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The Classic/Retro Pop Culture Thread

50 Years Ago This Week

Wiki said:
August 17 - Venera program: Venera 7 is launched toward Venus. It later becomes the first spacecraft to successfully transmit data from the surface of another planet.
August 18 - The United States sinks 418 containers of nerve gas into the Gulf Stream near the Bahamas.



Selections from Billboard's Hot 100 for the week:
1. "Make It with You," Bread
2. "(They Long to Be) Close to You," Carpenters
3. "Spill the Wine," Eric Burdon & War
4. "War," Edwin Starr
5. "In the Summertime," Mungo Jerry
6. "Signed, Sealed, Delivered I'm Yours," Stevie Wonder
7. "Patches," Clarence Carter
8. "Band of Gold," Freda Payne
9. "I Just Can't Help Believing," B. J. Thomas
10. "Tighter, Tighter," Alive and Kicking
11. "Lay a Little Lovin' on Me," Robin McNamara
12. "(If You Let Me Make Love to You Then) Why Can't I Touch You?," Ronnie Dyson
13. "25 or 6 to 4," Chicago
14. "Ball of Confusion (That's What the World Is Today)," The Temptations
15. "Mama Told Me (Not to Come)," Three Dog Night
16. "O-o-h Child" / "Dear Prudence", The Five Stairsteps
17. "Ain't No Mountain High Enough," Diana Ross
18. "Overture from Tommy (A Rock Opera)," The Assembled Multitude
19. "Tell It All Brother," Kenny Rogers & The First Edition
20. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival
21. "Get Up (I Feel Like Being Like a) Sex Machine (Part 1)," James Brown
22. "Hi-De-Ho," Blood, Sweat & Tears
23. "Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
24. "Ohio," Crosby, Stills, Nash & Young
25. "Everybody's Got the Right to Love," The Supremes
26. "Hand Me Down World," The Guess Who
27. "Summertime Blues," The Who
28. "Solitary Man," Neil Diamond
29. "Big Yellow Taxi," The Neighborhood
30. "The Sly, Slick, and the Wicked," The Lost Generation
31. "The Love You Save" / "I Found That Girl", The Jackson 5

33. "Julie, Do Ya Love Me," Bobby Sherman
34. "Groovy Situation," Gene Chandler

37. "(I Know) I'm Losing You," Rare Earth
38. "Snowbird," Anne Murray
39. "Westbound #9," The Flaming Ember
40. "It's a Shame," The Spinners

42. "Candida," Dawn
43. "Maybe," The Three Degrees
44. "Rubber Duckie," Ernie (Jim Henson)

46. "I (Who Have Nothing)," Tom Jones

51. "Joanne," Michael Nesmith & The First National Band
52. "Closer to Home (I'm Your Captain)," Grand Funk Railroad

62. "Cracklin' Rosie," Neil Diamond

64. "Yellow River," Christie
65. "Green-Eyed Lady," Sugarloaf

67. "Big Yellow Taxi," Joni Mitchell

70. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks

72. "All Right Now," Free
73. "Long Long Time," Linda Ronstadt

75. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band

79. "Uncle John's Band," The Grateful Dead

81. "Neanderthal Man," Hotlegs
82. "Riki Tiki Tavi," Donovan


92. "Border Song," Elton John


Leaving the chart:
  • "Are You Ready?," Pacific Gas & Electric (12 weeks)
  • "Cinnamon Girl," Neil Young & Crazy Horse (9 weeks)
  • "Hitchin' a Ride," Vanity Fare (22 weeks)
  • "Lay Down (Candles in the Rain)," Melanie (17 weeks)
  • "Ride Captain Ride," Blues Image (15 weeks)
  • "Silver Bird," Mark Lindsay (10 weeks)
  • "Teach Your Children," Crosby, Stills, Nash & Young (11 weeks)


New on the chart:

"Riki Tiki Tavi," Donovan
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(#55 US)

"Neanderthal Man," Hotlegs
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(#22 US; #2 UK)

"I (Who Have Nothing)," Tom Jones
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(#14 US; #2 AC)

"Cracklin' Rosie," Neil Diamond
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(#1 US the week of Oct. 10, 1970; #2 AC; #3 UK)

_______

Well, that's certainly appropriate, and nice to see.
I'm a little disappointed that he addressed the unprecedented audience as "ladies and gentlemen" instead of "all you youngsters".

I dug up a very old, who-knows-what-generation VHS copy I have of the concert film. I'm planning to watch it today if my VCR doesn't gobble it up.

Nice song. The Spoonful was pretty reliable.
I'm finding that immersive retro listening is helping to exorcise David Lee Roth from a Beach Boys classic...hopefully it can do the same with Shaun Cassidy here. And nice to have the Spoonful in the house in general...55th anniversary listening is definitely taking on more of a next era vibe.

Another good one.
A nice oldies radio classic.

Fun and catchy.
Awww, the Dave Clark Five were making movies too...isn't that precious?

This is a protest classic, despite being a kind of awkward homage to Dylan. I often couple the title with "Age of Aquarius" to capture that Dickensian "Best of times, worst of times" aspect of the era.
My first exposure to this song was the Greatest American Hero episode "Operation Spoilsport," which still references it in-story by title and artist in syndication, but now plays a completely different song in its place.

I remember hearing about that. I think maybe Roy Thomas wrote about it in Alter Ego or something.
That would be appropriate, as Flashman's crony, Houseroy, is supposed to have been based on him.

Interesting factino. I never thought of it, but it makes sense.
Muller noted that he wasn't carrying any information, just photos.

I had a similar experience about two years earlier. :rommie:
Beg pardon?
 
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(sans credits and cultists)

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I think what these clips show is that the director had a firm grasp on how he wanted to shoot the Beatles musical numbers. These were all well done though “Lose That Girl” remains my favorite.
A Spoonful of Turtles...?
And just about a half a spoonful too much. :)
 
55.5th Anniversary Viewing

12 O'Clock High
"The Clash"
Originally aired February 12, 1965
Xfinity said:
Shot down over water, Savage is forced to share a life raft with the German officer (Albert Paulsen) who attacked him.

https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-64#post-12176427

We've all seen this story before, though in trying to look up the earliest known example, I came across a Wiki entry for Enemy Mine that gave a small list of antecedents in which a 1965 war film was the earliest entry. I'd be interested to know if somebody knows of one that goes back further than that.

In this example, although Savage and the colonel have their moments of bonding, it doesn't end well...they remain opponents to the bitter end, which comes when the one who isn't the star of the show dies in a struggle over his gun on a barren little island that they go ashore on. In the coda, Savage does look into trying to get the wallet pictures of the colonel's family, which were his most prized possessions, back to them.


The episode opens with the 918th, having already rocked the casbah, making its way home with the Lily having lost an engine and a co-pilot. Unable to make it to England, Savage has to break formation to try to land in Norway, but an attacking fighter brings more damage and at least one other death, so he's forced to crash land on the water.

Piccadilly Lily Scratch Count: 2

After the credits and commercial, Savage makes it onto a life raft where he finds a sergeant who's already dead, so he gently rolls the crewman over into his final resting place. Seeing a living figure bobbing in the water, Savage hand-paddles the raft over to bring him aboard, only to find that he's the German pilot! Cut to Savage napping while the pilot checks the gun that Savage didn't check him for...makes you wonder how this guy made general. The pilot also rummages through the raft's supplies to find a first aid kit with which he treats his injured arms, which includes injecting himself with morphine. When Savage comes to, the pilot introduces himself as Col. Hans Dieter. When Savage wants to use the radio to call for an Allied rescue, Dieter pulls the gun on him and forces him to use the oars to take them toward the German coast. He also prevents Savage from shooting a flare when they can hear a Norwegian search plane through the fog covering the area.

Savage and Dieter talk over rations, which is when the colonel tells Savage about his family. He's distraught when their pictures can't be safely separated because his wallet is wet. We also learn a bit about Savage's rural upbringing in Ohio, which I can't recall having come up before. Then the weather starts getting up and the tiny raft is tossed. Back at Archbury, meteorologist Major Rosen (Jason Wingreen, in the last of his three appearances in the role) exposits about the storm forcing the search to be suspended. Later at wing HQ, Crowe tells Stovall that about the deadline after which the search will be called off entirely because the planes will have to be ready to assist bombers returning from the next mission.

Meanwhile, the men on the raft ride the weather out. When another search plane comes by, the colonel badly needs a fix, so Savage tries to bargain with him--a shot in the arm for being allowed to shoot a flare. But Dieter insists that they take their chances on the barren little island that's suddenly within spitting distance instead. Dieter starts having hallucinations of his family, and after he takes a wild shot in Savage's direction, the general uses the colonel's visions as a distraction to dive off the raft and swim for the island. The raft soon washes up as well, and Dieter gets his leg caught in some rocks. Savage tries to make it to the raft, but Dieter wings him, so the general takes cover behind a rock formation and threatens to just stay there and let the tide finish the colonel off. But Savage is still wiping salt water out of his eyes, so Dieter makes a show of tossing his wallet into the water, declaring that it's his gun, following which Savage comes out and frees him.

A little sand in the eyes allows Savage to make another break, but Dieter guards the raft. After dark Savage sneaks up to the raft and dives for the flare gun, which he fires to blind Dieter. A struggle ensues in which Dieter takes a fatal shot from his gun. The next morning Savage uses the radio, builds a fire, and finds Dieter's wallet washed ashore. Another search plane comes by and Savage flags it down.

The epilog finds Savage being wheeled into the base hospital back at Archbury. He asks if anybody else from the Lily survived (no), then gives Dieter's wallet to Stovall with orders about its handling (we finally see the pictures) and writing a letter to Colonel Dieter's wife.

