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The Classic/Retro Pop Culture Thread

This one's a format-breaker and a half, as we don't just get an impromptu mission
Wherein Phelps uses his fellow undercover privateers for unofficial purposes, which raises questions of propriety, jurisdiction, and salary. The secretary would definitely disavow this one. :rommie:

Jim is fixing the above-seen family business because he's planning to donate the property to the county for use as a park
Why now? Did his father just die or something?

Barney informs the others at a swank party that Dana's throwing, where we see Paris tinkling the keys
Do they show his hands this time? :rommie:

Seth thinks that the MPs are after him for killing Cong women.
That sounds like a confession.

who turns out to be Midge, who's secretly had a thing for Joe, while he pursued all the other available women in town, never noticing her.
Or who was perhaps turned off by that psycho glint in her eyes.

Back at the family shop, Jim has one last childhood flashback of his old gang playing ring-around-the-rosie as his current gang piles into a car for their Impromptu Mission: Accomplished moment.
Kind of a disappointingly generic story for a format-breaking personal episode. It should have involved his family and the shop and maybe hinted at how he got from there to here.

The drunk female driver immediately starts yelling crude insults at Malloy as he takes her out of the car and cuffs her. ("Fascist creep!")
"Go defund yourself!"

Later on patrol, they get a call to see a boy about 459 suspects.
That should take all afternoon.

Then his partner comes down the stairs firing his own gun, and is shot dead by Malloy.
Something you don't see too often on this show.

And it turns out that this is an episode that Decades skipped for whatever reason when I was recording the season. It happens to be coming up again in a couple of weeks, so I'll try to get back to it.
The capsule description seems to confirm that she's divorced.

I think it's night classes...that's what Mark was enrolled in before. Now are there bells in colleges...?
I would expect not, since the students are supposed to be autonomous at that point.

I think you would have appreciated the boys' costumes...
Looks like they got some treats before their tricks. :rommie:

"I'll kneel before you if it will save lives."
"Um...I don't think that'll be necessary, Principal Randolph..."
I never saw the movie, but I kind of got it based on second-hand knowledge. I think.

Was this going on when I was a kid and I didn't notice because they were distracting me with comic books and suckers?
I do remember one time seeing a Playboy in the stack of magazines at a barber shop. I also remember coming across a copy of Kamandi #1.

...in the state of being completely dependent on raiding Ann's wardrobe...
I would certainly hope so.

Did not know that.
One of the classics. As you can imagine, Dick van Dyke does a hilarious drunk. I couldn't find a clip, but the complete episode is on YouTube. The title is "My Husband Is Not A Drunk."

And boom-chicka-BOW-WOW.
Ring in the 70s.

I hear that Harry headed to Texas looking to make his fortune in the oil business...
What else can you do when you've been drummed out of the Astronaut Corps?
 
55.5th Anniversary Viewing

12 O'Clock High
"The Cry of Fallen Birds"
Originally aired April 9, 1965
Xfinity said:
A terrified woman (Dana Wynter) must face leaving her manor home when Savage wants it demolished to clear a vital runway.
https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-70#post-12249206
In defense of Savage's position, they need the extra landing space because of the length of missions that they're doing, and he's afraid that sooner or later a bomber is going to crash through the manor home in question. And Savage actually does wind up crash-landing the Lilly on Lady Catherine's property at the end of Act II, though the house is spared.

If they'd wanted to, this could have been part two of the previous episode, as it opens with a situation very similar to the one they were dealing with in Act IV of that one...the Picadilly Lilly having to make an emergency landing that involves throwing everything they can out of the plane to maintain altitude.

The episode has a lighthearted tone, with Savage being attacked as an intruder the first time he visits the manor. There's lots of friction between Savage and his female guest star before they start to fall for one another, which is something we've seen before. In fact, it turns out that Wynter had previously played the female guest character in a memorable earlier episode, "Interlude," which involved Savage on leave regularly running into and eventually falling for her character, who was secretly dying.

There's a great humor beat in Act II when Lady Catherine, back at her manor, puts a sewing needle in an object representing Savage, voodoo style, and we cut to Savage in his cockpit experiencing a sudden pain in the back of his neck.

Following his crash, the injured Savage has to stay at the manor. As one might expect, he and Lady Catherine are smooching by the end of Act III.

This is one of several episodes with a recurring officer played by Lew Gallo, who was an associate producer on That Girl. Here he serves an expository purpose, giving the bedridden Savage a clumsy infodump about Lady Catherine in Act III.

She hasn't been out of the manor in about two years (assuming the episode takes place ca. '43). This being the '60s playing the '40s, the solution to getting her out of her protective shell and on with her life is indisputably presented as finding the right man...which by the end of the episode is implied to be a British captain whom she's known all her life. Savage gets his order to demolish the manor and maintains his lonely series lead existence, for as long as that lasts...which won't be very long at this point.

There's a sub-thread playing in the episode about how Savage regrets his current target being war manufacturing in an old German college town where a former professor of his lives...which is a wee bit contrived, but they don't dwell on it long enough for it to bring down the story.

As one might tell by my having so much more to say about it, this is an example of the series playing to its strengths a bit more. I haven't been regularly posting episode reviews for most of the season, so I should note that the series has a sort of quasi-anthology format...the stories focus as often as not on guest characters as the series regulars, and take place as often as not in England around the base or the local community of Archbury as during bombing missions. The stories are generally meaty and solidly structured, which seems to be characteristic of the QM productions.

This episode has the same guest general as "Mutiny at Ten Thousand Feet"...I'd assumed when watching that one that they cast a different general as a way of giving Savage's behavior less benefit of the doubt, but I see that John Larkin, who'd played the original recurring superior general, died in January 1965. His last appearance was in an episode that aired in March.


The episode opens with Savage and Cobb making an emergency landing, barely missing the manor house that's on the path to their new runway. At wing HQ, Stoneman's being honored by the mayor of Archbury (John McLiam), which seems kind of unearned as he's just a fill-in guest general. Savage comes to him about having the home torn down and he's against it, sensitive to the house having stood for 400 years. Savage goes to talk to Lady Catherine Hammet (Dana Wynter), and there's a comedy sequence in which she and her maid, Bridget (Nora Marlowe), attack him thinking he's a burglar, and fend off the corporal (Don Spruance) who's trying to aid him.

In Savage's office, the bombing of Blaustadt and Savage's old college professor living there come up. Stoneman suggests abandoning the target...since when does Savage have a choice in these things? While the 918th takes off for its next mission, Lady Hammet has Mayor Hickey and her old childhood manfriend, Capt. Derek Evans (Lloyd Bochner), over to talk to them about fighting Savage. Derek tries to coax her out of the house and into marriage with the right man, mentioning how she'd previously been with a "rotter". It's during this scene that the voodoo gag occurs and we cut to the mission. Things get hairy because the episode calls for a crashed Lily...and it splatters all over the manor grounds.

Doc Kaiser comes to tend to the survivors, putting Savage in a bedroom at the manor; Savage briefly comes to and asks Kaiser if they avoided the house, while Lady Catherine is present. A montage sequence ensues in which a delirious Savage is tended to by Lady Catherine and a nurse while having stock footage nightmares. Savage finally comes to and learns that he's been out of it for three days. He and Lady Catherine bond during a comedic feeding scene, and Major Cobb, who seems to have fared a lot better, comes to visit, informing Savage of a petition for his removal and sharing gossip about his hostess. It turns out that she'd ran off with a man who was already married, and was too ashamed to come home until her father died. While Savage is trying to get dressed to leave against the doctor's orders, he sees Catherine's reaction to hearing a takeoff, tries to reassure her, and they kiss.

