Well! It's About Time. It's about time!
Congrats, I guess.![]()
Did I mention the sword fight in the harem costume? Submarines in a moat sounds pretty good. They just got more and more surreal as time went on. The ones I've got recorded aren't even up to the classic champagne opening yet. Can't wait till we get there.The Avengers, "Castle De'ath" (British airdate: Oct. 30, 1965): A castle moat deep enough to sneak submarines into? That's utterly...oh, look, Emma's kicking butt in something skin tight. What was I saying?
The Green Hornet
"Alias the Scarf"
Originally aired February 24, 1967
Well, I never would have recognized the future Mrs. Bixby as "Girl" if not for the heads-up in the other thread!
50 years ago, the Hornet and Kato's next appearance would be in the following week's pair of Batman episodes...but I won't be watching those until H&I gets to them.
Probably at some point, but it was there when I started watching back in the 60s. Those were the first episodes I ever saw. I wonder if they even imported the black-and-white ones. At the time, network TV was playing up the newness of color TV, but channel 56 was about 99% black-and-white.the champagne part might have been cut for syndication,
It's called "Honey For The Prince."I think the harem outfit episode is the last one of that season, so I won't be getting to it for a bit.
Indications are that Emma's first, b&w season (4) aired in the U.S. in the Spring/Summer of the '65-'66 season, though probably not in its entirety. That's where most of the IMDb dates lead, but they occasionally slip in a British airdate, leading to awkward instances of two episodes from different parts of the season the same week...possibly because one was an episode that didn't get aired in America. I read that the increase in production values that season was specifically so that America would air the show.I wonder if they even imported the black-and-white ones.
That's the one. I'm also looking forward to the episode that inspired the creation of the X-Men's Hellfire Club, "A Touch of Brimstone."It's called "Honey For The Prince."
Weird how they don't even mention DVDs.![]()
That would explain the "In Color" title card in the champagne opening, so common on network TV in those days. I didn't see it when it was on the network-- too early for me-- but only when it made it to UHF-- this would have been in 1969, possibly 1968.Indications are that Emma's first, b&w season (4) aired in the U.S. in the Spring/Summer of the '65-'66 season, though probably not in its entirety. That's where most of the IMDb dates lead, but they occasionally slip in a British airdate, leading to awkward instances of two episodes from different parts of the season the same week...possibly because one was an episode that didn't get aired in America. I read that the increase in production values that season was specifically so that America would air the show.
That's a good one. I didn't see it for the first time until the 80s. I'm pretty sure I read that it wasn't included in the original syndication package because it was too risque for TV, even in the 60s.That's the one. I'm also looking forward to the episode that inspired the creation of the X-Men's Hellfire Club, "A Touch of Brimstone."
I remember liking Tara. They did show those episodes on Channel 56 back in the day, so I was very young. I don't remember any specifics at this point and it's been many a year since I've seen them. I mainly remember the brick in her purse. Thwack!What's your opinion of the Tara King season? I was planning to record those and work them in when they come up, since they would have aired in America at the time. Haven't seen any of them, though.
50 years ago, the Hornet and Kato's next appearance would be in the following week's pair of Batman episodes...but I won't be watching those until H&I gets to them.
Too risque for American TV, anyway.I'm pretty sure I read that it wasn't included in the original syndication package because it was too risque for TV, even in the 60s.
See my review here.MeTV said:The Enterprise crew is trapped in paradise when they come to rescue colonists who have fallen to pacifying alien spores and become infected themselves.
H&I could use a proofreader.H&I said:As a surprise birthday party begins for Britt, a gift gun given as a present to Britt, seemingly shoots by itself fatally terminating ex-employee Eddie Rech, almost puts Britt in jail.
Open Channel Dull.H&I said:A dying man carrying a partial film with the secret of Project Quasimodo, a miniature atomic bomb, gives only one clue to finding the rest of the film: the name of Marvin Klump, inept car salesman. THRUSH agents Rodney Backstreet and Beirut capture Klump.
IMDb said:The Saint goes to investigate a plane crash in an English field. The pilot has disappeared, leaving large amounts of forged bank notes. The Saint tracks down the pilot's home, only to find that the man has been killed but he locates the dead man's fiancee in Paris. Various other clues lead the Saint to the villa of a countess who is not only a counterfeiter but something of a counterfeit herself.
Wiki said:An Eastern European filmmaker plans to release a film he created to falsely allege an American war crime in Vietnam; the IMF must prove the film to be a fake. Cinnamon Carter receives the recorded instructions in this episode, the only time in the show's history that someone other than Dan Briggs or Jim Phelps ever received the briefing. The character of Dan Briggs does not appear in the episode. The voice in the tape says "Good morning, Ms. Carter", and the apartment scene takes place in Cinnamon's apartment rather than Dan's.
Steed Hunts a Big CatWiki said:Men and animals are being mauled to death in rural England by what seems to be a tiger or puma; but no one who sees it lives to tell the tale.
"Now, Mr. Steed, the name of your beloved pussy?"
"Oh, uh, Emma."
Interesting...a teen magazine that doesn't seem to have been aimed purely at the female audience, as the ones my sister bought in the '70s had been.
