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The Classic/Retro Pop Culture Thread

It's actually identified in the episode as Hermes 20
iTunes must use the same guy as IMDB.

the top-secret Venus probe will be next.
Why is the Venus probe top secret? What do they know about Venus? What are they keeping from us?!

While interviewing a mission control operative with a pad and paper (no camera crew in sight)
Clark is still adjusting from print to broadcasting. Makes me wonder if the Daily Planet is a streaming service or something now. :rommie:

Back at Rebos's lab, it's revealed that the Hermes astronauts were really androids
To avoid fatalities?

Once inside, he enters a top secret room and presses the "famous 'Don't press' button" to sabotage the mission.
Wasn't that a Far Side cartoon? :rommie:

Wilcox plays another message in which Rebos threatens a manned launch to Mars--where there's already a base under construction in the SF universe--before being interrupted by an operator wanting him to put in more change. While Wilcox is briefing the Super Friends about the base, the recorder comes back on, Rebos having gotten more change to continue his call...!
He can afford an android factory, but he has to use a pay phone to contact the Super Friends? :rommie:

Rebos explains his motivation to see that the billions spent on the space program are redirected to helping the sick and poor on Earth
At least he's not an eco-terrorist, but every villain on this show is trying to save the world. :rommie:

then quickly build an android female poodle
Their super power is mastering obscure, complex technology in seconds.

On Earth, Batman lectures Rebos about effecting change through lawful means, and he the scientist expresses an interest in turning over a new leaf.
Sure, now that he's in custody. These guys are all alike. :rommie:

the big question is, if Rebos could create an android with Superman's powers, why did he have to wait until he could make it in Superman's likeness, and why not make his other androids that powerful?
Mad Scientists seldom make good use of their technology. Why not put his androids to work helping people, or license the technology and use the profits to support charities?

It must have taken a lot of extra resources to get one to fly to Mars and still be able to destroy the base when it got there.
It would have been funny if it arrived all beat up, like Elon's Roadster, and just fell apart. :rommie:

For years scientist have theorized that if our galaxy was created from a great explosion, then the center of the galaxy might still be creating new matter.
Apparently all scientific knowledge was lost in WWIII. :rommie:

The space outside the ship gets a little Yellow Submarine, and the crew find that they're outside of normal space and time, where the laws of physics don't operate the same.
In a deleted scene, Kirk, Spock, and McCoy sample Orion Hurricanes before reporting to the bridge.

Asmodeus (uncredited Ed Bishop)
Commander Straker?

The crew depart from the galaxy's center, reflecting on how they saved Lucifer from being cast out for a second time.
That was a rather amazing re-interpretation of Christian mythology for a Saturday morning cartoon. And, like previous episodes, it drew on TOS tropes, such as the witchy time period in "All Our Yesterdays" and the acquiring of the antagonist's superpowers in "Plato's Stepchildren."

The paramedics and Chet are returning from a four-day camping/fishing trip
That's either an indication that Chet and the guys are better friends than it would seem, or else an awkward way to get Chet involved in the plot. :rommie:

the boy (uncredited Jack Paar)
What?! :rommie:

highly flustered nurse, Ozella Peterson (Reta Shaw), who's resistant to all the irregular activity.
"This is an urgent care center! You can't just walk right in!"

At Rampart, while Brackett, Early, and Dix are all tied up at the base station...
Those lights over Early's head look kind of Sick Bay-ish.

Then the local physician, Dr. Frick (Tony Haig), arrives, and we get a punchline for all of Nurse Peterson's stuffy uptightness...
Backdoor pilot: Hippie Doc and the Square Nurse.

When asked, he explains to the paramedics that he chose to work where he felt he was most needed.
In reality, he never completed his residency because of the drug charges and had to settle for where they were too desperate to care (sadly, a joke based on a true story).

the three victims--one male, two female
Do we ever find out what happened to this bunch?

and instructs the firefighters in assisting in his treatment, which include setting up an IV.
No cutting open the wound and sucking out the venom? :rommie:

This one was a nice change of pace, focusing on a couple of situations that played out longer rather than jumping between scattered vignettes. And Johnny was pretty badass.
Indeed, this seems like a pretty exciting episode all around.

