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The Classic/Retro Pop Culture Thread



50th Anniversary Viewing (Part 1)



All in the Family
"Archie Finds a Friend"
Originally aired January 26, 1976
Edited Wiki said:
Edith is surprised that Archie's made friends with a Jewish watchmaker, then gets upset when he asks her to invest $1,000 in the man's invention.

NOTE: Rob Reiner and Sally Struthers do not appear in this episode. [DRINK!]

Edith's surprised when Archie comes home with food from a Jewish deli because Mr. Bernstein the watchmaker is coming for dinner. Archie tells Edith that Bernstein's going to make them rich, which she laughs off until she learns that Archie's also withdrawn $1,000 from the bank to invest in the venture, which upsets her greatly. Archie tries to convince her that this will be an investment in their financial security.

Edith: But I don't want our money to work, I wanted it to relax.​

Bernstein (Jack Gilford) arrives to learn of Edith's reluctance, and upon further questioning, Bernstein confesses that he needs the Bunkers' money because he doesn't have any credit. While Edith's in the kitchen, Bernstein surprises her with a demonstration of his invention--a remote doorbell ringer. When Edith questions its practicality, Bernstein sells it as being useful in inclement weather. But the device soon malfunctions, somehow producing a low-power noise from the doorbell, so Bernstein leaves to fix it. This fuels Edith's skepticism, evoking a comparison to when Archie played horses.

Bernstein announces his return by ringing the bell from across the street. Once inside, Archie and Edith join him as he dances around while singing "If I Were a Rich Man". Then Edith gets a one-sided call from Irene (said to be the last time the character is even mentioned) about how all the doorbells on the block went off at once. This deflates Bernstein, who offers Archie his money back, though Archie doesn't want to give up on the venture.

On the very night before Laverne & Shirley premieres:

Bernstein: There are two kins of losers--schlemiels and schlimazels. A schlemiel goes though life spilling soup, and a schlimazel's the guy he spills it on.​

I'd been thinking that this must be a coincidence given how the shows aired on rival networks, until I remembered the Reiner/Marshall connection.

Bernstein then experiences a sudden spell of weakness. The Bunkers lie him on the couch, Edith calling a doctor and encouraging him to get better to make his dream come true...but the Bunkers and the studio audience are struck with silence when Bernstein quietly passes away. (In one moment, it almost looks like Archie sheds a tear, but on closer examination, for some reason Carroll O'Connor was visibly perspiring for the entire sequence.)

A shaken Archie goes out to the porch to take it in, and the Bunkers realize that they don't even know their guest's first name (revealed in the closing credits to be Bernard). The episode closes on the note of Archie using the device outside, which now causes a very audible clamor.

This one felt very odd with that out-of-nowhere shock ending.



M*A*S*H
"The Novocaine Mutiny"
Originally aired January 27, 1976
Frndly said:
Frank charges Hawkeye with mutiny, but the two surgeons have decidedly different views of the circumstances.

The episode opens with the court martial in progress, Colonel Carmichael (Ned Wilson) presiding. The date of the alleged mutiny is given as October 11, 1952. Hawkeye is accused of assaulting Burns and taking command. Burns is fine with Hawkeye facing a death penalty.

Burns: The way I see it, unless we each conform, unless we obey orders, unless we follow our leaders blindly, there is no possible way we can remain free.​

Hawkeye irreverently insults Burns on the stand and denies that there was a mutiny. Potter is the first to testify via flashback, telling of how he left for R&R in Tokyo on Oct. 5, while Burns acted gleeful at taking command. B.J. then testifies about Burns asserting his will on the camp, which involved not just increased rank-and-file discipline, but arbitrarily making the personnel move the entire camp across the road and back again the next day. A prohibition against gambling led some of the usual suspects to pretend that they were having a spelling bee when Frank came around for inspection. But later when Burns was leaning on Zale regarding the organization of the meat locker, the sergeant let slip that he lost $300. Zale's subsequent evasiveness about how led Burns to pursue the matter as an assumed theft. When questioned, the guys immediately came clean about what they were really doing in the supply hut, but Burns refused to believe them because he'd prohibited gambling (which seems especially dense even for him).

Radar identifies himself to the court by his nickname, even though they've established his real name (though perhaps not in production order). He testifies how he accompanied the major as he inspected the tents of Father Mulcahy (who was at the game) and Klinger (who was keeping lookout while standing watch). Klinger has to be explained when the description of Frank fondling Klinger's wardrobe leads the colonel to believe that Klinger is a nurse. Frank proceeded to inspect the Swamp while the guys were present, then Radar's office/quarters, finding another artifact from the future: Amazing Spider-Man 81 (cover date Feb. 1970, released in Nov. '69). We also get another glimpse of one of the previously seen Avengers issues; and there's a third comic with a monochrome cover that I couldn't easily identify. In court, Radar confesses that he had the money, which was hidden in his Teddy bear (which Frank seems oddly unfamiliar with).

Frank then takes the stand to give his account of the circumstances on Oct. 11, depicting himself as heroic, selfless, and unwavering in the O.R. during heavy shelling, while everyone else was fawning, panicky, or begging for relief. (IMDb points out that this is a rare case of a surgery session being accompanied by a laugh track, as it was meant to be a comically exaggerated account.) Frank even tells of how he donated his own blood to a patient on the spot without even sitting down. When Hawkeye couldn't take it anymore, Burns recounts, the captain injected him with a syringe and had him wheeled out on a table.

Hawkeye: The major's version of what happened is, to say the least, fascinating. It was, to say the most, perjury.​

Hawkeye gives a briefer account of Frank being his usual whiny self and how he was forcing the major to return to pre-op when a nurse walking in accidentally knocked Burns out with the swinging door; following which Klinger dragged the major out on the floor.

In the show's present, the colonel recognizes Captain Pierce's lack of discipline but praises his surgical skill; while indicating when pressed that Burns would be better suited as a pastry chef. The colonel judges that no mutiny occurred. In the coda, Burns brings Potter to the supply shed to bust another poker game, but the colonel just asks to be dealt in.

The conflicting accounts storytelling device employed in this episode was undermined by the show's inability to cast any doubt on Hawkeye. There's room to interpret that he was also exaggerating in his own favor, but if so, it was much more subtle than in Burns's flashback.

An IMDb contributor points out that a court martial with a potential death sentence would involve the officers having legal representation. Also, I believe courts martial are usually judged by tribunals. Nobody on IMDb caught the comic books this time.

This was the first of nine episodes directed by Harry Morgan. Acting-wise, I just came across the fact that he was nominated for an Emmy for every season he was in, winning in 1980.



The Bionic Woman
"Angel of Mercy"
Originally aired January 28, 1976
Edited IMDb said:
Jaime goes on a rescue mission to Costa Bravo disguised as an army nurse, accompanied by cranky helicopter pilot Jack Starkey. Their mission: to find the American ambassador and his wife.

At the Vector 4 Depot in Costa Bravo, which is under bombardment, ambassador George Morehouse (James Karen) and his wife Judith (Jean Allison) are trying to leave for an escape flight when their shelter is hit and they find themselves trapped there by rubble. The civil war in that country and the uncertain fate of the ambassador are subjects in Jaime's class, brought up by brainy student Andrew (infamous Brady cousin Robbie Rist). As class is ending, Jaime gets a call from Oscar, who's flying out via military transport with an assignment. He picks her up with the plane and plays a fragmented SOS message from Morehouse. When Oscar has trouble with the reel-to-reel player, Jaime employs bionic rewind. Oscar has reservations about the riskiness of sending Jaime in disguised as a nurse, on the hope that the guerillas will respect her neutrality. Having no medical training, Jaime reads up on the flight.

At the next airfield, Jaime meets up with her partner for the mission, no-nonsense civilian ace helicopter pilot Jack Starkey (whistles in Andy Griffith), who thinks that she's actually a nurse and is outspoken in his belief that a woman doesn't belong in the war-torn jungle. He nevertheless flies her into the war zone in N9150F. Guerillas fire at their copter, forcing Jack to make a crash landing...secretly aided by Jaime pulling the exposed steering cable behind their seats.

Jaime rips off the door, pulls the unconscious Jack clear of the wreckage, and revives him with ammonia from the first aid kit; then unconvincingly claims that they were thrown clear. Her lack of nursing competency shows when she has to be told to bandage his bleeding head. Jack's incredulous that she wants to proceed with finding Morehouse (who's still attempting to radio out with a dying battery). Trekking through the jungle, Jaime can hear that they're being pursued, and has to grab and throttle a large reptile that's slithering down from a tree toward an unsuspecting Starkey...upon which we learn that she shares the weakness of a famous adventurer yet to be created:
TBW01.jpg
They come upon a soldier whose leg is pinned under a tree trunk (Paul Berrones). Jack advises against helping him, but nevertheless lifts the trunk off with the surreptitious aid of Jaime's foot. Then it falls to Jack to administer pain killer, because Jaime's also skittish about needles.

As they arrive at the depot, they discover who their pursuer is--a local preteen orphan in oversized fatigues named Julio (Claudio Martínez), who has an attitude about American pigs and the guerillas who killed his parents. Jaime bandages the boy's feet, which are hurt from trekking around in ill-fitting boots. She and Jack argue about bringing him along in his condition; though Jack ends up carrying the kid on his soldiers to spare Jaime the burden. Julio freaks both the adults out when he pulls from his satchel the carcass of the snake, which he picked up as a potential meal. Once inside the depot, Starkey radios Morehouse, but Morehouse's reply doesn't get through as the battery finally gives.

Left alone in the depot while Jack looks for transportation out, Jaime hears Judith banging for help and gets to work on the rubble. Julio rushes in to tell her that they found a plane and is amazed to see what she tries to pass it off as the effects of adrenaline. She sends him out for Jack, and he runs into the guerillas who've been pursuing the crash survivors (led by a character billed as Castro Beard [Bert Santos]), diverting them up into nearby hills. Jaime gets the cellar door open, helps the ambassador out, then goes down to free Judith, who's pinned under debris. Once they're reunited, Jack shows Jaime that the plane's landing gear struts are bent out of shape, so she finally abandons pretense and bends them back into shape in front of him.
TBW02.jpg
Their next problem is starting the plane, which Jaime assists with by turning the prop. With the guerillas moving back in, Jack's forced to try to take off with Julio aboard, whom he insists will overburden the craft. Jack nevertheless manages to get them airborne after flying the plane off a cliff.

At the Sao Paulo AFB, Jaime says goodbye to a tearful Julio, whom Jack plans to take care of until he finds a foster home; and Jack expresses his respect for Jaime. Back in class, Andrew updates Jaime about the rescue of the ambassador, which the helicopter pilot credited to Lady Luck.

It's interesting how this episode goes out of its way to play up Jaime being more of an unseasoned operative than Steve, including an early beat of Jaime acting uncomfortable at taking the assignment. I wonder if this will persist.

A credited student who interacts with Andrew is Mark (Robbie Wolcott).



Hawaii Five-O
"Turkey Shoot at Makapuu"
Originally aired January 29, 1976
Edited Paramount+/Wiki said:
When an airline stewardess and a hang-glider pilot are murdered, the victims' respective roommate and sister puts herself in danger to help catch the killer.

NOTE: This is the final onscreen appearance of Peggy Ryan in the role of McGarrett's secretary, Jenny Sherman.

Molly Taggart (Lee Purcell) flies a turkey silhouette-adorned glider designed by her brother, Draper (Lou Richards), off a cliff at the titular locale, assisted by a friend and/or instructor named Carl (Byron Akiona). While Draper and Carol proceed to the landing point, Molly's stewardess roomie, Sheila Romney (Susie Burke), leaves for a flight but has car trouble and gets out to walk for help. While Molly circles around watching from above, a van pulls up to Molly's car, and a pair of lowlifes, Thomas Tonker (Chuck-Chuck Akamine) and Blooey (Billy Roessler)--the latter always wearing a very distinctive headphone transistor radio--get out to strip the vehicle. Sheila notices and approaches them, only to be chased by Blooey with a knife. Too late, Tonker notices the glider circling overhead. After Molly lands, she has Draper take her to where the car had been, but they only find an eight-track cassette and some wiring. Molly goes to the police, who connect it to a recent case in which a pair of sailors were knifed by car strippers. When Sheila's body is found, it becomes a case for Five-O, and Steve questions Molly, who's upset that they can't move in on the killers faster. Next the car is found, to be examined by Che while Five-O tries to track down the missing parts. Meanwhile, Sheila's life proves to be worth a mere $175 for the sundry parts that the strippers fence to Oscar Lang (Kenneth O'Brien), who isn't even interested in the tires. Tonker later sees a headline story about the unidentified hang-glider pilot having witnessed the murder.

