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50th Anniversary Viewing
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The Ed Sullivan Show
Season 20, episode 27
Originally aired March 10, 1968
As represented in
The Best of the Ed Sullivan Show
According to tv.com, this is one of three times that the 5th Dimension performed "Up, Up and Away" on the show. I narrowed it down to this date by process of elimination. Confusing the matter is that the same
Best of episode included another 5th Dimension performance that would have been from a different date on which they didn't do "Up, Up and Away". I couldn't find a decent-quality video of this performance with the original audio. It's a solid rendition with enough additional vocal flourish to demonstrate that it's not the single.
According to tv.com, they also covered "Monday, Monday" in the original episode. I couldn't find a video of that performance either, but here's a version from their 1971 live album:
From a different
Best of installment, we also get trampolinists the Canestrellis...two men, a young boy who somersaults through a hoop that he's holding, and a woman who never gets on the trampoline and only seems to be there to mother the boy.
Also from the same original episode, according to tv.com:
Music:
--Liza Minnelli sings "You'd Better Sit Down, Kids."
--Liza Minnelli - "The Life of the Party" & "A Certain Girl" (numbers from the musical "Happy Time").
--The McGuire Sisters sing a "Money" medley ("Big Spender," "Sound of Money" & "Here We Are in Las Vegas").
--Theodore Bikel (actor & folk singer) sings "If I Were A Rich Man" (in a scene from the play 'Fiddler on the Roof').
Comedy:
--Marty Allen and Steve Rossi (comedy team)
--Jack Carter (comedian)
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Mission: Impossible
"Trial by Fury"
Originally aired March 10, 1968
Wiki said:
The IMF must save a Latin American political prisoner who is falsely accused of being an informant by other prisoners while being held in isolation in his totalitarian country's prison camp. This episode was filmed at the Stalag 13 set which was also in use for Hogan's Heroes.
That description gets things a bit mixed up. The guy they're trying to help is accused of being an informant because he needs to be a trustee to serve as a contact with the political prisoner who's being held in isolation.
The LP in a recording studio said:
This recording will self-destruct in five seconds. Good luck, Jim.
The other prisoners in our cast include Victor French as Leduc, Sid Haig as Sperizzi, and Paul Winfield as Klaus. Joseph Bernard (Tark, "Wolf in the Fold") plays the Commandante. The prisoners even use the
Hogan's Heroes tunnel hatch, though it's not clear where it goes to in this setting...clearly it's not a way out of the camp, just a way of smuggling the trustee into their barracks.
This one puts Jim and Barney in a less controlled situation than usual, having to go in as prisoners and deal with whatever the other prisoners throw at them. It sort of treads the line of being one of those less IMF-y Season 1 plots because it hinges on the team going undercover and gathering intel rather than pulling off a carefully orchestrated scheme.
It doesn't seem like the prisoners would have much reason to take Barney seriously when he claims to have a way of escaping right after getting there. It's also really unconvincing how Jim reveals the true informant's identity. And that Leduc was the informant was made much too obvious by the conspicuously placed detail of his hobby of making animals out of cigarette pack foil.
This one was lacking the panache factor that usually elevates weaker plots for me. It took too long getting to the point and the actual scheme details were a little too simple to the point of seeming simplistic.
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Rowan & Martin's Laugh-In
Season 1, episode 8
Originally aired March 11, 1968
The Wiki list of guest appearances said:
Barbara Feldon, Anissa Jones, Jerry Lewis, Pat Morita, Dinah Shore, Sonny & Cher, John Wayne, Paul Winchell
Only Sonny is announced, but Cher pops up for some separately shot one-liners.
(Note another quick Eartha Kitt gag at 1:47.)
Arte Johnson's German soldier gets the novelty of sharing some gags with Pat Morita's Japanese soldier.
Cher standing next to Pat Morita said:
Would you believe Sony & Cher?
Alas, I couldn't find a video of Sonny & Seal.
The Mayor of Burbank pops up for a one-liner, too.
Mod, Mod World takes a look at the hereafter:
Gary Owens said:
This is your offstage announcer reminding you that tonight's program will be shown to our fighting forces in the NBC Legal Department.
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Batman
"Minerva, Mayhem and Millionaires"
Originally aired March 14, 1968
Series Bat-Finale!
H&I said:
Minerva, a scheming spa owner, extracts the location of her wealthy customer's jewelry so she can rob them. Meanwhile, Bruce Wayne falls captive to her trick.
Just before I watched the episode, I reacquainted myself with the Great THE END Butt Gag Debate in the Me thread, which I definitely would have brought up in last week's review. I had to brush up on my Gabor sisters...so Eva's the one who was then co-starring on
Green Acres; Zsa Zsa here is the one who slapped a cop in the '80s.
The idea of a spa that uses mind-manipulation on its members reminded me of
The Green Hornet's "Beautiful Dreamer" two-parter. It's interesting how Dozier and Horowitz don't just appear in the episode, but play versions of themselves using their own names.
It was pretty stupid of Bruce to talk into his watch right there in front of Minerva. He couldn't have stepped outside first?
Batgirl ends the series with an all-time low in the fighting department...this time, before the two henchmen effortlessly grab her by the arms, she gets into a seemingly skill-free tussle with Minerva.
This was definitely an underwhelming end to the series.
