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The Classic/Retro Pop Culture Thread

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50th Anniversary Catch-Up Viewing

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Hawaii Five-O
"A Thousand Pardons--You're Dead!"
Originally aired September 24, 1969 (Season 2 premiere)
Wiki said:
After the brides of three G.I.s killed in Vietnam turn up dead, the Five-O team uncovers an insurance scam run by a soldier (Harry Guardino) with a murderous grudge. Loretta Swit guest stars.

The episode opens with a woman named Anna (Swit) celebrating over a big score at a bar run by a woman named Betsy (Barbara Nichols). She returns home drunk and is approached outside by a figure she recognizes, who knocks her out, takes her money, and runs her over with his Jeep. A military insurance policy is found on her. McGarrett talks to her employer, Betsy, with whom he's previously acquainted. Both Betsy and Anna's roommate, Yoko (Barbara Luna), indicate that Ann met a serviceman whom she married.

McGarrett sends Danno to Betsy's posing as a serviceman. Fake Corporal Williams approaches Yoko, saying that he's a buddy of Anna's husband, Eddie. Yoko gets upset and defensive, making him change the subject. Later she takes him back to her apartment, both of them shitfaced. She has a panic attack and tells him that she knows of three girls working at Betsy's, including Anna, who married soldiers and were killed.

Danny goes back to the office to report his findings and recover from his binge. Steve advises him that he could have poured his drinks in plants. Kono is sent to the office of James Watanu (James Hong), who issued the marriage licenses, and seems very nervous at having his files looked through. Meanwhile, Chin checks the military files, dealing with a Sgt. Simms (Guardino), who seems guarded and defensive. Watanu goes to Betsy in a state of panic, and she tells someone on the phone that the heat's on and "it" is finished. Simms subsequently picks up Watanu in his Jeep and drives him to a remote location. Watanu assures Simms that he won't talk and starts to have an attack; Simms tosses his heart medicine out of the Jeep, then starts trying to run him down, but Watanu succumbs to his condition.

McGarrett tracks a piece of tire tread on the scene to a Jeep that Simms used, and confronts him with knowledge that Watanu was involved in phony marriage licenses that came through Simms's office. Chin and Kono turn up that Simms is the brother of a GI who was killed in action and whose wife collected the insurance. Over a game of pool, Steve gets out of Simms that the wife claimed a policy that was originally meant to go to him, and that he irrationally blames her for his brother's death.

Meanwhile, Undercover Danno has continued to romance Yoko and eventually drops his cover. After talking to Simms, McGarrett goes to her looking for help. She's used as bait, approaching Simms about wanting in on the operation, already having a marriage license to a dead GI. When the team surrounds Simms outside of her apartment, he's holding a gun, so he ends up with a lot of bullets in him...in a driveway, not a drink.

So yeah, apparently Simms was running the scam so that he could murder the girls working under him for being involved in the scam. That seems like maybe it could have used a bit of clarification or a slight rewrite to add another layer of twist or something.

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Dragnet 1970
"Homicide – The Student"
Originally aired September 25, 1969
Xfinity said:
The suspect in a double slaying turns out to be an ardent reader of stories about strange attitudes toward death.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. The people here, like anywhere else, put in a hard day. After work they wanna get home. It can take ten minutes, or two hours. Once there, they like to unwind. They can go out to one of 560 movie theaters. For those who can't get a babysitter, there are twenty-seven drive-ins. This is the city of the drive-in--supermarkets, restaurants, dry cleaners...even banks. There are drive-in car washes, 125 of 'em. Life in Los Angeles is fast, and convenient. It's a great place to live. I try to help keep it that way. I carry a badge.

Tuesday, May 21 (1968?): Friday and Gannon are working the day watch out of Homicide when they're sent to investigate the sniper-style shooting of two employees at a printing plant. The next day a foreman follows up with them, having remembered a dispute between the male victim and a young part-time employee, Jeff Buckram, who hadn't shown up the day of the shooting. They first check the junior college that Buckram attends. His English teacher, Ann Tipton (Emily Banks!), describes how he's into existentialism, which she describes as being preoccupied with the darker side of life, and believing in acting on one's philosophy. Next they go to Jeff's residence and talk to his outspokenly God-fearing aunt, Ada Beale (Virginia Gregg--I'll give them credit that her period old lady look makes her almost unrecognizable here). Aunt Ada considers the stuff that Jeff reads, like Flaubert, to be the work of the Devil. Jeff (Kevin Coughlin) comes out of his room, exhibits a surly attitude, and claims that he called in because he injured himself at baseball practice, and that he doesn't own a rifle. Jeff's coach (James McEachin) tells them that Jeff was let go from the squad, and that he'd said something about saving up to buy a rifle.

Back at the apartment, Jeff is gone, but Aunt Ada points out how he'd torn a page from the Flaubert book and stuffed it in his pocket before leaving. They visit the library from which the book was borrowed. The librarian, Alice Philbin (Peggy Webber), fetches another copy of the book and reads from the page that Jeff had torn out. It's from "The Legend of Saint Julian," and describes the young future saint enthralled by killing a pigeon. The detectives return to Ann Tipton, accompanied by a comically clumsy transition...