_______

I think what these clips show is that the director had a firm grasp on how he wanted to shoot the Beatles musical numbers. These were all well done though “Lose That Girl” remains my favorite.
Richard Lester innovated a lot of what would come to be done in music videos. MTV even honored him with an award recognizing him as their "father". Traditionally, whenever people in these parts would deride Lester as a hack because of his role in the Superman films, I'd point to his contributions to popular culture via the Beatles films.

The "Ticket to Ride" clip is a major classic--MTV used to show it as a music video--but I couldn't find it even on Vimeo. Nor "The Night Before".
 
"Riki Tiki Tavi," Donovan
Not exactly my favorite Donovan song, but still cool.

"Neanderthal Man," Hotlegs
Research at various archaeological sites in Spain indicates that Neanderthals were capable of writing better lyrics than this.

"I (Who Have Nothing)," Tom Jones
Yes, I like Tom Jones.

"Cracklin' Rosie," Neil Diamond
More good old Neil Diamond. This is one of the songs that reminds me of my 9th-grade girlfriend, even though that was about five years later.

I'm finding that immersive retro listening is helping to exorcise David Lee Roth from a Beach Boys classic...hopefully it can do the same with Shaun Cassidy here.
Oh, man. Why!?! :wah:

Awww, the Dave Clark Five were making movies too...isn't that precious?
Everybody should try it!

My first exposure to this song was the Greatest American Hero episode "Operation Spoilsport," which still references it in-story by title and artist in syndication, but now plays a completely different song in its place.
That's a pity, and it's happened quite a few times with home media. The Bosom Buddies DVDs have a completely different theme song. And I understand that WKRP was a nightmare in this respect.

That would be appropriate, as Flashman's crony, Houseroy, is supposed to have been based on him.
Oh, yeah, that's right. "Houseroy." :rommie:

Muller noted that he wasn't carrying any information, just photos.
I would think that would be okay. Pretty much everybody carried photos of loved ones into war, I think.

Beg pardon?
:rommie: I was writing a story (an OTR homage) set around 1932-ish and the Bund was peripherally involved. As I wrote and researched concurrently, I realized that was impossible because the Bund didn't exist until later in the decade (too late to have killed Savage's girlfriend, too). But I decided to just go with it, because it added to the flavor and the Pulp Universe is an alternate history. I figured if Jake Cutter could serve with the Flying Tigers, my guy could encounter the Bund. :rommie:

After the credits and commercial, Savage makes it onto a life raft where he finds a sergeant who's already dead, so he gently rolls the crewman over into his final resting place.
That right there is pretty grim.

Cut to Savage napping while the pilot checks the gun that Savage didn't check him for...makes you wonder how this guy made general.
The Peter Principle?

The pilot also rummages through the raft's supplies to find a first aid kit with which he treats his injured arms, which includes injecting himself with morphine.
I just ordered a dozen first-aid kits from Amazon.

iA struggle ensues in which Dieter takes a fatal shot from his gun.
Yeah, this was pretty much a primal conflict from start to finish-- not a lot of bonding and finding common ground here. Kind of bleak, but not unrealistic.

He asks if anybody else from the Lily survived (no), then gives Dieter's wallet to Stovall with orders about its handling (we finally see the pictures) and writing a letter to Colonel Dieter's wife.
Do Germans have different rules about wallets, I wonder, or could they track her down using his name alone?
 
_______

50th Anniversary Catch-Up Viewing

_______

Love, American Style
"Love and Take Me Along / Love and the Advice-Givers / Love and the Geisha"
Originally aired November 10, 1969

In "Love and Take Me Along," Reverend Harry Pickard (Ozzie Nelson) encounters a distraught girl named Katy (Diana Ewing again) at an airport. She's upset because she needs money to fly out and meet her brother who's on leave from serving overseas. The reverend, whose wife, Martha (Harriet Nelson), considers to be too soft a touch, is short on money but comes up with the idea of having Katy travel with him as his wife so that together they can afford his family discount. But the plane gets grounded in a snowstorm, so they have to extend the ruse into being put up together in a hotel room. All sorts of awkwardness ensues, while the reverend continually insists that it's all perfectly innocent and they're not doing anything wrong. Then Martha, who was traveling somewhere on another grounded flight, shows up at their room. The reverend tries to pretend that he was put up with a male passenger while Katy hides in the bathroom, but Martha notices signs of female occupancy, so Katy comes out and they explain the situation...which Martha fortunately believes, knowing the lengths that her husband will go to for a sob story.

Vito Scotti plays the hotel's bellhop.


In "Love and the Advice-Givers," Mel Bailey (Les Crane) is turning 35 and wants to sow his wild oats, so he decides to ask for a divorce and his wife, Audrey (Tina Louise), somehow anticipates it. Her comically effeminate hairdresser, Marshall (Avery Schreiber), advises that she bend like the willow and be agreeable to whatever Mel wants. Mel plans to get into a fight with Audrey over her bad meat loaf as an excuse for bringing up divorce, but when he gets home, she's in Ginger mode, has made a different dish, and admits fault in everything that he complains about. He finds an excuse to bring up divorce anyway, and she's agreeable about that...which fuels his suspicions that she's seeing another guy, whom he insists she dump. Thinking he has competition, he shows signs of reinvesting in their marriage, and she just goes along with it. When Marshall calls to find out how things are going, Mel grabs the phone and yells at him, assuming it's the other man.

I think Audrey would have been better off with the divorce...Mel was a complete jerk the entire segment.


"Love and the Geisha" starts with Vera (Carolyn Jones) leaving her husband, Norman (Red Buttons), over his obsession with sports. Norman then gets an unexpected visit from a Japanese girl named Kei-Yoko (Nobu McCarthy), whom he doesn't recognize at first but knew when he was a sergeant overseas, and is awestruck to see again. Kei-Yoko starts falling into house-cleaning mode, and is giving him a massage by walking on his back while he's watching sports when Vera comes back...which is when Kei-Yoko learns that he's married. Even while the two women argue over who's best for Norman, he can't stay away from the set...and they go from fighting over him to commiserating about him. Both women leave him...and he goes back to what he was watching.

_______

Hawaii Five-O
"King Kamehameha Blues"
Originally aired November 12, 1969
Wiki said:
One of Hawaii's most treasured artifacts, the robe of the late King Kamehameha, is stolen. McGarrett pursues the theft to a group of anti-establishment university students.

In the teaser and part of act I, the group of students, who are like a college-league IMF, do a dry run that involves their Barney, Eddie (Randall Kim), lowering a cat through a skylight to test the authorties' reaction time to the alarm. McGarrett is one of those who rush to the scene, and on the subject of his level of celebrity on the island, the group's Phelps, Arnold Potter (Brandon de Wilde), knows him by sight and reputation, and was anticipating his involvement. When the Five-O team finds the culprit in the museum, McGarrett demonstrates that he's got a little sense of humor...
H519.jpg
"Tell him his rights and then give him some milk and catnip."

The students pull off the real heist the next night; Eddie and the group's Willy, Johnny Kalama (Vincent Eder), descend through the skylight and set up a tripod-mounted lever via which Johnny suspends Eddie over the cloak's pressure-sensitive display platform. Eddie demonstrates the general irreverence of the students by wearing the cloak on the climb back up. While they're in the middle of the heist, Arnie and his Cinnamon-playing-Phelps's-wife, Diana Cole (Jennifer Leak), are caught in a car observing from outside, and pretend to be necking for the officer's benefit.

The kids are confident that they left nothing that could be traced to them, but Five-O finds plenty of telling clues, including footprints outside; evidence of the skylight having been used; and scratches in the marble floor where the tripod stood. But all items used were common and could be bought any number of places. At the Governor's order, McGarrett reluctantly makes a TV address (another sign of his relative celebrity) in which he offers amnesty for return of the cloak, and advises on its proper care and handling...which most of the students don't care about at all, as they just want to stick it to the establishment. The exception is Johnny, who's native Hawaiian and shows signs of not being comfortable with what they're doing.

While citizens volunteer donations toward a reward for the cloak's return, McGarrett pieces together exactly how the heist was executed, and a tip from the officer who shooed Arnie and Diana away points them to the mini-IMF. McGarrett crashes their pad with a warrant, and while the search proves fruitless, Kono gets Johnny aside and makes an appeal to his native pride. The other students vote to get rid of the cloak, so Johnny goes to McGarrett's office and tells him that they're planning to take the boat where the cloak is stashed and ditch the priceless cultural artifact in the you-know-what. McGarrett gets there in time to jump on the side of the boat as they're launching it, and Arnold tries to knock him off with various objects, but McGarrett turns the tables on him and Arnie takes a splash instead. Backup arrives and the cloak is recovered safely.

_______

Dragnet 1970
"D.H.Q. – Missing Person"
Originally aired November 13, 1969
Xfinity said:
Friday and Gannon follow an unusual trail in search of a missing juvenile.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.

Thursday, December 5 (1968): Friday and Gannon, working out of Detective Headquarters, Missing Persons Detail, investigate the disappearance of high school student Dorothy Henderson in the middle of a school day. Both of Dorothy's parents are supposed to be dead, and the detectives get no answer at home, but they learn of an older sister named Carol who registered Dorothy in the school and works as a model. Dorothy's best friend, Barbara Cook (Joy Ellison), says that she didn't know about Carol, while Carol's boss didn't know about Dorothy. Barbara insists that a man named Harper must have been involved, as Dorothy talked about him being after her.

Carol Henderson (Jill Banner) comes into HQ, looking less like a model and more like she's wearing a disguise with her glasses and conservative short blond hair that could easily be a wig. She's insistent that they call off the search for Dorothy and on proving that she's Dorothy's sister, and tells a story about how they're moving to New York state. It turns out that Barbara told Dorothy that the detectives were looking for her and Dorothy was very upset about it, telling her friend that they'd take her away.