Hang-gliding activity continues at Makapuu, which includes Draper taking the glider for a flight while the strippers are watching and a bystander identifies him to them. Chin finds and confiscates parts of interest at Lang's shop; following which Oscar goes to give a heads-up to the strippers, who insist that they sandpapered off all the serial numbers. Che lifts a large number of prints from the car considering that the interior was hosed down, though he warns that most will be unidentifiable prints from attendants, mechanics, etc. When the newspapers story comes to Steve's attention, he assigns Danno to watch Molly undercover. He and Molly are present when Draper takes his glider for another flight, only to be sniped by Blooey. He's still alive as he descends sharply down to the water, having only one good arm left to struggle with the glider.

The glider is found sans Draper's body, and Molly hangs on to the possibility that he swam to safety. Che finds indications that a bullet hit the glider, and Molly's safety relies on the press having reported the affair as a gliding accident. The strippers drive to Oscar's shop to find him being taken in by Duke and HPD.

Lang: Y'know, this is really a thrill. I mean me, a humble peasant, havin' a chat with Steve McGarrett. It's the Double-O of Five-O, wow.​

McGarrett informs Lang that he's an after-the-fact accessory to murder, and that car radios also have numbers on the inside. After he's let go, Oscar learns from the bartender of a mutual hangout (Wallace Landford) that Tonker and Blooey know he was picked up...while Chin eavesdrops as a customer. He tails Lang back to his shop, where the strippers confront Oscar, Blooey threatening him with a knife while Oscar's ready to defend himself with a heavy wrench. As the strippers drive off, Chin radios in their plate. Draper's body is found, deflating the price of a life down to $87.50. When a reporter at the marina tries to ask Five-O questions, a distraught Molly spills that she's the witness the killers are after. The strippers subsequently catch a report on the radio about this.

The van is traced to Tonker, who has a felony record. Molly gives Danno the slip at a gas stop, taking her brother's land cruiser and the hang glider mounted on the roof. Five-O moves in on Tonker's junkyard to find the van and ammo indicating two rifles, but no strippers. They subsequently catch a TV new story that Molly's about to make a record-setting flight with her brother's glider from an undisclosed location. As she's about to take off, Molly, who's setting herself up as bait, instructs Carl to call McGarrett to the location and have him contact her via radio. After Steve and Danno arrive, Blooey takes shots at Molly from an observation tower. Molly indicates his location and Danno sends him diving with a sniper shot of his own. But Tonker takes shots at Molly from a ridge slope, wounding her and sending her spiraling down with limited control. She also indicates his location, allowing McGarrett to get the drop on Tonker and call in nearby undercover HPD officers to book him. Steve, Danno, and an ambulance rush to Molly's landing site to find her alive and talking of how she plans to go for that record.



Ah yes, I remember that now.
Following up on this topic, a jiggled neuron tells me that Mike may have episodically sported a manbag on AITF.

All-time Cold War Classic. "You're next!"
I watched this once, several years back. My memory of the details is vague, but it became the main thing that I recognized Kevin McCarthy from when he popped up on various shows, usually as a villain.

That's an awful lot of money in those days.
I wonder if it was silently converted into modern dollars.

Interesting. He would have been about four years old.
I briefly glanced at his Wiki page to find that some casted doubt regarding his story in the day.

One of the top 50s Classics.
The site I've been getting my chart lists from since the Billboard site went paywall includes lists for this pre-Hot 100 segment of the '50s. I've found that it's still very much common practice for multiple artists to jump on the same song at one and release competing versions. This one has a few, and I neglected to note that Pat Boone's cover of "Tutti Frutti" actually outcharted the Little Richard original! *shudder*

I don't know this one, but it's pretty nice.
But it sure as hell ain't rock 'n' roll.

Cool song and Louis Armstrong-- can't go wrong there. :rommie:
Another example of the above--there are multiple versions of this on the chart with Louis's version, two of which will outchart his recording; though they're both instrumentals. Louis's recording seems to be the most referenced version prior to Bobby Darin's definitive version in '59.

The Route 66 and Batman guy, among many other things. Quite a talent.
Also the first three seasons of Emergency! It looks like he was replaced as composer with Billy May in Season 4. I miss the Batmanesque music queues.

For comparison, the Moon is about a quarter of a million miles away. :rommie:
Which I looked up.

Currently on the stands in 50th Anniversaryland, X-Men 98--in addition to being the opener of Phoenix's origin storyline--gives us our first look at Wolverine without his mask, and the revelation that his claws come out of his hands.
 
Last edited:
Edith's surprised when Archie comes home with food from a Jewish deli because Mr. Bernstein the watchmaker is coming for dinner.
Interesting. There seems to be a lack of Archie-isms in this episode, even unintentional ones.

Edith: But I don't want our money to work, I wanted it to relax.
You'll never retire that way, Edith.

Bernstein (Jack Gilford)
A popular nebbish back in the day.

Bernstein confesses that he needs the Bunkers' money because he doesn't have any credit.
Wouldn't Archie expect a Jew to have a hoard of cash or something?

Then Edith gets a one-sided call from Irene (said to be the last time the character is even mentioned)
Interesting that it's her and not Mike or Gloria.

On the very night before Laverne & Shirley premieres:

Bernstein: There are two kins of losers--schlemiels and schlimazels. A schlemiel goes though life spilling soup, and a schlimazel's the guy he spills it on.

I'd been thinking that this must be a coincidence given how the shows aired on rival networks, until I remembered the Reiner/Marshall connection.
Yeah, it's not something you hear very often.

This one felt very odd with that out-of-nowhere shock ending.
It's a very unusual episode, like a standalone short story that wasn't really about the Bunkers at all. It's got an Alfred Hitchcock or Twilight Zone style of irony.

"The Novocaine Mutiny"
This title caught my eye as a good one, but it was a couple of minutes before the pun registered. :rommie:

The date of the alleged mutiny is given as October 11, 1952.
Less than a year to go. I'll miss this show. :rommie:

Burns is fine with Hawkeye facing a death penalty.
Harsh.

Burns: The way I see it, unless we each conform, unless we obey orders, unless we follow our leaders blindly, there is no possible way we can remain free.
Now there's an Archie-ism. :rommie:

Potter is the first to testify via flashback, telling of how he left for R&R in Tokyo on Oct. 5
I wonder what Potter does for R&R.

B.J. then testifies about Burns asserting his will on the camp, which involved not just increased rank-and-file discipline, but arbitrarily making the personnel move the entire camp across the road and back again the next day.
Which makes one wonder why Potter would leave him in command, or at least leave him instructions not to actually do anything.

the sergeant let slip that he lost $300.
Another example of what would have been a large amount of money back in the 50s.

another artifact from the future: Amazing Spider-Man 81 (cover date Feb. 1970, released in Nov. '69)
No doubt from the same source.

and there's a third comic with a monochrome cover that I couldn't easily identify.
Can you get a screencap? :D

Frank then takes the stand to give his account of the circumstances on Oct. 11, depicting himself as heroic, selfless, and unwavering in the O.R. during heavy shelling, while everyone else was fawning, panicky, or begging for relief.
I don't remember this at all, but it sounds hilarious. :rommie:

Burns brings Potter to the supply shed to bust another poker game, but the colonel just asks to be dealt in.
The Picard Maneuver. :rommie:

The conflicting accounts storytelling device employed in this episode was undermined by the show's inability to cast any doubt on Hawkeye. There's room to interpret that he was also exaggerating in his own favor, but if so, it was much more subtle than in Burns's flashback.
Which is weird, because not only is that kind of the point of this storytelling device, but you'd expect Hawkeye to deliberately put on a burlesque out of sheer facetiousness. :rommie:

An IMDb contributor points out that a court martial with a potential death sentence would involve the officers having legal representation. Also, I believe courts martial are usually judged by tribunals.
It seems unlikely that it would be held in camp either. And where was Margaret during all this?

This was the first of nine episodes directed by Harry Morgan. Acting-wise, I just came across the fact that he was nominated for an Emmy for every season he was in, winning in 1980.
Well deserved. And he makes it look so effortless.

The civil war in that country and the uncertain fate of the ambassador are subjects in Jaime's class
Synchronicity. :rommie:

brainy student Andrew (infamous Brady cousin Robbie Rist)
They exiled him all the way to the Midwest. :rommie:

As class is ending, Jaime gets a call from Oscar, who's flying out via military transport with an assignment.
"Okay, but I have to be back by morning for class."

Oscar has reservations about the riskiness of sending Jaime in disguised as a nurse, on the hope that the guerillas will respect her neutrality.
And yet he's the one sending her....

Having no medical training, Jaime reads up on the flight.
Shades of The Great Imposter. :rommie:

no-nonsense civilian ace helicopter pilot Jack Starkey (whistles in Andy Griffith)
Well, there's a cool guest star.

who thinks that she's actually a nurse
I don't see any good reason to keep her mission partner in the dark.

his belief that a woman doesn't belong in the war-torn jungle.
Technically, I agree. Nobody belongs in a war-torn jungle. :rommie:

Seems to be a 1972 Hughes 369HS Rotorcraft, apparently deregistered, possibly since 1992. Last known location was in Oklahoma City.

forcing Jack to make a crash landing...secretly aided by Jaime pulling the exposed steering cable behind their seats.
He really should be privy to her super powers, too.

Jaime rips off the door, pulls the unconscious Jack clear of the wreckage, and revives him with ammonia from the first aid kit
Luckily that was in Chapter One.

Her lack of nursing competency shows when she has to be told to bandage his bleeding head.
"See here, y'all, the way I understand it, bleeding is a symptom of injury."

who's still attempting to radio out with a dying battery
"I'm down to 3% and I forgot my cord."

we learn that she shares the weakness of a famous adventurer yet to be created:
Theoretically, they could be related.

Then it falls to Jack to administer pain killer, because Jaime's also skittish about needles.
Does Jack even question why she was chosen for this mission? :rommie:

Left alone in the depot while Jack looks for transportation out, Jaime hears Judith banging for help and gets to work on the rubble.
That super hearing comes in handy.

led by a character billed as Castro Beard
Oh, man. :rommie:

Jack shows Jaime that the plane's landing gear struts are bent out of shape, so she finally abandons pretense and bends them back into shape in front of him.
"You're now a security level seven."
"I was already a security level nine! I'm gonna kill Oscar when we get back!"

Jack's forced to try to take off with Julio aboard, whom he insists will overburden the craft.
"By the way, I should tell you that I weigh three hundred pounds, despite my slim figure."

Jaime says goodbye to a tearful Julio, whom Jack plans to take care of until he finds a foster home
Sniff.

Back in class, Andrew updates Jaime about the rescue of the ambassador, which the helicopter pilot credited to Lady Luck.
And she got back in time for class in the morning. Or did they make some excuse about her being out sick or something?

It's interesting how this episode goes out of its way to play up Jaime being more of an unseasoned operative than Steve, including an early beat of Jaime acting uncomfortable at taking the assignment. I wonder if this will persist.
It would be a good approach for the first season, all things considered. But they should also be giving her less dangerous assignments than rescue missions in war-torn jungles.

but has car trouble and gets out to walk for help. While Molly circles around watching from above, a van pulls up to Molly's car
Seems to be a lot of coincidences at work here.

the latter always wearing a very distinctive headphone transistor radio
Cutting-edge technology!

Too late, Tonker notices the glider circling overhead.
Would Molly really even be able to see anything from that height?

she has Draper take her to where the car had been, but they only find an eight-track cassette
Nobody wants those things. :rommie:

Sheila's life proves to be worth a mere $175 for the sundry parts that the strippers fence
Sheesh.

Draper taking the glider for a flight while the strippers are watching and a bystander identifies him to them.
Presumably they recognize the turkey silhouette.

Lang: Y'know, this is really a thrill. I mean me, a humble peasant, havin' a chat with Steve McGarrett. It's the Double-O of Five-O, wow.
:rommie:

Draper's body is found, deflating the price of a life down to $87.50.
That was a good element of suspense, having him survive the shooting and crash but then turn up dead later.

They subsequently catch a TV new story that Molly's about to make a record-setting flight with her brother's glider from an undisclosed location.
The local news is very efficient at giving the characters plot updates. :rommie:

But Tonker takes shots at Molly from a ridge slope
Again we're at the point where it's far too late and it's time to leave the country or something.

Steve, Danno, and an ambulance rush to Molly's landing site to find her alive and talking of how she plans to go for that record.
At least she survived. This was a particularly grim episode for the random deaths of several innocent civilians.

Following up on this topic, a jiggled neuron tells me that Mike may have episodically sported a manbag on AITF.
Oh, yes, I kind of remember that.

I watched this once, several years back. My memory of the details is vague, but it became the main thing that I recognized Kevin McCarthy from when he popped up on various shows, usually as a villain.
Check for pods.

I wonder if it was silently converted into modern dollars.
I wouldn't be surprised. It seems like an awful lot, especially that early in the situation.