Friday (narration): She said she was familiar with "The Legend of St. Julian".
Tipton: Oh yes, I'm familiar with "The Legend of Saint Julian".​

She points them to another piece of the Buckram puzzle, a girl that he's interested in, Nancy Morton (Jill Banner). They visit her at home, and she asserts that they're just friends because he's never made a move, and describes how he lives in the world of the books that he reads. She also tells them that he picked up a rifle that he'd been keeping her place. With a little prodding, she's able to remember that he described it as a .22, which matches the murder weapon.

Back at the station, the detectives get a call from Alice Philbin telling them that Jeff's at the library. They rush there and arrest him.

Philbin: Do you think Flaubert was the reason?
Friday: No ma'am, not the reason...just the excuse.​

The rifle is found in Aunt Ada's car, which Jeff had been using, and is confirmed to be the murder weapon. At the station, Buckram tells them how killing wasn't like Flaubert described it at all...that it just made him scared, like he'd broken something belonging to somebody else and knew that he was going to get caught and punished. He laments that he'll never be a saint like Julian.

Friday: You got a long way to go.​

The Announcer said:
On July 16th, trial was held in Department 184, Superior Court of the State of California, for the County of Los Angeles....The jury found the suspect guilty on two counts of first-degree murder. Murder in the first degree is punishable by death, or confinement in the state prison for life.
The mugshot said:
JEFFREY BUCKRAM
Committed to Atascadero State Mental Hospital for observation.

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Adam-12
"Log 153: Find Me a Needle"
Originally aired September 27, 1969
Wiki said:
A rapist has {been} stalking female hitchhikers, killing them and dumping their bodies on Mullholland Drive. So far, there have been six victims, and Malloy, Reed and Det. Sgt. Miller hope a suspect can lead them to a possible seventh.

This is Jack Hogan's last of six appearances as Sgt. Miller, though he'll back in another role in a later season. He briefs the officers at roll call about how the sixth victim of the Mullholland Mauler has survived and can talk, giving them a composite sketch and description of the auto.

On patrol, Reed and Malloy stop a 16-year-old hitchhiker, Mary Gallagher (Astrid Warner), writing her a citation to appear in juvenile court and scaring her into taking the bus. Later that night they stop a car matching the victim's description, and find a knife and blanket in the trunk, matching the assailant's M.O. They take in the driver, Nick Gentry (Jonathan Lippe). Back on patrol, the officers talk to a couple of kids parked in a car in the area of the assaults and send them on their way. As with the hitchhiker, Malloy goes out of his way to put the fear of the serial rapist/murderer at large into them.

They then find a car by the side of the road with a flat and a pair of female shoes in the passenger seat; the car is registered to a Delores Grove. Visiting the nearest garage, they find not her, but a friend (Roberta Collins) with a broken-down car, whom Delores was supposed to be giving a lift. The friend indicates that Delores isn't the walking type and would have hitchhiked. The officers figure that if Gentry is their man, he already got to her, so he's got to lead them to the victim. They drive him up to the area with Sgt. Miller, showing him Grove's car. He denies knowing anything about it but gets pretty worked up. Then they take him to the ravine where "Number Six" was found, and use an impending line-up in which she'll have the opportunity to identify him to persuade him to help them find "Number Seven"...and they do, alive (Carolyn Devore). In the car, Gentry says something to Miller about how when they scream, there's nothing else to do. As Grove is being put in an ambulance, Gentry shows a matter-of-fact interest in whether she'll live. As the officers prepare to take him back to the station, he describes how he felt bad the first time, and tried to kill himself; but didn't feel anything the subsequent times, proposing that it proves he's crazy.

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The fear of Friday!
TFIG?
 
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This film shares its overall theme with Butch Cassidy and the Sundance Kid...a Western set in the early 20th century, with outlaw main characters facing changing times (This one's even got some of them newfangled horseless carriages!) and ultimately going out in a blaze of glory.

All three of the great 1969 Westerns (True Grit being the third) have this basic theme to some degree: What place has the individual who lives by his own code in a "civilized" community? True Grit has less of a technological emphasis than the other two.

Thornton finds himself at odds with their orders, despises the "gutter trash" that they've hired to work under him

Memorably scruffy Strother Martin and L.Q. Jones.

now half-dead from being dragged around behind a horse

Automobile. The offense of technology again.

I was only vaguely aware of this. Westerns weren't really my thing, nor was graphic violence. Learning more about it here, I'm a bit befuddled at the status its acquired. I don't see a lot of substance here.

The necessity of the violence comes down to personal taste, but it's got substance. Like Quentin Tarentino in the '90s, the violence was controversial and tended to overshadow the rest of the picture. The performances alone are worth the viewing: Aging movie star William Holden playing a character whose time seems to have run out, Robert Ryan in the same situation on the other side. They and Oscar winners Ernest Borgnine and Ben Johnson and the always-interesting Warren Oates are shot as hard-worn, lined and weather-beaten as they would be.

I first really became acquainted with this movie with the 1995 thetrical re-release, which added about ten minutes IIRC, mostly flashbacks of Bishop's and Thornton's backstory. I believe that is the only version readily available today.
 
Automobile. The offense of technology again.
:o

I first really became acquainted with this movie with the 1995 thetrical re-release, which added about ten minutes IIRC, mostly flashbacks of Bishop's and Thornton's backstory. I believe that is the only version readily available today.
Those were in the version I watched.
 