The detectives turn up that a clearly different Carol Henderson reported her ID coming up missing. They trace a pair of eyeglasses that Dorothy only kept in her purse, finding that the most likely match is a girl named Shirley Lawson, whose description matches "Carol Henderson". Shown a photo of Carol, Mrs. Lawson (Dee Carroll), confirms that it's Shirley, who's supposed to be attending junior college, and tells the detectives that her daughter's been seeing a psychiatrist named Harper.

Dr. Harper (Howard Culver) confirms that masquerading as both Hendersons fits Shirley's psychiatric profile, which involves having lost her father and wanting to escape back into a simpler period of her life--in this case, high school. He advises the detectives to handle her gently, because what she's doing is preferable to the likely alternative of suicide or otherwise harming herself. Shirley comes home while the detectives are there, and they talk to her briefly to assess her state of mind and leave without pressing the matter (having determined that the Henderson ID had been found, not stolen).

The Announcer said:
Since Shirley Lawson committed no crime, no charge was brought against her. However, the psychiatrist re-examined her case....In view of her own efforts to adjust, Shirley Lawson's psychiatrist reported a favorable prognosis, and instituted practical therapy.
The mugshot said:
SHIRLEY LAWSON
Completed junior college and now attending college.


_______

Not exactly my favorite Donovan song, but still cool.
Nor mine, but hey, it's Donovan.

Research at various archaeological sites in Spain indicates that Neanderthals were capable of writing better lyrics than this.
:guffaw: But looking further along in the cave paintings shows that Hotlegs evolves into 10cc...
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Yes, I like Tom Jones.
Even this one? FWIW, this was originally a minor hit by Ben E. King in 1963.

More good old Neil Diamond.
His biggest hit and first of two chart-toppers.

Oh, man. Why!?! :wah:
Is that a reaction to Shaun having covered it, or my wanting to exorcise him?

If the former...welcome to my sister's '70s record collection:
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Kinda makes you appreciate Jim Morrison a little more, doesn't it?

The Bosom Buddies DVDs have a completely different theme song.
As do the episodes on Decades...the show is currently part of the their daily lineup.

That right there is pretty grim.
And out of respect for those who fictitiously gave their lives for our country, I resisted bringing in an H5O running gag.

Yeah, this was pretty much a primal conflict from start to finish-- not a lot of bonding and finding common ground here. Kind of bleak, but not unrealistic.
There was perhaps a little more of it in the episode than the summary. You definitely got the sense that these two men could have been friends and comrades if not for being on opposite sides.

Do Germans have different rules about wallets, I wonder, or could they track her down using his name alone?
Oh, that's right. Savage told Stovall that he'd find ID in the wallet--so either different rules, or writers not being consistent.
 
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In "Love and Take Me Along," Reverend Harry Pickard (Ozzie Nelson) encounters a distraught girl named Katy (Diana Ewing again) at an airport.
This is a good one. In retrospect, it's cool seeing Ozzie and Harriet in Love, American Style.

I think Audrey would have been better off with the divorce...Mel was a complete jerk the entire segment.
I don't remember this one, but that sounds about right. Although LAS frequently relies on people acting like jerks for the plots to work. :rommie:

Even while the two women argue over who's best for Norman, he can't stay away from the set...and they go from fighting over him to commiserating about him. Both women leave him...and he goes back to what he was watching.
You got your wish with this one. :rommie: Since I have less than zero interest in sports, I remember thinking that this dude was especially stupid, especially with those options.

In the teaser and part of act I, the group of students, who are like a college-league IMF, do a dry run
Is this the fourth time that H50 baddies have used an IMF MO? The producers must have a dislike for their rival show. :rommie:

"Tell him his rights and then give him some milk and catnip."
He should have kept the cat. It makes him look like a Bond villain.

McGarrett gets there in time to jump on the side of the boat as they're launching it, and Arnold tries to knock him off with various objects, but McGarrett turns the tables on him and Arnie takes a splash instead. Backup arrives and the cloak is recovered safely.
I like this story. No murder or international intrigue, and the main characters are never in peril-- the only jeopardy is the safety of a priceless artifact, which is given proper weight.

Dr. Harper (Howard Culver) confirms that masquerading as both Hendersons fits Shirley's psychiatric profile, which involves having lost her father and wanting to escape back into a simpler period of her life--in this case, high school. He advises the detectives to handle her gently, because what she's doing is preferable to the likely alternative of suicide or otherwise harming herself. Shirley comes home while the detectives are there, and they talk to her briefly to assess her state of mind and leave without pressing the matter (having determined that the Henderson ID had been found, not stolen).
As above, a nice change of pace story, with an interesting psychological situation sensitively handled.

:guffaw: But looking further along in the cave paintings shows that Hotlegs evolves into 10cc...
Wow, that's a little surprising. That song and their follow up were both pretty good (I think they only had the two).

Even this one? FWIW, this was originally a minor hit by Ben E. King in 1963.
Yeah, it's okay.

Is that a reaction to Shaun having covered it, or my wanting to exorcise him?
A reaction to being reminded. :crazy:

Kinda makes you appreciate Jim Morrison a little more, doesn't it?
Indeed. :rommie:

As do the episodes on Decades...the show is currently part of the their daily lineup.
Do you watch it? It's one of my all-time favorites.

And out of respect for those who fictitiously gave their lives for our country, I resisted bringing in an H5O running gag.
Agreed on that.

There was perhaps a little more of it in the episode than the summary. You definitely got the sense that these two men could have been friends and comrades if not for being on opposite sides.
"In a different reality, I could have called you friend."

Oh, that's right. Savage told Stovall that he'd find ID in the wallet--so either different rules, or writers not being consistent.
Or another rule breaker. :rommie:
 
_______

50th Anniversary Catch-Up Viewing

_______

Love, American Style
"Love and the Burglar / Love and the Roommate / Love and the Wild Party"
Originally aired November 17, 1969

This was the eighth aired episode, but the YouTube video is numbered 13.

"Love and the Burglar" features Noel Harrison as the titular character, Don Lawrence, robbing the apartment of a girl played by Judy Carne (who gets second billing for the full episode), and she doesn't seem to have much of anything worth stealing. After using putting on her robe as a cover for taking the phone off the hook and dialing the operator, she convinces him to not steal her typewriter or the stash of trading stamps that she hides under her pillow.

Burglar: I have to come all the way to America to rob a starving English bird.
Victim: No wonder we lost the empire.​

It turns out this is Don's first time burgling, and he and his victim get caught up in a conversation in which they question each other's careers and life choices. By the time the police arrive, they've started to bond...so she offers to bail him out with the $200 she has stashed under her mattress.


"Love and the Roommate" stars Ted Bessell, who gets top billing for the episode, as Roger Bowen, whom we meet at a singles bar lamenting to his friend Howard Stone (John Beck) about how all the girls are in pairs. Then he meets stewardess Billie Joe Hollister (Anjanette Comer), who's pretty forward that she's there to meet a guy, and ends up taking him back to her apartment. Roger and B.J. are making out when her roommate, fellow stewardess Jill Dougherty (Diane McBain), comes home, and Roger's attention is immediately drawn to her. While B.J.'s out of the room, he chats with Jill and uses the opportunity to exchange information. Roger later enlists Howard to take B.J. off his hands, bringing him to one of their dates, where he bonds with B.J. by pretending to also be from the south. Then Jill comes in and Howard's also attracted to her, so he uses the opportunity to call dibs on her as his date.

Roger gets concerned when Howard takes Jill out, and when Jill comes home, he's relieved to hear that they had an argument and tries to get a group activity going with her and B.J., but Jill goes to bed. Roger then tries to come by when only Jill is home to maneuver Jill into taking B.J.'s place on a lunch date, but B.J. unexpectedly comes home. B.J. then breaks the news that she has a job offer that involves moving to Rome for a year. Initially Roger fully supports it, but it turns out that Jill would also be going. When he tries to convince B.J. to stay after all, Billie Joe announces that she needs a break because Roger's always around, then offers to hook him up with Jill!

With B.J. finally out of the way, Roger and Jill are having a date at her apartment when her new roommate, Michelle (an uncredited Sharon Harvey), comes in; he has the same reaction as when he first met Jill, and Jill recognizes it. She steers Roger's attention back to her.

I didn't catch any "Oh, Roger"s.


In "Love and the Wild Party," Henry and Marylou Haskins (Peter Palmer and Jeannine Riley) are a naive couple originally from a small town who answer a personal ad to meet another couple...thinking from the description that a swingers' "freedom party" is something like a square dance...! They go to the house of Ira and Libby Skutch (Robert Reed and Francine York), where a third couple drops in and the Haskinses start intermingling, not realizing what the others are really there for. Finding it all too weird, Henry tries to organize a regular party game...

Ira: This is gonna bring back monogamy...​

Ira then takes charge and gets a key exchange going. The Haskinses think it's about swapping cars, so they leave together to try out the Skutches' Cadillac! When one of the ladies says that the husband and wife ending up together is kind of romantic, the two swinger couples decide to try it for themselves--"It'll be like old times!"

_______

Hawaii Five-O
"The Singapore File"
Originally aired November 19, 1969
Wiki said:
To nail a local gangster for murder, Steve McGarrett must travel to Singapore to transport the witness to the crime. The witness is an alluring woman who is tired of running from her past.

Nicole Wylie (Marj Dusay, initially disguised in a curly blonde wig) is in a Singapore dance club when a man (Dick Brady) who was just rifling through what I assume was her purse gets in an altercation and stabs his opponent. Nicole flees to her room and calls McGarrett in Hawaii directly. We learn that he tried to question her months ago about witnessing Hawaiian mobster Lee Ravasco killing a man, and the man at the club was one of Ravasco's hoods, Victor. McGarrett gets himself on the first flight to Singapore with extradition papers. Once there, his local contact is Inspector Fong (Raymond Tan). McGarrett meets Nicole in the backroom of a dive, and she indicates that she's been making a dishonest living, which causes him to check her for needle marks. Once he gets her outside, Fong makes an attempt on them to collect a reward put out by Ravasco. In an exchange of gunfire, McGarrett shoots Fong and loses his wallet. Nicole points out that he's now a fugitive in Singapore--if he turns himself in to clear himself, he loses her. Thus he needs her help to get them both out of the country. He steals a car, and gets them on a freighter to the Philippines, booking them as a married couple, Mr. and Mrs. Collins...but they're tailed by Victor.