I briefly glanced at his Wiki page to find that some casted doubt regarding his story in the day.
It seems like it would be almost impossible to verify, unless he were mentioned in a contemporary newspaper account or something.

I've found that it's still very much common practice for multiple artists to jump on the same song at one and release competing versions.
That is always so weird.

This one has a few, and I neglected to note that Pat Boone's cover of "Tutti Frutti" actually outcharted the Little Richard original! *shudder*
I don't know if I want to even hear that for the novelty value. :rommie:

But it sure as hell ain't rock 'n' roll.
That's for sure. Has the term Rock'n'Roll already become so marketable?

Another example of the above--there are multiple versions of this on the chart with Louis's version, two of which will outchart his recording; though they're both instrumentals. Louis's recording seems to be the most referenced version prior to Bobby Darin's definitive version in '59.
I think Sinatra had a hit with it, too, didn't he?

Currently on the stands in 50th Anniversaryland, X-Men 98--in addition to being the opener of Phoenix's origin storyline--gives us our first look at Wolverine without his mask, and the revelation that his claws come out of his hands.
Ah, those were the days. It was like every issue had some great revelation or development. Just an endless stream of ideas.
 
Interesting. There seems to be a lack of Archie-isms in this episode, even unintentional ones.
He did his usual sort of "youse people" schtick, but nothing particularly noteworthy.

Wouldn't Archie expect a Jew to have a hoard of cash or something?
He was surprised that Bernstein couldn't get a loan, assuming that Jews controlled the banks (which I think was disputed).

Interesting that it's her and not Mike or Gloria.
True.

Now there's an Archie-ism. :rommie:
Burns would look just right in a red cap.

I wonder what Potter does for R&R.
Horse riding, I'd imagine.

Which makes one wonder why Potter would leave him in command, or at least leave him instructions not to actually do anything.
He is the second-in-command, that much is well established.

Can you get a screencap? :D
Go to town.
MASH35.jpg

Here's Spidey for good measure:
MASH36.jpg

Which is weird, because not only is that kind of the point of this storytelling device, but you'd expect Hawkeye to deliberately put on a burlesque out of sheer facetiousness. :rommie:
That would've had more entertainment value.

It seems unlikely that it would be held in camp either.
I don't think it was.

And where was Margaret during all this?
Not in the episode.

They exiled him all the way to the Midwest. :rommie:
She teaches in California.

And yet he's the one sending her....
He was having second thoughts.

Well, there's a cool guest star.
I'd been thinking maybe he'd popped up in SMDM, but I guess not.

I don't see any good reason to keep her mission partner in the dark.
Agreed. No harm in him knowing she's an agent.

Seems to be a 1972 Hughes 369HS Rotorcraft, apparently deregistered, possibly since 1992. Last known location was in Oklahoma City.
TGOWS104.jpg

He really should be privy to her super powers, too.
Now there I don't agree. He's just a civilian contractor.

"See here, y'all, the way I understand it, bleeding is a symptom of injury."
More or less.

Does Jack even question why she was chosen for this mission? :rommie:
He must've thought he'd gotten stuck with another Barney.

"By the way, I should tell you that I weigh three hundred pounds, despite my slim figure."
As I recall, Steve doesn't even weight that much.

And she got back in time for class in the morning. Or did they make some excuse about her being out sick or something?
I assume she can arrange for subs when she's on missions.

It would be a good approach for the first season, all things considered. But they should also be giving her less dangerous assignments than rescue missions in war-torn jungles.
"What's Steve doing this week?"
"You wouldn't believe me if I could tell you."

Would Molly really even be able to see anything from that height?
The vehicle, and those big, red headphones. And probably that the guy wearing them was pretty heavy-set.

And I couldn't help thinking of Jack's role in Dr. No, of course.

That was a good element of suspense, having him survive the shooting and crash but then turn up dead later.
I don't think he did survive the crash. The last we saw of that was a first-person perspective of the drink coming up fast.

The local news is very efficient at giving the characters plot updates. :rommie:
In this case, she tipped them off to lure in the killers.

Again we're at the point where it's far too late and it's time to leave the country or something.
I was thinking that substantially earlier in the episode. But going on a killing spree to fence car parts says something about how bright these guys were.

That is always so weird.
SOP for the big bands and trad pop artists.

I don't know if I want to even hear that for the novelty value. :rommie:
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Way to make Little Richard sound boring.

That's for sure. Has the term Rock'n'Roll already become so marketable?
Definitely trendy by this point.

I think Sinatra had a hit with it, too, didn't he?
Looks like he did it as an album track in the '80s.

Ah, those were the days. It was like every issue had some great revelation or development. Just an endless stream of ideas.
And I'll point out that this was 2-1/2 years after Cockrum's makeover of Timber Wolf in Superboy.
 
He was surprised that Bernstein couldn't get a loan, assuming that Jews controlled the banks (which I think was disputed).
Yeah, that's the kind of thing I was thinking of.

Burns would look just right in a red cap.
I kind of feel sorry for red caps at this point. :rommie:

Horse riding, I'd imagine.
Good thought. I suppose they must have horseback riding in Tokyo.

He is the second-in-command, that much is well established.
Yeah, but how did he get there, and how does he stay there, and why didn't Potter leave him with a gruff, "Don't do anything I wouldn't do?"

Tough one. That's a weird color. Either it's a fanzine or somebody left their comic in the back window of their car. All I can make out is a couple of half-naked cave people or something similar. It almost looks like Kamandi. I'll see if I can figure it out.

That would've had more entertainment value.
Definitely. :rommie:

I don't think it was.
Ah, okay. Which is also weird, since that means they left the camp bereft of its most important people and therefore useless.

Not in the episode.
Again, weird. She would have been egging him on during his command and then supporting him during the trial.

She teaches in California.
Oh, okay. I always imagined Ojai was in the Midwest somewhere. Maybe because it sounds like Ohio. :rommie:

He was having second thoughts.
"Now that I'm looking at you...."

I'd been thinking maybe he'd popped up in SMDM, but I guess not.
That would have been good too.

:mallory:

Now there I don't agree. He's just a civilian contractor.
Well, they're on a mission in a war-torn jungle. They should really know each other's abilities. He really should have been wondering why he was escorting an incompetent nurse on a rescue mission. :rommie:

He must've thought he'd gotten stuck with another Barney.
:rommie:

As I recall, Steve doesn't even weight that much.
I was exaggerating a bit for comic effect, but they both must weigh more than they should.

I assume she can arrange for subs when she's on missions.
Yeah, I suppose the OSI would arrange for that. Which means they're probably all foreign spies. "Today, children, we will learn why all capitalist pigs must die."

"What's Steve doing this week?"
"You wouldn't believe me if I could tell you."
"You'd need to be security level 99 for that one."

The vehicle, and those big, red headphones. And probably that the guy wearing them was pretty heavy-set.
Ah, of course, that explains the big red headphones.

And I couldn't help thinking of Jack's role in Dr. No, of course.
Oh, yeah. I wonder if that was intentional.

I don't think he did survive the crash. The last we saw of that was a first-person perspective of the drink coming up fast.
Ouch.

In this case, she tipped them off to lure in the killers.
They still got it on the air pretty quickly.

I was thinking that substantially earlier in the episode. But going on a killing spree to fence car parts says something about how bright these guys were.
True. Not exactly Wo Fat.

SOP for the big bands and trad pop artists.
Yeah, so odd. But it was a different time. It's like how they used to do TV and radio versions of movies.

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Way to make Little Richard sound boring.
Let's just leave that one for the Lost and Forgotten 45s. :rommie:

Looks like he did it as an album track in the '80s.
That late? I thought I was remembering it from my school days.

And I'll point out that this was 2-1/2 years after Cockrum's makeover of Timber Wolf in Superboy.
I wasn't aware of Timber Wolf at the time, but I was aware that Wolvie's new costume from the Starjammer storyline was way too similar to Timber Wolf's. :rommie:
 
I kind of feel sorry for red caps at this point. :rommie:
I don't.

Good thought. I suppose they must have horseback riding in Tokyo.
Could be pretty nice out in the countryside. Wherever his horse has been, he probably can't wander far from camp in the war zone.

Yeah, but how did he get there, and how does he stay there, and why didn't Potter leave him with a gruff, "Don't do anything I wouldn't do?"
He's a less competent civilian doctor who somehow got a higher rank than the more competent ones. You'd think they'd have another career military officer in there to back up Potter. Anyhoo, it's a well-established trope of the show at this point that they sometimes have to suffer Burns being left in charge.

Tough one. That's a weird color. Either it's a fanzine or somebody left their comic in the back window of their car. All I can make out is a couple of half-naked cave people or something similar. It almost looks like Kamandi. I'll see if I can figure it out.
You might be on the right track, because toward the bottom I see what looks like a photorealistic hand, which suggests the sort of photo/art collage that Kirby was doing in the early '70s.

Ah, okay. Which is also weird, since that means they left the camp bereft of its most important people and therefore useless.
Guess these things happen.

Yeah, I suppose the OSI would arrange for that. Which means they're probably all foreign spies. "Today, children, we will learn why all capitalist pigs must die."
:D

That late? I thought I was remembering it from my school days.
Maybe another artist's version? Darin's?

I wasn't aware of Timber Wolf at the time, but I was aware that Wolvie's new costume from the Starjammer storyline was way too similar to Timber Wolf's. :rommie:
Because he took it from the Imperial Guard member who was based on Timber Wolf. I recall reading interviews that they were pretty self-conscious that readers would think Wolvie was a TW clone; and the Fang costume was quickly ditched because of that.
 
Aw, poor little crimson accessories. It's not their fault they're being exploited. They must be liberated! :rommie:

Could be pretty nice out in the countryside. Wherever his horse has been, he probably can't wander far from camp in the war zone.
Now that you mention it, that poor horse must be a nervous wreck from all the shelling and stuff.

Anyhoo, it's a well-established trope of the show at this point that they sometimes have to suffer Burns being left in charge.
That's pretty much it. :rommie:

You might be on the right track, because toward the bottom I see what looks like a photorealistic hand, which suggests the sort of photo/art collage that Kirby was doing in the early '70s.
I skewed it and flipped it and enhanced it as much as I could in Photoshop, but it didn't help a lot:

Modified-BW-2.jpg


It's not Kamandi, because he wears a belt. The art and fragment of cover copy suggest Marvel more than DC. It's not Gold Key, because they used painted covers. I don't know enough about Charlton to be sure. I consulted ChatGPT and it suggested that the art might be by John Buscema, which is dubious. Maybe it's one of those anthologies Marvel published in the early 70s. I looked over some Ka-Zar and Sheena covers and that's not it.

Maybe another artist's version? Darin's?
I think I'm retroactively connecting Sinatra's version to memories of High School German class, where we learned "The Mackie Messer Song." Which I still remember a fragment of: "Der haifisch, er hat zahne, blah blah blah...." :rommie: Anyway, I'm not sure why I'm doing that, but I think that's it.

Because he took it from the Imperial Guard member who was based on Timber Wolf.
That much I knew at the time, maybe because my friend told me.

I recall reading interviews that they were pretty self-conscious that readers would think Wolvie was a TW clone; and the Fang costume was quickly ditched because of that.
I do recall that it quickly disappeared when Byrne took over, which was just a couple of issues later.
 
Aw, poor little crimson accessories. It's not their fault they're being exploited. They must be liberated! :rommie:
Ah, I assumed you were referring to the people wearing them. Inanimate objects I can't get too worked up about.

I skewed it and flipped it and enhanced it as much as I could in Photoshop, but it didn't help a lot:

Modified-BW-2.jpg
Interesting. I'd think it was a SF/F magazine, but it seemed to be the same size as the comics.

It's not Gold Key, because they used painted covers.
It seems to have a painted quality to my eye.

I do recall that it quickly disappeared when Byrne took over, which was just a couple of issues later.
They made a point of having Wolvie tear it off on-panel.

Would you buy this guy as Irish...?
HCTB07.jpg
 
Ah, I assumed you were referring to the people wearing them. Inanimate objects I can't get too worked up about.
Free the red hats! :rommie:

Interesting. I'd think it was a SF/F magazine, but it seemed to be the same size as the comics.
And the color is so weird. Comics can turn that color in sunlight, but the evenness suggests that it was printed that way. But why would somebody print a cover in such an ugly color?

It seems to have a painted quality to my eye.
Hmm. In that case it could be Turok or something. I think Gold Key had two or three comics in that vein.

They made a point of having Wolvie tear it off on-panel.
I think he said the alien material felt funny. :rommie:

Would you buy this guy as Irish...?
View attachment 51904
Actually, he does resemble my infamous Uncle Mike. :rommie:
 


50th Anniversary Viewing (Part 2)



Emergency!
"Above and Beyond...Nearly"
Originally aired January 31, 1976
MeTV said:
Roy and John receive commendations for bravery, but they can't remember the incident. A 94-year-old man breaks his ankle while dancing. Dr. Brackett treats a man who passed out in a dentist's chair. An injured mountaineer is stranded on a cliff.