Derek comes to visit and Catherine finds a bird that's fallen from its nest over the porch; he's surprised that she's gone that far outside. Savage returns from his walk and Savage and Derek have a man-to-man talk. Derek tells Savage that his condemnation request was approved, and that he's for it...but now Savage isn't hot about it. Derek explains how the home has been a cave and crutch for Catherine; and Savage intuits that the man Derek has in mind for Catherine is Derek. Savage is ready to leave and Catherine wants him to stay, so he questions her about whether she'd leave the house to come with him. When she makes excuses, he informs her that he intends to go through with the demolition. He has a stern talk with her and as he leaves, it seems that the mayor and Bridget have hooked up. The mayor symbolically points out to Catherine how her birds have left the nest to fly alone.

The Epilog has Savage back on the job, bombing Blaustadt. Cobb mentions that the manor house demolition began that morning. He and the general have a little philosophical discussion about how a better day will come when they start building again instead of tearing down, as the bombs are released.

Piccadilly Lily crash count: 3

_______

Wherein Phelps uses his fellow undercover privateers for unofficial purposes, which raises questions of propriety, jurisdiction, and salary. The secretary would definitely disavow this one. :rommie:
They were just highly talented private citizens lending their talents to the local sheriff...except the part where Willy smuggled out a prisoner.

Why now? Did his father just die or something?
They didn't say, but I was under the impression that Pa Phelps had been gone for a while.

Do they show his hands this time? :rommie:
Nope.

That sounds like a confession.
Not the way he phrased it. He said that he never killed no Cong women, or something to that effect.

Kind of a disappointingly generic story for a format-breaking personal episode. It should have involved his family and the shop and maybe hinted at how he got from there to here.
I thought so, too, but focused on the half-full portion...the main characters on this show are generally such cyphers that it's mildly amazing to get as much as we did.

Something you don't see too often on this show.
Guns fire more often here than on Dragnet.

The capsule description seems to confirm that she's divorced.
I took it the opposite way...that they're posing as divorcees. Is Rhoda also divorced?

I would expect not, since the students are supposed to be autonomous at that point.
The ones I attended didn't have any, but that was a couple decades later.

I never saw the movie, but I kind of got it based on second-hand knowledge. I think.
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Last edited:
Savage comes to him about having the home torn down and he's against it, sensitive to the house having stood for 400 years.
Ya think?

Savage goes to talk to Lady Catherine Hammet (Dana Wynter), and there's a comedy sequence in which she and her maid, Bridget (Nora Marlowe), attack him thinking he's a burglar, and fend off the corporal (Don Spruance) who's trying to aid him.
"How did you get that Purple Heart, Captain Savage?"

Cobb mentions that the manor house demolition began that morning.
"It became necessary to destroy the town to save it."

They were just highly talented private citizens lending their talents to the local sheriff...except the part where Willy smuggled out a prisoner.
Nothing beats talented amateurs. I hope Phelps at least got them extra-nice Christmas presents that year.

Not the way he phrased it. He said that he never killed no Cong women, or something to that effect.
Ah, okay.

I thought so, too, but focused on the half-full portion...the main characters on this show are generally such cyphers that it's mildly amazing to get as much as we did.
I wonder if the other characters will get the same.

I took it the opposite way...that they're posing as divorcees. Is Rhoda also divorced?
Now that you mention it, I think Rhoda was eternally single until her spin off, so they probably were pretending.

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That's pretty much what I imagined. :rommie:
 
55 Years Ago This Week

Wiki said:
October 17 – The New York World's Fair at Flushing Meadows, closes. Due to financial losses, some of the projected site park improvements fail to materialize.
October 18 – The Indonesian government outlaws the Communist Party of Indonesia.
October 20 – Ludwig Erhard is re-elected Chancellor of West Germany (he had first been elected in 1963).
October 21
  • Comet Ikeya–Seki approaches perihelion, passing 450,000 kilometers from the sun.
  • The Organization of African Unity meets in Accra, Ghana.
October 22
  • French authors André Figueras and Jacques Laurent are fined for their comments against Charles de Gaulle.
  • African countries demand that the United Kingdom use force to prevent Rhodesia from declaring unilateral independence.
  • Colonel Christophe Soglo stages a second coup in Dahomey.



Selections from Billboard's Hot 100 for the week, with a Bubbling Under bonus:
1. "Yesterday," The Beatles
2. "Treat Her Right," Roy Head & The Traits
3. "A Lover's Concerto," The Toys
4. "Get Off of My Cloud," The Rolling Stones
5. "Keep On Dancing," The Gentrys
6. "Hang on Sloopy," The McCoys
7. "Just a Little Bit Better," Herman's Hermits
8. "Everybody Loves a Clown," Gary Lewis & The Playboys
9. "Positively 4th Street," Bob Dylan
10. "You're the One," The Vogues
11. "Do You Believe in Magic," The Lovin' Spoonful
12. "Liar, Liar," The Castaways
13. "The 'In' Crowd," The Ramsey Lewis Trio
14. "Baby Don't Go," Sonny & Cher
15. "Eve of Destruction," Barry McGuire
16. "Make Me Your Baby," Barbara Lewis
17. "I'm Yours," Elvis Presley
18. "Some Enchanted Evening," Jay & The Americans
19. "1-2-3," Len Berry
20. "You've Got Your Troubles," The Fortunes
21. "You Were on My Mind," We Five
22. "I Knew You When," Billy Joe Royal
23. "But You're Mine," Sonny & Cher

25. "Taste of Honey," Herb Alpert & The Tijuana Brass
26. "I Want to (Do Everything for You)," Joe Tex
27. "Not the Lovin' Kind," Dino, Desi & Billy
28. "Everyone's Gone to the Moon," Jonathan King
29. "Help!," The Beatles

31. "We Gotta Get Out of This Place," The Animals
32. "Rescue Me," Fontella Bass
33. "Catch Us If You Can," The Dave Clark Five

35. "Ain't That Peculiar," Marvin Gaye

37. "Laugh at Me," Sonny
38. "Respect," Otis Redding

41. "Let's Hang On!," The Four Seasons
42. "Say Something Funny," Patty Duke

44. "Just You," Sonny & Cher

47. "Act Naturally," The Beatles

49. "Run Baby Run (Back into My Arms)," The Newbeats

52. "Where Have All the Flowers Gone," Johnny Rivers
53. "My Girl Has Gone," The Miracles
54. "Universal Soldier," Donovan
55. "Round Every Corner," Petula Clark

58. "Ride Away," Roy Orbison

61. "You've Got to Hide Your Love Away," The Silkie

65. "I Found a Girl," Jan & Dean

68. "Where Do You Go," Cher

71. "There but for Fortune," Joan Baez

73. "Make It Easy on Yourself," The Walker Brothers
74. "My Baby," The Temptations ***

80. "Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds

102. "Boys," The Beatles


Leaving the chart:
  • "Agent Double-O-Soul," Edwin Starr (11 weeks)
  • "Heart Full of Soul," The Yardbirds (12 weeks)
  • "It Ain't Me Babe," The Turtles (11 weeks)

Bubbling under:

"Boys," The Beatles
(#102 US)

Recent and new on the chart:

"Where Have All the Flowers Gone," Johnny Rivers
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(Oct. 2; #26 US)

"Round Every Corner," Petula Clark
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(Oct. 9; #21 US; #43 UK)

"Where Do You Go," Cher
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(Oct. 16; #25 US)

"My Baby," The Temptations
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(#13 US; #4 R&B)

"Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds
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(#1 US the weeks of Dec. 4 through 18, 1965; #26 UK)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 6
  • Branded, "Seward's Folly"
  • 12 O'Clock High, "The Hotshot"
  • The Wild Wild West, "The Night of a Thousand Eyes"
  • Hogan's Heroes, "The Prisoner's Prisoner"
  • Get Smart, "Washington 4, Indians 3"

_______

Ya think?
"It became necessary to destroy the town to save it."
There was kinda an important war going on.