Back in Hawaii, Ravasco (Daniel Leegant), holds a crooked board meeting to show us what a bad haircut he has...sort of a typical balding 'do but with a little mohawk stripe in the middle. He puts a bounty out on both of them. In the radio room of the freighter, while waiting to send out a message, Steve takes down the message being telegraphed out, which is about the bounty, indicating that one of the others in the small group of passengers is a hitman. They attend a dinner with the captain and other passengers, during which an older British woman, Mrs. Gladden (Freda May Bird), passes McGarrett a message to meet her outside, where she tries to warn him about her husband being after "Mrs. Collins"...because he's a shameless woman-chaser. Then a man who came aboard as a reverend makes an attempt on "Mr. Collins" out on the deck...and guess where McGarrett sends him? The attack freaks Nicole out and they end up kissing while he's trying to calm her.

Chin meets with the ship in Manila and is told that the Collinses are no longer aboard. The harbor master approaches Chin with a rendezvous message from McGarrett, which Victor overhears. Meanwhile, the Collinses have hitched a ride on the back of a green legumes truck to a Buddhist temple, where Victor is waiting for them. He and another man open fire, but Chin gets there with the local gendarmes during the firefight.

Cut to a news headline about Nicole's testimony having put away Ravasco, while Steve sees her off at the airport. They exchange kisses and hug.

_______

Dragnet 1970
"Burglary Auto – Courtroom"
Originally aired November 20, 1969
Xfinity said:
Friday and Gannon find that their case against three burglars is in jeopardy over technicalities.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. It used to be the only culture here was found in yeast cans.
He should have stopped there.
That time has passed--a city has grown out of a frontier town. Today the Los Angeles Music Center stands where adobes once clustered. This breathtaking three-theater complex competes with the finest performing artists for the undivided attention of a generous patronage. Unified by landscaped malls and underground parking, each theater is dedicated to a different cultural experience. The Dorothy Chandler Pavilion is home for the Philharmonic Orchestra; while experimental drama is an unswerving commitment at the Mark Taper Forum. Only established works of wide appeal can be seen at the Ahmanson Theater. For those who like their culture outdoors, there's the Hollywood Bowl...or the Greek Theater. Los Angeles has grown up. Culture has flowered where mystique once bloomed. There's also crime. That's where I come in. I carry a badge.

Thursday, March 13 (1969): Friday and Gannon, working the day watch out of Burglary / Auto Theft Division, are appearing in Department 121, Superior Court of the State of California, for the County of Los Angeles, Judge Burch Donohue (Olan Soule) presiding, to testify regarding a car burglary case from the previous December (when they just happened to be working in the same division for the week, apparently). The detectives and Deputy Distrcit Attorney Bob Simmons (Lew Brown) are worried that they haven't been able to get ahold of one key witness, who's been traveling, but they proceed with the case. The consul for the defense is Dan Mungol (Stacy Harris). A dentist and a defensive, high-strung middle-aged woman testify about how their cars were broken into in the same parking lot on the same night. Friday then testifies to how he and Gannon saw the defendants' car, which matched the description of one seen by the witness, making an illegal right turn (for which Friday cites the exact vehicle code by number, of course) and saw suspicious activity in the car before its driver stopped several blocks later. In the car they found suspicious lug wrenches in the passenger compartment that might have broken the windows of the burgled cars. A man from SDI testifies that samples found on the wrenches and windows matched forensically. Defense argues that the suspects' vehicle was stopped without cause, as traffic control wasn't the detectives' duty, and that the vehicle was therefore illegally searched. Prosecution wants to read a statement from the missing witness, but that doesn't seem to go anywhere after recess. The judge rules that most of the evidence obtained is inadmissible and dismisses the court.

The Announcer said:
In a moment, the conclusion.
Raymond Acosta, Marvin Williams, and Robert Andrews were exonerated of all charges. Six months later, one of the suspects was arrested and convicted for first-degree burglary. Burglary in the first degree in punishable by imprisonment in the state prison for not less than five years.
The mugshot said:
ROBERT ANDREWS
Now serving his term in the State Prison, San Quentin, California.


Adam-12 did a similar episode that aired just a week after this (no doubt using the same courtroom set), but given the routine emphasis placed on the court results in Dragnet, it was interesting to see that side of one of the detectives' cases for a change.

_______

Is this the fourth time that H50 baddies have used an IMF MO?
I recall two being noted before...was there a third?

He should have kept the cat. It makes him look like a Bond villain.
I hadn't thought of that!

:D

Shaun also did "Da Doo Ron Ron"--Got it to #1 if you can believe that!--but in that case, the Crystals' original was sufficient to exorcise him from the song.

Do you watch it? It's one of my all-time favorites.
I've had it on in the background some, but not really. I used to watch it when it originally aired.
 
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"Love and the Burglar"
I remember this. Very cute. Kind of the quintessential LAS story.

"Love and the Roommate" stars Ted Bessell
I don't remember this one. Probably didn't pay attention because I didn't care for Ted Bessell.

With B.J. finally out of the way, Roger and Jill are having a date at her apartment when her new roommate, Michelle (an uncredited Sharon Harvey), comes in; he has the same reaction as when he first met Jill, and Jill recognizes it.
"That girl. No, that girl. No, wait, that girl."

When one of the ladies says that the husband and wife ending up together is kind of romantic, the two swinger couples decide to try it for themselves--"It'll be like old times!"
Another crumb for the old folks at home. :rommie:

"The Singapore File"
Uh oh. More international intrigue.

In an exchange of gunfire, McGarrett shoots Fong and loses his wallet.
Lots of wallet action back in the day.

Nicole points out that he's now a fugitive in Singapore--if he turns himself in to clear himself, he loses her.
I question the likelihood of this, but we need an excuse for adventure.

The attack freaks Nicole out and they end up kissing while he's trying to calm her.
Go, Steve.

Meanwhile, the Collinses have hitched a ride on the back of a green legumes truck to a Buddhist temple, where Victor is waiting for them. He and another man open fire, but Chin gets there with the local gendarmes during the firefight.
Pretty cool, old-school exotic adventure, like a 1940s film.

The judge rules that most of the evidence obtained is inadmissible and dismisses the court.
Interesting that they took a loss, but you'd think Friday would know from his extensive experience that it wouldn't fly.

I recall two being noted before...was there a third?
Probably not. I just remember that it happened several times before.

Shaun also did "Da Doo Ron Ron"--Got it to #1 if you can believe that!--but in that case, the Crystals' original was sufficient to exorcise him from the song.
Ack! I remember that one, too. :ack:
 
55 Years Ago This Week Overflow Special

Recent on the chart:

"Shake and Fingerpop," Jr. Walker & The All Stars
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(July 31; #29 US; #7 R&B)

"Ju Ju Hand," Sam the Sham & The Pharaohs
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(July 31; #26 US)

"Sad, Sad Girl," Barbara Mason
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(Aug. 7; #27 US; #12 R&B)

"Agent Double-O-Soul," Edwin Starr
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(Aug. 7; #21 US; #8 R&B)

"Summer Nights," Marianne Faithfull
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(Aug. 14; #24 US; #4 AC; #10 UK)

_______

Another crumb for the old folks at home. :rommie:
I feel like they were sending up the swingers. Not unlike TV sending up hippies...get comedy out of the "weird" people thinking that something conventional is new and groovy. Plus the country couple who were clueless as to what it was really about was basically Beverly Hillbillies schtick.

I question the likelihood of this, but we need an excuse for adventure.
Well, one Singapore lawman was already on the take. And the bottom line was that in trying to deal with his own situation, McGarrett would lose control of Nicole's.

Interesting that they took a loss, but you'd think Friday would know from his extensive experience that it wouldn't fly.
They kind of had an "out" for that with the missing witness. They kept trying to locate him throughout the episode, and knew that their case was shaky without him. Plus we got the obligatory "But see? This one was soon convicted of something else!"--Crime Does Not Pay!

Looks like Get Smart will be joining the (now tentatively) 55.5th Anniversary Viewing lineup...Decades is doing a from-the-beginning Binge the first weekend of September. Doing a bit of thread-searching, it appears that I picked the series up as 50th Anniversary Viewing late in Season 2.
 
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"Riki Tiki Tavi," Donovan
(#55 US)

Listenable, but by 1970, I felt Donovan lost the elements that made him.

"Neanderthal Man," Hotlegs
(#22 US; #2 UK)

A song that earned a second life in the 1990s as part of Rhino's CD series, Super Hits of the 70s: Have A Nice Day (volume 3, released in 1990). Hotlegs as a group is part of a very storied legacy, with associations with a former Herman's Hermits member and eventually leading to the formation of 10cc.

"Cracklin' Rosie," Neil Diamond
(#1 US the week of Oct. 10, 1970; #2 AC; #3 UK)

Always fun to listen to his musical evolution.
 
"Shake and Fingerpop," Jr. Walker & The All Stars
Meh.

"Ju Ju Hand," Sam the Sham & The Pharaohs
Wha--? :rommie:

"Sad, Sad Girl," Barbara Mason
Average.

"Agent Double-O-Soul," Edwin Starr
This is fun.

"Summer Nights," Marianne Faithfull
This is a good one, and kinda sounds like the 70s.