Back in the spotlight, Station 51 gets a surprise visit from Fire Chief Richard Houts (uncredited as himself), causing the crew to scramble to look presentable. After telling Johnny to get a haircut, the chief present him and Roy with commendations for a heroic rescue on a particular night two months prior...but neither of them can remember the call in question. While the crew's taking the chief to the kitchen for coffee, Squad 51 is called to a swinging seniors apartment complex, where a man named Amos (Liam Dunn) has potentially fractured his ankle while dancing. When Johnny tells Rampart that the victim is approximately 70, Amos corrects him, his actual age being 94.

Amos: I was born during the administration of President Chester A. Arthur...and I was with Teddy Roosevelt at San Juan Hill.​

Johnny reports Amos's overall condition as very good as the patient is fawned over by two senior ladies, Maggie (Florence Lake) and Annie (Lucille Benson), and then a much younger woman, Joyce (Linda Dano), whom the paramedics initially mistake for his fiancée, but she turns out to be his grandson's.

At Rampart, Roy shows the letter of commendation around hoping somebody can jog his memory regarding the incident, which earns Johnny a kiss from a young nurse named Carol (Kristin Larkin). Instead, Early and the nurses ask the paramedics about the details, which they fake their way through before taking the first opportunity to exit. On the ride back, they start to fret over finding out what they're being commended for without letting on that they don't know. At the station, they find themselves in the same situation when they fish for details from the captain only to be told that he had nothing do with putting them in for the commendation and wants them to tell him about what it's for.

At Rampart, Dix and Brackett are called up to a possible heart attack in the hospital's dental clinic (which looks like a redress of the staff lounge). Brackett is uncertain of what sort of attack the patient, Mr. Wiler (uncredited Hal Baylor), has had, thinking that it may be a vasovagal attack; and learns from the dentist (uncredited David Mooney) that Wiler takes medication for hypertension and is infamous for being a difficult patient. When Wiler is conscious, it comes out that he has an aversion to dental work, and hadn't been to a dentist since he was in the service 25 years prior, which caused him to faint. Brackett advises Wiler to have his teeth taken care of under anesthesia.

At the station, Roy and Johnny go through logs to find that their call on the night of interest is unmemorable, and that the engine was with them, which begs the question of why the captain doesn't remember. They open up to the rest of the crew, who are knocking their heads together to recall the details of the incident when they're called up into the mountains, where an unresponsive climber is dangling on a cliffside, having been secured there by his climbing buddy, Larry (Grant Goodeve), before he went down to call for help. The paramedics are attempting to free-climb up the cliff tethered to one another when Copter 14 arrives. After Johnny loses his grip and Roy goes rolling downhill after him, they decide to use the copter to go the top and rappel down, but as darkness is approaching, they have to wait for a light unit to arrive. The copter crew uses night vision goggles to fly them up into position. The light unit arrives to deploy its truck-mounted extendable light tower and shine it up to the top portion of the cliff. The paramedics rappel down with a Stokes, examine the victim, and secure him in the stretcher to be lowered down with them assisting alongside. Once everyone's on terra firma, the copter flies down to land nearby so that it can give the victim and Johnny an airlift. Johnny calls Rampart during the flight.

The paramedics return to the station late and are taken into Stanley's office, where a waiting Fire Chief Houts informs them that he's determined that their commendation was in error, having been meant for Squad 15. When he offers to join the crew for dinner, Johnny tries to warn him about Stoker's cooking.

Chief Houts: Gage, you don't get to be chief of this department without having a very strong stomach....By the way, don't forget to get your hair cut.​



The Mary Tyler Moore Show
"Murray Takes a Stand"
Originally aired January 31, 1976
Frndly said:
Disgusted with the policies of WJM's new owner, Murray launches a vigorous protest---and promptly loses his job. But his friends in the newsroom aren't ready to let him go just yet.

Murray goes into Lou's office to find him cutting Murray's copy in compliance with a rule from the new station owner, Wessel, that any stories without film be limited to two lines. But the thing that sends Murray over the edge is settling into bed with Marie to find that Wessel's policies have cut out his favorite part of a Marx Brothers movie for more commercial time. Murray calls Wessel's home and dictates an insulting message to his wife. The next day, Lou's suffering a bad hangover after spending the night with Sue Ann consuming cheese samples from one of her specials, each sample having been accompanied by a glass of wine. Mary shows Lou how to stick it to the man by making Wessel wait on the phone while she pretends to have to find Lou. The owner asks Lou about Slaughter, and Lou insists that Murray would never do such a thing; then bursts out laughing as soon as he hangs up. Nevertheless, he goes out to confront Murray about the incident.

Lou: Murray, I wanna ask you a question...and I've got a sixteen-cheese headache, so don't play games with me.​

When Lou informs Murray that Wessel wanted to fire him, Murray immediately calls Wessel with the intent of telling him off some more; but shifts down into kissing-up mode. When Ted agrees with Murray's choice, however, Murray gets back on the phone to confess that it was him who made the previous night's call; and humbly informs the gang afterward that he's been fired. After a long private call, Lou's unable to reverse Wessel's decision.

Lou: I even called him "sir". The last guy I called "sir" was Patton...and that was only after he slapped me.​

Lou tries to encourage Murray that this will pass, citing a recent argument he had with Mary, which only reignites the argument.

Following Murray's first day off the job, the WJM gang drops by the Slaughter home in ones and twos--even Sue Ann, bearing a care package of "slightly used food". Lou resolves that they have to take a stand and draw the line with Wessel, which causes Mary to declare that if Murray goes they all go, and turns Sue Ann on. Ted, however, begs on his hands and knees not to participate. But back in the newsroom, when Lou describes how he plans to take his campaign against Wessel's policies as far as national television, Ted jumps on the bandwagon and exits to go tell Wessel off in person. Lou promptly gets a call from Murray with news that he got his job back after sitting down with Wessel. Mary's first instinct is to rush out and stop Ted, but she has second thoughts; and Lou follows suit.

In the coda, Lou and Mary fret over Ted having been gone for four hours, only to learn that he's been waiting for them to go up and see Wessel with him.



The Bob Newhart Show
"Duke of Dunk"
Originally aired January 31, 1976
Wiki said:
Bob tries to help a basketball star become better at teamwork.

Bob comes home from a Chicago Sunspots game enthusiastic to describe how the titularly nicknamed star player broke a record, but neither Emily nor Howard is interested in the game. (I'm pretty sure we saw Howard at some sort of sporting event in an earlier episode; I'm thinking hockey.) At the office, it turns out that Carol--who used to play basketball under the pseudonym "The Red Menace"--can out-talk Bob and Jerry on the subject. She opines that the Duke is a "hot dog," which pleases the crowd but doesn't necessarily help the team win games. For some unexplained reason Bob is friends with the Sunspots' coach, who arranges to have the Duke--real name Dwayne Granger (Anthony Costello)--see Bob to make him more of a team player, starting with an evening session at Bob's apartment...for which Emily is forced to go to Howard's, who's obsessing over a pet goldfish this week. The Duke, who's very tall and projects that he's full of himself, just pops in the door long enough to say he was there, as he's using the sessions to pay off fines from the coach.

Granger nevertheless ends up doing ten sessions with Bob. At his last one in Bob's office, he shows Bob a pair of diamond watches that are inscribed with his records. Dwayne--who routinely takes shots at Bob's relative diminutiveness--apparently having been evasive the entire time, Bob tries to get him to talk about his problem, confronting him about being a hot dog with no friends on the team. At home, Emily tries reading the sports section, though she admits that the only part she understands is "Boston--a city in Massachusetts". Meanwhile, Jerry's upset at Bob for not using his connections to get Jerry free tickets and gifts. The Duke attempts to come to Bob's office incognito after the Sunspots get creamed in his first game as a team player, for which he got written up as "The Duke of Dull". He wants to go back to pleasing the crowd, but Bob encourages him to give teamwork another try, in hopes of the team getting used to it.

In the coda, Jerry's disappointed with his oversized warm-up jacket, while Bob's got a new "fear of winning" therapy group consisting of Granger and four of his teammates, whose names the Duke can't keep straight.



NBC's Saturday Night
Season 1, episode 12
Originally aired January 31, 1976
Host: Dick Cavett
Guests: Jimmy Cliff, Marshall Efron, Al Alen Petersen

Chevy plans to avoid doing a fall for the opening because of a back injury, but is forced into doing one by Garrett using voodoo backstage.

Dick monologues about being on live TV, NBC censors having cancelled a skit, and being seen as an intellectual, among other topics. He demonstrates his less-than-highbrow sense of humor by firing a pistol into the air and a fake cow dropping from the rafters.

Jane plays a desperate widow in a relationship with Chevy as a bumbling hunter who accidentally shoots her dog, son (John), daughter (Laraine), and finally her. She tries to ignore the wound to give him a chance to pop the question.

Cavett does a spot for his School of Auto Refinishing and Upholstery. The gag later recurs in a second variation:
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Cavett introduces Jimmy Cliff, who performs "The Harder They Come" from his 1972 film of the same name (#341 on Rolling Stone's 500 Greatest Songs of All Time [2004]).

John does three commercials for H&L Brock, selling up his firm's crookedness.
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Chevy: Our top story tonight--In a landmark ruling, the Supreme Court struck down nearly all limits on presidential campaign spending. Almost immediately, four new candidates entered the race--Norman Lear, the Shah of Iran, Hugh Heffner, and Nelson Rockefeller.​

The news segment includes jokes about Kissinger, Castro, Lady Bird Johnson, and the continuation of a gag about Reagan using Red Dye #2. There's a Patricia Hearst trial report accompanied by crude, cartoony artist's renderings. Chevy also touches upon another news item that I'd trimmed out...

Chevy: Well, the popular TV personality known as Professor Backwards was slain in Atlanta yesterday by three masked gunmen. According to reports, neighbors ignored the professor's cries of "Pleh! Pleh!"​

From the tepid audience reaction, that gag worked better read than spoken. Larain reports from Angola, interviewing Dan as a British mercenary whom she makes out with. Following a repeated filmed commercial, Emily Litella passionately opposes the Eagle Rights Amendment. The closing repeat of the top story focuses on I Love Lucy fans, featuring a man doing a Ricky Ricardo impersonation who diverts from the topic.

Cavett does an Our Town spoof, describing NYC to the audience in a down-home manner.

Jimmy Cliff returns to perform his '69 single "Many Rivers to Cross" (#317 on Rolling Stone's 500 Greatest Songs of All Time [2004]).

Dick introduces a supposed lookalike who's a completely different type (Marshall Efron).

A film by Gary Weis features a tailor and plastic surgeon each making improvement suggestions for the other.

A program titled Dance to the Nation stars Jane as Betty Ford, who performs theatrical dance while responding to letters from viewers asking for advice.

The guest of a Looks at Books segment is Dick as a Nebraska pimp.

Jimmy Cliff's third performance is of "Wahjahka Man," a relatively obscure track from his 1975 album Follow My Mind.

A viewer home movie titled "The Apple Follies" features stop-motion apples attending a theater.

Dick introduces new talent Al Alen Petersen, who sings "I've Gotta Be Me" dressed as a construction worker who stripteases to reveal lingerie and long, blond hair.

Dick solos the final bow, informing the audience of the next episode's date. (I don't know if I mentioned it previously, but I read that in its first season, Saturday Night was sharing its timeslot with another program that ran once a month; hence new episodes of SN typically coming in groups of three followed by a week off.)



And the color is so weird. Comics can turn that color in sunlight, but the evenness suggests that it was printed that way. But why would somebody print a cover in such an ugly color?
Could it be a fanzine or something?

I think he said the alien material felt funny. :rommie:
As I recall, he literally ripped it off on the splash page of Byrne's first issue, declaring that he had to ditch those "funky alien threads".

Actually, he does resemble my infamous Uncle Mike. :rommie:
Interesting.
 
Last edited:
Back in the spotlight, Station 51 gets a surprise visit from Fire Chief Richard Houts (uncredited as himself)
Is this his second visit or was that some other real-life person who visited before?

After telling Johnny to get a haircut
Haha. :rommie:

the chief present him and Roy with commendations for a heroic rescue on a particular night two months prior...but neither of them can remember the call in question.
So many heroic rescues, they all blend together. And why don't they get commendations for them all?

a swinging seniors apartment complex
This is a great idea, but I may cry. :rommie:

When Johnny tells Rampart that the victim is approximately 70, Amos corrects him, his actual age being 94.
I hope I look 70 when I'm 94, but I'm not sure why. :rommie:

Amos: I was born during the administration of President Chester A. Arthur...and I was with Teddy Roosevelt at San Juan Hill.
Well, I guess he would have been born in 1882, which is pretty wild.

