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The Classic/Retro Pop Culture Thread

So it seems that "Sunshine Superman" isn't the only Donovan song that references Green Lantern:

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1:03+
Donovan said:
How little do you speak of beauty, isn't it a shame, what ho
Maybe you should go get a power ring, you'd make all your troubles go.
 
Kind of scary to read of such a McCarthyist incident happening that much later.
Well, LBJ, for all the things he accomplished, was not exactly a fine fellow. And Nixon (who, to be fair, accomplished a few worthwhile things as well) had his famous enemies list and tried to eliminate the people who were investigating him (beating President The Donald by half a century).

ETA: It's "Love Child," which is coming later this year on a different album. Guess they put the sound of "Forever Came Today" to better use.
Actually, it made me think a bit of "Reflections."

Tom...he's fine with staying Top 20.
That's not unusual.

"I Can Take or Leave Your Loving," Herman's Hermits
Well, that was a cheerful ode to ambivalency. :rommie:

"Will You Love Me Tomorrow," The Four Seasons
That's not a bad cover. Quite a different tone to it (put me in mind of Fun Boy Three's cover of the Go-Gos' "Our Lips Are Sealed").

So, I watched that movie last night, and found out just how badly I'd mangled some of the quotes. So is "Play it again, Sam" one of those famous misquotes of a line that was never actually said? Also caught a few I was familiar with that I hadn't thought of before and/or didn't know were from the film..."Here's looking at you, kid" (which Bogart used so many times that I should have kept a count); "the problems of three little people don't amount to a hill of beans in this crazy world"; and looking into it, apparently this film is the origin of the phrase "the usual suspects"!
Oh, yeah. Practically every line in this movie has entered the lexicon. :rommie:

I feel like I've heard the name Victor Laszlo in a different context; did somebody use it as an alias in something else that I've seen or read?
I can't think of any specific examples, but I'm sure he's been homaged a few times. References like that come up a lot.

Some bits offered historical insight, considering that the film came out in the middle of the war...unoccupied Paris as a subject of nostalgia; the contemporaneous mention of concentration camps (I wasn't sure how well-known they would have been in America at this point). And at least one unfortunate sign of the times that made me cringe: Ilsa referring to Sam as "the boy".
And yet there's also Rick's love for Sam and his line to Ferrari, "I'm not in the business of buying and selling human beings."

I've never been an old movie buff, so I know some actors mainly by reputation and imitations without being that familiar with their work. Bogart definitely had a strong screen presence.
Yeah, Bogie was one of the greats.

So it seems that "Sunshine Superman" isn't the only Donovan song that references Green Lantern:
Interesting. I guess he really was a DC fan. I wonder what he thought of Grant Morrison's Sunshine Superman and Magic Lantern.
 
Actually, it made me think a bit of "Reflections."
Those spacey musical flourishes, yes...I was thinking the melody of the lyric.

Well, that was a cheerful ode to ambivalency. :rommie:
That's not a bad cover. Quite a different tone to it (put me in mind of Fun Boy Three's cover of the Go-Gos' "Our Lips Are Sealed").
Herman's Hermits and the Four Seasons are both sort of in their afterlives here for me, as I didn't previously have anything by either that went this far into the decade. In both cases they're the acts' last Top 40 singles of the decade, though the Four Seasons will have some more hits in the mid-'70s. Small world department: Herman's Hermits single prior to this one was a cover of Donovan's "Museum" that barely cracked the Top 40:

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Sounds like they replaced "power ring" with something else (1:17+), but I can't tell what. Most lyric search results turn up "parents," but it doesn't sound like that to me at all.
 
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Well, LBJ, for all the things he accomplished, was not exactly a fine fellow. And Nixon (who, to be fair, accomplished a few worthwhile things as well) had his famous enemies list and tried to eliminate the people who were investigating him (beating President The Donald by half a century).

Historically, Nixon was not the only former president with an enemies' list, whether it was publicized or not. JFK certainly had a number of individuals he either shut out of his inner circle, or fired (e.g. Allen Dulles and considered firing J.Edgar Hoover, no matter what private information Hoover had on the Kennedys).

Interesting. I guess he really was a DC fan. I wonder what he thought of Grant Morrison's Sunshine Superman and Magic Lantern.

In addition to Donovan, there's quite a number of recording artists who referred to comic book characters in their songs.

Check out this link...
.
...and that's not even getting into all of the covers of Neal Hefti's theme for the Batman TV series.
 
Those spacey musical flourishes, yes...I was thinking the melody of the lyric.
Ah, okay. I didn't notice that, possibly because I'm musically illiterate.

Small world department: Herman's Hermits single prior to this one was a cover of Donovan's "Museum" that barely cracked the Top 40:
I like how they're imitating Donovan's unique inflections.

Sounds like they replaced "power ring" with something else (1:17+), but I can't tell what. Most lyric search results turn up "parents," but it doesn't sound like that to me at all.
I think they're just mauling "power ring" by imitating Donovan's unique inflections. :rommie:

Historically, Nixon was not the only former president with an enemies' list, whether it was publicized or not. JFK certainly had a number of individuals he either shut out of his inner circle, or fired (e.g. Allen Dulles and considered firing J.Edgar Hoover, no matter what private information Hoover had on the Kennedys).
I'm sure they all do to some degree, but shutting down somebody's life is carrying it a bit too far. :rommie:

In addition to Donovan, there's quite a number of recording artists who referred to comic book characters in their songs.

Check out this link....
Very cool, thank you. I'll have to hunt these down over the weekend (and that list is part two, so there's even more).
 