I feel like they were sending up the swingers. Not unlike TV sending up hippies...get comedy out of the "weird" people thinking that something conventional is new and groovy. Plus the country couple who were clueless as to what it was really about was basically Beverly Hillbillies schtick.
They do that. Some stories will be about quirky encounters and modern relationships, while others will confirm that traditional ways are the best. Which, technically, is love, American style. :rommie:

Well, one Singapore lawman was already on the take. And the bottom line was that in trying to deal with his own situation, McGarrett would lose control of Nicole's.
I guess, even though his vitals and authority could have been easily confirmed.

They kind of had an "out" for that with the missing witness. They kept trying to locate him throughout the episode, and knew that their case was shaky without him. Plus we got the obligatory "But see? This one was soon convicted of something else!"--Crime Does Not Pay!
I did notice the Alfred Hitchcock postscript. :rommie:

Looks like Get Smart will be joining the (now tentatively) 55.5th Anniversary Viewing lineup...Decades is doing a from-the-beginning Binge the first weekend of September. Doing a bit of thread-searching, it appears that I picked the series up as 50th Anniversary Viewing late in Season 2.
Damn. I still don't see any sign of Decades returning here.
 
_______

50th Anniversary Catch-Up Viewing

_______

Love, American Style
"Love and the Big Leap / Love and the Good Deal / Love and the Former Marriage"
Originally aired November 24, 1969

This one was the ninth episode aired, but the YouTube video is numbered 14.

In "Love and the Big Leap," Ralph (Rich Little) and Betty (Jessica Walter) are about to get hitched while skydiving. It's Ralph's first marriage and first jump, so he's pretty nervous...which isn't helped when they both learn there on the plane that Reverend Hale (Dennis Day) has a nervous stutter, which could throw off the timing of pulling the ripcords after the couple exchange their vows. Ralph suggests that they just exchange vows on the plane, and his doubts bring up Betty's about whether or not they're right for each other. In one of his non-stuttering moments, the reverend gives an inspiring speech that convinces them both to go through with it. But once they've both dived and it's the reverend's turn to jump, he chickens out and tries to deliver his part from the plane, while the couple, down there in freefall, wonder where he is. Finally they're forced to just pull their cords.

I found myself distracted by Rich Little's hair...I think he may have been deliberately doing it to resemble Nixon at this point.


In "Love and the Good Deal," Paul and Corie Brader (Phillip Clark and Skye Aubrey) are unsatisfied with their apartment, which has a bedroom so narrow that they have to share a single-sized bed. They enlist Harry Dorfman (Frank Campanella) to get them a custom-sized mattress that will fit the width of the room, which isn't big enough for a double bed. Harry sends them to his cousin, Jack Lewis (Norman Fell), who cuts them a shady deal that involves them having to bring a truck to pick the mattress up. They recruit their attic-dwelling neighbor Victor Belasco (Hans Conried) to help them move the bed; Victor has an elderly friend from the old country who has a small, very old truck. Once the couple has gone through all that trouble, they find that the mattress makes strange noises and is uncomfortable. When they try to return it, Lewis won't even admit to having gotten it for them. Paul throws out his back, and the couple are met at the hospital by Corie's (I think) mother (Jane Wyatt). Corie realizes that the hospital bed is the perfect size, so they get one of those. Mishaps with its adjustable functions ensue in the final scene.


"Love and the Former Marriage" centers around how John Fillmore (Carl Betz) still finds himself tethered to his ex, Debbie (Dana Wynter) and her new husband, Paul (Elliott Reid), because they're always calling him for help with matters such as John and Debbie's 18-year-old daughter not coming home on time. John's resentful of being at their beck and call when they get to enjoy the nice house and his old car. While he's at their place, Julie (Jenny Sullivan) comes home with a boyfriend named Roger Crane, and he looks to be quite the scoundrel:
LAS02.jpg
Julie announces that they're about to get married in Vegas. Debbie is horrified that her daughter's running off with this scruffy-looking nerf-h...er, "hippie"...but John is fine with it and chats Roger up some. John and Debbie get into a post-marital spat and Roger, who took three years of psychology, figures out what their bag is...that they had a symbiotic relationship; then he deduces that Paul is an Oedipal thing for Debbie, and taking things further, realizes that Julie's only steering him into marriage to get back at her mother, motivating him to back out of the arrangement.

Before leaving, John announces to Paul and Debbie that he's accepting a job transfer to Detroit, so he won't be available to troubleshoot for them anymore. That night, Paul comes over to his place wanting to crash there, as he and Debbie had a fight and she threw him out. John sends him on his way with advice about how to make up with her.

It's a cinch that Roger wasn't marriage material...he seems like more of an indy/solo type to me.

_______

Hawaii Five-O
"All the King's Horses"
Originally aired November 26, 1969
Wiki said:
Five-O investigates an ex-racketeer (James Gregory) suspected of heading a local crime syndicate, but Steve McGarrett follows a hunch that the politician seeking to indict the accused man is involved in some dirty dealings of his own.


Charles Irwin (Jason Evers), who's Chief Consul of the State Labor Investigating Committee, and is also running for office, is trying to serve subpoenas to Mike Finney (James Gregory), a former mobster now running a flower business who served his time and whom McGarrett believes to be clean. A sniper takes shots at Irwin at the pool of Senator Colt (Jim Demarest) while McGarrett is present, though Steve suspects that it was a phony hit. The Governor wants everything to be done on the up-and-up, so he won't intervene to take the heat off Finney, and sends McGarrett to serve the subpoena. We get another moment with Steve and animals when the German shepherds that had been let loose to drive away Irwin's man prove to already have a friendly relationship with McGarrett. Finney thinks that if he testifies, he'll be railroaded--at the very least, he'd be put under legal pressure to testify against his old associates. McGarrett doesn't approve of Irwin's tactics of using the press as a weapon against Finney, and convinces the committee's chairman, Senator Oishi (Keye Luke)--who faced internment in WWII and prejudice afterward--that Finney deserves a second chance. After Oishi tries to reign Irwin in, Irwin decides to "look into" whether McGarrett is being paid off.

Irwin's man, Fletcher (Lyle Bettger), approaches McGarrett with a phony proposition; Steve turns the tables by starting his tape recorder, making Fletcher clam up, then deprives Fletcher of the recording equipment he was wired with, savvy to how it was all a trap to produce some incriminatingly edited tape. Fletcher then breaks into Finney's office to type an incriminating thank you letter to McGarrett, to be accompanied by an envelope of money, when he's shot by a hit man (Nick Benedict) who's been stalking the place. Investigating the scene, Five-O finds the fake incriminating evidence that Fletcher was planting. McGarrett surmises that some of Finney's former associates may be nervous that he'll be made to testify against them, so he places the Finneys under protective custody. Finney's softer side is represented by his daughter, Judith (Karen Ericson), who teaches special needs children, and to whom Danny takes a liking. While attempting to take her to the airport to get her out of harm's way, Finney's limo shakes off the tailing Danno only for an attack to be made by the hit man, killing Finney's friend and major domo, Rudy (Charles Gilbert). Finney quotes the line in the title while expressing pessimism about his chances of surviving a third attempt.

Finney appears before the committee to testify, choosing not to take the Fifth or to be represented by a lawyer...now motivated by the attempts on his life to set the record straight before he's offed. Irwin lays on a thick, fictitious case against Finney while the hit man waits in the audience. Meanwhile, Five-O nabs Vince Watson (Morgan Sha'an), the man who made the false hit attempt on Irwin. When McGarrett bursts into the committee hearing to produce a statement by Watson implicating Irwin, the hit man shoots Finney in the back; McGarrett pursues him and takes him down outside. Finney dies before the ambulance arrives, quoting the title again.

_______

Dragnet 1970
"Internal Affairs – Parolee"
Originally aired November 27, 1969
Xfinity said:
Friday and Gannon must solve a 14-year-old crime before a prison convict can be released.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.

Wednesday, August 6 (1969?--see below): Friday and Gannon, working the day watch out of Bunco Forgery Division, are discussing the newly issued Special Order 51, which reorganizes the various detective divisions--of special interest to them, as they hop between those divisions every week! For example, the division they're in this week used to be Frauds Division. They're assigned to investigate a 14-year-old case pertaining to Lyle Thompson, who's been serving time since then in Colorado. The statute of limitations was put on hold for the LA crimes committed months before the left the state, so the detectives have to see if they have a case against him after all that time. Of particular interest is that they give a date reference for those crimes and his arrest in Colorado as having happened in early 1956. This should implicitly date the episode as taking place in August 1970, but the calendar doesn't agree.

Looking into the old cases in the Archives section, the detectives talk to the clerk there, Bertha Johnson (Alice Backes), who knew the since-deceased Detective Packard who investigated the Thompson case, and remembers him fondly. Gannon notes that her description of him as a work-obsessed bachelor sounds a lot like Friday; and brings up the similarity again when studying Packard's notes. Of interest here is that they pretty much play Packard as having been before Friday and Gannon's time, though Friday already had several seasons of the original Dragnet under his belt by that point! One thinks that he'd have been at least casually acquainted with Packard.

There are three crimes involved. One involving an embezzled vehicle has gone cold--the car agency involved is no longer there, having been replaced by a gym, and the agency's former owner is dead. For a bad check case, they talk to the retired original proprietor of a jewelry store, Richard Burns Sr. (Robert Brubaker), at a country club where he plays golf. He won't testify as he feels that after fourteen years, Thompson has already paid his debt to society "with interest".

The last case investigated involves the theft of a valuable commemorative coin owned by Thompson's former employer, George Wentworth (Howard Culver, who seems to be Dragnet's male Virginia Gregg). His attitude is the opposite of Burns's, as he held a longtime grudge against Thompson from the years before the theft when the suspect was a valued employee of his father. The crimes being investigated only occurred after George took over the business and fired Thompson. Friday notes with suspicion how Wentworth kept track of the exact value of the coin for all the intervening years. As the detectives are leaving, Wentworth's secretary explains how she feels that her boss drove Thompson to the point where he committed the crimes, and Friday comes to suspect that Thompson didn't steal the coin at all. Wentworth subsequently confirms this when he comes into HQ to admit that he found the coin five years previously, but didn't bother to report it. He explains that his secretary quitting after talking to the detectives brought his conscience regarding his treatment of Thompson to the fore.