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The episode opens with a woman named Anna (Swit) celebrating over a big score at a bar
At first I was surprised that her character was killed off so quickly, but then I remembered that this is before M*A*S*H.

She has a panic attack and tells him that she knows of three girls working at Betsy's, including Anna, who married soldiers and were killed.
Because the great 5-0 didn't notice that pattern. :rommie:

Steve advises him that he could have poured his drinks in plants.
He should have had one of those pills that absorbs alcohol.

Meanwhile, Undercover Danno has continued to romance Yoko and eventually drops his cover.
Is that what the kids are calling it these days?

so he ends up with a lot of bullets in him...in a driveway, not a drink.
There were plenty of drinks in this one. :rommie:

So yeah, apparently Simms was running the scam so that he could murder the girls working under him for being involved in the scam.
Entrapment!

(Virginia Gregg--I'll give them credit that her period old lady look makes her almost unrecognizable here).
She does seem to be one of their most popular clones.

Friday (narration): She said she was familiar with "The Legend of St. Julian".
Tipton: Oh yes, I'm familiar with "The Legend of Saint Julian".​
"And how do you throw your voice like that?"

Philbin: Do you think Flaubert was the reason?
Friday: No ma'am, not the reason...just the excuse.​
Flaubert doesn't kill people....

Friday: You got a long way to go.
Not his best zinger. If I was the killer, I'd feel cheated.

the Mullholland Mauler
Whoa.

As with the hitchhiker, Malloy goes out of his way to put the fear of the serial rapist/murderer at large into them.
And those watching at home, one hopes.

As the officers prepare to take him back to the station, he describes how he felt bad the first time, and tried to kill himself; but didn't feel anything the subsequent times, proposing that it proves he's crazy.
Works for me.

Think Friday is God? :D

The performances alone are worth the viewing:
That I can certainly believe.
 
At first I was surprised that her character was killed off so quickly, but then I remembered that this is before M*A*S*H.
And if you don't count the two-part rerun version of the pilot episode as the last episodes of Season 1 (as All Access does), we got both Hot Lips(es?) in back-to-back episodes.

Because the great 5-0 didn't notice that pattern. :rommie:
They gotta get their info from somewhere.

He should have had one of those pills that absorbs alcohol.
It was a pretty cute exchange the way they played it. And when Danny and Yoko were shitfaced, I myself was wondering if Danny was really that drunk or just acting. So I got a good laugh out of it.

Not his best zinger. If I was the killer, I'd feel cheated.
Most of his zingers are more on that level, which is why I don't quote them that often. Sometimes they make me cringe because the set-ups are so obvious.

Love, American Style will be coming next catch-up week, in case you were wondering. Just watched the available segments from the first episode last night.
 
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And if you don't count the two-part rerun version of the pilot episode as the last episodes of Season 1 (as All Access does), we got both Hot Lips(es?) in back-to-back episodes.
They count the pilot as the finale? Is that some kind of "Menagerie" thing?

They gotta get their info from somewhere.
Yeah, but I mean three women who work in the same bar murdered-- somebody's gotta pick up on that.

It was a pretty cute exchange the way they played it. And when Danny and Yoko were shitfaced, I myself was wondering if Danny was really that drunk or just acting. So I got a good laugh out of it.
He does his own stunts. :rommie:

Most of his zingers are more on that level, which is why I don't quote them that often. Sometimes they make me cringe because the set-ups are so obvious.
Yeah, true.

Love, American Style will be coming next catch-up week, in case you were wondering. Just watched the available segments from the first episode last night.
Man, I want more Love, American Style still no more DVDs on the horizon.
 
55 Years Ago This Week

Wiki said:
August 1 – Cigarette advertising is banned on British television.
Mark Lewisohn's The Beatles Day by Day said:
August 6 – First UK release of the Help! LP.
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Wiki said:
August 6 – U.S. President Lyndon B. Johnson signs the Voting Rights Act of 1965 into law, outlawing literacy tests and other discriminatory voting practices that have been responsible for widespread disfranchisement of African Americans.
August 7 – Tunku Abdul Rahman, Prime Minister of Malaysia, recommends the expulsion of Singapore from the Federation of Malaysia, negotiating its separation with Lee Kuan Yew, Prime Minister of Singapore.



Selections from Billboard's Hot 100 for the week, with a Bubbling Under bonus:
1. "I'm Henry VIII, I Am," Herman's Hermits
2. "(I Can't Get No) Satisfaction," The Rolling Stones
3. "What's New Pussycat?," Tom Jones
4. "Save Your Heart for Me," Gary Lewis & The Playboys
5. "I Got You Babe," Sonny & Cher
6. "Yes, I'm Ready," Barbara Mason
7. "I Like It Like That," The Dave Clark Five
8. "Cara, Mia," Jay & The Americans
9. "I Can't Help Myself (Sugar Pie Honey Bunch)," Four Tops
10. "Don't Just Stand There," Patty Duke
11. "What the World Needs Now Is Love," Jackie DeShannon
12. "I Want Candy," The Strangeloves
13. "Sunshine, Lollipops and Rainbows," Lesley Gore
14. "Down in the Boondocks," Billy Joe Royal
15. "Unchained Melody," The Righteous Brothers