Selections from Billboard's Hot 100 for 55 years ago this week:
1. "Walk Like a Man," The Four Seasons
2. "Our Day Will Come," Ruby & The Romantics
3. "You're the Reason I'm Living," Bobby Darin
4. "The End of the World," Skeeter Davis
5. "Rhythm of the Rain," The Cascades
6. "Ruby Baby," Dion

10. "He's So Fine," The Chiffons
11. "One Broken Heart for Sale," Elvis Presley
12. "Wild Weekend," The Rebels
13. "In Dreams," Roy Orbison
14. "Mama Didn't Lie," Jan Bradley

16. "South Street," The Orlons
17. "Alice In Wonderland," Neil Sedaka
18. "Send Me Some Lovin'," Sam Cooke
19. "Walk Right In," The Rooftop Singers
20. "Let's Limbo Some More," Chubby Checker
21. "Greenback Dollar," The Kingston Trio
22. "Let's Turkey Trot," Little Eva
24. "The Gypsy Cried," Lou Christie
25. "I Wanna Be Around," Tony Bennett

28. "Boss Guitar," Duane Eddy & The Rebelettes
29. "You've Really Got a Hold on Me," The Miracles
30. "Hitch Hike," Marvin Gaye
31. "Laughing Boy," Mary Wells
32. "Do the Bird," Dee Dee Sharp

36. "Don't Set Me Free," Ray Charles

38. "Call on Me," Bobby Bland

43. "Twenty Miles," Chubby Checker

47. "Little Town Flirt," Del Shannon

49. "He's Sure the Boy I Love," The Crystals
50. "Baby Workout," Jackie Wilson

53. "Sandy," Dion
54. "Don't Say Nothin' Bad (About My Baby)," The Cookies

59. "Up on the Roof," The Drifters

61. "Puff (The Magic Dragon)," Peter, Paul & Mary

63. "Linda," Jan & Dean

71. "Pipeline," The Chantays

83. "Watermelon Man," Mongo Santamaria Band


Leaving the chart:
  • "The Night Has a Thousand Eyes," Bobby Vee
_______

12 O'Clock High
"Which Way the Wind Blows"
Originally aired January 24, 1966
Xfinity said:
Gen. Britt brings in a WAC weather forecaster (Dina Merrill) to help prevent combat losses due to unexpected weather hazards.


Col. Gallagher said:
Sir, I'm afraid we pulled a big boner today.
Huh huh, huh huh....Hey, Beavis....

Naturally there's a romance angle, and our love interest of the week isn't portrayed as terribly professional...after her plane ditches in the ocean, she gets in a tiff with Joe when the first thing he cares about after she's rescued is getting information for the bombing mission he wants to perform the next day.

_______

51st Anniversary Viewing

_______

Selections from Billboard's Hot 100 for 51 years ago this week:
1. "Penny Lane," The Beatles
2. "Happy Together," The Turtles
3. "Baby I Need Your Lovin'," Johnny Rivers
4. "Love Is Here and Now You're Gone," The Supremes
5. "Ruby Tuesday," The Rolling Stones
6. "Dedicated to the One I Love," The Mamas & The Papas
7. "Sock It to Me, Baby!," Mitch Ryder & The Detroit Wheels
8. "There's a Kind of Hush," Herman's Hermits

10. "Then You Can Tell Me Goodbye," The Casinos
11. "Strawberry Fields Forever," The Beatles
12. "For What It's Worth (Stop, Hey What's That Sound)," Buffalo Springfield
13. "The Hunter Gets Captured by the Game," The Marvelettes
14. "Kind of a Drag," The Buckinghams
15. "Darling Be Home Soon," The Lovin' Spoonful
16. "California Nights," Lesley Gore
17. "I've Been Lonely Too Long," The Young Rascals
18. "I Think We're Alone Now," Tommy James & The Shondells
19. "Epistle to Dippy," Donovan
20. "Gimme Some Lovin'," The Spencer Davis Group

22. "Ups and Downs," Paul Revere & The Raiders
23. "Bernadette," Four Tops
24. "Niki Hoeky," P.J. Proby
25. "I Never Loved a Man (The Way I Love You)," Aretha Franklin
26. "The 59th Street Bridge Song (Feelin' Groovy)," Harpers Bizarre
27. "The Return of the Red Baron," The Royal Guardsmen
28. "This Is My Song," Petula Clark
29. "Jimmy Mack," Martha & The Vandellas
30. "The Love I Saw in You Was Just a Mirage," Smokey Robinson & The Miracles

32. "It Takes Two," Marvin Gaye & Kim Weston
33. "Mercy, Mercy, Mercy," Cannonball Adderley
34. "The Beat Goes On," Sonny & Cher
35. "Western Union," The Five Americans
36. "Sit Down, I Think I Love You," The Mojo Men
37. "Beggin'," The Four Seasons
38. "Go Where You Wanna Go," The 5th Dimension
39. "Georgy Girl," The Seekers

41. "Dry Your Eyes," Brenda & The Tabulations

43. "I'm a Believer," The Monkees

48. "You Got to Me," Neil Diamond
49. "Everybody Needs Somebody to Love," Wilson Pickett
50. "Somethin' Stupid," Frank & Nancy Sinatra
51. "With This Ring," The Platters

55. "Sweet Soul Music," Arthur Conley

74. "Gonna Give Her All the Love I've Got," Jimmy Ruffin

85. "Don't You Care," The Buckinghams

89. "At the Zoo," Simon & Garfunkel
90. "I'll Try Anything," Dusty Springfield

99. "On a Carousel," The Hollies
100. "Friday on My Mind," The Easybeats



Leaving the chart:
  • "Green, Green Grass of Home," Tom Jones
  • "I Had Too Much to Dream (Last Night)," The Electric Prunes
  • "Let's Spend the Night Together," The Rolling Stones
  • "98.6," Keith
  • "Pretty Ballerina," The Left Banke
  • "So You Want to Be a Rock 'n' Roll Star," The Byrds
  • "(We Ain't Got) Nothin' Yet," The Blues Magoos
_______

The Monkees
"Monkee Chow Mein"
Originally aired March 13, 1967
Wiki said:
Peter finds a secret message in a fortune cookie at a Chinese restaurant, forcing Monkeemen Davy and Mike to come to his rescue from the evil Dragonman (Joey Forman).