The Announcer said:
On August 7th, a report was submitted to the office of the District Attorney....The outstanding felony warrant for the arrest of Lyle Thompson was recalled at the recommendation of the office of the District Attorney.
The mugshot said:
LYLE THOMPSON
Granted parole by the Colorado State Parole Board.

_______

This one's enjoyable enough to me, but there is a lot of soundalike sequel single to be found in this batch of lower-charters.

Exhibits B and C.

This is fun.
It's alright, and sign-o-the-timesy for the Bond connection at this point when Goldfinger is still the latest film in the franchise. Sound-wise, I think I like the Jr. Walker song better.

This is a good one, and kinda sounds like the 70s.
So soon? That's interesting.

I guess, even though his vitals and authority could have been easily confirmed.
It was a lot more complicated than that. He'd just killed a local lawman. He didn't have any evidence that Fong was on the take.

Damn. I still don't see any sign of Decades returning here.
My DVR thinks I'm crazy for jamming it with so much stuff. I've had to limit myself to only keeping one season of recordings ahead for shows that are in one of the channels' regular lineups. Lord knows what's gonna happen if/when Mod Squad pops up as a Binge again, cuz you know I'm gonna wanna grab that.

I'm kind of conflicted because in their wee-hours movie slot, Decades is going to be airing the Wild Wild West reunion movies in a couple of weeks. Those are way off for anniversary viewing purposes, I haven't watched a good deal of the actual series yet, I don't know when/if I'd get to them as off-schedule viewing, and I'm probably not going to be able to maintain the space to just hold them for a rainy day. But I feel like it'd be a damn shame to just let them slip by without knowing if/when they'd be coming up again.

Any thoughts on The Odd Couple? CBS AA has it, but not complete episodes; and Decades just did a Binge of it, so I recorded the missing episodes for the first couple of seasons...which doesn't amount to a lot space-wise, but if I find myself really in a pinch, I might have to dump the recordings and just go with the incomplete episodes that CBS has.

Likewise, it'd be nice to see the last season of Ironside that I have on the DVR through, as it would get me exactly halfway through the show's run and it's the last season with the full original cast. But that's always been something of a bubble show in my line-up, and now I've got H5O as a generally more engaging hour-long cop/crime show. If Mod Squad does come up, Ironside may be doomed.
 
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It's Ralph's first marriage and first jump
Don't they do wedding rehearsals? And why didn't they find a priest who skydives? :rommie:

I found myself distracted by Rich Little's hair...I think he may have been deliberately doing it to resemble Nixon at this point.
I always liked Rich Little. In the early 70s, there was a syndicated show called The Copy Cats, or something like that, that starred him and several other impersonators. I don't remember anything specific about it at this point, though.

When they try to return it, Lewis won't even admit to having gotten it for them.
Beware of black market mattress dealers.

Mishaps with its adjustable functions ensue in the final scene.
This plot was as messy as an unmade bed.

It's a cinch that Roger wasn't marriage material...he seems like more of an indy/solo type to me.
That marriage wouldn't have lasted a parsec.

We get another moment with Steve and animals when the German shepherds that had been let loose to drive away Irwin's man prove to already have a friendly relationship with McGarrett.
Steve is the Alpha Dog. :rommie:

Senator Oishi (Keye Luke)
Master Po!

When McGarrett bursts into the committee hearing to produce a statement by Watson implicating Irwin, the hit man shoots Finney in the back; McGarrett pursues him and takes him down outside.
There's a hit man with a death wish.

Finney dies before the ambulance arrives, quoting the title again.
That's a pretty unhappy ending.

Of particular interest is that they give a date reference for those crimes and his arrest in Colorado as having happened in early 1956. This should implicitly date the episode as taking place in August 1970, but the calendar doesn't agree.
Definitely an alternate universe.

Gannon notes that her description of him as a work-obsessed bachelor sounds a lot like Friday; and brings up the similarity again when studying Packard's notes.
Time to settle down before it's too late, Joe. :rommie:

Of interest here is that they pretty much play Packard as having been before Friday and Gannon's time, though Friday already had several seasons of the original Dragnet under his belt by that point! One thinks that he'd have been at least casually acquainted with Packard.
Apparently this is a reboot and not a sequel. I'm disappointed.

He won't testify as he feels that after fourteen years, Thompson has already paid his debt to society "with interest".
That's pretty cool.

Wentworth subsequently confirms this when he comes into HQ to admit that he found the coin five years previously, but didn't bother to report it. He explains that his secretary quitting after talking to the detectives brought his conscience regarding his treatment of Thompson to the fore.
Nice case of conscience there, but I wonder if that would leave him open to charges. Maybe the statute of limitations protects him.

It's alright, and sign-o-the-timesy for the Bond connection at this point when Goldfinger is still the latest film in the franchise. Sound-wise, I think I like the Jr. Walker song better.
It's a fun novelty number.

So soon? That's interesting.
Yeah, I would have guessed early 70s, so it's kind of strange.

It was a lot more complicated than that. He'd just killed a local lawman. He didn't have any evidence that Fong was on the take.
Okay, I'll buy it.

But I feel like it'd be a damn shame to just let them slip by without knowing if/when they'd be coming up again.
You can get the double feature DVD for ten bucks on Amazon.

Any thoughts on The Odd Couple?
Great show. Jack Klugman and Tony Randall are classic.

CBS AA has it, but not complete episodes;
Seriously? They have edited episodes on All Access. That's bizarre.
 
_______

50th Anniversary Catch-Up Viewing

_______

Love, American Style
"Love and Mother / Love and the Dummies / Love and the Athlete / Love and the Shower"
Originally aired December 1, 1969

This is the tenth episode aired; the YouTube video is numbered 6.

"Love and Mother" opens with newlywed couple Paul and Sheila (Chris Connelly and Shelley Fabares) in their honeymoon suite, about to start getting all "boom chicka BOW WOW," when Sheila's mother, Mrs. Adams (Kay Medford), turns up at the door, having had a fight with Mr. Adams. They try to make her comfortable and see to her needs...

Mrs. Adams: You must have other things to do.
Paul: Not...at...the moment.​

Mrs. Adams maneuvers herself into staying overnight in the suite. Once they have her settled in, Paul wants to resume regularly scheduled activities, but Sheila can't while her mother is in the next room.

Paul: She may be in the next room for the rest of our lives.​

They're about to try to be really quiet about it when she turns the TV up really high (which they see as a disturbance rather than an opportunity). Then she comes knocking again, wanting to use their bathroom. They wait for her to go to sleep, but when she falls asleep, she falls off the couch and hurts her back, so they have put her in the bed. Then Mr. Adams shows up (an uncredited Morey Amsterdam). While the Adamses bicker, the young newlyweds take his keys to go back to the Adams house.

I know it's supposed to be comedy, but the mother here was pretty infuriating.


In "Love and the Dummies" Diane and Dale (Shari Lewis and Paul Winchell) meet in a waiting room while auditioning for a talent show. He tries to chat her up, but she's very withdrawn...so he pulls out his dummy, Eddie, and lets him do the talking, which makes her light up. She pulls out her own dummy, Faye, who's much more outgoing, and it becomes about the two dummies exchanging flirty banter. When they try to break character and talk directly it gets awkward again...so it's back to the wooden surrogates. Their progress in interrupted by Dale putting his foot in Eddie's mouth and Scatman Crothers entering as a one-man band. When the producer leaves for a half hour, Dale and Diane leave the dummies behind and have lunch together...and the still-animated dummies are alone at last.

This was a pretty cute one, though I think they could have gone even further with the concept.


In "Love and the Athlete," Winthrop Armstrong (Eddie Mayehoff) from the Championship Track & Field Society sends his underling, Fontaine (Marty Allen), to deal with what they think is an East German male athlete disguised as a female. Fontaine assumes Ingrid is a male (Pamela Curran) even after seeing her. so she goes about proving that she's a she by making out with him. Fontaine later reports his evidence to Armstrong on the phone.


In "Love and the Shower," three friends (Joe Flynn, Hal England, and Carl Ballantine) throw recent divorcee Lennie Granger (Henry Gibson) a "divorce shower," which includes a couple of cocktail waitresses and single living-themed gifts. Lennie seems uncomfortable with it and shows signs of missing his ex, but then she shows up at the shower. Kathy (Reva Rose) knew what the occasion was, but things still get awkward. She gives him her gift, he's touched, and they start kissing. Everyone else leaves at the sight of a reconciliation in progress.

_______

Hawaii Five-O
"Leopard on the Rock"
Originally aired December 3, 1969
Wiki said:
When the plane carrying a despised dictator is forced to make an emergency landing in Hawaii, the notorious leader is marked for death… and it's up to Five-O to protect him.

One of the pilots fakes a malfunction to land there deliberately, as the island is home to many exiles from President Jhakal's (Titos Vandis) country, including Professor Savang (Joe De Santis), the head of a shadow government in exile. Kono likens the situation to Castro going to Miami. Five-O's job is to proactively keep things under control. Prof. Savang seems level-headed about it and doesn't seem interested in taking any opportunistic action. McGarrett comes to him to enlist what aid he's willing to give, which is not to make a statement at all.

Jhakal's plane is said to be a jet and makes jet noises, but the exterior shots show twin propellers--must be an acid/speed thing. Some expatriates try to ram the landing plane with a gas truck. Once Jhakal is safely on the ground, McGarrett has to affirm his authority to deal with the assailant in the face of Jhakal's demands. McGarrett arranges for Kono to occupy the suite that Jhakal is supposed to be staying in. A fake convoy transporting Kono is blocked by a group of protestors led by Savang's willful granddaughter, Banu (Cynthia Hull). When Danno engages them in conversation to trick them into getting out of the way, Banu comes to the conclusion that peaceful protest won't accomplish anything, and that violence is in order.

