogatee's skin into drumskins.

Jai gets to show his stuff while traveling in peril with Charity, professionally handling a lion in one early scene (though we don't actually see him and the lion in the same shot) and proceeding to become Charity's survival guide as they flee their pursuers.

Charity: You didn't answer me when I asked you...what'd you do with your trousers?
Jai: I threw them in the river.

This might have been a better episode to title "Cap'n Jai", as he puts in some time helming the riverboat before they're forced to take to land.

It's noteworthy how the show isn't afraid to put a character like Charity in an antagonistic role and to play her up as a jungle-impractical civilized person, but doesn't mock her faith or convictions.

The bad guys' scheme that put Jai and Charity in their situation didn't make a lot of sense, such that I went back and rewatched a couple scenes to make sure I didn't miss something. Their plan to obtain ammunition that was on the riverboat involved attempting to sink the boat with an explosion...seems like that involves two ways of rendering the ammunition useless.

In the cliffhanger, Jai and Charity are caught by a fearsome tribe. Tune in next week--same Jai-time, same Jai-channel!

_______

The Man from U.N.C.L.E.
"The Hot Number Affair"
Originally aired March 10, 1967
Xfinity said:
A fashion cutter (Sonny Bono) and a model (Cher) are caught between U.N.C.L.E. and THRUSH agents searching for a master plan.

Well, they certainly didn't hold back on playing up the episode's special guests (billed together in the opening credits on one card). In addition to the blatant (and slightly dialogue-overpowering) use of "I Got You Babe" and "The Beat Goes On" in a couple of their scenes together, the episode uses an instrumental version of the "The Beat Goes On" in the teaser; drops a reference to "the Sonny & Cher look"; and makes the obligatory crack about Sonny's character needing a haircut. The reliance on Sonny & Cher songs and gags makes me wonder why they didn't write a story around the duo appearing as themselves.

Making a running story point of Cher's character jetting to other countries between scenes, which includes Illya tracing her steps via phone, just underscores how low-budget and claustrophobically set this episode actually is. One gets the sense of an episode with higher production values happening just off-camera.

This appearance serves as the first acting credits for both Sonny and Cher, though they'd been on numerous shows as themselves (most or all as performers, no doubt). Around the same time they also did a film called Good Times, which was released in May 1967. I have to wonder how much of a part this stint may have played in kicking off a career direction that resulted in their variety show phase in the 1970s and Cher's later work as an Academy Award-winning actress (which you'd never have predicted from her performance here).

Sonny & Cher produced eight Top 20 hits as a duo, including the three top tens below and two more top tens in the early '70s. Also included below are their only solo-credited Top 10 hits as of 50 years ago today. While the entry below would prove to be pretty much it for Sonny Bono's solo career, he'd become better known in the later years of his tragically short life for his four years as Mayor of Palm Springs, CA, and three years as the congressman representing California's 44th district. Cher, OTOH, would enjoy a total of sixteen Top 20 solo hits between 1965 and and 1998, including four #1's: "Gyspies, Tramps, and Thieves" (1971), "Half-Breed" (1973), "Dark Lady" (1974), and "Believe" (1998).

"I Got You Babe," Sonny & Cher
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(Charted July 10, 1965; #1 US the weeks of Aug. 14 through Aug. 28, 1965; #19 R&B; #1 UK; #444 on Rolling Stone's 500 Greatest Songs of All Time)

"Baby Don't Go," Sonny & Cher
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(Released in 1964, charted Aug. 21, 1965; #8 US; #11 UK)

"Laugh at Me," Sonny
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(Charted Aug. 21, 1965; #10 US; #9 UK)

"Bang Bang (My Baby Shot Me Down)," Cher
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(Charted Mar. 12, 1966; #2 US; #3 UK)

"The Beat Goes On," Sonny & Cher
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(Charted Jan. 14, 1967; #6 US; #29 UK; At #18 US, on the drop from its peak, during the week that the episode aired)

_______

Get Smart
"How to Succeed in the Spy Business Without Really Trying"
Originally aired March 11, 1967
Xfinity said:
The KAOS leader, Siegfried, plans the world's biggest kidnapping scheme.

So, apparently Bernie Kopell's Siegfried was a recurring nemesis, this being his fifth of fourteen appearances. His underling Starker is also a recurring character, having made a total of ten appearances.

There's a nice physical gag when they escort a KAOS agent who's operating in a decoding machine disguised as an insurance machine out of an airport (she sticks her legs out of the machine and walks out); and another when the Asian CONTROL chief demonstrates the speed of his hands by hitting Max while motionlessly holding his award.

Max said:
The old "gas mask in the false nose" trick!


Spotted in Siegfried's office: Yet another iteration of THE CLOCK!

_______

ETA: Just caught an interesting bit of business in a Swamp Thing episode that's playing in the background on H&I...there's a scene in which a young lady's just taken a dunk in the water and they make a point afterward of blurring out a couple of key spots on her shirt...have to wonder if the blurring was part of the original broadcast....
 
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Can't say that hold true for me. I don't love them, but whoever was playing the instruments, they did churn out some good, classic pop tunes.