"How did you get that Purple Heart, Captain Savage?"
Demoted for getting beat up by a couple of ladies?
 
"Where Have All the Flowers Gone," Johnny Rivers
This is a great song, and this was a decent cover up until the Vegas ending. The Kingston Trio still did it best, though.

"Round Every Corner," Petula Clark
Still trying to find "Downtown" again.

"Where Do You Go," Cher
Not exactly her best.

"My Baby," The Temptations
Not exactly their best work.

"Turn! Turn! Turn! (To Everything There Is a Season)," The Byrds
Classic. And the Bible makes the Top Ten. :rommie:

There was kinda an important war going on.
One of the tragedies of the war was all the history that was lost.

Demoted for getting beat up by a couple of ladies?
:rommie: Every time I see the name Savage, I somehow think of Captain Savage and his Leatherneck Raiders-- even though I never read the book and know nothing about it.
 
50 Years Ago This Week

Wiki said:
October 20
  • The Soviet Union launches the Zond 8 lunar probe.
  • Egyptian president Anwar Sadat names Mahmoud Fawzi as his prime minister.
October 21 – A U.S. Air Force plane makes an emergency landing near Leninakan, Soviet Union. The Soviets release the American officers, including two generals, November 10.
October 22 – Chilean army commander René Schneider is shot in Santiago; the government declares a state of emergency. Schneider dies October 25.
October 23 – Gary Gabelich sets a land speed record in a rocket-powered automobile called the Blue Flame, fueled with natural gas.
October 24 – Salvador Allende is elected President of Chile by a run-off vote in the National Congress



Selections from Billboard's Hot 100 for the week:
1. "I'll Be There," Jackson 5
2. "Cracklin' Rosie," Neil Diamond
3. "Green-Eyed Lady," Sugarloaf
4. "We've Only Just Begun," Carpenters
5. "All Right Now," Free
6. "Fire and Rain," James Taylor
7. "Candida," Dawn
8. "Indiana Wants Me," R. Dean Taylor
9. "Lola," The Kinks
10. "Ain't No Mountain High Enough," Diana Ross
11. "Still Water (Love)," Four Tops
12. "Julie, Do Ya Love Me," Bobby Sherman
13. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band
14. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)
15. "Out in the Country," Three Dog Night
16. "Look What They've Done to My Song, Ma," The New Seekers feat. Eve Graham
17. "It's Only Make Believe," Glen Campbell
18. "Snowbird," Anne Murray
19. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival
20. "El Condor Pasa (If I Could)," Simon & Garfunkel
21. "(I Know) I'm Losing You," Rare Earth
22. "Closer to Home (I'm Your Captain)," Grand Funk Railroad
23. "It Don't Matter to Me," Bread
24. "It's a Shame," The Spinners
25. "Super Bad (Pt. 1 & Pt. 2)," James Brown

27. "Stand by Your Man," Candi Staton
28. "Cry Me a River," Joe Cocker
29. "Engine Number 9," Wilson Pickett
30. "Long Long Time," Linda Ronstadt
31. "See Me, Feel Me," The Who
32. "Our House," Crosby, Stills, Nash & Young
33. "Lucretia Mac Evil," Blood, Sweat & Tears
34. "Deeper & Deeper," Freda Payne

36. "Montego Bay," Bobby Bloom

38. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks
39. "Gypsy Woman," Brian Hyland
40. "Yellow River," Christie
41. "I Think I Love You," The Partridge Family

44. "Joanne," Michael Nesmith & The First National Band
45. "The Tears of a Clown," Smokey Robinson & The Miracles

47. "For the Good Times," Ray Price

49. "Heaven Help Us All," Stevie Wonder

56. "Fresh Air," Quicksilver Messenger Service

59. "Let's Work Together," Canned Heat

61. "Funk #49," James Gang

68. "After Midnight," Eric Clapton

71. "5-10-15-20 (25-30 Years of Love)," The Presidents

73. "Share the Land," The Guess Who
74. "You Don't Have to Say You Love Me" / "Patch It Up", Elvis Presley

81. "One Less Bell to Answer," The 5th Dimension

91. "Groove Me," King Floyd

100. "Only Love Can Break Your Heart," Neil Young


Leaving the chart:
  • "Groovy Situation," Gene Chandler (15 weeks)
  • "Neanderthal Man," Hotlegs (9 weeks)
  • "Patches," Clarence Carter (14 weeks)
  • "War," Edwin Starr (15 weeks)

New on the chart:

"Only Love Can Break Your Heart," Neil Young
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(#33 US)

"You Don't Have to Say You Love Me," Elvis Presley
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(#11 US as double A-side w/ "Patch It Up"; #1 AC; #56 Country; #9 UK)

"Patch It Up," Elvis Presley
(#11 US as double A-side w/ "You Don't Have to Say You Love Me")

"Share the Land," The Guess Who
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(#10 US)

"Groove Me," King Floyd
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(#6 US; #1 R&B; #51 UK)

"One Less Bell to Answer," The 5th Dimension
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(#2 US; #1 AC; #4 R&B)


And new on the boob tube:
  • Hogan's Heroes, "Lady Chitterly's Lover: Part 2"
  • The Ed Sullivan Show, Season 23, episode 5
  • Rowan & Martin's Laugh-In, Season 4, episode 6
  • Hawaii Five-O, "The Ransom"
  • Ironside, "The Lonely Way to Go"
  • The Odd Couple, "The Breakup"
  • The Brady Bunch, "Going, Going... Steady"
  • The Partridge Family, "When Mother Gets Married"
  • That Girl, "Rattle of a Single Girl"
  • Love, American Style, "Love and the Elopement / Love and the Visitor"
  • Mission: Impossible, "My Friend, My Enemy"
  • The Mary Tyler Moore Show, "Support Your Local Mother"

_______

This is a great song, and this was a decent cover up until the Vegas ending. The Kingston Trio still did it best, though.
I'd say it's a great song but a pretty weak cover all around.

Still trying to find "Downtown" again.
There's a little more going on here...I read that this was conceived as an "anti-protest song". And while that may make it seem like it's on the wrong side of history, it's brimming with times-signy optimism, including that bit about how man will soon be walking on the Moon.

Not exactly her best.
zzzzzzz--Huh!?!Whu!?!

Not exactly their best work.
But gentler on the ear.

Classic. And the Bible makes the Top Ten. :rommie:
They're bigger than Ecclesiastes! And this is one of those definitive sign-o-the-timesy songs...a go-to for triggering '60s flashbacks.
 
"Only Love Can Break Your Heart," Neil Young
Beautiful song.
"Share the Land," The Guess Who
One of the band’s more rock tinged songs.
"Groove Me," King Floyd
R&B classic. Still looking for confirmation of the definition of “sookie.”
"One Less Bell to Answer," The 5th Dimension
Another great Burt Bacharach song. This is the kind of thing the 5th Dimensions were best at. Marilyn McCoo’s buttery smooth voice never sounded better.
 