Meanwhile, Jhakal is snuck off the plane in a food truck. Against McGarrett's advice, Jhakal insists that the consul from his country, Koryo (Paul Stevens), accompany him...which was Koryo's idea. Koryo is free to come and go while knowing where Jhakal really is, so McGarrett has Chin tail him. Chin watches as Koryo has a rendezvous with a couple of international hoods-for-hire named Hood-Clovis and Walters (Bruce Wilson and Bob Basso).

Banu poses as a maid in Kono's hotel with a gun strapped to her inner thigh--a screenshot that's probably too sexy for this board! She's about to shoot him in the back when Kono turns around. She's horrified that she almost killed a man she didn't know. Meanwhile, McGarrett learns that Koryo is seeing Prof. Savang, which causes him to suspect that the pilot was in on the "malfunction". He has both brought in to confront them about their collaboration. He gets a call about Banu's attempt while they're in his office and informs the professor. Using Banu's fate as leverage, McGarrett learns that the plot is to steal $10 million that Jhakal has been looting from his country and was carrying around with him, as a political move to expose him. While all this was going on, Hood-Clovis and Walters have snuck into Jhakal's actual hotel, using gas to knock everyone in the room out. They're caught and the money is impounded. Prof. Savang declares that they accomplished what they intended to; then McGarrett arrests him and Koryo.

Tim Donnelly appears in an uncredited role as a demonstrator in Banu's group.

_______

Dragnet 1970
"Burglary Auto – Juvenile Genius"
Originally aired December 4, 1969
Xfinity said:
Friday and Gannon discover a Fagin-like gang in operation while probing a series of business burglaries.
The title kinda gives away the big twist.
Sgt. Joe Friday said:
This is the city: Los Angeles, California. It's a big place. It's made up of a lot of little cities--Van Nuys, Encino, Watts, San Pedro...and of course, Hollywood. Here you can find tourists from all over the world. They also want to visit the inside of a movie studio, and if luck is with 'em, maybe see a movie star at work. If they miss their idols at the studio, they may try to catch them at home. Most sightseers are harmless, they come to look and take pictures on the front lawn. Sometimes, others visit these homes at night and take what isn't theirs. When that happens, I go to work. I carry a badge.

Wednesday, September 14 (1966?): Friday and Gannon, working the day watch out of Burglary Auto Theft Division, have been investigating the series of business burglaries, having found little in the way of useful clues. The burglars' calling card is a red cloth with an X on it. At a chemical supply firm that's the site of the latest burglary, they talk to Alexander Middleton (Bert Holland). Investigating the scene, they find that the burglar alarm was not just cross-circuited, but stolen. Middleton informs them that a common attribute of the chemicals stolen is that all can be used to make explosives, though no catalyst was stolen. The detectives supervise a five-team rolling stakeout operation. After a few days, a 459 occurs at a safe company a couple of blocks outside their perimeter. There the detectives talk to Sam Enquist (See what I mean about Howard Culver?), and find that an empty safe was stolen--Friday suggests to practice on. Forensics indicates that the safe was moved not with the sort of dolly that a pro would use, but a kid's wagon.

Thinking that the burglars might be wanting to practice using explosives on safes and still need sulfuric acid, Friday and Gannon stake out the chemical supply company from the inside. They hear a knocking sound and discover that the red cloth has been left, apparently to mark the location. Later they watch a burglar working at the window with a glass cutter to cross-circuit the alarm system, as was done at the other locations. They confront the burglars to find two young kids, Jimmy Chambers and Timmy Michaels (Buddy Foster and David Gruner), who indicate that they're working for an older kid (12-1/2) nicknamed "Brains," who's subsequently identified as Horace Thornton (Michael Tanner). They confront Horace at his clubhouse and read him his rights. He's happy to answer their questions, indicating that he has ten boys working for him, and that his goal was to prove that he could blow the stolen safe wide open. He also demonstrates a formula of his invention that stops the stolen burglar alarm, and expresses his belief, informed by his parents cheating on income taxes and such, that crime does pay. Friday talks him through why what he did was wrong, and when he admits that there was a flaw in his theory, his disabled burglar alarm goes off on cue.

The Announcer said:
On October 12th, a hearing was held in Juvenile Court, State of California, Los Angeles Judicial District....The court placed Timothy Michaels, James Chambers, and eight other subjects on summary probation for a period of three months.
The mugshot said:
TIMOTHY MICHAELS and JAMES CHAMBERS
Released to the custody of their parents.
The Announcer said:
The court ordered Horace Thornton to be placed on probation for a period of one year, during which time he was to undergo a series of psychiatric tests and therapy.
The mugshot said:
HORACE THORNTON
Now undergoing psychiatric treatment.

_______

I always liked Rich Little. In the early 70s, there was a syndicated show called The Copy Cats, or something like that, that starred him and several other impersonators. I don't remember anything specific about it at this point, though.
This one?

This plot was as messy as an unmade bed.
So it wasn't just me this time.

Steve is the Alpha Dog. :rommie:
:D

Nice case of conscience there, but I wonder if that would leave him open to charges. Maybe the statute of limitations protects him.
He said that he didn't think it was important to come forth about the coin because Thompson was already in jail for something else. He had plausible deniability on his side, because everyone the detectives talked to was surprised that they were looking into these 14-year-old cases.

Seriously? They have edited episodes on All Access. That's bizarre.
No, I meant that they don't have every episode...their selection of episodes is gappy. Hence my recording the ones that they didn't have. Same with The Brady Bunch.

They seem to have every episode of Hawaii Five-O...except for the one that was never shown again after its original broadcast. We'll be getting to that soon.
 
I know it's supposed to be comedy, but the mother here was pretty infuriating.
The mother-in-law trope is generally pretty tiresome.

This was a pretty cute one, though I think they could have gone even further with the concept.
I remember this one. Very nice. I love ventriloquist-dummy stories, so I agree that more would have been better. I remember always being frustrated that the ventriloquist character in Soap didn't get to do more.

so she goes about proving that she's a she by making out with him.
She'll have to do better than that. :rommie:

Everyone else leaves at the sight of a reconciliation in progress.
That's another thing this show has a lot of-- reconciliation.

Jhakal's plane is said to be a jet and makes jet noises, but the exterior shots show twin propellers--must be an acid/speed thing.
It's a third-world country-- the pilot just makes jet noises with his mouth. Vroom!

Banu poses as a maid in Kono's hotel with a gun strapped to her inner thigh--a screenshot that's probably too sexy for this board!
I'm too sexy for this board. :rommie:

While all this was going on, Hood-Clovis and Walters have snuck into Jhakal's actual hotel, using gas to knock everyone in the room out.
One again, the bad guys use IMF tactics. That's four, I'm sure.

Prof. Savang declares that they accomplished what they intended to; then McGarrett arrests him and Koryo.
So no real good guys in this one. Except Five-0, of course.

The burglars' calling card is a red cloth with an X on it.
The Scarlet Hankie strikes again!

They confront the burglars to find two young kids, Jimmy Chambers and Timmy Michaels (Buddy Foster and David Gruner), who indicate that they're working for an older kid (12-1/2) nicknamed "Brains," who's subsequently identified as Horace Thornton (Michael Tanner). They confront Horace at his clubhouse and read him his rights. He's happy to answer their questions, indicating that he has ten boys working for him, and that his goal was to prove that he could blow the stolen safe wide open.
Wasn't this a 90s cartoon or something? :rommie:

Indeed, it must be, although my memory is of a show that aired in the early evening, before the regular network schedule. Either my memory is off (always a possibility), or the local station ran the just-Kopykats reruns at a different time.

He said that he didn't think it was important to come forth about the coin because Thompson was already in jail for something else. He had plausible deniability on his side, because everyone the detectives talked to was surprised that they were looking into these 14-year-old cases.
True enough.

No, I meant that they don't have every episode...their selection of episodes is gappy.
Ah, I see. Still weird, though. Why wouldn't they be complete?

They seem to have every episode of Hawaii Five-O...except for the one that was never shown again after its original broadcast. We'll be getting to that soon.
This is intriguing. A controversial H50? More femme fatales with thigh-strapped guns? I can't wait. :rommie:
 
55 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
August 27 – In the evening the Beatles meet Elvis Presley at his place on Perugia Way, Beverly Hills.
https://www.beatlesbible.com/1965/08/27/the-beatles-meet-elvis-presley/


Selections from Billboard's Hot 100 for the week:
1. "I Got You Babe," Sonny & Cher
2. "Help!," The Beatles
3. "California Girls," The Beach Boys
4. "Unchained Melody," The Righteous Brothers
5. "It's the Same Old Song," Four Tops
6. "Like a Rolling Stone," Bob Dylan
7. "Save Your Heart for Me," Gary Lewis & The Playboys
8. "Hold Me, Thrill Me, Kiss Me," Mel Carter
9. "Down in the Boondocks," Billy Joe Royal
10. "Papa's Got a Brand New Bag, Part I," James Brown & The Famous Flames
11. "Baby, I'm Yours," Barbara Lewis
12. "You Were on My Mind," We Five
13. "Nothing but Heartaches," The Supremes
14. "Don't Just Stand There," Patty Duke
15. "All I Really Want to Do," Cher
16. "(I Can't Get No) Satisfaction," The Rolling Stones
17. "Since I Lost My Baby," The Temptations
18. "What's New Pussycat?," Tom Jones
19. "The Tracks of My Tears," The Miracles
20. "I'm Henry VIII, I Am," Herman's Hermits
21. "It Ain't Me Babe," The Turtles
22. "The 'In' Crowd," The Ramsey Lewis Trio
23. "I'm a Fool," Dino, Desi & Billy
24. "In the Midnight Hour," Wilson Pickett
25. "Heart Full of Soul," The Yardbirds
26. "Ju Ju Hand," Sam the Sham & The Pharaohs
27. "Eve of Destruction," Barry McGuire