Note: References to Get Smart are made throughout. Second appearance of the Monkees in their superhero guise, "Monkeemen"; Davy and Mike don the costumes to rescue Peter and Micky. The episode also features Mike Farrell, who plays an FBI agent.

Oh yay, a Fu Manchu stereotype whose main henchman is Gene Dynarski in yellowface.

I didn't catch any Get Smart-specific references. The Inspector was perhaps vaguely Chief-like, but there was nothing particularly distinct.

"Your Auntie Grizelda"
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I guess Peter songs are the Monkees equivalent of Ringo songs. This one manages to be a bit of an earworm in spite of itself.

_______

The Rat Patrol
"The Bring 'Em Back Alive Raid"
Originally aired March 13, 1967
H&I said:
When the Rat Patrol raids a German post to kidnap a top German Scientist, Troy discovers that the rest of his crew has been captured by Dietrich.

They forgot to mention the part where Dr. Schneidermann (William Schallert) comes with a vial of pure radium, which he lets Troy carry around on his person.

Dietrich allows the rest of the Patrol to escape and tails them to find Troy. It turns out that Troy was suspicious of the doctor's skittishness about the vial and put it in the glove compartment in time to avoid lethal exposure.

Schallert doesn't get a lot to do, but he does have one scene in which he argues to Troy that the Americans must be doing the same sorts of experiments on human subjects that he is.

Sgt. Moffitt said:
For members of the master race, they make a lot of mistakes, don't they?

_______

TGs1e27.jpg
"The Honeymoon Apartment"
Originally aired March 16, 1967
Wiki said:
Ann's cheap cousin (Warren Berlinger) and his brand new bride insist on using her apartment for their honeymoon, rather than a cheap hotel.

Ann's moocher cousin uses never settling for less than the best as an excuse to not explore affordable options. This ultimately leads to a fight with his wife. Meanwhile, Ann has to impose on her Season 1 neighbors, the Bessemers.

Ann's mantra of accusing her cousin of being "Cheap! Cheap! Cheeeeeap!" in the climax was cute.

Sign o' the times: They milk some humor out of Ann and her cousin-in-law checking into a bridal suite.

Donald: I didn't know babies had nightmares.
Leon Bessemer: Oh yeah, they dream they're adults.


"Oh, Donald" count: 0

_______
 
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"Your Auntie Grizelda"
It's deja vu all over again.

I guess Peter songs are the Monkees equivalent of Ringo songs. This one manages to be a bit of an earworm in spite of itself.
It is pretty catchy.

Schallert doesn't get a lot to do, but he does have one scene in which he argues to Troy that the Americans must be doing the same sorts of experiments on human subjects that he is.
Too bad that wasn't setting up a Captain America crossover.

Sign o' the times: They milk some humor out of Ann and her cousin-in-law checking into a bridal suite.
Well, that seems out of character. :rommie:
 
Rowan & Martin's Laugh-In
Season 1, episode 7
Originally aired March 4, 1968

. . . Sometimes a timely gag on the show sends me to Google to find out what the hell the joke is about. Case in point, an onscreen blurb that said "EARTHA KITT...CALL YOUR DRAFT BOARD." The result: an incident at the White House on January 19, 1968, that ruined her career.
Having grown up in that era, I'm somewhat knowledgeable about events of the late 1960s. But one topical Laugh-In joke had me using the old Google-Fu.

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(It's the reference to San Francisco mayor Joseph Alioto and Look magazine at 2:22.)
 
The Monkees
"Monkee Chow Mein" Originally aired March 13, 1967


Oh yay, a Fu Manchu stereotype whose main henchman is Gene Dynarski in yellowface.

Well, Dynarski is not in actual yellowface, but he was playing a Chinese character with no make-up appliances.

I didn't catch any Get Smart-specific references. The Inspector was perhaps vaguely Chief-like, but there was nothing particularly distinct.

Actually, there are a couple of Get Smart references here, generally found in the dialogue, such as the "being followed" exchange between Micky & Mike, Dragonman's pronunciation of "clutches" as "crutches" (like The Claw character from Get Smart). Episode 5--"The Spy Who Came In From The Cool"--was the show with more overt Get Smart parodies.

Further, guest star Joey Foreman (Dragonman) portrayed Hawaiian detective Harry Hoo in a couple of Get Smart episodes.

"Your Auntie Grizelda"
I guess Peter songs are the Monkees equivalent of Ringo songs.

I wouldn't say that, as Peter co-wrote "For Pete's Sake" which is considered a standout in the group's catalog, along with being (as everyone knows) the end credits music of season two.
 
_______

50th Anniversary Viewing

_______

The Ed Sullivan Show
Season 20, episode 27
Originally aired March 10, 1968
As represented in The Best of the Ed Sullivan Show

According to tv.com, this is one of three times that the 5th Dimension performed "Up, Up and Away" on the show. I narrowed it down to this date by process of elimination. Confusing the matter is that the same Best of episode included another 5th Dimension performance that would have been from a different date on which they didn't do "Up, Up and Away". I couldn't find a decent-quality video of this performance with the original audio. It's a solid rendition with enough additional vocal flourish to demonstrate that it's not the single.