"Only Love Can Break Your Heart," Neil Young
Very nice indeed.

"You Don't Have to Say You Love Me," Elvis Presley
He was still Elvis then.

"Share the Land," The Guess Who
This is a great song, and the Guess Who's best.

"Groove Me," King Floyd
Ooh, yeow, sounds like the 70s!

"One Less Bell to Answer," The 5th Dimension
This is a lovely, sad song.

I'd say it's a great song but a pretty weak cover all around.
It's a song that's hard to ruin, but he took a good shot at it.

There's a little more going on here...I read that this was conceived as an "anti-protest song". And while that may make it seem like it's on the wrong side of history, it's brimming with times-signy optimism, including that bit about how man will soon be walking on the Moon.
I don't see the anti-protest angle (which would be fine-- as the 21st century has taught us, protest is not always the most productive approach), but closer attention to the lyrics does reveal that contemporaneous spirit of optimism, rather than just the have-a-great-day vibe of her previous hits.

They're bigger than Ecclesiastes! And this is one of those definitive sign-o-the-timesy songs...a go-to for triggering '60s flashbacks.
Oh, yeah.
 
_______

50th Anniversary Viewing (Part 1)

_______

Hogan's Heroes
"Lady Chitterly's Lover: Part 1"
Originally aired October 11, 1970
Wiki said:
When Lord Chitterly arrives in Germany to negotiate the surrender of England, Hogan will have to rely on Crittendon to perform a decent acting job for once.

This two-parter gives us Bernard Fox's last appearances as Crittendon.

The prisoners see a plane crashing and the pilot bailing, so they investigate via the tunnel and find Sir Charles Chitterly, who also looks like Bernard Fox. Schultz comes along so they let Chitterly go and stay hidden. Sir Charles has Klink report his arrival to Berlin, who tell the colonel to extend him every courtesy. When Hogan decides to have the prisoners retrieve Crittendon from Stalag 12, Baker reacts as if he's met him. Hogan wants Crittendon to take Chitterly's place and carry out his mission, whatever it is. Carter sneaks into Klink's quarters in the middle of the night posing as General von Schlomm to retrieve Sir Charles. As soon as Carter gets Klink out of the room, the prisoners force Chitterly into the stove tunnel.

While Klink wonders where Sir Chalres went, the real General von Schlomm (Harold Gould) arrives. Klink is confused that he's a different man, but of course doesn't put things together. When the general goes into the bedroom, Crittendon is there as Chitterly. Crittendon becomes concerned to hear that Sir Charles's wife will be arriving the next day, and refuses to try to fool her into thinking he's her husband until he's shown a photo of her.

Lady Chitterly (Anne Rogers) arrives, and when she kisses her not husband, Hogan has to come out of hiding to stop her from putting a dagger in Crittendon's back. It turns out that she was trying to kill her husband for being a traitor, and she agrees to work with the prisoners. Down in the tunnel, the real Sir Charles demands to see his wife, and Hogan shuts him up by threatening to grant his request. And there's where the words "To Be Continued" should appear, but don't.

DIS-missed!

_______

Rowan & Martin's Laugh-In
Season 4, episode 5
Originally aired October 12, 1970
The Wiki list of guest appearances said:
Tim Conway, Jilly Rizzo

Introducing special guest Tim Conway:
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Tim talks tastefully about his own show (which was airing Sunday nights on rival network CBS):
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There's a bit between Dan and Dick about how "Reagan" is pronounced.

This week's Quickies.

In one gag they mention that Tim was on Turn-On.

The New Talent segment is back.

Edith Ann on drinking beer:
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One of the cocktail party segments:
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Tim as Flipper Farkel.

Laugh-In takes a look at the World of Alcohol:
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Hawaii Five-O
"The Guarnerius Caper"
Originally aired October 14, 1970
Wiki said:
The theft of a priceless violin belonging to a Russian musician (Ed Flanders) threatens to explode into an international incident. Albert Paulsen guest stars.

After Dmitri Rostov (Ed Flanders) gives a swank little performance at a hotel, a couple of rowdy, seemingly under-the-influence hoods named Hutch and Deke (Anthony James and Kenneth O'Brien) randomly wander into the parking garage to see Rostov's secretary, Josef Sarpa (Albert Paulsen), putting the Guarnerius violin in the trunk of a car. When Sarpa leaves the car unattended, they hotwire it and take off. McGarrett, figuring that the thieves are just out to strip the car (informatively noting that you can't get far with stolen wheels on the island) and don't know what they've got or its value, is against publicly posting a reward for its return. In private, Sarpa pressures Rostov to use the theft for political purposes. Meanwhile, the thieves find the violin and play around with it like a toy, almost damaging it while using it and a beer bottle in an impromptu bit of mock baseball...but Chin flies over in a chopper as part of a general search of the area, causing them to split the scene.

An official statement is put out by the Soviets, and McGarrett accuses Sarpa of being more interested in using the theft for political purposes than in finding the violin. Chin reports that he's recovered the car, but with the violin gone. The hoods sell it to a blind, impoverished violin teacher whom they happen to know of named Gino Mazzini (Wright Esser) for $15. He can tell right away that it's a high-quality piece, but initially treats it as his precious. Afterward, the hoods hear a radio announcement about the theft of the violin...as does Mazzini, who has a neighbor named Luanna (Susan Stewart) help him to identify it. He immediately tries calling the police, but the hoods sneak in, Hutch cutting the line and stabbing him.

When Five-O investigates the crime scene, Luanna helps them piece together what happened; and having encountered the hoods in the hall, is taken downtown to look at the big book o' mugshots. The Governor wants McGarrett to let Sarpa pay a ransom, but Steve's more interested now in being able to nail the hoods for murder. And Steve expects that the hoods might kill Sarpa, though Rostov confirms that Sarpa is actually a trained intelligence agent. Steve persuades the less politically motivated Rostov to share information about the ransom drop.

Sarpa goes to a designated payphone and the hoods and their auto-parts fence, Tojo (Ah Vah), call him from a seedy pizza joint across the street. They lure him to a rendezvous point where they indeed plan to off him so he can't identify them. McGarrett tails Sarpa, who has his taxi driver radio in a call to have Rostov driven to the scene to make the exchange in his place...figuring that if a killing does occur, Rostov's death would have more political value. Rostov hands over the money and Hutch pulls his gun. McGarrett takes the hoods by surprise, knocking out Tojo with a car door and shooting Deke. At gunpoint, Hutch threatens to destroy the violin; when Steve and Rostov won't back off, he throws the instrument into the road, at which point McGarrett wings him. The violin is recovered unharmed (other than some strings that Hutch broke while taunting Rostov), and Rostov tells Steve that he plans to dedicate his concert at the Shell to Mr. Mazzini.

_______

Ironside
"Noel's Gonna Fly"
Originally aired October 15, 1970
Wiki said:
A man charged with public intoxication gets involved with a girl and a rock musician after skipping his arraignment.

The opening theme sounds like its old self again. Maybe last week was a syndication fluke.