Well, yeah.Too risque for American TV, anyway.
It probably comes down to Solo, Kuryakin, and Waverly being so cool.I've had a hard time generating any enthusiasm for this show. It has its charms, but so far it strikes me very much as a "seen one, seen them all" type of show.
Would have been funny if she didn't choose herself. "See you, guys. You're on your own."Cinammon also doesn't go through the photos, we just get a shot of them on the table, including her own...and one special guest photo that's thrown on the table by an unseen hand.
There wasn't a sign that said "Time Safari Inc.," by any chance, was there?There's that fake-language signage that I'd read about, and it's even worse than I though: RESTRIK FUMEN PROHIB
I had forgotten about the subtitles that they used during that era. The first color episode popped up on the DVR yesterday (a time travel story that, disappointingly, turned out to be a fraud), complete with "Mrs Peel, we're needed" and the champagne opening, hold the champagne. And I set the DVR to record the first Tara King episode. It may very well be only the second time I'll have ever seen it.Steed Hunts a Big Cat
Emma Is Badly Scratched
I find Waverly's delivery a little awkward, but I've come to enjoy the apparent hostility/rivalry between Solo and Kuryakin, which I've gleaned may have owed to friction between the actors themselves.It probably comes down to Solo, Kuryakin, and Waverly being so cool.
Had to look that one up.There wasn't a sign that said "Time Safari Inc.," by any chance, was there?![]()
Well, that's Leo G Carroll's standard delivery. But he is, and was, a beloved character actor.I find Waverly's delivery a little awkward, but I've come to enjoy the apparent hostility/rivalry between Solo and Kuryakin, which I've gleaned may have owed to friction between the actors themselves.
Heh. There was a nice adaptation done on Ray Bradbury Theater some years ago. It might be available on YouTube-- it was at one time. But it's one of the all-time classic genre short stories, up there with "Nightfall" and "The Star."Had to look that one up.
Oh, yeah, that's what made her a classic. She oozes personality and sparkles with mischief.Something about The Avengers that I'm finding enjoyable...in addition to her general attractiveness, Diana Rigg demonstrates a particular talent for face-acting...some of her expressions/reactions are priceless.
MeTV said:Kirk investigates a series of grisly murders on a mining planet that are the work of a seemingly hostile alien creature.
H&I really needs to get a better writer for these descriptions...particularly as they use the same one for Part II.H&I said:Britt's at home, preparing to go out with Miss Case when he hears on the TV a report of aliens landing. Britt thinks it's a mistake but suddenly some people who appear to be from another planet come in to his house.
Yeah, it just ends there. Sheesh. Maybe IMDb can get to the point....H&I said:A THRUSH code is hidden in a dress pattern, and Solo and Illya go to the garment district and encounter the design shop of two down-on-their-luck designers and their model, Ramona, and the cutter, who has a crush on her, Jerry. THRUSH also tries to retrie
The pattern of a dress is really a Thrush code. UNCLE and Thrush are each trying to get the dress.
(A British chap wrote that, can't you tell?)Wiki said:Seeking an organisation of murderous City gents, who are assassinating both British and enemy agents, Steed gets a glamorous but tall Russian partner, and Emma a short-lived one.
Somebody's killing agents--There's one we haven't seen before! The real gimmick here, in addition to the swapping of partners with enemy agents, is that the killers all dress like Steed...a situation that he takes advantage of in order to infiltrate this oddball society (There's another one!) of bowler hat- and umbrella-sporting gentleman assassins.John Steed said:Mrs. Peel will vouch for it, I haven't killed anyone all week.
The black-and-white Emma Peel episodes definitely aired in the U.S. back then. I know because that's when I first saw them -- and fell totally in love with Diana Rigg.Indications are that Emma's first, b&w season (4) aired in the U.S. in the Spring/Summer of the '65-'66 season, though probably not in its entirety.
AFAIK that's true. The first three seasons of The Avengers were videotaped and done pretty much like live TV (complete with the occasional flub). The show's producers began using film and upped the production values with a specific eye to the American market.I read that the increase in production values that season was specifically so that America would air the show.
The "In Color" bumpers were added by the ABC network (the U.S. one, that is). Each color show on that network had its own individual "In Color" intro.That would explain the "In Color" title card in the champagne opening, so common on network TV in those days.
Your feelings about Sonny & Cher will determine how much you like this one.Open Channel DVR Mishap. I'm not sure why I don't have this one, and H&I won't be coming back around to it for awhile...so, since I've got tons of other stuff to watch, onward for now.
This cannot be allowed to stand!oddball society (There's another one!) of bowler hat- and umbrella-sporting gentleman assassins.
As far as I know.The black-and-white Emma Peel episodes definitely aired in the U.S. back then. I know because that's when I first saw them -- and fell totally in love with Diana Rigg.(Didn't everybody?)
They remind me a lot of Dark Shadows.The first three seasons of The Avengers were videotaped and done pretty much like live TV (complete with the occasional flub).
Ah, of course. I probably should have guessed that.The "In Color" bumpers were added by the ABC network (the U.S. one, that is). Each color show on that network had its own individual "In Color" intro.
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