17. "It's the Same Old Song," Four Tops
18. "Baby, I'm Yours," Barbara Lewis
19. "Take Me Back," Little Anthony & The Imperials
20. "Hold Me, Thrill Me, Kiss Me," Mel Carter
21. "Seventh Son," Johnny Rivers
22. "I'm a Fool," Dino, Desi & Billy
23. "All I Really Want to Do," Cher
24. "To Know You Is to Love You," Peter & Gordon
25. "Too Many Rivers," Brenda Lee
26. "You'd Better Come Home," Petula Clark
27. "Pretty Little Baby," Marvin Gaye
28. "California Girls," The Beach Boys
29. "Ride Your Pony," Lee Dorsey
30. "Papa's Got a Brand New Bag, Part I," James Brown & The Famous Flames

32. "Sitting in the Park," Billy Stewart
33. "You Were on My Mind," We Five
34. "You Turn Me On (Turn On Song)," Ian Whitcomb & Bluesville
35. "(Such an) Easy Question," Elvis Presley

37. "The Tracks of My Tears," The Miracles
38. "Mr. Tambourine Man," The Byrds
39. "Since I Lost My Baby," The Temptations

41. "Help!," The Beatles

43. "All I Really Want to Do," The Byrds
44. "Like a Rolling Stone," Bob Dylan

47. "Nothing but Heartaches," The Supremes

52. "In the Midnight Hour," Wilson Pickett

57. "Ju Ju Hand," Sam the Sham & The Pharaohs
58. "Shake and Fingerpop," Jr. Walker & The All Stars

69. "Heart Full of Soul," The Yardbirds

76. "It Ain't Me Babe," The Turtles
77. "The 'In' Crowd," The Ramsey Lewis Trio

85. "Agent Double-O-Soul," Edwin Starr

90. "Sad, Sad Girl," Barbara Mason

101. "I'm Down," The Beatles


Leaving the chart:
  • "For Your Love," The Yardbirds (12 weeks)
  • "Girl Come Running," The Four Seasons (7 weeks)
  • "Here Comes the Night," Them (10 weeks)
  • "Oo Wee Baby, I Love You," Fred Hughes (10 weeks)
  • "Set Me Free," The Kinks (8 weeks)
  • "Tonight's the Night," Solomon Burke (10 weeks)
  • "Wonderful World," Herman's Hermits (10 weeks)
  • "Wooly Bully," Sam the Sham & The Pharoahs (18 weeks)
  • "A World of Our Own," The Seekers (10 weeks)

Recent and new on the chart:

"Nothing but Heartaches," The Supremes
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(July 31; #11 US; #6 R&B)

"It Ain't Me Babe," The Turtles
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(#8 US)

"Help!," The Beatles
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(#1 US the weeks of Sept. 4 through 18, 1965; #1 UK; #29 on Rolling Stone's 500 Greatest Songs of All Time)

Bubbling under:

"I'm Down," The Beatles
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(B-side of "Help!"; #101 US)

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They count the pilot as the finale? Is that some kind of "Menagerie" thing?
Probably more of a syndication packaging thing.

Yeah, but I mean three women who work in the same bar murdered-- somebody's gotta pick up on that.
They probably hadn't been called in yet...but yeah, you'd think somebody would have been on that case.
 
Hawaii Five-O
"A Thousand Pardons--You're Dead!"
Originally aired September 24, 1969 (Season 2 premiere)

This marks the debut of the closing credit film that would be used for the rest of the series: A Hawaiian outrigger boat rowed against the surf replacing season's 1's blue light on the back of a HPD motorcycle. A short crashing wave title also appears before the teaser. But we'll have to wait till season six for "Starring Jack Lord" to make its appearance in the closing credits as well as the opening.
 
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50th Anniversary Catch-Up Viewing

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Love, American Style
"Love and a Couple of Couples / Love and the Hustler / Love and the Pill"
Originally aired September 29, 1969
Series premiere

The first segment, "Love and a Couple of Couples," wasn't in the reorganized syndication episodes recently binged on Decades...though it was part of the unaired pilot episode, which I reviewed last year on this first aired episode's date...
Our first segment is "Love and a Couple of Couples," which actually aired as part of the first broadcast episode on September 29. It opens with a song that sounds like it was also performed by the Cowsills. Gary (Michael Callan) gets an awkward visit from his ex-wife, Aggie (Penny Fuller) while he's cooking dinner for his fiancee, June (Yvonne Craig). Aggie's clearly still attached to Gary--the main thing she wants to talk about is their old bed. While he's out of the room she tries on the ring that Gary plans to give June that evening and can't get it off. So she stays for dinner, upsetting June with her tales of their former marriage. After a visit from Aggie's glee club, during which June leaves in a huff, the ex-spouses call a plumber to help them get the ring off. While he's trying at it, they have an argument in which she admits that she still has feelings for him, and he realizes the same, so they decide to leave the ring where it's at.

I think they were trying to make June a little unlikeable, but I still feel sorry for her.



"Love and the Hustler" features Flip Wilson as showy, egocentric pool hustler Big Red. While waiting for his opponent--the "man" of a character named Roscoe (Mantan Moreland), who's placed a large wager on the game--Red exhibits his skill to a girl named Mercy (Gail Fisher), whom he picked up on his way to the pool hall...placing a bet that he gets a kiss for every ball he knocks in. When it looks like his opponent isn't going to show, he lets Mercy play on a "winner's choice" wager...and she cleans up the table, multiple times, never giving him a turn. Yes, it turns out that she's Roscoe's "man". Mercy offers to treat Red to a night on the town with her winnings, during which she may let him collect on the bet that he won earlier.