And so ends what may be my first ever complete watch-through of the show that catapulted me into geekdom. Overall, I'd say that it was a Bat-Gas. Or at least a Penguin Gas.
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Ironside
"Officer Bobby"
Originally aired March 14, 1968
Wiki said:
Ironside looks for a connection between a bombing and a baby found in the van.
You'd think this would be an episode that takes Ironside out of his comfort zone, but it turns out that he knows quite a bit about child care, and proves to be the only one who can get the baby to stop crying or eat.
The Chief said:
You don't have to be Dr. Spock to get along with kids.
Ironside quickly develops an attachment to little Bobby, such that he decides to retain temporary custody of the child as a "material witness" when he doesn't like the attitude of the Juvenile Hall officer who belatedly comes to pick Bobby up. It turns out that the mother was trying to keep Bobby safe from her mad bomber ex-husband (but not Bobby's father), Paul Carr. Jon Lormer shares a scene with Carr while playing a bellboy.
Mark upon being assigned to makeshift playpen duty said:
Sure, push the Chief, push him...next I get a rickshaw.
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"The Detective Story"
Originally aired March 14, 1968
Wiki said:
A series of obscene phone calls prompts Ann to call the NYPD, who sends over a detective who seems to be getting a little too close for comfort, especially Donald's.
This is a bottle show with only one guest (Hal Buckley as Detective Sgt. Mandel) and set entirely in Ann's apartment. Mandel raised this viewer's suspicion a bit with his insistence upon staying overnight at Ann's apartment twice, but there's no twist of him being responsible for the calls...just that he managed to arrest the suspect during the day without telling Ann. He definitely makes a play for Ann, but ultimately backs off.
"Oh, Donald" count:
2
"Oh, Sargeant" count:
1
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Tarzan
"Rendezvous for Revenge"
Originally aired March 15, 1968
H&I said:
Tarzan pursues a fugitive couple armed with hand grenades.
It's not clear from that sentence construction whether it's the couple or Tarzan who has the hand grenades, particularly after the previous episode's cigar-chomping, dynamite-tossing, parasailing climax. It's not quite as Bonnie & Clyde as it sounds, as Doria (Laraine Stephens) isn't cool with the grenade use, but she does shoot Tarzan after he throws her jungle arsonist / poacher beau Burton (John Vernon, who definitely sounds recognizable as Iron Man here) off a cliff into the ocean.
It takes Tarzan six weeks to recover from his unconsciousness-inducing head wound. Shortly afterward, Doria takes up Burton's asbestos suit and flamethrower to set a trap for the Ape Man so that she can take him to Burton, who we learn survived the fall, though his exact condition is played up as a mystery during the journey. It turns out that he's been living on the cliff, confined to a
Gilligan's Island-style wheelchair. Burton's hand grenade fetish comes back into play in the climax, which only sends him back over the cliff, this time not getting a clean drop to the ocean.
One of Burton's cronies is a boomerang-tossing Aussie; the other is a lasso-throwing former rodeo performer.
Claude said:
Well, these cowboy boots weren't meant for walkin'.
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Star Trek
"Bread and Circuses"
Originally aired March 15, 1968
Stardate 4040.7
MeTV said:
The Enterprise encounters a planet whose culture is patterned on ancient Rome and holds gladiatorial games that Kirk, Spock and McCoy must fight in.
See my post here.
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Get Smart
"Run, Robot, Run"
Originally aired March 16, 1968
Wiki said:
Hymie must compete for the Free World in an athletic event against competitors from the Iron Curtain countries, after KAOS does what it can to fix things. The KAOS agents Mr. Sneed and Mrs. Emily Neal, played by Lyn Peters, (parodies of John Steed and Emma Peel from The Avengers) must stop Hymie at all costs.
An Olympics-themed episode for 1968...and a timely spoof, considering that the US season premiere of
The Avengers is next week, which happens to also be the last episode with Emma Peel. Casting Lyn Peters as the Peel character is a nice touch. Apart from sporting the bowler and umbrella, John Orchard isn't doing anything distinctly Patrick Macnee-ish.
The references to the Russian athletes being American spies and vice versa are cute.
On the subject of Max supposedly not being a drinker in spite of the bar in his apartment...here he uses his bar to mix himself a drink...though it turns out that the KAOS/CAD agents switched out his liquor for explosive chemicals.
Hymie competes in the games wearing his suit. Battery-deactivating lipstick seems Batmanesque in it's unlikely randomness.
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Less smelly than a shoe phone.
Every time he puts the bottom of his shoe up to his mouth, it strikes me that he must walk into public restrooms wearing those shoes.
Actually, there are a couple of Get Smart references here, generally found in the dialogue, such as the "being followed" exchange between Micky & Mike, Dragonman's pronunciation of "clutches" as "crutches" (like The Claw character from Get Smart).
That hardly amounts to
Get Smart references "throughout"; in the first, there is a quick bit of Micky channeling Don Adams; the second is nothing
Get Smart-specific, just two different comedy shows covering the same obvious, racially insensitive ground.
I wouldn't say that, as Peter co-wrote "For Pete's Sake" which is considered a standout in the group's catalog
I was referring to Peter's singing ability. Micky sang lead on "For Pete's Sake."
along with being (as everyone knows) the end credits music of season two.
Antenna viewers don't know that.