According to tv.com, they also covered "Monday, Monday" in the original episode. I couldn't find a video of that performance either, but here's a version from their 1971 live album:

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From a different Best of installment, we also get trampolinists the Canestrellis...two men, a young boy who somersaults through a hoop that he's holding, and a woman who never gets on the trampoline and only seems to be there to mother the boy.

Also from the same original episode, according to tv.com:
Music:
--Liza Minnelli sings "You'd Better Sit Down, Kids."
--Liza Minnelli - "The Life of the Party" & "A Certain Girl" (numbers from the musical "Happy Time").
--The McGuire Sisters sing a "Money" medley ("Big Spender," "Sound of Money" & "Here We Are in Las Vegas").
--Theodore Bikel (actor & folk singer) sings "If I Were A Rich Man" (in a scene from the play 'Fiddler on the Roof').
Comedy:
--Marty Allen and Steve Rossi (comedy team)
--Jack Carter (comedian)

_______

Mission: Impossible
"Trial by Fury"
Originally aired March 10, 1968
Wiki said:
The IMF must save a Latin American political prisoner who is falsely accused of being an informant by other prisoners while being held in isolation in his totalitarian country's prison camp. This episode was filmed at the Stalag 13 set which was also in use for Hogan's Heroes.

That description gets things a bit mixed up. The guy they're trying to help is accused of being an informant because he needs to be a trustee to serve as a contact with the political prisoner who's being held in isolation.

The LP in a recording studio said:
This recording will self-destruct in five seconds. Good luck, Jim.


The other prisoners in our cast include Victor French as Leduc, Sid Haig as Sperizzi, and Paul Winfield as Klaus. Joseph Bernard (Tark, "Wolf in the Fold") plays the Commandante. The prisoners even use the Hogan's Heroes tunnel hatch, though it's not clear where it goes to in this setting...clearly it's not a way out of the camp, just a way of smuggling the trustee into their barracks.

This one puts Jim and Barney in a less controlled situation than usual, having to go in as prisoners and deal with whatever the other prisoners throw at them. It sort of treads the line of being one of those less IMF-y Season 1 plots because it hinges on the team going undercover and gathering intel rather than pulling off a carefully orchestrated scheme.

It doesn't seem like the prisoners would have much reason to take Barney seriously when he claims to have a way of escaping right after getting there. It's also really unconvincing how Jim reveals the true informant's identity. And that Leduc was the informant was made much too obvious by the conspicuously placed detail of his hobby of making animals out of cigarette pack foil.

This one was lacking the panache factor that usually elevates weaker plots for me. It took too long getting to the point and the actual scheme details were a little too simple to the point of seeming simplistic.

_______

Rowan & Martin's Laugh-In
Season 1, episode 8
Originally aired March 11, 1968
The Wiki list of guest appearances said:
Barbara Feldon, Anissa Jones, Jerry Lewis, Pat Morita, Dinah Shore, Sonny & Cher, John Wayne, Paul Winchell

Only Sonny is announced, but Cher pops up for some separately shot one-liners.

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(Note another quick Eartha Kitt gag at 1:47.)

Arte Johnson's German soldier gets the novelty of sharing some gags with Pat Morita's Japanese soldier.

Cher standing next to Pat Morita said:
Would you believe Sony & Cher?

Alas, I couldn't find a video of Sonny & Seal.

The Mayor of Burbank pops up for a one-liner, too.

Mod, Mod World takes a look at the hereafter:

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Gary Owens said:
This is your offstage announcer reminding you that tonight's program will be shown to our fighting forces in the NBC Legal Department.

_______

Batman
"Minerva, Mayhem and Millionaires"
Originally aired March 14, 1968
Series Bat-Finale!
H&I said:
Minerva, a scheming spa owner, extracts the location of her wealthy customer's jewelry so she can rob them. Meanwhile, Bruce Wayne falls captive to her trick.

Just before I watched the episode, I reacquainted myself with the Great THE END Butt Gag Debate in the Me thread, which I definitely would have brought up in last week's review. I had to brush up on my Gabor sisters...so Eva's the one who was then co-starring on Green Acres; Zsa Zsa here is the one who slapped a cop in the '80s.

The idea of a spa that uses mind-manipulation on its members reminded me of The Green Hornet's "Beautiful Dreamer" two-parter. It's interesting how Dozier and Horowitz don't just appear in the episode, but play versions of themselves using their own names.

It was pretty stupid of Bruce to talk into his watch right there in front of Minerva. He couldn't have stepped outside first?

Batgirl ends the series with an all-time low in the fighting department...this time, before the two henchmen effortlessly grab her by the arms, she gets into a seemingly skill-free tussle with Minerva.

This was definitely an underwhelming end to the series.

And so ends what may be my first ever complete watch-through of the show that catapulted me into geekdom. Overall, I'd say that it was a Bat-Gas. Or at least a Penguin Gas.

_______

Ironside
"Officer Bobby"
Originally aired March 14, 1968
Wiki said:
Ironside looks for a connection between a bombing and a baby found in the van.

You'd think this would be an episode that takes Ironside out of his comfort zone, but it turns out that he knows quite a bit about child care, and proves to be the only one who can get the baby to stop crying or eat.
The Chief said:
You don't have to be Dr. Spock to get along with kids.
Ironside quickly develops an attachment to little Bobby, such that he decides to retain temporary custody of the child as a "material witness" when he doesn't like the attitude of the Juvenile Hall officer who belatedly comes to pick Bobby up. It turns out that the mother was trying to keep Bobby safe from her mad bomber ex-husband (but not Bobby's father), Paul Carr. Jon Lormer shares a scene with Carr while playing a bellboy.