Roscoe: "That Red...you know, even when he loses, he wins!"​

Eddie "Rochester" Anderson gets top billing as Roscoe's foil, Willie, who holds the money being wagered. I wasn't clear what his role was otherwise...he wasn't Red's manager, but might have been the pool hall owner.

The episode's IMDb page erroneously claims that this is Flip Wilson's TV debut. Of course, he'd performed as himself on numerous shows by this point, including Sullivan and Laugh-In. What they probably meant was that it was his first scripted role...and looking at his Actor listing on IMDb, that's only if you exclude a skit he'd appeared in on The Jerry Lewis Show. So yeah, nice try, IMDb contributor.


"Love and the Pill" has Ellen Parker (Jane Wyatt) fretting to her husband, Bert (Robert Cummings), about a swinging European trip that their almost-of-age daughter will be going on with her boyfriend. Bert seems more interested in his crossword puzzle until Ellen suggests that they start slipping Kim the pill without her knowledge. As they won't be going on the trip, they decide to enlist the aid of the boyfriend, Dennis (David Ladd), who just happens to be coming over for a visit while Kim's not home. Mrs. Parker tries to pass off the pills--which she already has in her purse--as a medication for a blood disease, but Dennis recognizes them for what they are. When Dennis asserts that he and Kim "haven't done anything wrong," Mr. Parker starts to worry and ask questions about why not, thinking that there must be something wrong with one of them. After some awkwardness, Dennis firmly tells the Parkers that it's just the way that he and Kim both feel about the subject, humbling the parents. After he makes his exit...

Bert: Y'know, that's the trouble with kids today....Parents.​

We have another LAS Parker/Palmer mix-up here, though this time I don't know if it was on the show's part...the parents in "Love and the Pill" are clearly identified as the Parkers in the episode itself, but IMDb has them listed as Palmers. FWIW, I noticed in the opening credits that one of the executive producers is a Jim Parker...perhaps an in-gag concerning him?

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Hawaii Five-O
"To Hell with Babe Ruth"
Originally aired October 1, 1969
Wiki said:
Taking place on 6 and 7 December 1969, a Japanese ninja (Mark Lenard) who had been in a mental hospital since December 6, 1941 plans on carrying out his mission from 28 years earlier.

Yes, Lenard joins the illustrious ranks of major non-Asian actors who've guested in Asian roles on the show...here wearing very obvious false eyelids, at least in close-ups when he's not wearing his glasses. The episode opens with his character, Yoshio Nagata, sneaking into an explosives depot in his ninja costume to steal eight sticks of dynamite, killing a guard with a shuriken in the process. Interestingly, the 5-O gang has no clue what a shuriken is when it's found on the scene...which is kind of sign-o-the-timesy, but only if you're willing to buy that none of them has seen You Only Live Twice. After a second incident in which Nagata steals a car, using karate on a police officer who approaches him (and driving a lot like Kirk in "A Piece of the Action"), the team consults a karate instructor (Tom Fujiwara), who fills them in regarding the throwing star.

Nagata, who thinks it's still 1941 but is confused regarding how the world has changed around him, visits a dusty old hideout with a secret panel and then attempts to make contact with a woman whom he thinks is his wife and partner, Komiko, at a clock shop...but she's actually Heather Nagata (Virginia Wing), Komiko's daughter by Yoshio, who thought her father had died at Pearl Harbor. Yoshio abducts her and steals a clock.

By this point, the team has identified Nagata as a man who was apprehended on December 6, 1941, and had spent the last 28 years committed to a mental hospital until his recent escape. 5-O talks to the shop's owner, Yuko Takuma (Will Kuluva, whom they don't try as hard to make look Japanese), Nagata's surviving partner in sabotage. As it's December 6, the team figures that Nagata's going to go to Pearl the next day and try to destroy whatever he was supposed to blow up in 1941. Takuma succumbs to his wound from a sloppy suicide attempt before they can get the target out of him, but clues on a map point them to the fuel tanks...which cover a large area, so McGarrett has soldiers scour the place with boom mics listening for the ticking of the bomb. We get a very obvious "extra who's not paid to speak" moment when he's giving orders to the sergeant in charge, and the sergeant just nods and smiles instead of verbally confirming the order.

The bomb is detected, and McGarrett and Danny confront Nagata on top of one of the tanks (where he's also holding Heather), trying to make him face the reality of his situation. The episode title refers to a slogan that was broadcast by Japanese pilots during the 1941 attack, which the team had earlier found painted on the wall of Nagata's hideout. Nagata shouts it when they're with him on top of the tank and he sees a flight of four military jets as attacking Japanese planes...not at all confused that they're, y'know, jets. But McGarrett uses the distraction to tackle him, and then disarms the bomb with a pair of nail clippers...which I'm sure he only carries on his person for situations like this. The end of the episode leaves Nagata's fate ambiguous, as he still thinks that it's 1941 and that Heather is Komiko.