Noel Seymour (Richard Basehart), meets the Chief passingly at a reception. Noel, an unsatisfied executive who envisions prison bars over the entrances to his office and home, goes out and gets drunk alone. The police take him in for acting disorderly on the street, and at the station he tries to call Ironside, but gets Ed as the Chief's out of town. Ed has him released, but he doesn't go home or show up in court the next day. The Chief doesn't remember Seymour but takes in interest in trying to locate him, talking to his wife, Dorothy (Dorothy Green), and sister, Elaine (Lorraine Gary), respectively.

At a groovy bar, Noel meets a hip young pair--Richie, an aspiring musician (Tim Considine), and a looker named Judy Blue (Jill Banner). Richie hits Noel up for investment money, offering to show him a good time in exchange. Noel quits his job, stays in a hotel, and starts spending time with, and money on, Judy. She gets him stoned at a dance club where Richie's playing, and the crowd chants the episode's title as he dances on a table.

At a recording session, Noel meets Richie's producer, Herb Cranston (Ed Peck), and learns that Richie didn't pay for the sessions with the money that Noel gave him. With the help of his bandmates, Richie takes the thousands of dollars that Noel's been carrying around in cash. Meanwhile, Ed and Eve identify Judy with the help of a boutique proprietor. Ironside and Ed hit the studio and question Richie, finding out how Noel was bilked. Noel hits up his sister for cash, then tells her to get a job (as he's been supporting her since her husband split), as he's tired of looking out for everyone but himself. He then asks for a gun that he bought her. When he leaves with it, Elaine calls the Ironsidecave.

Noel shows up at the studio with gun drawn and demands his money, including what Richie already spent. The Chief wheels in and talks Seymour down rather quickly. Ironside then chats with Noel about his midlife crisis, encouraging him to make changes in his own life rather than starting a new one. The Chief is willing to look the other way regarding the gun incident, but insists that Noel has to go to court for skipping his arraignment.

_______

The Odd Couple
"The Jury Story"
Originally aired October 15, 1970
Wiki said:
Oscar and Felix reminisce how they first met when serving on a jury. Barney Martin guest stars.

There's no doubt some deliberate winky-nudgy here, as Jack Klugman was Juror 5 in 12 Angry Men. It's too bad That Girl beat them to "11 Angry Men...and Felix".

The guys are bringing the Pigeon sisters to the apartment after a date when Felix is eager to turn on the 11:00 news. It turns out that Leo Garvey, the man they helped put away for assault seven years earlier, has been released, having become a priest while in Sing Sing. They tell the story of how they met as competing jury foremen, with Oscar wanting a quick resolution so he could catch a ball game, and Felix extending the process with long lectures and repeated holdout votes. The jury is sequestered overnight, and the two of them end up being put in the same room.

They try to get to know each other and find out how little they have in common, which extends to what and how they eat. Felix wants to go to bed too early for Oscar, then keeps him up all night with his various health issues. The next day, Oscar convinces everyone to vote not guilty just to end the case, but Felix won't accept it when done for the wrong reasons. One of the jurors (Barney Martin) is ready to knock some sense into Felix, when Oscar declares that this only proves that Felix is right in asserting that there may be circumstances that would drive a man into committing assault. The jury then votes not guilty from an informed standpoint. The denouement of their tale is that Leo Garvey wasn't convicted of the offense that the trial was about, but of going berserk and attacking his rescuers after being stuck in an elevator for two hours with Felix.

_______

"Musician John Fogerty Issues Cease-and-Desist Order over Trump Use of 'Fortunate Son'"

Beautiful song.
Very nice indeed.
Tracks from After the Gold Rush are growing on me heard in isolation from the greater album, on my new smart playlist that includes select tracks from albums of interest "currently" on the Billboard 200.

RJDiogenes said:
He was still Elvis then.
He's in good royal form on both sides.

RJDiogenes said:
This is a great song, and the Guess Who's best.
"Share the Hand-Me-Down Land"...you can understand why I'd get these songs mixed up, right?
gblews said:
One of the band’s more rock tinged songs.
In that department, it ain't exactly "American Woman".

gblews said:
R&B classic. Still looking for confirmation of the definition of “sookie.”
RJDiogenes said:
Ooh, yeow, sounds like the 70s!
This one's relatively new to me, but it has a good sound.

gblews said:
Another great Burt Bacharach song. This is the kind of thing the 5th Dimensions were best at. Marilyn McCoo’s buttery smooth voice never sounded better.
RJDiogenes said:
This is a lovely, sad song.
This one's a bit of a snoozer for me, but maybe it'll grow.

RJDiogenes said:
I don't see the anti-protest angle
It is barely there, and then only if you know to look for it...most evidently in the line "While you're debating, some things are waiting".
 
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Sir Charles Chitterly, who also looks like Bernard Fox.
More people should look like Bernard Fox.

When Hogan decides to have the prisoners retrieve Crittendon from Stalag 12
Is Stalag 12 another secret headquarters or did they just figure it's safer for the Allies to keep him there? :rommie:

It turns out that she was trying to kill her husband for being a traitor
Probably should have done that before going into the heart of darkness.

Introducing special guest Tim Conway:
Ah, he was hilarious. :rommie:

Tim talks tastefully about his own show (which was airing Sunday nights on rival network CBS):
It's a little surprising that they got away with that.

In one gag they mention that Tim was on Turn-On.
They should really release the complete series on DVD. Or 3.5" floppy.

McGarrett, figuring that the thieves are just out to strip the car (informatively noting that you can't get far with stolen wheels on the island)
Not without going in the drink.

And Steve expects that the hoods might kill Sarpa, though Rostov confirms that Sarpa is actually a trained intelligence agent.
Explaining his eagerness to exploit the theft.

The violin is recovered unharmed (other than some strings that Hutch broke while taunting Rostov), and Rostov tells Steve that he plans to dedicate his concert at the Shell to Mr. Mazzini.
Another episode that puts great value on a cultural artifact, this time livening things up with international tension and murder, but also putting a human face on a Cold War enemy. Good one.

Ironside then chats with Noel about his midlife crisis, encouraging him to make changes in his own life rather than starting a new one. The Chief is willing to look the other way regarding the gun incident, but insists that Noel has to go to court for skipping his arraignment.
Well, that was pretty unusual, for both Richard Basehart and Team Ironside. I like these little format breakers, though.

They tell the story of how they met as competing jury foremen
I forgot about this (and I'm still not remembering). Somehow I thought they were childhood friends.

The denouement of their tale is that Leo Garvey wasn't convicted of the offense that the trial was about, but of going berserk and attacking his rescuers after being stuck in an elevator for two hours with Felix.
Did he ever show up to wreak revenge-- or pronounce forgiveness? :rommie:

This cracked me up. Maybe next he'll use "Share The Land." :rommie:

"Share the Hand-Me-Down Land"...you can understand why I'd get these songs mixed up, right?
Better than mixing up the Who and the Guess Who. :rommie:

It is barely there, and then only if you know to look for it...most evidently in the line "While you're debating, some things are waiting".
Definitely a take-a-break message. :rommie:
 
Is Stalag 12 another secret headquarters or did they just figure it's safer for the Allies to keep him there? :rommie:
I was thinking maybe it was continuity with his previous appearance, but I don't remember.

Probably should have done that before going into the heart of darkness.
In Part 2, she explains how it was going into the heart of darkness that made her realize that the Nazis had to be stopped.

Did he ever show up to wreak revenge-- or pronounce forgiveness? :rommie:
Nope, don't think we ever saw him.
 