Annie (Lucille Benson)
This name is familiar and I'm going to say she was the landlady in the first season of Bosom Buddies.

Brackett advises Wiler to have his teeth taken care of under anesthesia.
Especially since he's probably due for a lot of work after 25 years. :rommie:

At the station, Roy and Johnny go through logs
That was kinda my first thought, guys. :rommie:

they're called up into the mountains, where an unresponsive climber is dangling on a cliffside
This sounds similar to another call within the last few weeks.

Larry (Grant Goodeve)
The oldest dude on Eight is Enough.

Johnny loses his grip and Roy goes rolling downhill after him
Ouch.

The copter crew uses night vision goggles to fly them up into position. The light unit arrives to deploy its truck-mounted extendable light tower and shine it up to the top portion of the cliff.
This sounds visually exciting.

a waiting Fire Chief Houts informs them that he's determined that their commendation was in error, having been meant for Squad 15.
I'm finding this subplot a little far fetched, because you'd think the commendation would have the guys' names on it. Secondly, whenever I've seen anybody get pretty much any kind of commendation, some details of the reason are given. "In acknowledgment of your bravery in rappeling down the side of a mountain in the dark..."

Chief Houts: Gage, you don't get to be chief of this department without having a very strong stomach....By the way, don't forget to get your hair cut.
He got a pretty good part in this one. :rommie:

Murray goes into Lou's office to find him cutting Murray's copy in compliance with a rule from the new station owner, Wessel
I wonder if this will be a recurring element now.

But the thing that sends Murray over the edge is settling into bed with Marie to find that Wessel's policies have cut out his favorite part of a Marx Brothers movie for more commercial time.
You ain't seen nothing yet, Murray.

Murray calls Wessel's home and dictates an insulting message to his wife.
Murray is not exactly a diplomat. :rommie:

The next day, Lou's suffering a bad hangover after spending the night with Sue Ann consuming cheese samples
A little continuity. Not bad.

Mary shows Lou how to stick it to the man by making Wessel wait on the phone while she pretends to have to find Lou.
You go, Mary. :rommie:

Lou insists that Murray would never do such a thing; then bursts out laughing as soon as he hangs up.
:rommie:

Murray gets back on the phone to confess that it was him who made the previous night's call; and humbly informs the gang afterward that he's been fired.
Mary goes to jail for protecting a source and Murray gets fired over the Marx Brothers. That's a little sad.

Lou: I even called him "sir". The last guy I called "sir" was Patton...and that was only after he slapped me.
They should have put that in the movie. :rommie:

which causes Mary to declare that if Murray goes they all go, and turns Sue Ann on.
Hmm. There's an episode we never saw. :rommie:

Lou promptly gets a call from Murray with news that he got his job back after sitting down with Wessel.
A pivotal scene that it would have been nice to see.

Mary's first instinct is to rush out and stop Ted, but she has second thoughts; and Lou follows suit.
:rommie:

In the coda, Lou and Mary fret over Ted having been gone for four hours, only to learn that he's been waiting for them to go up and see Wessel with him.
Whew! :rommie:

(I'm pretty sure we saw Howard at some sort of sporting event in an earlier episode; I'm thinking hockey.)
Was it something about him pretending to be interested because of Little Howie?

it turns out that Carol--who used to play basketball under the pseudonym "The Red Menace"
That's fantastic. :rommie:

For some unexplained reason Bob is friends with the Sunspots' coach
He's a psychologist. He has many secret friends. :rommie:

Emily tries reading the sports section, though she admits that the only part she understands is "Boston--a city in Massachusetts".
Well, that's the most important part. :D

He wants to go back to pleasing the crowd, but Bob encourages him to give teamwork another try, in hopes of the team getting used to it.
Did it work? We'll never know.

Host: Dick Cavett
"Enough with the interesting and exciting hosts. Let's get Dick Cavett."

He demonstrates his less-than-highbrow sense of humor by firing a pistol into the air and a fake cow dropping from the rafters.
Okay, that's funny. :rommie:

Chevy as a bumbling hunter who accidentally shoots her dog, son (John), daughter (Laraine), and finally her.
Lots of guns this week.

John does three commercials for H&L Brock, selling up his firm's crookedness.
That's actually based on a real series of ads from H&R Block where they gave however-many reasons to use them.

Chevy: Our top story tonight--In a landmark ruling, the Supreme Court struck down nearly all limits on presidential campaign spending. Almost immediately, four new candidates entered the race--Norman Lear, the Shah of Iran, Hugh Heffner, and Nelson Rockefeller.
The Shah is ineligible, Lear or Heffner would probably be better than anybody we actually got, and Rockefeller was under the control of the Serpent Crown. :rommie:

Chevy also touches upon another news item that I'd trimmed out...

Chevy: Well, the popular TV personality known as Professor Backwards was slain in Atlanta yesterday by three masked gunmen. According to reports, neighbors ignored the professor's cries of "Pleh! Pleh!"
This was a real event?

From the tepid audience reaction, that gag worked better read than spoken.
They all got it on the way home. :rommie:

Emily Litella passionately opposes the Eagle Rights Amendment.
Emu Rides are far too dangerous and I think... what? Oh. Never mind.

A film by Gary Weis features a tailor and plastic surgeon each making improvement suggestions for the other.
They should have ended up as identically dressed identical twins. :rommie:

Dick introduces new talent Al Alen Petersen, who sings "I've Gotta Be Me" dressed as a construction worker who stripteases to reveal lingerie and long, blond hair.
Sounds like a Laugh-In leftover. :rommie:

Could it be a fanzine or something?
I thought about that, but it's still a pretty weird color. It turned out that Gold Key had far more than two or three comics that would have fit that cover, but I didn't see it going through the various cover galleries. The thing is that the fragment of cover copy visible is very Marvelish. It doesn't really match the cover designs used by other companies.

As I recall, he literally ripped it off on the splash page of Byrne's first issue, declaring that he had to ditch those "funky alien threads".
Right, I remember that. :rommie:
 


50 Years Ago This Week



February 9
  • The world's largest cyclotron, Canada's TRIUMF (Tri-University Meson Facility) particle accelerator, was inaugurated at the University of British Columbia physics department building in Vancouver by Prime Minister Pierre Trudeau. Speaking to about 700 people "sitting on and around the giant cyclotron," Trudeau said "I'm not sure I could understand it if you spent some time explaining it to me, but I am excited that Canada has one of these things."
  • Charles, Prince of Wales, a lieutenant in Britain's Royal Navy, assumed command of a ship for the last 10 months of his naval career. The Prince was placed in charge of the coastal minehunter HMS Bronington and its 39-member crew. Although other members of British royalty had served as Royal Navy officers in the past, and Alfred the Great had captained vessels in battle, Charles became the first heir to the throne in modern times to be assigned to the command of a warship; he was officially titled "Lieutenant, the Prince of Wales" when he boarded HMS Bronington at Rosyth in Scotland.
  • Died: Percy Faith, 67, Canadian orchestra and bandleader, composer and conductor

February 11
  • Clifford Alexander, Jr., was confirmed as the first African American Secretary of the United States Army.
  • The "Democratic People's Republic of Angola," ruled jointly by FNLA leader Holden Roberto and UNITA leader Jonas Savimbi as "co-presidents," was dissolved after the Angolan Army, consisting of former MPLA guerrillas, captured the Republic's capital at Huambo.
  • The first of the Soviet Union's Delta III-class submarine vessels, K-424, was launched from Severodvinsk. The ballistic missile submarine was designed to carry 16 R-29 Vysota nuclear missiles.
  • Died:
    • Lee J. Cobb, 64, American stage and film actor known for portraying Willy Loman in the Broadway play Death of a Salesman
    • Joseph Barboza Baron, 43, American mobster, hitman, and FBI informant, who had taken on the new name of "Joseph Donati" as part of the witness protection program, after being shot to death in San Francisco while walking to his car. Attorney F. Lee Bailey, who said that Baron claimed to have killed 26 people, commented, "With all due respect to my former client, I don't think society has suffered a great loss."

February 12
  • Sal Mineo, 37, U.S. film actor, was stabbed to death by a mugger after parking his car outside of his apartment in West Hollywood, California. Mineo was the second of the three stars of the classic 1955 film Rebel Without a Cause to die violently, more than 20 years after James Dean was killed in an auto accident, and five years before Natalie Wood's death by drowning. Lionel Ray Williams, a pizza deliveryman with a long criminal record, was later arrested and convicted of Mineo's murder, and sentenced to 51 years in prison.

February 13
  • Brigadier General Murtala Ramat Muhammed, the head of state of Nigeria, was assassinated in an attempted military coup d'état.
  • The two top officials of the Lockheed Corporation, chairman of the board and CEO Daniel J. Houghton and chief operating officer A. Carl Kotchman, announced their resignations.

February 14
  • Lieutenant General Olusegun Obasanjo took office as the new Head of State of Nigeria as the government confirmed that General Murtala Muhammed was assassinated the day before.


Selections from Billboard's Hot 100 for the week:
1. "50 Ways to Leave Your Lover," Paul Simon
2. "Love to Love You Baby," Donna Summer
3. "You Sexy Thing," Hot Chocolate
4. "Theme from S.W.A.T.," Rhythm Heritage
5. "Sing a Song," Earth, Wind & Fire
6. "I Write the Songs," Barry Manilow
7. "Love Rollercoaster," Ohio Players
8. "Love Machine (Pt. 1)," The Miracles
9. "Breaking Up Is Hard to Do," Neil Sedaka
10. "Evil Woman," Electric Light Orchestra
11. "Convoy," C. W. McCall
12. "Take It to the Limit," Eagles
13. "Love Hurts," Nazareth
14. "All by Myself," Eric Carmen
15. "Wake Up Everybody, Pt. 1," Harold Melvin & The Blue Notes
16. "Squeeze Box," The Who
17. "Grow Some Funk of Your Own" / "I Feel Like a Bullet (In the Gun of Robert Ford)," Elton John
18. "December, 1963 (Oh, What a Night)," The Four Seasons
19. "Somewhere in the Night," Helen Reddy
20. "Baby Face," The Wing and a Prayer Fife and Drum Corps
21. "Lonely Night (Angel Face)," Captain & Tennille
22. "Fanny (Be Tender with My Love)," Bee Gees
23. "Times of Your Life," Paul Anka
24. "Golden Years," David Bowie
25. "The White Knight," Cledus Maggard & The Citizen's Band
26. "Tracks of My Tears," Linda Ronstadt
27. "Dream Weaver," Gary Wright
28. "Slow Ride," Foghat
29. "Junk Food Junkie," Larry Groce
30. "Deep Purple," Donny & Marie Osmond
31. "Sweet Thing," Rufus feat. Chaka Khan

33. "Bohemian Rhapsody," Queen
34. "Dream On," Aerosmith
35. "I Love Music, Pt. 1," The O'Jays
36. "Only Sixteen," Dr. Hook
37. "Theme from Mahogany (Do You Know Where You're Going To)," Diana Ross
38. "Money Honey," Bay City Rollers
39. "Sweet Love," Commodores
40. "Tangerine," The Salsoul Orchestra
41. "Love Is the Drug," Roxy Music

46. "Walk Away from Love," David Ruffin

54. "Good Hearted Woman," Waylon & Willie

56. "Country Boy (You Got Your Feet in L.A.)," Glen Campbell

59. "Fly Away," John Denver

61. "Rock and Roll All Nite," Kiss

64. "Fox on the Run," Sweet

65. "Disco Lady," Johnnie Taylor

68. "Let Your Love Flow," Bellamy Brothers

77. "Only Love Is Real," Carole King
78. "I Heard It Through the Grapevine," Creedence Clearwater Revival

80. "Action," Sweet

84. "Boogie Fever," The Sylvers

86. "I Do, I Do, I Do, I Do, I Do," ABBA

87. "Sara Smile," Daryl Hall & John Oates
88. "Locomotive Breath," Jethro Tull

90. "Lorelei," Styx

95. "Right Back Where We Started From," Maxine Nightingale

Leaving the chart:
  • "Hurricane, Pt. 1," Bob Dylan (11 weeks)
  • "Over My Head," Fleetwood Mac (14 weeks)
  • "Tenth Avenue Freeze-Out," Bruce Springsteen (3 weeks)
  • "That's the Way (I Like It)," KC & The Sunshine Band (16 weeks)

New on the chart:

"Lorelei," Styx
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(#27 US)

"Action," Sweet
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(#20 US; #15 UK)

"I Do, I Do, I Do, I Do, I Do," ABBA
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(#15 US; #8 AC; #38 UK)

"Right Back Where We Started From," Maxine Nightingale
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(#2 US; #5 AC; #46 R&B; #8 UK)

"Boogie Fever," The Sylvers
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(#1 US the week of May 15, 1976; #1 R&B)


And new on the boob tube:
  • The Six Million Dollar Man, "The Golden Pharaoh"
  • All in the Family, "Archie's Weighty Problem"
  • M*A*S*H, "The More I See You"
  • Hawaii Five-O, "The Capsule Kidnapping"
  • The Bob Newhart Show, "Birth of a Salesman"
  • NBC's Saturday Night, Season 1, episode 13, hosted by Peter Boyle



Timeline entries are quoted from the Wiki page for the month, with editing as needed.