_______

Dragnet 1970
"S.I.U. – The Ring"
Originally aired October 2, 1969
Xfinity said:
Friday and Gannon track down a burglary suspect and uncover $25,000 worth of hidden loot.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. Like every other city, it has its parks. And like parks and park benches everywhere, these are green, comfortable spots for sunbathing and quiet conversation. This one's a little different: Hollywood Park, where they're off and running five days a week. There are few benches or quiet conversations here, and everything green doesn't grow on trees. The Spaniards introduced horse racing to the city in the late 1700s. In no time it became the featured event at most county fairs. By the early 1900s, it was the third largest industry in the state. Hollywood Park opened its gates in 1938, exhibiting one of the most beautiful racetracks in the world. Here horses and jockeys compete for split-second fortunes. It's properly named, "the sport of kings." This year, in Hollywood Park alone, over $170 million will ride on the tote boards. With an average daily attendance of 30,000 people, there'll be a lot of winners. For the others, losing may become a habit. In my job, I meet a lot of losers. I carry a badge.

Wednesday, August 3 (1966?): Friday and Gannon are working the day watch out of Special Investigation Unit when they're sent to talk to an informant code-named Black Ten (Larry Levine), whom Friday recognizes as a man he's arrested twice in the past. Ten tips them off regarding an ex-con now working as a bartender named Al Baylor (Anthony Eisley) who's recently sporting an ornate diamond and jade ring and trying to sell it for far less than Ten figures it's worth. Scouring the files for recent jewely robberies, they find a likely match in a jewelry robbery from the home of a wealthy Mrs. Eloise Shearing (Louise Lorimer).

Wanting to get the whole stolen load, the detectives obtain a search warrant but--not entirely trusting their contact--want to see the ring on Baylor first, so they enlist the help of a recently graduated policewoman, Rita Hanley (Stephanie Shayne, who looks a lot older here than the 22 years the character is supposed to be, or the 19 years that the actress actually was), to pose as a swinger and likely mark. When they get to the bar where Baylor works, their plan runs into a hitch when they find that Baylor isn't wearing the ring. But he apparently slips it on while they're at the bar to show it to them and try to sell it, which results in immediate arrest. Baylor gives them an alibi about having bought it off another guy. They take him back to his home for the search, though he's worried about it costing him his job...

Baylor: If I lose this spot, I've got no place to go!
Friday: Oh yes, you have.​

Despite all their expertise, the detectives are unable to find the jewelry in any potential hiding spots. Baylor claims that a waitress at the bar, Jan Petrie (Julie Bennett), might be able to identify the man who sold him the ring, and gives her a call to let her know what's going on. When she apparently can't and it looks like he's going to be hauled in, he asks her to come over to look in on the place and feed his fish. The detectives wait in hiding for her to come that night, and watch as she uses a hook made from a coat hanger to retrieve the rest of the jewels from a hiding place in the fish tank. Baylor informs them that it's a good thing they didn't think to look in the tank, as the fish are illegally owned piranhas!

The Announcer said:
On September 2nd, trial was held in Department 183, Superior Court of the State of California, for the County of Los Angeles....The suspect was found guilty of violating section 459 PC, burglary, which is punishable by imprisonment in the state prison for not less than five years.
The mugshot said:
ALLAN BAYLOR
Now serving his term in the State Prison, San Quentin, California.
The Announcer said:
Jan Petrie turned state's evidence, and all charges against her were dropped.

_______

This marks the debut of the closing credit film that would be used for the rest of the series: A Hawaiian outrigger boat rowed against the surf replacing season's 1's blue light on the back of a HPD motorcycle. A short crashing wave title also appears before the teaser.
I noticed those changes...the rowing scene is what I remember from what I caught of the show in the '70s.

But we'll have to wait till season six for "Starring Jack Lord" to make its appearance in the closing credits as well as the opening.
Over to you, RJ... :lol:
 
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I noticed those changes...the rowing scene is what I remember from what I caught of the show in the '70s.

Speaking of the '70s and Hawaii Five-O, people who remember these very special few seconds from CBS...
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... may not know that the music was cut together from the score of a Five-O episode:

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Dayum! I do remember that special intro...and the H5O music sounds like something I've heard in an episode recently--which one was it in?
 
"Nothing but Heartaches," The Supremes
Not a classic, but pretty sweet.

"It Ain't Me Babe," The Turtles
Calm down a little, guys.

"Help!," The Beatles
Classic Beatles.

"I'm Down," The Beatles
This is pretty good, too. Definitely has that Beatles sound.

"Love and the Hustler" features Flip Wilson as showy, egocentric pool hustler Big Red.
In other words, playing Flip Wilson. :rommie: He was lovable enough to pull it off, though.

Red exhibits his skill to a girl named Mercy (Gail Fisher)
Speaking of lovable. She was about the only reason I had for sticking through an episode of Mannix back in the day. Although we've been watching the occasional episode lately and it's not a bad show-- just pretty generic.

Eddie "Rochester" Anderson gets top billing
As well he should. :D

After some awkwardness, Dennis firmly tells the Parkers that it's just the way that he and Kim both feel about the subject, humbling the parents.
Cop out! But that's just for the parents in the audience. Ask yourself why Dennis recognized the pills. :rommie:

FWIW, I noticed in the opening credits that one of the executive producers is a Jim Parker...perhaps an in-gag concerning him?
I sense a deeper conspiracy.

Interestingly, the 5-O gang has no clue what a shuriken is when it's found on the scene...which is kind of sign-o-the-timesy, but only if you're willing to buy that none of them has seen You Only Live Twice.
Perhaps Bond and 5-0 coexist in the same universe.