50th Anniversary Album Spotlight

Abraxas
Santana
Released September 23, 1970
Chart debut: October 10, 1970
Chart peak: #1 (October 24 and November 28 through December 26, 1970)
#205 on Rolling Stone's 500 Greatest Albums of All Time (2003)
Wiki said:
Abraxas is the second studio album by Latin rock band Santana. It was released on September 23, 1970 by Columbia Records and became the band's first album to reach number one in the United States.

Now this album evoked an immediate positive reaction from me: "Psychedelic rock ain't dead yet!" The guitar work, the immersive jams, they're here...though none of the tracks are particularly long. The mood is established with "Singing Winds, Crying Beasts," an instrumental written by band percussionist Michael Carabello:
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This segues into the album's best-known track, and the source of Santana's biggest hit of the era, "Black Magic Woman/Gypsy Queen" (single edit charts Nov. 14, 1970; #4 US; #29 AC):
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Wiki said:
Carlos Santana had been interested in Fleetwood Mac's leader and songwriter Peter Green, having seen him perform at the Fillmore West in San Francisco, and decided to cover the band's song "Black Magic Woman". Both were influenced as guitarists by B.B. King. The band added a cover of Gabor Szabo's instrumental "Gypsy Queen" to the end.
The original Fleetwood Mac version was released in 1968. I recall that it came up here, though I don't remember the context.

Next up is the album's other hit single, "Oye Cómo Va" (charts Feb. 20, 1971; #13 US; #11 AC; #32 R&B):
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"Oye Como Va" was a hit by Tito Puente in the early 1960s and the group played it live regularly, as they realized it was good for audiences to dance to.
Santana's version was inducted into the Latin Grammy Hall of Fame in 2001 and the Grammy Hall of Fame in 2002. It was also included in the NPR 100 list, "the most important American musical works of the 20th century".


The first side closes with the instrumental "Incident at Neshabur," which was "co-written by Santana and his friend Alberto Gianquinto, who played piano on the track. Gregg Rolie played the other keyboards, contrasting with Gianquinto's jazz-influenced style. It ran through various time and key signatures."
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Side two opens with "Se Acabó," written by the band's other percussionist, José Areas. It's practically an instrumental, with the only lyrics being the title phrase, which is chanted a few times. In addition to the expected drum solo, it has some good, fuzzy guitar.

As I believe was the case with a similar track on the previous album, "Mother's Daughter," written by lead vocalist Gregg Rolie, sounds a little more generic period rock than most of the material on the album.

"Samba Pa Ti"--which translates as "Samba for You"--is an instrumental that "was written by Santana after he saw a jazz saxophonist performing in the street outside his apartment." It has a gentler attitude than most tracks on the album.
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"Hope You're Feeling Better" is another vanilla, vocal-centric Rolie original.

The album closes with "El Nicoya," a brief bit of business written by Areas that feels like it should have been sandwiched between stronger tracks.

Abraxas was deemed "culturally, historically, or artistically significant" by the Library of Congress and was selected for preservation in their National Recording Registry in 2016.


This album starts out as a strong, mood-enhancing listen, but sort of loses its way on side two, dampening my enthusiasm for the LP as a whole.

_______

"Brian Wilson, Al Jardine Disavow Beach Boys Appearance at Trump Fundraiser"

_______
 
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Mission: Impossible
"Homecoming"
Originally aired October 10, 1970

. . . Dana comes into town to serve as bait (sporting a completely backless blouse, with a glimpse of side naughty that I'm surprised got past 1970 censors), and gets a job as a waitress at Midge's.
She wears two backless halter outfits in that episode, actually. It was a very Seventies look. :adore:
 
The mood is established with "Singing Winds, Crying Beasts," an instrumental written by band percussionist Michael Carabello:
I grant an exception to the Squiggy Rule.

"Black Magic Woman/Gypsy Queen"
Classic.

"Oye Cómo Va"
Another classic.

Whoa. Bad vibrations.

She wears two backless halter outfits in that episode, actually. It was a very Seventies look. :adore:
Just one more reason to love the 70s. :rommie:
 
_______

50th Anniversary Viewing (Part 2)

_______

The Brady Bunch
"The Un-Underground Movie"
Originally aired October 16, 1970
Wiki said:
Greg plans to make a homemade documentary film about the first Thanksgiving for a school project, starring the Bradys and Alice. The family becomes too much for Greg because of their constant complaining, but later they realize how hard they had been on Greg. They apologize and promise to do whatever Greg says, and the movie is finally made. When it is shown at school, Greg's class comments on how well it shows the Pilgrims' struggles and their refusal to return to England in spite of it, realizing a cost of freedom.

Greg's enthusiastic about a groovy new history teacher who wants the kids to do artistic projects concerning subjects they've been studying, so he picks the first Thanksgiving (makes you wonder why they didn't air it closer to the holiday), and borrows Dad's home movie camera to make a film (with separately recorded audio narration). At first the other kids are willful about what parts they'll be playing, how they can dress as their characters, etc., but eventually Mike puts his foot down that Greg's the boss, and everyone gets into it, which includes erecting a cardboard fort in the backyard. All sorts of odd hijinks ensue, and the finished product is very rough around the edges. Alice plays a bearded, male pilgrim, and we get a scene in which she comes out of her room in robe, curlers, and face cream, when Greg's typing his script in the family room at an odd hour.

_______

The Partridge Family
"See Here, Private Partridge!"
Originally aired October 16, 1970
Wiki said:
Just as they're about to record their first album, the Partridges have a bomb dropped on them: ten-year-old Danny's been drafted into the Army.

Guest stars: Jack Riley as Corporal Wrzesinski, Jonathan Daly as Officer Moody

Song: "On the Road"

The episode opens with Danny concerned about coming up with a gimmick to sell the band's first album. As they left in the bus for their recording session, it struck me that they could use a dedicated driver, as it seems like Shirley would tire herself out for performing. Anyway, they bring the bus back less than a minute after leaving, when Danny reads the letter as they're taking off. They speculate that the draft notice was a computer mistake. (Things having become computerized, and people not having confidence in the results, seems like a very in thing around now.) Reuben promises to take care of it while the family proceeds to hit the road. On the bus, Keith teases Danny about learning "hand-to-knee combat".

During the trip, Danny has a black & white war movie-style daydream with Reuben in it. There's a beat where Tracy has to use the restroom--all that room on the bus and they don't have a toilet. Eventually they arrive at their recording session, where they perform this number (which was actually sung by the Love Generation):
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Once they're back home, Shirley follows up by going to the recruiting office and has to navigate through a bureaucratic mess. She decides that the best thing to do is to bring her 10-year-old son to induction, but nobody even seems to notice him in the lines. He finally comes to the officers' attention when the recruits assemble in their underwear. Ultimately Danny, who was actually invested in going through with it, is rejected not specifically because of his age, but because he's too short.

In the coda, Reuben brings home a copy of the band's freshly minted album. It's interesting how this show seems to depict linear progress in the family's music career, unlike how the Monkees' in-show level of fame/success was all over the place.

_______

That Girl
"No Man Is a Manhattan Island"
Originally aired October 16, 1970
Wiki said:
As part of a game show, Ann throws a party for her neighbors and gets her purse stolen.

As a contestant on Get Rich Quick, which is being filmed in ABC studios, Ann is embarrassed when she can't name any neighbors other than the Baumans; and her opponent is an older lady (Amzie Strickland) who can recite a laundry list of them. As she has three more days on the show, Ann resolves to get know some of the people living in her building. She starts randomly approaching them and trying to chat them up, to their bewilderment and suspicion. One guy (Ric Roman) and another guy's wife (Erin O'Reilly) get the wrong idea. Donald's take on the situation couldn't help bringing 9/11 to mind...