Wes runs an idea by Lou that they broadcast the news in a more "natural" fashion from the newsroom as it happens.
This kind of triggers a vague memory that this approach was a thing at the time.

Jerry seems casually familiar with the butterfly, however. The Hartleys have Carol stay over the night before...and it turns out that Howard's acquainted with the butterfly as well.
I remember this. Word gets around. :rommie:

(I wonder if Dr. Rivers removed her butterfly with...THE RAYS! *CLAP!*)
Sigh. I'm not Capping this either.

Carol: Bob, do you know what it's like dating men your own age?
[Bob shakes head.]​
:rommie:

At the end of the informal session, Carol tells Bob that Scott's taking her home to meet his parents! In the coda, Carol and Scott are still seeing each other, describing how they and the elder Riverses went figure skating.
And yet he will never be seen again, as far as I know. Which is too bad. It would have been an interesting ongoing plot.

It's Retro and futuristic. :mallory:
My two favorite things. :rommie: I remember a short story back in the 80s, which I'm 99% sure was in The Magazine of Fantasy & Science Fiction, about a guy who orchestrated a Beatles reunion, using an AI hologram of John to fill out the quartet. Once again, real life catches up to fiction.
 
My two favorite things. :rommie: I remember a short story back in the 80s, which I'm 99% sure was in The Magazine of Fantasy & Science Fiction, about a guy who orchestrated a Beatles reunion, using an AI hologram of John to fill out the quartet. Once again, real life catches up to fiction.

And here it is.

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And hearing it makes me think of this scene from 'Yesterday'.

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Clark is still adjusting from print to broadcasting. Makes me wonder if the Daily Planet is a streaming service or something now. :rommie:
I suspect that he was written/drawn with reporting for the Planet in mind, but they got an editorial note to say that he was working for GBS.

To avoid fatalities?
As imposters planted by Rebos.

Elon's Roadster
Had to look that one up.

Commander Straker?
Apparently.

That was a rather amazing re-interpretation of Christian mythology for a Saturday morning cartoon. And, like previous episodes, it drew on TOS tropes, such as the witchy time period in "All Our Yesterdays" and the acquiring of the antagonist's superpowers in "Plato's Stepchildren."
Good connections.

That's either an indication that Chet and the guys are better friends than it would seem, or else an awkward way to get Chet involved in the plot. :rommie:
Like Spock and Bones, he's a frenemy...they bicker at work, but they're on the same side.

Not that Jack Paar. Designated as [II] on IMDb.

Those lights over Early's head look kind of Sick Bay-ish.
I thought maybe you could shed some light on those. I'd guess that maybe they indicate which rooms are available or in use. A better look at the lights:
Emergency12.jpg
Those are numbers over them, which supports my theory.

Backdoor pilot: Hippie Doc and the Square Nurse.
Might be zingier to put their titles first.

In reality, he never completed his residency because of the drug charges and had to settle for where they were too desperate to care (sadly, a joke based on a true story).
Interesting possibility.

Do we ever find out what happened to this bunch?
You mean how they got in the accident, or if they survived? If the latter was mentioned, it was a throwaway line.

No cutting open the wound and sucking out the venom? :rommie:
He cut the wound, and later put in his own IV. We didn't see him sucking.
Emergency13.jpg

Sigh. I'm not Capping this either.
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And here it is.

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One last song.

John Lennon was killed when I was three years old. This song was written the year I was born. Yet here we are. One last song from The Beatles.

It isn't the best song ever for sure, but it's The Beatles.
 
And here it is.

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Bittersweet. I'm glad they did it.

I suspect that he was written/drawn with reporting for the Planet in mind, but they got an editorial note to say that he was working for GBS.
That makes sense.

As imposters planted by Rebos.
I'm just not sure why he needed robots on board.

Apparently.
I'm a little surprised because he's British. I don't remember him from any American productions.

Like Spock and Bones, he's a frenemy...they bicker at work, but they're on the same side.
Slightly surprising to see them vacationing together, though.

I thought maybe you could shed some light on those. I'd guess that maybe they indicate which rooms are available or in use. A better look at the lights:
View attachment 37131
Those are numbers over them, which supports my theory.
Makes sense. Rooms or triage slots or something. I've never seen anything like them.