Is this his second visit or was that some other real-life person who visited before?
IIRC, he visited offscreen in a previous installment. They were fretting about his inspection for the entire episode only to learn at the end that he'd been by the station during their first call.

So many heroic rescues, they all blend together. And why don't they get commendations for them all?
It does make you wonder what it takes. FWIW, it seems that in the TV movie era the paramedics end up promoted to big-shot status.

This is a great idea, but I may cry. :rommie:
You should look around.

I hope I look 70 when I'm 94, but I'm not sure why. :rommie:
Just looked up the actor's age--only 59 at the time? And it seems that he died only a few months later.

Well, I guess he would have been born in 1882, which is pretty wild.
Or 1916... :shifty:

This name is familiar and I'm going to say she was the landlady in the first season of Bosom Buddies.
Seems that she was...actually the hotel manager.

That was kinda my first thought, guys. :rommie:
It would've been logical. Maybe they figured it would come to them up to that point.

The oldest dude on Eight is Enough.
So I saw.

This sounds visually exciting.
Pretty backlot-ish.
Emg111.jpgEmg112.jpgEmg113.jpg

I'm finding this subplot a little far fetched, because you'd think the commendation would have the guys' names on it. Secondly, whenever I've seen anybody get pretty much any kind of commendation, some details of the reason are given. "In acknowledgment of your bravery in rappeling down the side of a mountain in the dark..."
It was pretty vague.

He got a pretty good part in this one. :rommie:
Emg114.jpg

A little continuity. Not bad.
I wonder if he'll have an ongoing thing with Sue Ann.

You go, Mary. :rommie:
MTM52.jpg

MTM53.jpg

Hmm. There's an episode we never saw. :rommie:
I saw where that had the potential to be misread. It was Lou's take-charge attitude that motivated Mary and turned Sue Ann on.

A pivotal scene that it would have been nice to see.
The station owner was a strictly unseen entity here.

MTM54.jpg
MTM55.jpg

Was it something about him pretending to be interested because of Little Howie?
Maybe...

Well, that's the most important part. :D
For your collection...

Bob: Did you understand one word of what you just said?​
BN35.jpg
BN36.jpg

Did it work? We'll never know.
At least they didn't leave him in intensive care.

FWIW, I read that the actor was one of the first celebrities to die from AIDS.

"Enough with the interesting and exciting hosts. Let's get Dick Cavett."
His dry sense of humor seemed like a generally good fit here. I appreciated more than the Cook & Moore schtick. Though it seemed like he didn't have a lot to do with the cast.

That's actually based on a real series of ads from H&R Block where they gave however-many reasons to use them.
Rings a very vague bell.

The Shah is ineligible, Lear or Heffner would probably be better than anybody we actually got, and Rockefeller was under the control of the Serpent Crown. :rommie:
Supremed (we're coming up to those issues); and IRL, he was the sitting Vice President at the time...so I guess they were implying that he wasn't runnable without unlimited spending.

This was a real event?

A 50 Years Ago This Week Outtake

January 30
  • James Edmondson, 65, American comedian known to television audiences as "Professor Backwards," was murdered the day after being kidnapped from his home in College Park, Georgia.

Can't say I was familiar with this guy.

They all got it on the way home. :rommie:
It was also in questionable taste, the guy having just been murdered.

Emu Rides are far too dangerous and I think... what? Oh. Never mind.
SNL17.jpg
Between you and me, if we give eagles rights, the next thing you know, we'll have to give rights to pigeons and robins and parrakeets! Why, you won't be able to get a seat in the park! It'll be the birds sitting on the benches throwing us little pieces of toast!

I thought about that, but it's still a pretty weird color. It turned out that Gold Key had far more than two or three comics that would have fit that cover, but I didn't see it going through the various cover galleries. The thing is that the fragment of cover copy visible is very Marvelish. It doesn't really match the cover designs used by other companies.
I'm not seeing it. It looks like three numbers, with the edge of a logo above them.

Right, I remember that. :rommie:
Have to correct myself--it was Byrne's second issue, they were just getting back after the conclusion of the Shi'ar story (which Byrne took over during), and an intervening appearance in Iron Fist (also by Claremont and Byrne) in which he wore the costume.
 
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Trudeau said "I'm not sure I could understand it if you spent some time explaining it to me, but I am excited that Canada has one of these things."
"I can't wait until we start overlapping with parallel universes!"

Charles became the first heir to the throne in modern times to be assigned to the command of a warship; he was officially titled "Lieutenant, the Prince of Wales" when he boarded HMS Bronington at Rosyth in Scotland.
They should have put him on the Pequod. :rommie:

Lee J. Cobb, 64, American stage and film actor known for portraying Willy Loman in the Broadway play Death of a Salesman
Weird. I thought he was still around in the 80s. Another Mandela Effect.

Joseph Barboza Baron, 43, American mobster, hitman, and FBI informant, who had taken on the new name of "Joseph Donati" as part of the witness protection program, after being shot to death in San Francisco while walking to his car. Attorney F. Lee Bailey, who said that Baron claimed to have killed 26 people, commented, "With all due respect to my former client, I don't think society has suffered a great loss."
More reasons why people don't trust either the Federal Witness Protection Program or lawyers. Number 55,237 in a series. Collect 'em all.

"Lorelei," Styx
Never heard this before. It sounds like Styx.

"Action," Sweet
Good one. One of a handful of nice rockers by this band. Strong nostalgic value.

"I Do, I Do, I Do, I Do, I Do," ABBA
Average ABBA. Strong nostalgic value.

"Right Back Where We Started From," Maxine Nightingale
Good one. I suppose it's Disco, but it's catchy and she's cute and it's got strong nostalgic value.

"Boogie Fever," The Sylvers
This is more of a harbinger of the Bad Disco Era, but it does have strong nostalgic value.

IIRC, he visited offscreen in a previous installment. They were fretting about his inspection for the entire episode only to learn at the end that he'd been by the station during their first call.
Yeah, that sounds familiar.

It does make you wonder what it takes. FWIW, it seems that in the TV movie era the paramedics end up promoted to big-shot status.
That's good. That's the sort of thing fans want to see in revivals and reunions.

You should look around.
I know, that's why I'm crying. :rommie:

Just looked up the actor's age--only 59 at the time? And it seems that he died only a few months later.
Wow, that's weird. Maybe he was a method actor and died of old age.

Or 1916... :shifty:
Well, the character. :rommie:

Seems that she was...actually the hotel manager.
Ah, that's right. The Susan B Anthony Hotel For Women Only. I should have remembered that. :rommie:

Hmm. I guess it would be too dangerous to shoot that kind of stuff at night in the wild.

"Honey, call everybody we know! I'm on TV tonight!"

I wonder if he'll have an ongoing thing with Sue Ann.
I didn't think so, but I don't really remember. I have no recollection at all of their cheese date.

Hah. I love it. :rommie:

I saw where that had the potential to be misread. It was Lou's take-charge attitude that motivated Mary and turned Sue Ann on.
Ah, okay. Too bad. I'd love to see how Mary would deal with being in Lou's shoes, but that would have been a bridge too far in those days.

The station owner was a strictly unseen entity here.
Maybe he was Carl Reiner. :rommie: But it would have been good to see Murray resolve the situation by standing up for his point while still apologizing for attacking the guy.

:rommie:

For your collection...

Bob: Did you understand one word of what you just said?
View attachment 51975
View attachment 51976
Come visit, Emily, and I'll show you around. :rommie:

At least they didn't leave him in intensive care.
True. :rommie:

FWIW, I read that the actor was one of the first celebrities to die from AIDS.
Not really the sort of thing you want to be remembered for.

His dry sense of humor seemed like a generally good fit here. I appreciated more than the Cook & Moore schtick. Though it seemed like he didn't have a lot to do with the cast.
I used to watch him if there was a guest I cared about and I like him just fine, but I could never understand how he got that job. He's just not a great conversationalist, which is something you really need to be in that position. :rommie:

Supremed (we're coming up to those issues)
Englehart and Perez on The Avengers. Comics don't get much better than that.

and IRL, he was the sitting Vice President at the time...so I guess they were implying that he wasn't runnable without unlimited spending.
It would be good to find out how many people aren't. :rommie:

A 50 Years Ago This Week Outtake

January 30

James Edmondson, 65, American comedian known to television audiences as "Professor Backwards," was murdered the day after being kidnapped from his home in College Park, Georgia.
Another Massachusetts callout. :rommie:

Can't say I was familiar with this guy.
Me neither. Ironically, he may have been a good guest on SNL.

It was also in questionable taste, the guy having just been murdered.
My very thought, which is why I found it hard to believe it was a true story.

View attachment 51977
Between you and me, if we give eagles rights, the next thing you know, we'll have to give rights to pigeons and robins and parrakeets! Why, you won't be able to get a seat in the park! It'll be the birds sitting on the benches throwing us little pieces of toast!
I like toast. And that's a better scenario than Hitchcock came up with. :rommie:

I'm not seeing it. It looks like three numbers, with the edge of a logo above them.
It looks to me like one of those curved copy boxes that you'd see on a Marvel anthology title, with something like a character name and subtltle-- like "Trogg, Killer of Anteaters" or something. It's too blurry to make out details, though. I tried an AI enhancement tool, but there's just not enough there for it to work with.

Have to correct myself--it was Byrne's second issue, they were just getting back after the conclusion of the Shi'ar story (which Byrne took over during), and an intervening appearance in Iron Fist (also by Claremont and Byrne) in which he wore the costume.
Ah, that's right, he drew the Starjammers finale. That's the one where Wolverine got punched into orbit and survived (foreshadowing his adamantium skeleton). This was funny for two reasons. One, the super-powered midget who punched him was named Jahf and my friend's name was Jeff, which made it hilarious. Also, they used that full-panel "POW!" effect, which was not something you saw in a "serious" comic in those days.
 
Weird. I thought he was still around in the 80s. Another Mandela Effect.
Maybe from exposure to his work in that period.

More reasons why people don't trust either the Federal Witness Protection Program or lawyers. Number 55,237 in a series. Collect 'em all.
You think there was foul play afoot?

Never heard this before. It sounds like Styx.
Not one of their familiar classics, but it does have that Styx sound.

Good one. One of a handful of nice rockers by this band. Strong nostalgic value.
This one has the vaguest hint of prior familiarity. It's decent.

Average ABBA. Strong nostalgic value.
The first part is my take as well. It's alright, but I can't say that it's ever been a favorite.

Good one. I suppose it's Disco, but it's catchy and she's cute and it's got strong nostalgic value.
Now this one has very strong nostalgic value for me. It was a pleaser in the day, and I strongly associated it with "Silly Love Songs"--which isn't far around the corner now--from the two singles being heavily played on the radio at the same time.

This is more of a harbinger of the Bad Disco Era, but it does have strong nostalgic value.
This one I know from in the day, but as disco chart-toppers go, it's pretty meh.

That's good. That's the sort of thing fans want to see in revivals and reunions.
It's weird, though, when they're played up as not being distinguished from their peers in the series, and are then treated as exceptionally accomplished after the series is over. I mean, it makes more sense for the Enterprise because they were out in deep space.

I know, that's why I'm crying. :rommie:
You mean from happiness?

Wow, that's weird. Maybe he was a method actor and died of old age.
I guess he was wearing age makeup. It wasn't obvious in this case.

Hmm. I guess it would be too dangerous to shoot that kind of stuff at night in the wild.
Pretty much anytime the shows actually shoot outdoors at night, it's obviously backlot. Sometimes there's day-for-night shooting, which is obvious. (SMDM does that fairly often.)

Not really the sort of thing you want to be remembered for.
I assume he's remembered for his height as well, hence the casting.
BN37.jpg
BN38.jpg
Seems he was "only" 6'4" (I had a friend in high school who was that tall), but he looked like a giant on camera alongside the cast.

I used to watch him if there was a guest I cared about and I like him just fine, but I could never understand how he got that job. He's just not a great conversationalist, which is something you really need to be in that position. :rommie:
Maybe he was seen as having a unique quality. That was always my impression.

Englehart and Perez on The Avengers. Comics don't get much better than that.
Such a prolonged setup for the good stuff in that storyline. They put it off for a couple of issues while they focus on the other Avengers in the Old West with Kang, then completely interrupt the continuity of the book with a two-part fill-in story.