By this point, the team has identified Nagata as a man who was apprehended on December 6, 1941, and had spent the last 28 years committed to a mental hospital until his recent escape.
Interesting variation on the Japanese-soldier-marooned-on-an-island-who-loses-track-of-time-without-his-iPhone trope.

Takuma succumbs to his wound from a sloppy suicide attempt
What was his motive for the suicide? Shame over what he did back then? Shame over what his friend is doing?

The episode title refers to a slogan that was broadcast by Japanese pilots during the 1941 attack
Interesting historical tidbit.

But McGarrett uses the distraction to tackle him, and then disarms the bomb with a pair of nail clippers...which I'm sure he only carries on his person for situations like this.
Steve McGarrett: The Original Metrosexual.

The end of the episode leaves Nagata's fate ambiguous, as he still thinks that it's 1941 and that Heather is Komiko.
Back to the Federation Funny Farm.

"S.I.U. – The Ring"
Or "There and Back Again."

Wanting to get the whole stolen load, the detectives obtain a search warrant but--not entirely trusting their contact
So suspicious!

Baylor: If I lose this spot, I've got no place to go!
Friday: Oh yes, you have.​
That's better. :rommie:

Baylor informs them that it's a good thing they didn't think to look in the tank, as the fish are illegally owned piranhas!
"Wednesday, February 31st. We were working the night shift out of Illegal Exotic Pets Division...."

Over to you, RJ... :lol:
What's that? Sorry, I was doing my nails.

... may not know that the music was cut together from the score of a Five-O episode:
Sweet. I remember that intro, but I had no idea of its origin.
 
50 Years Ago This Week

Wiki said:
August 7 – Harold Haley, Marin County Superior Court Judge, is taken hostage and murdered, in an effort to free George Jackson from police custody.



Selections from Billboard's Hot 100 for the week:
1. "(They Long to Be) Close to You," Carpenters
2. "Make It with You," Bread
3. "Signed, Sealed, Delivered I'm Yours," Stevie Wonder
4. "Spill the Wine," Eric Burdon & War
5. "Band of Gold," Freda Payne
6. "Mama Told Me (Not to Come)," Three Dog Night
7. "Tighter, Tighter," Alive and Kicking
8. "The Love You Save" / "I Found That Girl", The Jackson 5
9. "Ball of Confusion (That's What the World Is Today)," The Temptations
10. "O-o-h Child" / "Dear Prudence", The Five Stairsteps
11. "War," Edwin Starr
12. "In the Summertime," Mungo Jerry
13. "I Just Can't Help Believing," B. J. Thomas
14. "Ohio," Crosby, Stills, Nash & Young
15. "Get Up (I Feel Like Being Like a) Sex Machine (Part 1)," James Brown
16. "(If You Let Me Make Love to You Then) Why Can't I Touch You?," Ronnie Dyson
17. "Lay a Little Lovin' on Me," Robin McNamara
18. "Are You Ready?," Pacific Gas & Electric
19. "Hitchin' a Ride," Vanity Fare
20. "Lay Down (Candles in the Rain)," Melanie
21. "Teach Your Children," Crosby, Stills, Nash & Young
22. "Tell It All Brother," Kenny Rogers & The First Edition
23. "Patches," Clarence Carter
24. "Westbound #9," The Flaming Ember
25. "Overture from Tommy (A Rock Opera)," The Assembled Multitude
26. "Ride Captain Ride," Blues Image
27. "25 or 6 to 4," Chicago
28. "Summertime Blues," The Who
29. "Maybe," The Three Degrees
30. "Big Yellow Taxi," The Neighborhood
31. "The Sly, Slick, and the Wicked," The Lost Generation
32. "Everybody's Got the Right to Love," The Supremes
33. "Silver Bird," Mark Lindsay
34. "Mississippi Queen," Mountain
35. "Hand Me Down World," The Guess Who

37. "A Song of Joy (Himno a La Alegria)," Miguel Rios

39. "Gimme Dat Ding," The Pipkins
40. "Groovy Situation," Gene Chandler
41. "Hi-De-Ho," Blood, Sweat & Tears

44. "Solitary Man," Neil Diamond
45. "Snowbird," Anne Murray
46. "Ain't No Mountain High Enough," Diana Ross

49. "Julie, Do Ya Love Me," Bobby Sherman

55. "Cinnamon Girl," Neil Young & Crazy Horse
56. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival

58. "(I Know) I'm Losing You," Rare Earth
59. "Don't Play That Song," Aretha Franklin w/ The Dixie Flyers

67. "It's a Shame," The Spinners

70. "Candida," Dawn

80. "Yellow River," Christie
81. "Big Yellow Taxi," Joni Mitchell

86. "Joanne," Michael Nesmith & The First National Band

97. "Uncle John's Band," The Grateful Dead

100. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks


Leaving the chart:
  • "Check Out Your Mind," The Impressions (12 weeks)
  • "Love Land," Charles Wright & The Watts 103rd Street Rhythm Band (17 weeks)
  • "Save the Country," The 5th Dimension (8 weeks)
  • "The Wonder of You" / "Mama Liked the Roses", Elvis Presley (12 weeks)

New on the chart:

"Uncle John's Band," The Grateful Dead
(#69 US)