The Monkees played their own instruments in concert, but the studio rules at the time wouldn't allow them (or anyone else) to play their own instruments on studio-recorded albums. I think that was the basis of their eventual break with their manager, who wouldn't support their fight to be allowed to play their own instruments on albums.

I've never been much into pop music in general, but I grew up watching The Monkees on TV, so they and the Beatles are both groups I'm quite fond of. Although I liked the surreal, boundary-pushing comedy of the show more than the music. The show was sort of the heir to Ernie Kovacs and the forerunner to The Muppet Show in that regard.


Holy unintended innuendo, Batman!

I doubt that very many of the innuendoes on Batman were unintended.



So, apparently Bernie Kopell's Siegfried was a recurring nemesis, this being his fifth of fourteen appearances. His underling Schtarker is also a regular, having made a total of ten appearances.

More than that -- Siegfried was the recurring nemesis, the Blofeld to Max's Bond. (Would you believe the Moriarty to his Holmes? How about the Jerry to his Tom?)

Shtarker (Zis is KAOS, ve don't "sch" here!) was played by King Moody, whose other claim to fame was playing the original Ronald McDonald.


By the way, while staying at a Pennsylvania motel on my drive to the Shore Leave Convention last week, I happened upon an episode of Rowan & Martin's Laugh-In on Decades (unfortunately stretched out to HD aspect ratio by the motel TV, because hotel/motel TVs are stupid that way). I remember watching this show as a kid, though it must've been mostly in reruns, since I was 4 when it ended. It took some work to find episode descriptions and track down what it was, but it was season 1, episode 5, from February 19, 1968, a few months before my time. It was surprising how fast-paced it was; it only had a few extended sketches and was mostly a rapid-fire series of one-liners and sight gags and film montages that were frenetically edited even by today's standards. (One such montage featured a shot of a bumper sticker reading "MR. SPOCK FOR PRESIDENT.") I could see a certain similarity to what Monty Python was doing on the other side of the pond around that time, the stream-of-consciousness craziness, the defiance of structure itself as well as other conventions.

Also, I'm embarrassed at how poor my memory for names and faces was. I recognized Arte Johnson and Goldie Hawn, of course, as well as Ruth Buzzi and even Peter Lawford, but I didn't recognize Eileen Brennan, I mistook Kaye Ballard for Jo Anne Worley (whose name I misremembered as Jo Ann Pflug anyway), and I mistook Richard Dawson for Rich Little (how could I make that mistake? Well, I was worn out from driving in the rain all day). And I could only half-remember Judy Carne's name.

I'm not sure if I ever realized before that the title Laugh-In must've been meant as a play on '60s protest things like sit-ins and love-ins. It really was an incredibly '60s entity.
 
The Monkees played their own instruments in concert, but the studio rules at the time wouldn't allow them (or anyone else) to play their own instruments on studio-recorded albums.
What do you mean by "or anyone else"?

I doubt that very many of the innuendoes on Batman were unintended.
I was giving them some benefit of the doubt as there was nothing else in the scene for the innuendo to play off of.

Shtarker (Zis is KAOS, ve don't "sch" here!)
IMDb says "Starker" (which I've since edited to...not sure where I got Schtarker.
was played by King Moody, whose other claim to fame was playing the original Ronald McDonald.
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I'm not sure if I ever realized before that the title Laugh-In must've been meant as a play on '60s protest things like sit-ins and love-ins. It really was an incredibly '60s entity.
Part of me wants to include it in the 50th anniversary viewing because it's such a sign o' the time program, but they'd have to swing back to Season 1 episodes in a timely manner...which might be happening at the rate they're playing them. (The ones listed in their weekday schedule for the next few weeks are from seasons 3 and 4.)
 
Was that Arte in the raincoat who kept falling over with his tricycle?
Oh.oh.ohhh

Sounds more like the later Sam Kinison
 
What do you mean by "or anyone else"?

I mean that, as I understand it, the musicians' union rules at the time required any and all performers to use studio musicians on albums recorded in US studios. What I read about it was that even the Beatles would've have been allowed to play their own instruments if they'd cut an album in the US.

Although I just found this FAQ, which offers a different take on the question:
6. Is it true the Monkees didn't play their own instruments?
No. Nez, Peter and Micky had experience as working musicians prior to auditioning for the Monkees. (Nez and Davy both had solo releases prior to auditioning.) However, Don Kirshner preferred to record with studio musicians who were more seasoned and whose time wasn't taken up with shooting a series. Despite this, Peter Tork has a guitar credit on the very first album and all four were expected to perform as a group on tour. After ousting Kirshner and winning more musical control, the group continued to utilize session musicians, by choice. This was not unusual. Both the Beatles and the Beach Boys were highly respected and were making good use of outside musicians on their recordings. 30 years later, the Monkees reunited to record "Justus," so named because it is just them - writing, singing, playing, producing, arranging, etc. (The four embarked on a UK tour to support the release of JustUs in 1997.)


IMDb says "Starker" (which I've since edited to...not sure where I got Schtarker.

From the way Bernie Kopell pronounced it in his fake German accent, no doubt.
 
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