30. "Take Me Back," Little Anthony & The Imperials
31. "Action," Freddy Cannon
32. "Shake and Fingerpop," Jr. Walker & The All Stars
33. "Sunshine, Lollipops and Rainbows," Lesley Gore
34. "You'd Better Come Home," Petula Clark

36. "I Want Candy," The Strangeloves

39. "I Like It Like That," The Dave Clark Five
40. "Cara, Mia," Jay & The Americans
41. "Agent Double-O-Soul," Edwin Starr
42. "Catch Us If You Can," The Dave Clark Five
43. "We Gotta Get Out of This Place," The Animals
44. "Sad, Sad Girl," Barbara Mason

46. "Summer Nights," Marianne Faithfull
47. "All I Really Want to Do," The Byrds

49. "Hang on Sloopy," The McCoys

52. "Laugh at Me," Sonny

57. "Ride Your Pony," Lee Dorsey

60. "Baby Don't Go," Sonny & Cher

72. "Just You," Sonny & Cher
73. "Ride Away," Roy Orbison

76. "Colours," Donovan
77. "You've Got Your Troubles," The Fortunes

79. "Do You Believe in Magic," The Lovin' Spoonful

83. "I'm Yours," Elvis Presley

87. "Liar, Liar," The Castaways

92. "I Want to (Do Everything for You)," Joe Tex


Leaving the chart:
  • "Pretty Little Baby," Marvin Gaye (7 weeks)
  • "To Know You Is to Love You," Peter & Gordon (7 weeks)
  • "Too Many Rivers," Brenda Lee (13 weeks)

Recent and new on the chart:

"Colours," Donovan
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(Aug. 14; #61 US; #4 UK)

"Laugh at Me," Sonny
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(Aug. 21; #10 US; #9 UK)

"Baby Don't Go," Sonny & Cher
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(Aug. 21; #8 US; #11 UK)

"Just You," Sonny & Cher
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(#20 US)

"I'm Yours," Elvis Presley
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(#11 US; #1 AC)

_______

One again, the bad guys use IMF tactics. That's four, I'm sure.
Eh, those two were no Barney and Willy...but they were working for that guy who looks a lot like Rollin...

Ah, I see. Still weird, though. Why wouldn't they be complete?
Ya got me there.

This is intriguing. A controversial H50? More femme fatales with thigh-strapped guns? I can't wait. :rommie:
Darker than that, I'm afraid. More of a "don't try this at home".

ETA:
This song has been samples or used for commercial purposes so often--likely far beyond the wildest dreams of its writers.
I just caught a commercial using it last night.
 
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"Colours," Donovan
Very nice, although it doesn't quite have that unique Donovan vibe yet.

"Laugh at Me," Sonny
That's one of the weirder intros I've heard, and a weirdly religious song, but certainly a positive sentiment.

"Baby Don't Go," Sonny & Cher
Sad and folksy.

"Just You," Sonny & Cher
Look, it's Sonny & Cher. Not a bad love song.

"I'm Yours," Elvis Presley
He's done better. :rommie:

Darker than that, I'm afraid. More of a "don't try this at home".
Even more intriguing. It's so bad that they keep it off a streaming service in 2020. Hmmm.
 
50 Years Ago This Week

Wiki said:
August 24 – Vietnam War protesters bomb Sterling Hall at the University of Wisconsin–Madison, leading to an international manhunt for the perpetrators.
August 26
  • The Women's Strike for Equality takes place on Fifth Avenue in New York City.
  • The Isle of Wight Festival 1970 begins on East Afton Farm off the coast of England. Some 600,000 people attend the largest rock festival of all time. Artists include Jimi Hendrix, The Who, The Doors, Chicago, Richie Havens, John Sebastian, Joan Baez, Ten Years After, Emerson, Lake & Palmer, The Moody Blues and Jethro Tull.
August 29 – The Chicano Moratorium, against the Vietnam War, begins East Los Angeles, California, and leads to a riot that kills three people, including journalist Rubén Salazar.
Mark Lewisohn's The Beatles Day by Day said:
August 29 – A handwritten letter from Paul is reproduced in Melody Maker, stating '...my answer to the question, "will the Beatles get back together again?"...is no.'



Selections from Billboard's Hot 100 for the week:
1. "War," Edwin Starr
2. "Make It with You," Bread
3. "(They Long to Be) Close to You," Carpenters
4. "In the Summertime," Mungo Jerry
5. "Spill the Wine," Eric Burdon & War
6. "Signed, Sealed, Delivered I'm Yours," Stevie Wonder
7. "Patches," Clarence Carter
8. "(If You Let Me Make Love to You Then) Why Can't I Touch You?," Ronnie Dyson
9. "Ain't No Mountain High Enough," Diana Ross
10. "25 or 6 to 4," Chicago
11. "I Just Can't Help Believing," B. J. Thomas
12. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival
13. "Band of Gold," Freda Payne
14. "Hi-De-Ho," Blood, Sweat & Tears
15. "Tighter, Tighter," Alive and Kicking
16. "Overture from Tommy (A Rock Opera)," The Assembled Multitude
17. "Tell It All Brother," Kenny Rogers & The First Edition
18. "Lay a Little Lovin' on Me," Robin McNamara
19. "Hand Me Down World," The Guess Who
20. "Julie, Do Ya Love Me," Bobby Sherman
21. "Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
22. "Get Up (I Feel Like Being Like a) Sex Machine (Part 1)," James Brown
23. "Everybody's Got the Right to Love," The Supremes
24. "Solitary Man," Neil Diamond
25. "Groovy Situation," Gene Chandler
26. "Snowbird," Anne Murray
27. "Mama Told Me (Not to Come)," Three Dog Night
28. "O-o-h Child" / "Dear Prudence", The Five Stairsteps
29. "I (Who Have Nothing)," Tom Jones
30. "Ball of Confusion (That's What the World Is Today)," The Temptations
31. "(I Know) I'm Losing You," Rare Earth

33. "Candida," Dawn

35. "Summertime Blues," The Who
36. "Rubber Duckie," Ernie (Jim Henson)
37. "The Sly, Slick, and the Wicked," The Lost Generation
38. "It's a Shame," The Spinners
39. "Big Yellow Taxi," The Neighborhood
40. "Cracklin' Rosie," Neil Diamond

43. "Neanderthal Man," Hotlegs

45. "Joanne," Michael Nesmith & The First National Band

49. "Closer to Home (I'm Your Captain)," Grand Funk Railroad
50. "All Right Now," Free
51. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band

57. "Green-Eyed Lady," Sugarloaf

60. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks
61. "Long Long Time," Linda Ronstadt

64. "Yellow River," Christie
65. "Lola," The Kinks

67. "Still Water (Love)," Four Tops


69. "Big Yellow Taxi," Joni Mitchell

72. "Uncle John's Band," The Grateful Dead
73. "Riki Tiki Tavi," Donovan

79. "Funk #49," James Gang

90. "Out in the Country," Three Dog Night
91. "For the Good Times," Ray Price
92. "Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers

99. "Stand by Your Man," Candi Staton


Leaving the chart:
  • "Border Song," Elton John (2 weeks)
  • "The Love You Save" / "I Found That Girl", The Jackson 5 (13 weeks)
  • "Maybe," The Three Degrees (12 weeks)
  • "Ohio," Crosby, Stills, Nash & Young (9 weeks)
  • "Westbound #9," The Flaming Ember (14 weeks)

Re-entering the chart:

"Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers
(Originally charted Sept. 8, 1962, reaching #1 US, #9 R&B; reaches #91 US this run)


New on the chart:

"Funk #49," James Gang
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(#59 US)

"Stand by Your Man," Candi Staton
(#24 US; #4 R&B)

"Out in the Country," Three Dog Night
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(#15 US; #11 AC)

"For the Good Times," Ray Price
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(#11 US; #9 AC; #1 Country)

"Still Water (Love)," Four Tops
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(#11 US; #4 R&B; #10 UK)

"Lola," The Kinks
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(#9 US; #2 UK; #422 on Rolling Stone's 500 Greatest Songs of All Time)

_______

Very nice, although it doesn't quite have that unique Donovan vibe yet.
Indeed, this sounds very much like he's still channeling Dylan.

That's one of the weirder intros I've heard, and a weirdly religious song, but certainly a positive sentiment.
I had to look up the lyrics to see it. I dunno, at this point, when the hippie movement proper wasn't a thing yet, it seems natural enough for a pacifist attitude to be phrased in terms of Christianity. Anyway, this one's interesting to me as a sort of lost hit...it made the Top 10, but I don't think I ever heard it on oldies radio.

My favorite Sonny and Cher tune. Always loved the melody and subject matter. I’m kind of a sucker for “l’m leaving this place” songs. Cher’s baleful vocals fit the song’s sentiment perfectly.
RJDiogenes said:
Sad and folksy.
Partly explaining this sudden influx of Sonny and/or Cher material, this oldies radio classic was a rerelease of a single that originally came out in '64.

RJDiogenes said:
Look, it's Sonny & Cher. Not a bad love song.
And this lesser-known one, which sounds more than a little like "Baby, I Love You," was their single just prior to "I Got You Babe" in '65. It's Sonny & Cher-mania!

He's done better. :rommie:
If this one seems a little old hat, it's a belated single release of a song that originally appeared on one of his movie soundtracks back in '62 (before them thar long-haired commies came over)! So I guess I have to dial back the Comeback Special Countdown to six years...

And speaking of Elvis...
 
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