Mark upon being assigned to makeshift playpen duty said:
Sure, push the Chief, push him...next I get a rickshaw.

_______

TGs2e25.jpg
"The Detective Story"
Originally aired March 14, 1968
Wiki said:
A series of obscene phone calls prompts Ann to call the NYPD, who sends over a detective who seems to be getting a little too close for comfort, especially Donald's.

This is a bottle show with only one guest (Hal Buckley as Detective Sgt. Mandel) and set entirely in Ann's apartment. Mandel raised this viewer's suspicion a bit with his insistence upon staying overnight at Ann's apartment twice, but there's no twist of him being responsible for the calls...just that he managed to arrest the suspect during the day without telling Ann. He definitely makes a play for Ann, but ultimately backs off.

"Oh, Donald" count: 2
"Oh, Sargeant" count: 1

_______

Tarzan
"Rendezvous for Revenge"
Originally aired March 15, 1968
H&I said:
Tarzan pursues a fugitive couple armed with hand grenades.

It's not clear from that sentence construction whether it's the couple or Tarzan who has the hand grenades, particularly after the previous episode's cigar-chomping, dynamite-tossing, parasailing climax. It's not quite as Bonnie & Clyde as it sounds, as Doria (Laraine Stephens) isn't cool with the grenade use, but she does shoot Tarzan after he throws her jungle arsonist / poacher beau Burton (John Vernon, who definitely sounds recognizable as Iron Man here) off a cliff into the ocean.

It takes Tarzan six weeks to recover from his unconsciousness-inducing head wound. Shortly afterward, Doria takes up Burton's asbestos suit and flamethrower to set a trap for the Ape Man so that she can take him to Burton, who we learn survived the fall, though his exact condition is played up as a mystery during the journey. It turns out that he's been living on the cliff, confined to a Gilligan's Island-style wheelchair. Burton's hand grenade fetish comes back into play in the climax, which only sends him back over the cliff, this time not getting a clean drop to the ocean.

One of Burton's cronies is a boomerang-tossing Aussie; the other is a lasso-throwing former rodeo performer.
Claude said:
Well, these cowboy boots weren't meant for walkin'.

_______

Star Trek
"Bread and Circuses"
Originally aired March 15, 1968
Stardate 4040.7
MeTV said:
The Enterprise encounters a planet whose culture is patterned on ancient Rome and holds gladiatorial games that Kirk, Spock and McCoy must fight in.
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See my post here.

_______

Get Smart
"Run, Robot, Run"
Originally aired March 16, 1968
Wiki said:
Hymie must compete for the Free World in an athletic event against competitors from the Iron Curtain countries, after KAOS does what it can to fix things. The KAOS agents Mr. Sneed and Mrs. Emily Neal, played by Lyn Peters, (parodies of John Steed and Emma Peel from The Avengers) must stop Hymie at all costs.

An Olympics-themed episode for 1968...and a timely spoof, considering that the US season premiere of The Avengers is next week, which happens to also be the last episode with Emma Peel. Casting Lyn Peters as the Peel character is a nice touch. Apart from sporting the bowler and umbrella, John Orchard isn't doing anything distinctly Patrick Macnee-ish.

The references to the Russian athletes being American spies and vice versa are cute.

On the subject of Max supposedly not being a drinker in spite of the bar in his apartment...here he uses his bar to mix himself a drink...though it turns out that the KAOS/CAD agents switched out his liquor for explosive chemicals.

Hymie competes in the games wearing his suit. Battery-deactivating lipstick seems Batmanesque in it's unlikely randomness.

_______

Less smelly than a shoe phone.
Every time he puts the bottom of his shoe up to his mouth, it strikes me that he must walk into public restrooms wearing those shoes.

Actually, there are a couple of Get Smart references here, generally found in the dialogue, such as the "being followed" exchange between Micky & Mike, Dragonman's pronunciation of "clutches" as "crutches" (like The Claw character from Get Smart).
That hardly amounts to Get Smart references "throughout"; in the first, there is a quick bit of Micky channeling Don Adams; the second is nothing Get Smart-specific, just two different comedy shows covering the same obvious, racially insensitive ground.

I wouldn't say that, as Peter co-wrote "For Pete's Sake" which is considered a standout in the group's catalog
I was referring to Peter's singing ability. Micky sang lead on "For Pete's Sake."

along with being (as everyone knows) the end credits music of season two.
Antenna viewers don't know that. :p
 
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_______

50 Years Ago This Week
March 17 – A demonstration in London's Grosvenor Square against U.S. involvement in the Vietnam War leads to violence; 91 people are injured, 200 demonstrators arrested.
March 18 – Gold standard: The United States Congress repeals the requirement for a gold reserve to back U.S. currency.
March 19–March 23 – Afrocentrism, Black Power, Vietnam War: Students at Howard University in Washington, D.C., signal a new era of militant student activism on college campuses in the U.S. Students stage rallies, protests and a 5-day sit-in, laying siege to the administration building, shutting down the university in protest over its ROTC program and the Vietnam War, and demanding a more Afrocentric curriculum.
March 22 – Daniel Cohn-Bendit ("Danny the Red") and 7 other students occupy the administrative offices of the University of Nanterre, setting in motion a chain of events that lead France to the brink of revolution in May.