Might be zingier to put their titles first.
Better do a focus group. :rommie:

You mean how they got in the accident, or if they survived? If the latter was mentioned, it was a throwaway line.
Yeah, I was wondering if they survived.

He cut the wound, and later put in his own IV. We didn't see him sucking.
Paramedic, heal thyself. Good episode for Johnny.

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Oh! I didn't realize it was that guy. I didn't recognize his name. :rommie:

John Lennon was killed when I was three years old. This song was written the year I was born. Yet here we are. One last song from The Beatles.
I was twenty and still living with my family. I'll never forget coming downstairs and seeing it on the front page of the Globe.
 
I'm just not sure why he needed robots on board.
Presumably to sabotage the launch.

I'm a little surprised because he's British. I don't remember him from any American productions.
Memory Alpha supports this info, quoting him from a magazine. Apparently he was a fan of TOS.

Makes sense. Rooms or triage slots or something. I've never seen anything like them.
This is supported by a bit of dialog I caught when going back...when they're bringing Johnny in, Brackett says, "I'll be in 3."

Yeah, I was wondering if they survived.
Looking back at likely spots, I didn't catch anything about them. Once Johnny got bitten, the focus was squarely on him.

Paramedic, heal thyself. Good episode for Johnny.
When they were taking Johnny to Rampart on the back of the engine, Chet was going at his wound with a syringe...I presume that was to suck the venom out.

Oh! I didn't realize it was that guy. I didn't recognize his name. :rommie:
For some reason, I do exaggerate his delivery in my memory.
 
One last song. John Lennon was killed when I was three years old. This song was written the year I was born. Yet here we are. One last song from The Beatles. It isn't the best song ever for sure, but it's The Beatles.

Bittersweet. I'm glad they did it.

I was twenty and still living with my family. I'll never forget coming downstairs and seeing it on the front page of the Globe.

I was ten when it happened. I don't remember the famous 'Monday Night Football' announcement with Howard Cosell, probably because my family was watching the CBS prime-time line-up or I was already in bed.

I do remember the following morning at school when my older classmates and teacher were talking about it. I really didn't put two and two together at that time. The Beatles had been over for ten years at that point, John had been in house-husband mode for five years and hadn't released anything in that period. His new album and single had just been released and I do remember hearing that on the radio. After his murder, his Beatles and solo material were everywhere on the radio for several weeks at least.

I got to see Paul last year in Seattle on the second night of his 'Got Back' tour.

I was already spoiled through Paul's website that he would be dueting with John on 'I've Got A Feeling', thanks to Peter Jackson's MAL technology, which had allowed them to extract John's vocals from the rooftop performance; however, once the song began as part of the encore, and John's voice and image came booming through the loudspeakers, the whole stadium erupted. And the emotions - here was a man who'd been dead for forty plus years singing a fifty plus year old song, and you realized he wasn't even thirty when he sang it. I don't think there was a dry eye in the house.
 
Presumably to sabotage the launch.
Okay, I thought he had done it remotely.

Memory Alpha supports this info, quoting him from a magazine. Apparently he was a fan of TOS.
Well, that's cool. Ed Straker is a TOS fan! :D

This is supported by a bit of dialog I caught when going back...when they're bringing Johnny in, Brackett says, "I'll be in 3."
Yeah, that's got to be what they are.

Looking back at likely spots, I didn't catch anything about them. Once Johnny got bitten, the focus was squarely on him.
Another outcome lost to history. :rommie:

When they were taking Johnny to Rampart on the back of the engine, Chet was going at his wound with a syringe...I presume that was to suck the venom out.
Right, because it's not the Wild West anymore. :rommie:

For some reason, I do exaggerate his delivery in my memory.
TOS was very theatrical, which is one of the things I love about it.

I was ten when it happened.
It was 1980, so I was actually nineteen. Oops.

I don't remember the famous 'Monday Night Football' announcement with Howard Cosell, probably because my family was watching the CBS prime-time line-up or I was already in bed.
I don't know what I was doing, but it wasn't watching football.

John's voice and image came booming through the loudspeakers, the whole stadium erupted. And the emotions - here was a man who'd been dead for forty plus years singing a fifty plus year old song, and you realized he wasn't even thirty when he sang it. I don't think there was a dry eye in the house.
Amazing. Imagine having that much of an effect on people and the world.
 