Don: The trouble is New Yorkers never come together except in some kind of disaster.​

Ann goes down to the lobby and sticks something in each of her neighbors' buzzers so they all go off, then invites everyone into her apartment while she pretends to call the janitor. She uses the opportunity to invite them all to her place that night for her birthday party, though her birthday is eight months away. The party goes well, but right afterward she finds that her purse is missing from where she left it in her bedroom.

At Donald's suggestion, Ann tries to figure out who did it by observing her neighbors' behavior. Married undertaker Horace Hanson (Charles Lampkin) cheats on his taxes; olive oil salesman Ed Ferrone (Roman) steals his neighbors' milk bottles; and designer Bob Macintosh from Indianapolis (William Bakewell) rigs the laundry machine to go off for free. Jerry shares something he learned in the most roundabout way possible, by pretending to narrow down the suspects while doing an OTT Holmes imitation...eventually revealing that he caught the Johnsons (Alex Rocco and Erin O'Reilly) going to conventions just to eat free samples! The entire situation is deflated when a police officer shows up at Ann's door with her purse, saying that it was found in the possession of a captured cat burglar.

That night on the show, the host (Jerry Fogel) asks Ann every fact she knows about her neighbors...back in Brewster. In the coda, we learn that she won a question by misnaming people in Brewster...partly by cheating, but largely by mistake. (Seems like kind of a weak game show if they don't have any way of verifying the info that the contestants give them as answers.)

"Oh, Donald" count: 4

_______

Love, American Style
"Love and the Big Date / Love and the Longest Night"
Originally aired October 16, 1970

"Love and the Big Date" has roommates Hank and Bill (Vince Cannon and Angus Duncan) competing against each other on a Dating Game-style show called Boy Meets Girl. They're #3 and 2, respectively, while #1 is an awkward guy named Lowell (according to the IMDb credits; Ogden Talbot), who lives at home and is impressed that the other two have their own apartment. In the end, the airheaded female contestant, Maria (Jeannine Riley) picks #1 as she's turned on by his quirkier answers. The roomies spin their loss as an opportunity to meet groovy chicks who watch the show and will know that they're available. If I have my actors straight, the host was Richard Schaal.

This one was a little bit of nothing.

In "Love and the Longest Night," a sailor named Luther (Roger Miller) and a woman named Delores (Maureen Arthur) get lost on their way to Vegas to get married, having just met the night before in a bar where she works as a waitress. They find themselves in a rural general store run by Owen Birdwell (Pat Buttram), whoe establishment is so multi-purpose that it's the county seat, he's a justice (among many other things), and there's a fold-out chapel tucked away in a closet. To compensate for their not having made it to Vegas, he also offers gambling and lodging. Birdwell gives them the hard sell to have their wedding there and stay the night, but Delores is skeptical. Birdwell produces an Native American called Passing Buck (Leonard Barr) to serve as the witness. Once Luther and Delores are man and wife, they're initially happy about the arrangements, and ready to enjoy their room's brass bed. She's even bought lingerie for the occasion out in the store. But as they talk they start to realize how little they know about each other; she takes exception when he expects her to quit her job, and asks for a divorce. Owen is taken aback by this turn of events, but quickly grants them an annulment. Then it turns out they can't leave because of weather and have to stay in the room together anyway...Luther trying unsuccessfully to sleep on the floor. They get into a discussion about why he doesn't like the idea of her working in the bar, and she ends up deciding to quit her job after all...so they go out and wake up Birdwell to get married again.

This one was pretty cute.

_______

She wears two backless halter outfits in that episode, actually. It was a very Seventies look. :adore:
Just one more reason to love the 70s. :rommie:
We're barely* in the new decade--I think the '60s deserve due credit for getting us there!

* Pardon the expression.

RJDiogenes said:
I grant an exception to the Squiggy Rule.
:eek: High praise indeed!

Whoa. Bad vibrations.
You must've seen the first one, right?
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Mike Love is Trump supporter? Who ever would have guessed?!
He must not have gotten much out of the Maharishi thing...
 
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so he picks the first Thanksgiving (makes you wonder why they didn't air it closer to the holiday)
Post-production delays.

and borrows Dad's home movie camera to make a film (with separately recorded audio narration)
"Dad, I need a new iPhone to make a movie."

They speculate that the draft notice was a computer mistake. (Things having become computerized, and people not having confidence in the results, seems like a very in thing around now.)
"To err is human-- to really foul things up requires a computer."

Reuben promises to take care of it while the family proceeds to hit the road.
Reuben is going to take care of Danny's draft notice? That kid is going to the 'Nam! :rommie:

One guy (Ric Roman) and another guy's wife (Erin O'Reilly) get the wrong idea.
I assume that really wasn't the way it sounds. :rommie:

That night on the show, the host (Jerry Fogel) asks Ann every fact she knows about her neighbors...back in Brewster.
Which leads to Ann to revealing that Brewster is actually the site of a Hellmouth and that she spent her teenage years as a Slayer.

This one was pretty cute.
The morals of the story are: The road to love is a winding one, and Pat Buttram makes everything funny.

We're barely* in the new decade--I think the '60s deserve due credit for getting us there!
That's true. The Sexual Revolution was televised.

:eek: High praise indeed!
Yeah, it was pretty groovy.

You must've seen the first one, right?
I did see the first one, yes. :rommie: The funny things about that clip are the word "ass" and the child abuse at the end. :rommie:
 
He must not have gotten much out of the Maharishi thing...

For the past 40 years or so, his explanation for instances of being a self-absorbed, obnoxious blowhard has been that he forgot to meditate that day.
 
_______

50th Anniversary Viewing (Part 3)

_______

Mission: Impossible
"Flight"
Originally aired October 17, 1970
Wiki said:
In order to foil an assassination, the IMF must convince the only man (John Colicos) who knows the identity of the assassin that his plane has crash-landed onto a notorious penal colony.

The episode opens with Country of the Week's chief of internal security, Manuel Ferrar (John Colicos), paying an assassin code-named Plato (Shepherd Sanders; they shoulda saved Sal Mineo for this one) to fly to the US to assassinate Presidente Adolfo Rojas (Dom Tattoli).

The miniature reel-to-reel tape on a carnival ride said:
Good morning, Mr. Phelps. On Wednesday morning, Adolfo Rojas addresses a joint session of Congress. Before he enters the congressional chambers, Rojas will be dead, his government taken over by Manuel Ferrar, his chief of internal security. The murderer will be a professional assassin with the codename "Plato," whose true identity is known only to Ferrar. Although warned, Presidente Rojas refuses to cancel this vital appearance, and obviously our government cannot withdraw its invitation.

Your mission, should you choose to accept it, is to learn Plato's identity and transmit the information to Washington before Presidente Rojas begins his speech. As always, should you or any of your IM Force be caught or killed, the secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim.
This episode is a return to classic form--an elaborate scheme of international import, and there's even a disavowal warning! Plus we get another case of a bad guy who's not completely clueless as to what's going on with the scheme (Diaz). Of course, it suffers from the usual things you have to squint past...like how they can know pretty much everything there is to know about the impending assassination attempt except the identity of the assassin.