Selections from Billboard's Hot 100 for the week:
1. "(Sittin' on) The Dock of the Bay," Otis Redding
2. "Love Is Blue (L'amour Est Bleu)," Paul Mauriat & His Orchestra
3. "(Theme from) Valley of the Dolls," Dionne Warwick
4. "Simon Says," 1910 Fruitgum Co.
5. "Just Dropped In (To See What Condition My Condition Was In)," The First Edition
6. "La-La Means I Love You," The Delfonics
7. "Valleri," The Monkees
8. "Sweet Sweet Baby (Since You've Been Gone)," Aretha Franklin
9. "I Thank You," Sam & Dave
10. "The Ballad of Bonnie and Clyde," Georgie Fame
11. "Mighty Quinn (Quinn the Eskimo)," Manfred Mann
12. "Young Girl," The Union Gap feat. Gary Puckett
13. "Scarborough Fair / Canticle," Simon & Garfunkel
14. "Dance to the Music," Sly & The Family Stone
15. "The End of Our Road," Gladys Knight & The Pips
16. "Kiss Me Goodbye," Petula Clark
17. "Cry Like a Baby," The Box Tops
18. "Everything That Touches You," The Association
19. "Too Much Talk," Paul Revere & The Raiders feat. Mark Lindsay
20. "I Wish It Would Rain," The Temptations
21. "Playboy," Gene & Debbe
22. "Words," Bee Gees
23. "Lady Madonna," The Beatles
24. "Will You Love Me Tomorrow," The Four Seasons
25. "If You Can Want," Smokey Robinson & The Miracles

27. "Spooky," Classics IV
28. "Bottle of Wine," The Fireballs

30. "Walk Away Renee," Four Tops
31. "We're a Winner," The Impressions
32. "There Is," The Dells
33. "I Got the Feelin'," James Brown & The Famous Flames
34. "Love Is All Around," The Troggs
35. "Carpet Man," The 5th Dimension

38. "Summertime Blues," Blue Cheer

41. "I Wonder What She's Doing Tonight?," Tommy Boyce & Bobby Hart
42. "Jennifer Juniper," Donovan

47. "I Can Take or Leave Your Loving," Herman's Hermits
48. "Mission: Impossible," Lalo Schifrin

52. "The Good, the Bad and the Ugly," Hugo Montenegro, His Orchestra & Chorus
53. "Forever Came Today," Diana Ross & The Supremes

55. "Sweet Inspiration," The Sweet Inspirations

60. "Sunshine of Your Love," Cream

63. "Funky Street," Arthur Conley
64. "Honey," Bobby Goldsboro

66. "Take Time to Know Her," Percy Sledge

74. "Delilah," Tom Jones
75. "U.S. Male," Elvis Presley

77. "The Unicorn," The Irish Rovers

87. "Cowboys to Girls," The Intruders


94. "Up from the Skies," The Jimi Hendrix Experience


Leaving the chart:
  • "Baby, Now That I've Found You," The Foundations
  • "Goin' Out of My Head / Can't Take My Eyes Off You," The Lettermen
  • "Nobody But Me," The Human Beinz

New on the chart:

"U.S. Male," Elvis Presley
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(#28 US; #55 Country; #15 UK)

"The Unicorn," The Irish Rovers
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(#7 US; #2 AC; Just in the nick of time for St. Paddy's Day in 1968!)

"Cowboys to Girls," The Intruders
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(#6 US; #1 R&B)

"Lady Madonna," The Beatles
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(#4 US; #1 UK)

"Honey," Bobby Goldsboro
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(#1 US the weeks of Apr. 13 through May 11; #1 AC; #1 Country; #2 UK)


And new on the boob tube:
  • Mission: Impossible, "Recovery" (season finale)
  • The Monkees, "The Frodis Caper" (series finale) *
  • The Rat Patrol, "The Kill at Koorlea Raid" (series finale) *
  • The Avengers, "The Forget-Me-Knot" (Diana Rigg's Emma Peel passes the torch to Linda Thorson's Tara King)
  • Ironside, "Trip to Hashbury"
  • That Girl, "If You Were Almost the Only Man in the World"
  • Tarzan, "Trina"
  • Get Smart, "The Hot Line"
* To be reviewed at a later date.

_______
 
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Yesterday, we saw an episode of Laugh-In with Three Dog Night. They participated in the jokes, just as a singular guest would, but they also performed "Joy To The World," which was the first musical performance I've seen on the show in a long time. The weird thing is that they performed at the cocktail party, so the music would suddenly stop for the one-liners, which was pretty jarring. Also, in both episodes, one of the background dancers almost had to be Barbi Benton. They didn't make any big deal out of her, so I'm not sure if she was famous at that time.

According to tv.com, they also covered "Monday, Monday" in the original episode. I couldn't find a video of that performance either, but here's a version from their 1971 live album:
Not bad, but not a good fit for them, I think.

The prisoners even use the Hogan's Heroes tunnel hatch, though it's not clear where it goes to in this setting...
That must have been weird.

Series Bat-Finale!
At least until the 21st century.

This was definitely an underwhelming end to the series.
Something that it has in common with Star Trek. Someday when we have the technology to access parallel universes, I'm going to find a world where shows like this continued strongly for several more years. And Asimov lived to write Foundation Versus Galaxia.

Mandel raised this viewer's suspicion a bit with his insistence upon staying overnight at Ann's apartment twice, but there's no twist of him being responsible for the calls...
It should have been Donald, or Ann hallucinating. Too much virginity can warp the mind. :rommie:

but she does shoot Tarzan after he throws her jungle arsonist / poacher beau Burton (John Vernon, who definitely sounds recognizable as Iron Man here) off a cliff into the ocean.
Wow. I guess James Bond wasn't enough-- he's gone full Dirty Harry. :rommie:

An Olympics-themed episode for 1968...and a timely spoof, considering that the US season premiere of The Avengers is next week,
Interesting. I wonder how that happened.