50 Years Ago This Week


November 4
  • The first "no driving Sunday" went into effect in the Netherlands as part of the Western European nation's attempt to conserve fuel during the Arab oil embargo. The only exceptions were emergency vehicles, taxis, public buses and motor vehicles with foreign license plates.

November 5
  • United States Secretary of State Henry Kissinger began his "shuttle diplomacy" initiative between Tel Aviv, Cairo and Damascus to negotiate a Middle East peace treaty to facilitate the cessation of hostilities following the Yom Kippur War.
  • San Francisco's first subway, the Bay Area Rapid Transit (BART) service through a tunnel beneath San Francisco Bay, began with a train traveling between San Francisco and Daly City.

November 6
  • Pioneer 10, launched from Earth on March 2, 1972, began returning its first photographs of the planet Jupiter, starting from 16 million miles (25 million kilometers). It would make its closest approach to the solar system's largest planet on December 3.
  • The Israeli Defense Forces revealed that the death toll from the recent Yom Kippur War had been far higher than expected, with 1,854 dead and nearly one out of every 400 residents of the Middle Eastern nation killed or wounded. In contrast, Syria had one out of every 884 citizens as casualties, and Egypt had one of every 4,550.

November 7
  • Both Houses of the U.S. Congress voted overwhelmingly to override President Richard Nixon's veto of the War Powers Resolution, and passed into law. The vote was 284 to 135 in the House of Representatives and 75 to 18 in the U.S. Senate.

November 8
  • The Second Cod War between the United Kingdom and Iceland was ended by agreement between the Prime Ministers of the two nations.
  • Millennium '73, a three-day festival hosted by the 15-year-old Guru Maharaj Ji and his Divine Right Mission, drew 20,000 of his devotees to the Astrodome in Houston. The Guru called the festival "the most significant event in human history" and promised to launch 1,000 years of world peace.
  • The animated musical Robin Hood was released by Walt Disney Productions, with the characters re-imagined as anthropomorphic animals.

November 9
  • Musician Billy Joel released the album that would make him a star, Piano Man. The album was his second, after the poor-selling Cold Spring Harbor.

November 10
  • The captors of J. Paul Getty III, who had been kidnapped on July 9, confirmed that the abduction was not a hoax and that they had Getty as their hostage, cutting off his ear and mailing it to the Rome newspaper Il Messaggero along with a ransom demand.
  • A transit of Mercury took place for the first time since May 9, 1970, as the planet Mercury crossed in front of the Sun.

And The Old Mixer is four fingers old!


Selections from Billboard's Hot 100 for the week:
1. "Keep On Truckin'," Eddie Kendricks
2. "Midnight Train to Georgia," Gladys Knight & The Pips
3. "Angie," The Rolling Stones
4. "Heartbeat, It's a Lovebeat," The DeFranco Family feat. Tony DeFranco
5. "Paper Roses," Marie Osmond
6. "Photograph," Ringo Starr
7. "Space Race," Billy Preston
8. "Half-Breed," Cher
9. "All I Know," Art Garfunkel
10. "Top of the World," Carpenters
11. "I Got a Name," Jim Croce
12. "Just You 'n' Me," Chicago
13. "Ramblin' Man," The Allman Brothers Band
14. "You're a Special Part of Me," Diana Ross & Marvin Gaye
15. "Knockin' on Heaven's Door," Bob Dylan
16. "Why Me," Kris Kristofferson
17. "The Love I Lost (Pt. 1)," Harold Melvin & The Blue Notes
18. "Let's Get It On," Marvin Gaye
19. "That Lady (Part 1)," The Isley Brothers
20. "Cheaper to Keep Her," Johnnie Taylor

23. "Higher Ground," Stevie Wonder
24. "Nutbush City Limits," Ike & Tina Turner
25. "Yes We Can Can," The Pointer Sisters

27. "Goodbye Yellow Brick Road," Elton John
28. "The Most Beautiful Girl," Charlie Rich
29. "Basketball Jones featuring Tyrone Shoelaces," Cheech & Chong
30. "Loves Me Like a Rock," Paul Simon