This week brought us a memorable JLA issue that was one of my earlier comics in the day. And coming up is the first issue that I currently own of the '70s All-Star Comics revival, which brought us Power Girl.

It would be good to find out how many people aren't. :rommie:
I hear ya.

Another Massachusetts callout. :rommie:
I haven't gotten around to watching the whole clip.

Me neither. Ironically, he may have been a good guest on SNL.
He seems like the kind of act who would have done Sullivan, but they didn't have a clip and I didn't see a reference to the show in a brief look-up.

like "Trogg, Killer of Anteaters" or something
:D

(foreshadowing his adamantium skeleton)
They haven't gotten into that or the healing factor yet. In this very issue there was a vague hint when Wolverine's being scanned on the space station and they're indicating that he may not be a mutant at all. Of course, that may have been a hint of a discarded idea I'd read about in interviews that Wolverine was actually a wolverine who'd been evolved by the High Evolutionary.

Also, they used that full-panel "POW!" effect, which was not something you saw in a "serious" comic in those days.
In my experience, they were getting creative with the effect balloons in those days. There's an upcoming issue of Superboy & The Legion (the first one that I owned in the day) where a ship self-destructs at the end of the main story and the explosion effect forms elongated letters reading "HOLY COW! DIG THE FIREWORKS!" (courtesy of Mike Grell).
 
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In my experience, they were getting creative with the effect balloons in those days. There's an upcoming issue of Superboy & The Legion (the first one that I owned in the day) where a ship self-destructs at the end of the main story and the explosion effect forms elongated letters reading "HOLY COW! DIG THE FIREWORKS!" (courtesy of Mike Grell).
Issue #217 - June 1976 - The first comic book that I ever bought as a kid.
 
Maybe from exposure to his work in that period.
Must have been. I don't remember anything specific, I just associate him with that era.

You think there was foul play afoot?
More likely incompetence, I think, but I certainly wouldn't be surprised.

Now this one has very strong nostalgic value for me. It was a pleaser in the day, and I strongly associated it with "Silly Love Songs"--which isn't far around the corner now--from the two singles being heavily played on the radio at the same time.
Interesting. To me, the Maxine song feels like Winter and "Silly Love Songs" feels like Summer.

This one I know from in the day, but as disco chart-toppers go, it's pretty meh.
It's definitely pretty meh, but it's one of those songs where just the opening bars can trigger a time warp.

It's weird, though, when they're played up as not being distinguished from their peers in the series, and are then treated as exceptionally accomplished after the series is over. I mean, it makes more sense for the Enterprise because they were out in deep space.
Yeah, it's probably unrealistic, but gratifying if you're invested in the characters.

You mean from happiness?
It's like senior discounts-- it's good to have them, but bad to qualify for them. :rommie:

Pretty much anytime the shows actually shoot outdoors at night, it's obviously backlot. Sometimes there's day-for-night shooting, which is obvious. (SMDM does that fairly often.)
I'm usually fine with low-budget stuff, but day-for-night shooting is one thing that can bug me sometimes, especially when it's obviously a bright sunny day with stark shadows. :rommie:

I assume he's remembered for his height as well, hence the casting.
View attachment 51994
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Seems he was "only" 6'4" (I had a friend in high school who was that tall), but he looked like a giant on camera alongside the cast.
I don't think Bob Newhart is very tall. I'm not sure about Bill Daily, but I notice they have him down the step.

Maybe he was seen as having a unique quality. That was always my impression.
Probably. He was certainly popular. And I liked him fine, it's just that I used to frequently wince at his conversational stumbles.

Such a prolonged setup for the good stuff in that storyline. They put it off for a couple of issues while they focus on the other Avengers in the Old West with Kang, then completely interrupt the continuity of the book with a two-part fill-in story.
Fill-ins were the bane of Marvel Comics in those days. The Dreaded Deadline Doom. And, unfortunately, Englehart was one of the top offenders.

I haven't gotten around to watching the whole clip.
Massachusetts and Mississippi make cameo appearances. :rommie:

He seems like the kind of act who would have done Sullivan, but they didn't have a clip and I didn't see a reference to the show in a brief look-up.
That's true, he would have been perfect for Sullivan.

They haven't gotten into that or the healing factor yet. In this very issue there was a vague hint when Wolverine's being scanned on the space station and they're indicating that he may not be a mutant at all. Of course, that may have been a hint of a discarded idea I'd read about in interviews that Wolverine was actually a wolverine who'd been evolved by the High Evolutionary.
I remember that, except for the High Evolutionary part. What I remember is that instead of a human mutant with animal characteristics, he was to be an animal mutant with human characteristics. But then that gimmick was used for Spider-Woman, so they dropped it.

In my experience, they were getting creative with the effect balloons in those days. There's an upcoming issue of Superboy & The Legion (the first one that I owned in the day) where a ship self-destructs at the end of the main story and the explosion effect forms elongated letters reading "HOLY COW! DIG THE FIREWORKS!" (courtesy of Mike Grell).
Must have been something in the air, although I can't remember any other examples offhand.
 
Interesting. To me, the Maxine song feels like Winter and "Silly Love Songs" feels like Summer.
Guess that makes it a Spring song for me.

I'm usually fine with low-budget stuff, but day-for-night shooting is one thing that can bug me sometimes, especially when it's obviously a bright sunny day with stark shadows. :rommie:
Sometimes they even manage to get the sun in the shot!

I don't think Bob Newhart is very tall. I'm not sure about Bill Daily, but I notice they have him down the step.
6'0"...perhaps that positioning wasn't accidental.

Fill-ins were the bane of Marvel Comics in those days. The Dreaded Deadline Doom. And, unfortunately, Englehart was one of the top offenders.
Yeah, there's been a lot of that going on in 50th Anniversaryland. It seems to have gotten really bad after they axed the Giant-Size titles. I think some of those fill-ins were originally stories meant for the GS titles.

The Guest Future President on this week's Grizzly Adams was Captain Ulysses S. Grant (Mark Slade). Having looked it up, the rank at least was accurate for the decade. And of course, at the end Mad Jack had to opine that he wouldn't amount to anything with a name like Ulysses.
 
Yeah, there's been a lot of that going on in 50th Anniversaryland. It seems to have gotten really bad after they axed the Giant-Size titles. I think some of those fill-ins were originally stories meant for the GS titles.
The GS stuff were usually planned out and often fit in with what was happening in the main books. Such as Giant Size Avengers #2 that was part of the Celestial Madonna storyline, When they dropped the formant some stories had to be reformatted for regular sized books. Invaders #1 and #2 were originally meant for Giant-Sized Invaders #2.
Most fill ins were inventory stories written and drawn to be filed away until needed. Usually be someone other than the regular team. A prime example would be UXM# 106 by Bill Mantlo and Bob Brown
 
Sometimes they even manage to get the sun in the shot!
:rommie:

6'0"...perhaps that positioning wasn't accidental.
I was wondering.

Yeah, there's been a lot of that going on in 50th Anniversaryland. It seems to have gotten really bad after they axed the Giant-Size titles. I think some of those fill-ins were originally stories meant for the GS titles.
Unfortunately, it made a mess of the Avengers #150 anniversary issue where they had to resort to a partial reprint and hurriedly bring in Gerry Conway to finish writing the story because Englehart left altogether.

The Guest Future President on this week's Grizzly Adams was Captain Ulysses S. Grant (Mark Slade). Having looked it up, the rank at least was accurate for the decade. And of course, at the end Mad Jack had to opine that he wouldn't amount to anything with a name like Ulysses.
Yeah, it's also a stupid name for a book. :rommie:

When they dropped the formant some stories had to be reformatted for regular sized books. Invaders #1 and #2 were originally meant for Giant-Sized Invaders #2.
Yes, if I remember correctly, Invaders was originally intended to be a Giant-Sized quarterly only, with no regular book.

Most fill ins were inventory stories written and drawn to be filed away until needed. Usually be someone other than the regular team. A prime example would be UXM# 106 by Bill Mantlo and Bob Brown
And Mantlo's fill-in issue of Ghost Rider, where GR fights a great white shark in a trendy homage to you-know-what. :rommie:
 


50th Anniversary Viewing (Part 1):
BIGFOOTMANIA!




The Six Million Dollar Man
"The Secret of Bigfoot"
Originally aired February 1, 1976
Wiki said:
While helping set up an earthquake warning system, Steve encounters a towering monster--Sasquatch, a.k.a. Bigfoot--and its mysterious masters.

Flying out via helicopter, Steve has to explain the San Madrian Fault to Oscar as exposition for the audience. They're running security (Great choice, Mr. Secretary!) for classified military sensors that are being set in the area by geologists Ivan and Marlene Bekey (Hank Brandt and Penelope Windust). Steve makes radio contact with the scientists from a bustling base camp while they're setting one of their devices alongside Lake Mayberry--which is a pleasant stroll from late-1860s Seattle--while a hairy, upright creature lurks ominously in the woods nearby. Oscar has to distract the Geological Service's Tom Raintree (Donn Whyte)--who grew up on a nearby reservation--while Steve hops on top of an Army truck to fix an antenna. After Steve and the Bekeys test the sensors, the geologists are approached by the giant creature, whose features are obscured by sun backlighting. Marlene screams, following which their equipment goes dead.

A party led by Steve and Oscar finds the scientists and the sensor gone; and a large, human-looking footprint that a startled Tom insists isn't from a mountain lion or grizzly, but rather...

a creature of legend that roams the timberline. My people named him Sasquatch. You call him...Bigfoot.

Raintree tells of how an old man from his tribe was traumatized from having seen the creature when Tom was a boy. As Steve searches the nearby woods using his bionic powers, he's watched by a shadowy trio via a strange-looking monitor. (This is the first instance I've caught of the bionic sound effect being used for running, though it only appears sporadically, in addition to when he's jumping.) Steve finds Ivan stumbling around in a daze, unable to remember what happened; then hears a strange roar from the woods, upon which Bekey collapses. That evening at the campsite, Tom presents the obligatory plaster cast, which evokes a strong reaction from Ivan that matches that of the old man Tom remembers. (I wonder if this is the same cast that was later used in TIH.)

The shadowy Sasquatch raids the camp by night, busting equipment, tossing around isolated personnel, and overturning a truck. Oscar and Steve are flown back in from a station after daybreak. Steve finds more tracks and bionic-follows them. The shadowy observers send in Sasquatch, whom Steve gets our first good look at (Andre the Giant). (IMDb informs me that his white eyes are the same ones later used for David Banner's transformations.) To his credit, Steve attempts to communicate before the creature attacks. The Bionic Brawl of the Century ensues, with the opponents proving to be evenly matched as Sasquatch's moves are accompanied by lower-pitched versions of Steve's sound effects. When the creature uses a tree trunk as a weapon, the observers note that his left arm is normal. Steve returns the favor by ripping off Bigfoot's arm! Howling in pain, the creature takes his arm back by force and runs off into Gilligan's Cave as Steve pursues.

Inside, Steve's eye finds a metal door hidden behind a wall of rock and rips it open. Beyond he finds a spinning crystalline tunnel surrounding a bridge. The tunnel emits a strange noise that causes Steve to lose consciousness as the trio approach him from the other end. They and others carry him in on a litter. Back at the camp, Oscar gets a call from Jaime, who asks about what he and Steve are up to and becomes concerned when she learns that Steve's missing, wanting to come out. (Chekhov's Cameo.) Afterward, Tom shows Oscar how data from the sensors in place indicates enormous pressure building all along the fault.

In their cave lair, the observers, led by front-billed guests Stefanie Powers and Severn Darden, examine an undressed, Sasquatch-chested Steve with handheld devices and scope out his bionics, which they then test with their equipment; followed by a brain scan that plays stock footage of Steve's astronaut career and bionic feats from earlier installments, including running with Jaime. (She appears more in this part than the one that aired in her timeslot!) An awakened and redressed Steve is greeted by the female leader, Shalon, who explains that the nearby, dormant Sasquatch is "nyosynthetic," and that the sensors, which they've now found a way to thwart, threatened to detect the volcanic vent that powers their complex. She kisses Steve and indicates that her people are from another world before blinking away with a handheld console.

The Geological Service warns of an impending quake that will cause a "holocaust" from Frisco to San Diego. Oscar and Tom quickly brainstorm a plan to have a small nuclear device brought in for use on an adjacent Faultline to trigger a counter-quake. Oscar worries over how this could endanger the missing Marlene and Steve.

Oscar: Steve, where are you?​

TO BE CONTINUED

IMDb erroneously lists two actresses as Marlene Bekey, the wrong one being Lara Parker.

Photos galore:



All in the Family
"Mike's Move"
Originally aired February 2, 1976
Wiki said:
Mike's liberal thinking is put to the test when he learns he may lose a teaching job to an African American colleague.

Mike comes home excited at the expectation of winning a fellowship that would involve moving to Minnesota.