Every time he puts the bottom of his shoe up to his mouth, it strikes me that he must walk into public restrooms wearing those shoes.
Super-spies have to be made of pretty stern stuff. :ack:

"U.S. Male," Elvis Presley
Sounds more like Johnny Cash. Definitely a song that wouldn't be released today. Imagine the twittering on Twitter. :rommie:

"The Unicorn," The Irish Rovers
I love this song. I had no idea that it was a charted single in the Top Ten-- I thought it was just another Irish folk song of the sort that I was exposed to mercilessly as a child.

"Cowboys to Girls," The Intruders
I never heard this one, I don't think. But maybe I did and forgot, because I've kind of forgotten it already.

"Lady Madonna," The Beatles
Another classic Beatles song. 'nuff said.

"Honey," Bobby Goldsboro
Man, this is a heartbreaker. I had a real hard time listening to this one when I was a kid, and yet it held a strong fascination for me. Listening to it now, I suddenly realize how much it taught me about using small, poignant details to bring characters to life.
 
I have to correct myself on The Avengers...in the US they started playing the short run of episodes that I reviewed this past Fall in Jan. '68 (which are considered part of the previous season in the UK)...looks like in the US airings, they switched to Tara King midstream.

It should have been Donald, or Ann hallucinating. Too much virginity can warp the mind. :rommie:
The next episode gets kind of like that, IIRC.

Wow. I guess James Bond wasn't enough-- he's gone full Dirty Harry. :rommie:
It was a two-way struggle...judo throw and--Oops, cliff!

Sounds more like Johnny Cash. Definitely a song that wouldn't be released today. Imagine the twittering on Twitter. :rommie:
The drawback of going Full Top 30...Elvis's lack of chart absence takes a bit away from his big comeback at the end of the year. Don't think I mentioned it before, but setting up the comeback, one of the commentators in that Decades music special said that by 1967, Elvis had become as relevant as Liberace. I thought that was pretty harsh.

I love this song. I had no idea that it was a charted single in the Top Ten-- I thought it was just another Irish folk song of the sort that I was exposed to mercilessly as a child.
Sirius plays it, and it grew on me somewhat. Cousin Brucie was playing it last night, along with lots of songs with "Green" in the title. (There's a playlist idea for next year.) The Irish Rovers would be considered one-hit wonders as the Hot 100 goes, though they had a few other singles in the era that did well on the AC/Easy Listening chart...and one I'm not familiar with offhand that just made it into the Top 40 in 1981.

I never heard this one, I don't think. But maybe I did and forgot, because I've kind of forgotten it already.
Pretty sure I heard this on oldies radio back in the day. It's not really a standout, but it has a nice, classic groove. The Intruders would also be considered one-hit wonders going by the Hot 100, but had a good string of singles that mostly did pretty well on the R&B/Soul chart, including one more Top 30 song in the Hot 100, which should be coming up in the middle of the year.

Another classic Beatles song. 'nuff said.
Never one of my favorite Beatles singles. In historical context, it can't help feeling like a benchwarmer for the format-redefining monster hit coming our way later in the year.

Man, this is a heartbreaker. I had a real hard time listening to this one when I was a kid, and yet it held a strong fascination for me. Listening to it now, I suddenly realize how much it taught me about using small, poignant details to bring characters to life.
I've got this one, but I'm still trying to acquire a taste for it. Must be the music vs. lyrics thing...I'll take "Cowboys to Girls".

Magical Mystery Tour
Originally aired December 26, 1967 (UK)
"Blue Jay Way"...alas, George brings a relatively weak song for his spotlight, and the video isn't as interesting as the others. I don't remember whose book it was in, but somebody made a crack about the irony of George singing the line "don't be long" so many times.
And...new video on TheBeatlesVEVO! (Published on George's birthday a few weeks back.)

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This version uses footage that wasn't in the MMT film, though. Got a good laugh at the bit with the tire...and the bits with the lads tossing around the soccer ball were more entertaining than most of what they actually used.
 
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Hope I can contribute to this thread with this. One thing I've been catching on YouTube are old episodes of Late Night with David Letterman -- the NBC era. I just love that old theme song over the shots of grungy New York City with Bill Wendall saying deprecating things about Dave and the city.

"And now...a man who laughs in the face of danger, but, would prefer to do it by phone....Daaaaaaaaaaviiiiiiiid Lettermannnnn!"

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Batman
"Minerva, Mayhem and Millionaires" Originally aired March 14, 1968 Series Bat-Finale!

...which the media made clear (what the production knew as this episode wrapped in December of 1967) in their cancellation announcement in a circulated January 18, 1968 article.


Just before I watched the episode, I reacquainted myself with the Great THE END Butt Gag Debate in the Me thread, which I definitely would have brought up in last week's review. I had to brush up on my Gabor sisters...so Eva's the one who was then co-starring on Green Acres; Zsa Zsa here is the one who slapped a cop in the '80s.

As mentioned elsewhere, the "THE END" was not a gag, double entendre (and its not referred to in any of the Dozier papers I've seen on this episode), and was certainly never used before in periods where the hypothetical gag would have been more appropriate, but Dozier letting the audience know that it was all over, which he knew when the last couple of episodes were being shot in December of 1967. This is no different than "The Living End?" that closes the 1966 Batman movie.

The idea of a spa that uses mind-manipulation on its members reminded me of The Green Hornet's "Beautiful Dreamer" two-parter. It's interesting how Dozier and Horowitz don't just appear in the episode, but play versions of themselves using their own names.

...and they did that as one last nod to audiences from two of the many people responsible for the series. Thnakfully, Lorenzo Semple had long left the series before it turned into this season 3 travesty.


Batgirl ends the series with an all-time low in the fighting department...this time, before the two henchmen effortlessly grab her by the arms, she gets into a seemingly skill-free tussle with Minerva.