32. "My Maria," B. W. Stevenson

34. "We're an American Band," Grand Funk

36. "Hello It's Me," Todd Rundgren

38. "If You're Ready (Come Go with Me)," The Staple Singers

41. "Free Ride," The Edgar Winter Group
42. "Rockin' Roll Baby," The Stylistics

45. "Get It Together," Jackson 5
46. "The Joker," Steve Miller Band
47. "China Grove," The Doobie Brothers
48. "Rocky Mountain Way," Joe Walsh

54. "Never, Never Gonna Give Ya Up," Barry White

58. "D'yer Mak'er," Led Zeppelin
59. "Leave Me Alone (Ruby Red Dress)," Helen Reddy

62. "Let Me Serenade You," Three Dog Night
63. "Dream On," Aerosmith
64. "Show and Tell," Al Wilson
65. "Come Get to This," Marvin Gaye

70. "My Music," Loggins & Messina

76. "Mind Games," John Lennon
77. "Living for the City," Stevie Wonder

86. "Me and Baby Brother," War

87. "Smokin' in the Boys Room," Brownsville Station

93. "Rock On," David Essex

97. "Spiders & Snakes," Jim Stafford


Leaving the chart:
  • "Delta Dawn," Helen Reddy (20 weeks)

New on the chart:

"Mind Games," John Lennon
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(#18 US; #33 AC; #26 UK)

"Me and Baby Brother," War
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(#15 US; #18 R&B)

"Living for the City," Stevie Wonder
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(#8 US; #1 R&B; #15 UK; #104 on Rolling Stone's 500 Greatest Songs of All Time [2004])

"Rock On," David Essex
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(#5 US; #3 UK)

"Spiders & Snakes," Jim Stafford
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(#3 US; #28 AC; #66 Country; #14 UK)


And new on the boob tube:
  • Hawaii Five-O, "Flash of Color, Flash of Death"
  • Adam-12, "Training Division: The Rookie"
  • Kung Fu, "The Spirit-Helper"
  • Ironside, "Downhill All the Way"
  • The Brady Bunch, "Quarterback Sneak"
  • The Odd Couple, "Felix Directs"
  • Love, American Style, "Love and the Clinical Problem / Love and the Eat's Cafe / Love and the Last Joke / Love and the Persistent Assistant / Love and the Unsteady Steady"
  • Super Friends, "The Fantastic Frerps"
  • Star Trek, "Mudd's Passion"
  • All in the Family, "Edith's Conversion"
  • M*A*S*H, "Dear Dad...Three"
  • Emergency!, "Insomnia"
  • The Mary Tyler Moore Show, "Love Blooms at Hemples"
  • The Bob Newhart Show, "Mutiny on the Hartley"

_______

Timeline entries are quoted from the Wiki page for the month.

_______

Another outcome lost to history. :rommie:
It goes along with what they established early on Adam-12, that once a case was handed over to the detectives, the uniformed officers wouldn't necessarily know how things turned out. In the case of Emergency!, we routinely do, because the follow-up is the hospital.
 
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Well, here's the video:
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I'm not really feeling it for the song the way I did for "Free as a Bird". In '95, I was blown away to hear the distinctive sounds that Paul, George, and Ringo had established by that point in their solo careers, but working together again as the Beatles.
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The Guru called the festival "the most significant event in human history" and promised to launch 1,000 years of world peace.
He kind of oversold it. And I have to wonder what was supposed to happen after a thousand years. :rommie:

And The Old Mixer is four fingers old!
Happy Birthday, Young Mix.
Birthday-Cake-Animated.gif


"Mind Games," John Lennon
A John Lennon classic, although I don't think it had much radio traction.

"Me and Baby Brother," War
I don't remember this one.

"Living for the City," Stevie Wonder
Classic.

"Rock On," David Essex
I love this, although I would have guessed it came out at least a year later.

"Spiders & Snakes," Jim Stafford
This is great. :rommie:

It goes along with what they established early on Adam-12, that once a case was handed over to the detectives, the uniformed officers wouldn't necessarily know how things turned out. In the case of Emergency!, we routinely do, because the follow-up is the hospital.
Kind of frustrating for me when we don't, though. :rommie:

I'm not really feeling it for the song the way I did for "Free as a Bird".
I mean, it's not going to go down in history as one of their innovative artistic classics, but it's pretty sweet and makes a satisfying epilogue. And that video is pretty captivating.
 