Edith: Ain't that the place where Mary Tyler Moore keeps losin' her hat?​
Mike: Ma, it's beautiful there!​
Edith: Well, Rhoda and Phyllis didn't stay there....​

Edith's upset at the prospect of not seeing Joey grow up; and becomes concerned about breaking the news to Archie...who comes in from having taken Joey for a stroll. When he complains about what young people are doing in the park these days, Mike maneuvers him into agreeing that New York is a bad place to raise a kid as setup for breaking the news. Archie goes off on what's become of the family and ultimately storms out declaring that Mike's kidnapping his grandson. Seeing the parents' reaction upsets Gloria.

At school, Mike learns that his friend John Kasten (David Downing) is up for the same fellowship and admits to his concern that John being black will give him an edge. When Mike talks about it with Gloria at home, she expresses her favor for the policy of hiring minorities, and accuses Mike of sounding like her father. Archie drops in to twist facts in an effort to paint Minnesota as a hellhole. When he's informed that Mike may not be getting the job and why, Archie insincerely expresses his support for giving breaks to minorities as well, and accuses Mike of being a bigot. Then Mike gets a call setting an appointment to see Dean Winslow, and becomes excited again that he's getting the job. Archie exits with a glorious moment of faux outrage.

Archie: You don't know nothin' about Lady Liberty standin' there in the harbor, with her torch on high, screamin' out to all the nations in the world, "Send me your poor, your deadbeats, your filthy." An' all the nations sent them in here. They come swarming in like ants. Your Spanish PRs from the Caribouan there, your J*ps, your Chinamen, your Kr**ts and your H*b*s, and your English f**s! All of 'em come in here, an' they're all free to live in their own separate sections, where they feel safe, and they'd bust your head if you go in there! That's what makes America great, buddy!​
Mike (to Gloria): I think we just heard Archie Bunker's Bicentennial Minute.​

At the dean's office, Mike finds that John's been summoned too, and each becomes concerned that the other is getting the job. John admits that Mike has the edge of seniority, but defends the prospect of taking advantage of the school's minority-favoring policy. When the dean (Lee Bergere) comes in, he informs the instructors that he's expecting a call from Minnesota, having left the tough decision in their hands. After he gets the call...

Dean Winslow: Michael...I'm delighted you're still going to be with us.​

The dean congratulates John, and when he and Mike are alone, gives a heavy-handed consolation lecture about why the policy is necessary (an "as you know, Bob" moment if ever there was one). Mike turns down an offer to take out his frustration on the dean's wastebasket, only to accidentally break the glass in the office door on the way out.

In the coda, the Bunkers come over to babysit as Mike and Gloria are leaving to treat John to a congratulatory dinner. Mike's touched when Archie tells him that he would have paid for the family's plane fare to Minnesota; but Archie admits to Edith afterward that it was an insincere gesture.



Happy Days
"Two Angry Men"
Originally aired February 3, 1976
IMDb said:
Howard and Fonzie end up in small-claims court when Fonzie's rooftop pigeon coop crashes down into his apartment.

With a major blizzard pending, Ralph and Potsie build Fonzie a coop for feathered friends that he plans to keep in emulation of Brando; the guys' payment being numbers of girls from Fonzie's book. Richie tries to warn Fonzie that Howard won't like having the coop on the roof. When Howard gets home from the store during the height of the storm, Richie doesn't have a chance to warn him before they hear what turns out to be the coop having crashed through the garage roof into Fonzie's apartment. After the storm, Arnold brings in his carpenter cousin Marvin (Lloyd Kino) to look into fixing the damage, and Fonzie refuses to pay the estimated $400, which Howard's insurance won't cover...so Howard announces his intention to sue Fonzie.

Marion: Now, suing a friend is just so distasteful. It's just so heartless...it's so unfriendly...I mean, it's so nerdish.​

After Joanie also speaks up on Fonzie's behalf, Howard decides to go talk to Fonzie at his temporary hotel lodgings. Then Potsie comes to the door with a court summons from Fonzie, who now plans to sue him.

Potsie and Ralph appear dressed up in court as Fonzie's legal assistants, while Howard, who's now countersuing, is represented by lawyer Ernie Taylor (Bob W. Hoffman). The Honorable Judge MacKay (June Lockhart, whose character is billed as MacBride) enters to hear the case of Fonzarelli vs. Cunningham.

Fonzie (in objection to Taylor's opening claims): Poppycock!​
Judge McKay: Mr. Fonzarelli, we do not "poppycock" in this court.​

Richie tries unsuccessfully to avoid taking the stand. The awkward questioning involves Howard having agreed to let Fonzie keep the birds while arguably not having been aware that this involved putting a coop on the roof. Howard takes over from his lawyer, counterquestioning Richie and then having Fonzie called to the stand. Fonzie tries to butter up the judge before admitting that he misled Howard, then paints himself as a victim of society, which the judge seems to take hook, line, and sinker...but she then finds in favor of Howard, obligating Fonzie to pay for the roof. She clarifies that she does sympathize with Fonzie and questions why Howard didn't offer to help him fix the roof, but the facts are the facts. Guilted further by the family, Howard admits that the roof was old and would have needed fixing anyway, and offers to pay half; while Ralph indicates that they can raise money from the kids to cover Fonzie's half.

Howard: How come you don't get to pay anything?​
Fonzie: How come? Cuz I'm the Fonz--Aaaaay!

In the coda, Howard's pigeon-sitting for Fonzie in the house, which he comes to realize is a turn-on for Marion.



M*A*S*H
"Smilin' Jack"
Originally aired February 3, 1976
Wiki said:
A helicopter pilot with diabetes is determined to win the annual pilots' competition for bringing in the most wounded, even if he has to risk his health and life to do it.

A wounded young Corporal Howard Owens (Dennis Kort) is picked up at an aid station by the chopper of Smilin' Jack Mitchell (Robert Hogan). The pilot comes into the OR during the operation to take pictures of Owens, claiming that his photos help the patients to live. We learn that Jack's in a competition with fellow pilot Dangerous Dan for the most number of wounded brought in, and is currently three behind. Backed by Houlihan, Burns insists on presenting the corporal with his second Purple Heart while the patient is supposed to be resting. As with the guys, Potter's friendly with Lt. Mitchell, but when he notices a months-old sore on Jack's hand that hasn't healed, he orders a physical.

During the exam, Jack clues the doctors in that he's been hiding his diabetes, which he treats with black market insulin. After the Straw Couple try to give Owens a pep talk about returning to the front, the corporal shares with B.J. how he doesn't want to. When B.J. is drawn away by Mitchell having gone on an unauthorized pickup mission while he's supposed to be grounded, Owens describes the traumas of being on the front to Radar, who gives him a good luck charm. (The poor kid is doomed....) Out in the field, Mitchell picks up four wounded at once to make Chopper Pilot of the Year, squeezing two into the cockpit in addition to two on side-mounted stretchers. Despite this overburdening, he manages to take off and bring them in successfully. While Potter and the surgeons don't approve of his actions, they're good with the results. But as Mitchell's helping Owens on the bus to Seoul, Dangerous Dan flies in with two more.

Wiki said:
The PA announcement at the end of the episode is a reference to the battle of Solma-Ri, also known as "Gloucesters Hill" or the battle of the Imjin River. Mention of this battle places the date this episode is set as being between April 22nd and 25th, 1951, with the high casualty figure indicating a most probable date of either the 24th or 25th of April.



The Six Million Dollar Man
"The Secret of Bigfoot: Part II"
Originally aired February 4, 1976
Wiki said:
An earthquake device imperils Steve and his captors from outer space.

Oscar gives a "last on The Six Million Dollar Man" recap. Following the opening credits, we pick up with Marlene Bekey having been found with her sensor, disoriented and unable to recall anything after she and her husband were planting the device. In the alien lair, Shalon blinks back in to take Steve through the crystal tunnel to a meeting with several of her people. Apploy (Severn Darden) explains how they're explorers studying humanity, who resemble their people in more primitive times; how Sasquatch is nyosynthetically rebuilt from a primitive life form native to their world; and that their handheld console device is a Time Line Converter that enables them to selectively alter the rate that time passes, such they've been on Earth for 250 years, while only two have passed for them. Faler (Charles Cyphers), who's developed Chekov's Allergy on Earth and acts disagreeable with Apploy, demonstrates how the TLC enables the apparent teleportation that Shalon's been engaging in. Once Steve knows what to look for, his bionic eye somehow allows him to see Faler returning to his seat at normal speed while he's using the device.

Back topside, Oscar's relieved when a tremor that would confirm the big quake they've predicted doesn't happen on schedule, and is eager to return the recently delivered nuclear device. But the tremor is only delayed, and comes as a surprise to the aliens as well. Steve--who's just been talking with Shalon about her being attracted to him as the most exciting male to come along during her time on Earth--goes into action to hold up a collapsing section of cave corridor until a support column can be put into place.

Back in the lab, Steve chats with Shalon as she's fixing up Sasquatch. She tells him of an agent called Neotraxin that her people use to ward off most disease, and of how Sasquatch's nyosynthetic limbs are powered by small anti-matter devices. Steve tries to negotiate with her about sharing these secrets with humanity, and she entertains the notion of allowing him to stay on with them for a while. Then she's summoned away by Apploy, and Steve fiddles around with the lab's communications console. He manages to get a fix on the geological camp, where Oscar--who's alerted the National Guard to the possibility of the major quake they're attempting to prevent--is explaining their nuclear counter-quake ploy to a military officer. Steve goes to warn Apploy and company to the danger from the 7.9 counter-quake, only to find him unconcerned, as he's sent Shalon to deactivate the nuclear device; and is fully aware of the devastation that the bigger quake will cause along the West Coast. This motivates Steve to make a break for the surface...but in the crystal tunnel, he finds himself facing the revived Sasquatch.

The teased rematch is cut short when Steve hurls the charging Sasquatch into the debris that he'd just used to block up the tunnel behind him. (We see the bottom of one of Sasquatch's feet, which looks like a heeled boot rather than a bare sole. In an earlier shot, we also briefly see what appears to be Andre's skin peeking out above the neckline of his suit.) Steve makes it to the surface with only a couple of minutes to spare before the blast. He finds the above-ground detonation device in the woods, which will be triggered remotely from the camp, just before Shalon arrives to disarm it. After attempting to reason with her while she uses the TLC to blink out of reach, he ultimately manages to use his bionic sight and speed to intercept her as she TLCs back to the detonator, grabbing her and carrying her away as it's activated. (Steve indicates that the big quake would kill hundreds, which doesn't sound as bad as they've been playing it up to be.) Steve attempts to take her to a place of cover from a landslide that develops from the building tremors, but despite his efforts to deflect falling rocks with is bionic arm, he's ultimately overcome. Down in the colony, Sasquatch attempts to shield a couple of the aliens, though others are buried in the cave-in.

After the tremors abate, Steve comes to and offers to help save Shalon's people. He bionic-runs back to the cave entrance while she keeps pace via TLC. Working their way in, they find one alien dead, but Steve frees a survivor. Then they come to where Apploy is trapped under rubble and Steve helps Sasquatch to free him. Shalon uses the TLC to slow down Apploy's processes, but in order to operate on him and other survivors, power has to be restored. Thus she takes Steve and Sasquatch to the collapsed access tunnel that leads to their geothermal converter device. The artificially augmented duo digs the tunnel open and Steve goes in, braving the dangers of spark showers and superheated steam to patch up the equipment under Shalon's direction, which Sasquatch watches with silent admiration.

With power restored, Apploy is fixed up, thanks in no small part to the Neotraxin. Shalon expresses the aliens' debt to Steve, who agrees to having his memory erased so he can be returned to his people. After Steve has a friendly parting moment with Bigfoot, she hooks him up to their device while discretely slipping a vial of Neotraxin into his hand. Sasquatch carries an unconscious Steve out of the tunnel.

Oscar and Tom Raintree find Steve coming to near Lake Mayberry, unable to remember where he's been or the quake, but holding the vial, which Oscar plans to have analyzed. Steve looks toward the cave entrance across the lake with his bionic eye, but holds himself back.

Photos galore II:

The thing that retroactively strikes me upon revisiting these episodes for probably the first time since original broadcast is what an influence they seem to have been on TIH.



Unfortunately, it made a mess of the Avengers #150 anniversary issue where they had to resort to a partial reprint
My first issue! A source of both historical knowledge and massive confusion.

and hurriedly bring in Gerry Conway to finish writing the story because Englehart left altogether.
That I didn't know, and I only got to read the second part in more recent times.
 
Unfortunately, it made a mess of the Avengers #150 anniversary issue where they had to resort to a partial reprint and hurriedly bring in Gerry Conway to finish writing the story because Englehart left altogether.
Conway had just taken over as editor so it probably wasn't a long search and then he gave himself the gig as regular writer. :lol:
 
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