Doug and a couple of repertory agents sit around Ferrar on his plane...one of them a supposed close double of Ferrar (though he doesn't look much like Colicos), who boards wearing a disguise consisting of a false bald head and glasses. After the other knocks Ferrar out with the old drugged ring trick, the double removes his disguise and puts it on Ferrar. Before the plane takes off, the disguised and unconscious Ferrar is taken out in an ambulance driven by Paris. They take Ferrar to...what else?...a warehouse that contains a mock-up of the interior of the plane, to trick Ferrar, once he regains consciousness, into thinking that he's on his flight, which eventually crashes (for which he's knocked out again).

But Ferrar's protege, Chief of Police Francisco Diaz (Lloyd Battista), sniffs out that there's a scheme afoot, and tracks down the ambulance. The team evacuates the premises in the nick of time, except for Dana (who was playing the stewardess). She runs back in to retrieve tapes that were used to simulate the captain's announcements and is captured! (They should've used their self-destructing variety.) Jim clues us in that her duty at this point is to somehow arrange to rendezvous with Barney at a hotel. Diaz deduces the nature of the scheme from the tapes, and sees through Dana's initial pretense that she's just an actress who was hired to play a role in the scheme...so she switches acts without breaking stride, essentially telling Diaz the truth about her being an agent, but leaving out key details and claiming not to know who she's rendezvousing with. In exchange for her life, she offers to help Diaz nab her conspirators by allowing her to make her scheduled appointment.

Meanwhile, Ferrar awakens on a rugged coastline to find Jim, Paris, and some others posing as escaped convicts from a nearby penal colony who are now hiding out on a deserted island. Doug, who was posing as a doctor on the fake flight, has also fake survived, so the fake prisoners sell how tough they are by voting one of them off the island the hard way. Ferrar, not letting on who he really is and claiming to be an engineer who can help shore up their cave sweet home, proves his surviviness by grabbing a gun with blanks and shooting Dr. Doug. Paris is...fascinated.

Paris is pretending to be a man who was known to be a deep-cover agent of Ferrar's at the penal colony (who actually died in the plane crash that the fake prisoners supposedly survived). This allows Paris to gain Ferrar's trust, and after Ferrar reveals who he really is, Paris share vital intelligence that he needs to get back to the mainland--that Plato is actually an American agent, who plans to expose Ferrar or somesuch. The two of them scheme to escape the island on a raft that Paris has been secretly building. When they're threatened with capture, Paris plays at being too panicky to hold Jim and the others off, so Ferrar covers his escape, telling Paris Plato's true identity--a journalist. Jim radios this info out immediately, and Plato is nabbed on TV as Rojas is arriving in the States.

Meanwhile, Dana has made her rendezvous in a bugged hotel room, and she and Barney slip through a large light fixture into the ceiling while Diaz listens to their fake conversation...making it look like they escaped through a window. Barney and Dana make it to the beach area serving as the fake island to get away with the others in a van. Ferrar, having found himself alone in the cave, wanders outside and mounts a cliff to find a quiet little residential neighborhood...just as Diaz and his men are rushing in.

Mission: Accomplished.

_______

Adam-12
"Log 65: Cigarettes, Cars and Wild, Wild Women"
Originally aired October 17, 1970
Wiki said:
The officers bring down an auto-theft ring whereby mini-skirted girls arrange to get rides with the victims (mostly young men), steal their cars, and take them to a "chop shop". Other calls include a delusional elderly woman who ran a red light and whose license lists her in her 30s, a would-be motorcycle thief stopped by a feisty woman, a shut-in woman who thinks she is hallucinating while her nephew is hosting a marijuana party, and two men moving a safe down the street. Tony Dow and John Mitchum guest star.

First the officers pull over a fussy senior citizen named Prudence Armstrong (Helen Spring), to find that her license claims she's 34. Then they get a call to see a man about a stolen vehicle driven away by a female suspect. The young man is Corporal Wayne Miller (Gosh, Wally, it's Tony Dow!). Miller says he picked up a blonde, miniskirted chick, maybe named Karen, who sent him into a store to get cigarettes and took off. At the station, we learn that this is the sixteenth such auto theft in five weeks. Mac's talking to another victim, an older married man named Mr. White (Frank J. Scannell), who's obviously nervous about his wife finding out how his car got stolen.

Back on patrol, the officers get a call about a man assaulting a woman...but when they get there, it seems like she's got the upper hand. The leotard-clad woman says that she has self-defense training and that the man tried to steal her bike. Though the officers chase after the suspect, she's the one who ultimately intercepts and subdues him, taking advantage of a neighborhood shortcut. The woman doesn't drop her name, but from the cast list the actress appears to be Bee Tompkins, whom IMDb reminds me was in the Dragnet episode "The Bank Jobs," which as I recall had a similar scene at the end of a female victim subduing a criminal on the street. And by process of elimination, the criminal here must be Robert Heinz.

Next the officers get a call to see a bedridden woman named Clara Fisher (Hope Summers), who says that she's dependent on her nephew, Joey-Boy. Since she last saw him, she's been troubled by strange sounds and an acrid, bitter smell. Looking around outside her room, the officers find a pot plant; then they suddenly hear loud music from another room, where they find several groovy young people dancing, including Joey-Boy (John Morgan Evans). The officers start to arrest the group while Malloy slips in Friday's favorite anti-marijuana talking about.

On patrol again, the officers find two men pushing a floor safe down the street. One of the men, Conrad Short (Ted Gehring), explains that his business is being torn down, and that the other man, Mel (Kirk Nyby), is letting him store the safe. Short proves that the safe is his by opening it, to reveal that it contains only two cold brews.

The officers spot a miniskirted young woman catching a lift in a convertible, and tail the car to watch as it pulls up in front of a store, the driver goes in, and the girl takes off. They follow her to the chop shop and scope the place out to find a bevy of attractive young women within, in addition to a couple of mechanics. The boss, Tom (John Mitchum), pays the girl, Sally (Cynthia Hull), who mentions needing to buy a prom dress. The officers call in a backup unit, but when Sally exits she sees them and tries to run for it. They catch her and go in, arresting the group of suspects. The episode ends with Mac arriving and Malloy making a crack to him about making sure that he calls Mr. White at the office, not at home.

_______

The Mary Tyler Moore Show
"Keep Your Guard Up"
Originally aired October 17, 1970
Wiki said:
Mary helps out a luckless former pro-football player who wants to be WJM's new sportscaster. Guest star: John Schuck

Schuck's character, Frank Carelli, now an insurance salesman, aggressively makes an appointment to go to Mary's apartment, then arrives a day early while Phyllis and Rhoda are there. Phyllis is recruiting people for a dance against capital punishment; Rhoda's having Mary put her hair in curlers. Carelli brings up wanting Mary to sponsor him for the sportscasting job. Listening to tapes he was narrating for use in writing a book, she starts to feel sorry for him because of his career setbacks. She enlists Murray's help to write copy from him, but his delivery is very poor, and he loses the job to Timothy Brown (as himself). Carelli decides to move back to Florida despite his lack of contacts there. He later sends Mary and Rhoda a tape to tell them that he's become a playground director, where the kids think that he's a big deal because he played pro ball.

_______

Reuben is going to take care of Danny's draft notice? That kid is going to the 'Nam! :rommie:
Gimme an F!
Gimme a U!
Gimme a C!
Gimme a K!
What's that spell!?!
What's that spell!?!
What's that spell!?!


I assume that really wasn't the way it sounds. :rommie:
The olive oil salesman thought Ann was coming on to him; and the married woman thought that Ann was coming on to her husband.

Yeah, it was pretty groovy.
There may be hope for you yet...
 
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