I'm not really feeling it for the song the way I did for "Free as a Bird". In '95, I was blown away to hear the distinctive sounds that Paul, George, and Ringo had established by that point in their solo careers, but working together again as the Beatles.
I wish I could have come to "Now and Then" virginal, as I did with "Free as a Bird" in 1995, though that was never going to be possible; I've had the demo on CD (the Free as a Bird: The Dakota Beatles Demos bootleg) since 2002, and I have a small collection of outfakes, some of which claimed (but weren't) to be the "1995 mix."

(While "FAAB" was broadcast on The Lost Lennon Tapes and widely bootlegged, I didn't listen to that series at the time, and I wasn't in the bootleg scene until about 2000. Thanks, eBay!)

Yet, the song surpassed my expectations. No, lyrically it's pretty dull, and it's less interesting than the demo because the interesting part of the lyric ("use you or abuse you, oh no, no, no") was cut out entirely. It's not a masterpiece by any means. But I thought the overall production was lovely, and the difference in voices of thirtysomething John and eighty Paul lend poignancy to the song. "Now and Then" exists, fundamentally, as an act of love. I think it was Rob Sheffield who wrote that "no one loves the Beatles more than Paul McCartney loves the Beatles," and this existence of this song is due entirely to Paul's love for John, for George, for the very idea of the Beatles. There's a beautiful, yearning sorrow here that I find very relatable and moving.

Andrew Hickey compared the song to the LOVE album, and that's very true -- not only does the song take parts recorded in the 70s (John's demo), the 90s (George's guitar parts), and 2022 (Paul's and Ringo's parts, the string section), but it takes pieces from 1960s Beatles songs and flies them in, much as LOVE took pieces of different songs and reassembled them into new pieces for something else. It's as though there's an existing Beatles "Now and Then," albeit one we've never heard, rebuilt into this, and it's most apparent when the "Because" harmonies come to the fore. That's not to take away from the released song, but there's more of an artifice to "Now and Then" than even "Real Love" and "Free as a Bird."

I feel that, had this been finished in 1995 (and sounding nothing like this), "Now and Then" would have opened Anthology 2, not "Real Love." "Real Love" feels more like the triumphant conclusion, befitting the final release.
 
In watching the video I'm reminded that the 'Threetles' footage was shot in 1994 for the Anthology project. That means Ringo was 54, Paul was 52, and George was 50. I was 25 when the Anthology premiered in '95. I'm now older than Paul and George in that footage and next year I will be as old as Ringo. Suddenly, I feel old.
 
He kind of oversold it. And I have to wonder what was supposed to happen after a thousand years. :rommie:
Earthwar - Wikipedia

Happy Birthday, Young Mix.
Birthday-Cake-Animated.gif
Thank you--and it's even the right number of candles!

I should note that it was probably by this point that I'd discovered Batman, FWIW.

A John Lennon classic, although I don't think it had much radio traction.
Can't say that it ever had much traction with me, either. Overall I find the titular album enjoyable, but not outstanding...it plays like a watered-down attempt to recapture the vibe of Imagine after the abysmal Some Time in New York City.

I don't remember this one.
I do, it's been in my playlist for a bit now.

The album version is 7-ish minutes long...I may have to give it a listen.

I love this, although I would have guessed it came out at least a year later.
Another contribution to the '50s retro thing that's already in full swing by this point. I should maybe get around to taking the time to rent American Graffiti one of these weeks.

This is great. :rommie:
It's alright, doesn't do much for me.

I mean, it's not going to go down in history as one of their innovative artistic classics, but it's pretty sweet and makes a satisfying epilogue. And that video is pretty captivating.
I like the video better than the song.

Andrew Hickey compared the song to the LOVE album, and that's very true -- not only does the song take parts recorded in the 70s (John's demo), the 90s (George's guitar parts), and 2022 (Paul's and Ringo's parts, the string section), but it takes pieces from 1960s Beatles songs and flies them in, much as LOVE took pieces of different songs and reassembled them into new pieces for something else. It's as though there's an existing Beatles "Now and Then," albeit one we've never heard, rebuilt into this, and it's most apparent when the "Because" harmonies come to the fore. That's not to take away from the released song, but there's more of an artifice to "Now and Then" than even "Real Love" and "Free as a Bird."
That's interesting...I didn't know that they put pieces of existing songs in there. That could be why it feels less like a distinctive work of its own than FAAB. (What an appropriate acronym!)