Henchmen had been easily apprehending her by grabbing her by the arms several times in the season.

This was definitely an underwhelming end to the series.

Heck, the entire season was one big, final Bat-coffin nail.

Further, Dozier made it clear he did not care, and was more interested in selling it into syndication because that's where the money was.

Star Trek
"Bread and Circuses" Originally aired March 15, 1968
Stardate 4040.7

Proconsul Claudius Marcus was one of TOS' best villains, with his comfort with the abusive system he controlled. Slick, sickening and effective as a villain from start to finish.

Strong coda with the 1701 crew realizing--thanks to Uhura--that the empire's propaganda was not attacking the sun, but the Son of God, who was having the same influence as seen in real world history.

Get Smart
"Run, Robot, Run" Originally aired March 16, 1968

A very fun episode to watch.

An Olympics-themed episode for 1968...and a timely spoof, considering that the US season premiere of The Avengers is next week, which happens to also be the last episode with Emma Peel. Casting Lyn Peters as the Peel character is a nice touch. Apart from sporting the bowler and umbrella, John Orchard isn't doing anything distinctly Patrick Macnee-ish.

...but the always interesting Lyn Peters makes up for any of Orhard's shortcomings.


Every time he puts the bottom of his shoe up to his mouth, it strikes me that he must walk into public restrooms wearing those shoes.

Talk about Dirty Jobs....


That hardly amounts to Get Smart references "throughout"; in the first, there is a quick bit of Micky channeling Don Adams; the second is nothing Get Smart-specific, just two different comedy shows covering the same obvious, racially insensitive ground.

Incorrect, as The Monkees' were specifically doing a send-up of The Claw, who was the only TV character of the period sporting that exaggerated, comedic accent.
 
Hope I can contribute to this thread with this. One thing I've been catching on YouTube are old episodes of Late Night with David Letterman -- the NBC era. I just love that old theme song over the shots of grungy New York City with Bill Wendall saying deprecating things about Dave and the city.

"And now...a man who laughs in the face of danger, but, would prefer to do it by phone....Daaaaaaaaaaviiiiiiiid Lettermannnnn!"
"From New York, the city that never sleeps -- just wanders from room to room in its underwear. It's Late Night with David Letterman!"
 
Hope I can contribute to this thread with this. One thing I've been catching on YouTube are old episodes of Late Night with David Letterman -- the NBC era. I just love that old theme song over the shots of grungy New York City with Bill Wendall saying deprecating things about Dave and the city.
I remember discovering it in the Summer of '82 when the show was new. Because it was on so late and didn't air on Fridays at the time, it became something that I was only able to catch when school was out.

As mentioned elsewhere, the "THE END" was not a [...] double entendre
Yes it was. :p

This is no different than "The Living End?" that closes the 1966 Batman movie.
It would be no different if "The Living End?" had been superimposed over a character's butt.

Henchmen had been easily apprehending her by grabbing her by the arms several times in the season.
I'm aware, I've been commenting on it. I was emphasizing the lame catfight with Gabor as a new low beyond that usual routine.

Further, Dozier made it clear he did not care, and was more interested in selling it into syndication because that's where the money was.
That's also where I was, or would be in another, oh, five or six years...sitting in front of the TV on weekday afternoons having my impressionable young mind blown by the concept of the super-hero.

Strong coda with the 1701 crew realizing--thanks to Uhura--that the empire's propaganda was not attacking the sun, but the Son of God, who was having the same influence as seen in real world history.
As another poster in the TOS 50th Anniversary Rewatch Thread pointed out, the Dark Ages with machine guns may not have been such a wonderful thing to look forward to....

Incorrect, as The Monkees' were specifically doing a send-up of The Claw, who was the only TV character of the period sporting that exaggerated, comedic accent.
They were both doing Fu Manchu, which was hardly original to Get Smart. In fact, a quick bit of Wiki Fu reveals that Christopher Lee was starring in a series of Fu Manchu films at the time, which may have been an influence on both shows sending up that stereotype.
 
It would be no different if "The Living End?" had been superimposed over a character's butt.

It was also over Gordon and O'Hara's, and there was no double entendre regarding them--or Gabor. All the record shows is that Dozier knew the series was getting the axe and announced it.

:shrug:


I'm aware, I've been commenting on it. I was emphasizing the lame catfight with Gabor as a new low beyond that usual routine.

Thankfully, the 26 episode-long nightmare ended that March 14th of 1968.


That's also where I was, or would be in another, oh, five or six years...sitting in front of the TV on weekday afternoons having my impressionable young mind blown by the concept of the super-hero.

I watched it in the early syndication years, but I was also fortunate to see Filmation's '68-'70 Batman cartoons at the same time, which was an interesting contrast in how the comic character was handled on screen. In some areas, the cartoon was more like the comic than the Dozier series.


As another poster in the TOS 50th Anniversary Rewatch Thread pointed out, the Dark Ages with machine guns may not have been such a wonderful thing to look forward to....

...sure, if that was the point. Christ's message had nothing to do with that, which is the point Uhura and Spock made about the movement of the Son.

They were both doing Fu Manchu, which was hardly original to Get Smart. In fact, a quick bit of Wiki Fu reveals that Christopher Lee was starring in a series of Fu Manchu films at the time, which may have been an influence on both shows sending up that stereotype.

The Monkees production--had a running practice of referring to other TV series, and with The Claw being fairly recent in TV history, there's no reason to think The Monkees were not doing a take-off of that, much like the Dolenz impression of Don Adams, Mike using a shoe phone (in "The Monkees Get Out More Dirt"), the "being followed" routine between Mike & Micky (which had been recently used in "Diplomat's Daughter", a 9/25/65 episode of Get Smart), and other nods.
 
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