In watching the video I'm reminded that the 'Threetles' footage was shot in 1994 for the Anthology project. That means Ringo was 54, Paul was 52, and George was 50. I was 25 when the Anthology premiered in '95. I'm now older than Paul and George in that footage and next year I will be as old as Ringo. Suddenly, I feel old.
Well, I'm the same age as Ringo '94 this week!
 
"Mind Games," John Lennon (#18 US; #33 AC; #26 UK)

A John Lennon classic, although I don't think it had much radio traction.

Can't say that it ever had much traction with me, either. Overall I find the titular album enjoyable, but not outstanding...it plays like a watered-down attempt to recapture the vibe of Imagine after the abysmal Some Time in New York City.

Originally started out as 'Make Love, Not War' it was written in 1969 around the time of the 'Get Back' sessions, so it predates 'Imagine' by a year or so. I know the video says 1970, however the reference book 'The Unreleased Beatles' dates the song to 1969. The author notes that John can be heard playing the melody/chord progression early in the sessions, but it appears to have been dropped once the Beatles started working in Apple Studios. It's possible John had the melody before the lyrics, hence the 1970 date. John hated the original lyrics but liked the melody and wrote a new set of lyrics when it came time to record the album 'Mind Games'. If you listen carefully to 'Mind Games', you can hear a snippet of the original vocal during the fade out.

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Originally started out as 'Make Love, Not War' it was written in 1969 around the time of the 'Get Back' sessions, so it predates 'Imagine' by a year or so. (I know the video says 1970, however the reference book 'The Unreleased Beatles' dates the song to 1969. I'm going with that date.) John hated the original lyrics but liked the melody and wrote a new set of lyrics when it came time to record the album 'Mind Games'. If you listen carefully to 'Mind Games', you can hear a snippet of the original vocal during the fade out.

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Just saw that video while going down a Lennon/Beatle rabbit hole after looking for the Lennon version of "Real Love".
 
Suddenly, I feel old.
Get used to it. :rommie:

If it's not one thing it's another....

Thank you--and it's even the right number of candles!
That gets harder to do as time goes on. :rommie:

I should note that it was probably by this point that I'd discovered Batman, FWIW.
Not sure about Batman, but I definitely knew the FF when I was four.

Can't say that it ever had much traction with me, either.
Well, it's considered one of his classics, I think. It's not one of my favorites.

The album version is 7-ish minutes long...I may have to give it a listen.
Wow, I had no idea.

Another contribution to the '50s retro thing that's already in full swing by this point.
Yeah, but it's not an homage. It definitely sounds like the 70s.

I should maybe get around to taking the time to rent American Graffiti one of these weeks.
I still haven't seen it either. :rommie:

I like the video better than the song.
It is a really good video.

Well, I'm the same age as Ringo '94 this week!
Happy Contemporary Birthday! Sorry, I don't have enough candles this time. :rommie:

John hated the original lyrics but liked the melody and wrote a new set of lyrics when it came time to record the album 'Mind Games'.
That's interesting, because I like the original lyrics better.
 
Can't say that it ever had much traction with me, either. Overall I find the titular album enjoyable, but not outstanding...it plays like a watered-down attempt to recapture the vibe of Imagine after the abysmal Some Time in New York City.
Mind Games is the Lennon solo album I always forget, then I put it on and I'm like, "How did I forget this?" "Bring on the Lucie (Freda People)" and "Out the Blue" are top-tier, and I'd put the title track, "Aisumasen," and "Meat City" just below them. It's a very good album that is today, like much of Harrison and Starr's 70s output, purely for obsessives. Now I'll go another five, six years without thinking of this album again. :)
 
Missed a couple of 50th Anniversary releases the past few days

First up - The Who with 'Quadrophenia' - 3-November-1973
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Second - Bruce Springsteen releases 'The Wild, The Innocent, & The E Street Shuffle - 5-November-1973
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I really can't comment on either one, since I've never listened to 'Quadrophenia' and I'm not a fan of Bruce Springsteen (shocker!)
 
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