"That's Where I Went Wrong," The Poppy Family feat. Susan Jacks
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(#29 US; #7 AC)

"Joanne," Michael Nesmith & The First National Band
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(#21 US; #6 AC)

"Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
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(#11 US; #1 R&B; #13 UK)

"Lookin' Out My Back Door," Creedence Clearwater Revival
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(#2 US as double A-side w/ "Long as I Can See the Light")

"Long as I Can See the Light," Creedence Clearwater Revival
(#2 US as double A-side w/ "Lookin' Out My Back Door"; #20 UK)

"Ain't No Mountain High Enough," Diana Ross
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(#1 US the weeks of Sept. 19 through Oct. 3, 1970; #6 AC; #1 R&B; #6 UK)

_______

Not a classic, but pretty sweet.
At #11, this could have been somebody else's big hit...but it's a streakbreaker for the Supremes, as they're coming off of five consecutive #1's...!

Calm down a little, guys.
Not doing the Dylan material justice to your ear? And yeah, it sounds like a California band trying to copycat another California band's groundbreaking formula.

Classic Beatles.
Wiki said:
The documentary series The Beatles Anthology revealed that Lennon wrote the lyrics of the song to express his stress after the Beatles' quick rise to success. "I was fat and depressed and I was crying out for 'Help'", Lennon told Playboy. Writer Ian MacDonald describes the song as the first crack in the protective shell Lennon had built around his emotions during the Beatles' rise to fame, and an important milestone in his songwriting style.

In the 1970 Rolling Stone "Lennon Remembers" interviews, Lennon said that the song was one of his favourites among the Beatles songs he wrote. In these interviews, Lennon said he felt that "Help!" and "Strawberry Fields Forever" were his most honest, genuine Beatles songs and not just songs "written to order".
I'd also always heard/read that it was originally intended to have a slower arrangement, but I didn't see anything about that in the Wiki article.

RJDiogenes said:
This is pretty good, too. Definitely has that Beatles sound.
Does it sound like anyone else, though...? This one was Paul's attempt at writing his own Little Richard song, and replaced "Long Tall Sally" as the closing number in their later concerts.

In other words, playing Flip Wilson. :rommie: He was lovable enough to pull it off, though.
I wanted to say that the character was Muhammad Ali-like, but he didn't go so far as speaking in rhyme.

Speaking of lovable. She was about the only reason I had for sticking through an episode of Mannix back in the day.
Her hair was different here than I've seen it in the background on Mannix...more of a Jackie Kennedy style.

Cop out! But that's just for the parents in the audience. Ask yourself why Dennis recognized the pills. :rommie:
I don't think that was the intent, but the bottom line was that these kids weren't so clueless about the subject that they needed the parents secretly meddling to stop them from getting into trouble.

Perhaps Bond and 5-0 coexist in the same universe.
And Felix Leiter in Dr. No was really McGarrett...?

Interesting variation on the Japanese-soldier-marooned-on-an-island-who-loses-track-of-time-without-his-iPhone trope.
Yeah...it was effectively the same type of story, but the island was Oahu.

What was his motive for the suicide? Shame over what he did back then? Shame over what his friend is doing?
Pretty much both...Nagata turning up reminded him of his own dark past, which he was now ashamed of.

Interesting historical tidbit.
I should note that I hadn't verified that, but it did have a familiar ring to it. Doing a quick look-up, the Babe's Wiki page references Japanese soldiers having used it as a battle cry to anger American soldiers.

That's better. :rommie:
It was more subtle than most.

What's that? Sorry, I was doing my nails.
Which has gotta be better than doing Jack's.
 
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...and the H5O music sounds like something I've heard in an episode recently--which one was it in?

After further research, I have to correct myself there. Apparently it was from a H5O soundtrack album by series main series composer Morton Stevens, a track named "Call to Danger." I'm pretty sure I've heard cues from that track in the show, but don't have a specific episode.
 
The performances alone are worth the viewing: Aging movie star William Holden playing a character whose time seems to have run out, Robert Ryan in the same situation on the other side. They and Oscar winners Ernest Borgnine and Ben Johnson and the always-interesting Warren Oates are shot as hard-worn, lined and weather-beaten as they would be.

All stellar performances.


Love, American Style
"Love and a Couple of Couples / Love and the Hustler / Love and the Pill"
Originally aired September 29, 1969
Series premiere

Man, was this EVER a staple of repeat viewing first-run and in syndication. As I recall, some just enjoyed the cheeky segments, while for others, it was all about seeing famous faces (for the most part) in roles they were not always taking elsewhere. Similar to the effect The Love Boat would have just a few years later.


Speaking of the '70s and Hawaii Five-O, people who remember these very special few seconds from CBS...
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... may not know that the music was cut together from the score of a Five-O episode:

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Mort Stevens?
 
55th Anniversary Fly-on-the-Wall British Telly Listening

On August 1, 1965, the Beatles performed a live set for the UK programme Blackpool Night Out, with an emphasis on songs from the Help! album.

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Note that George's intro to the next number references a popular British talent programme of the day.
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"Thank you, Ringo, that was wonderful."
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Similar to the effect The Love Boat would have just a few years later.
I've heard that one critic back in the day described The Love Boat as "Love, American Style with life preservers".
 
Very pleasant.

"That's Where I Went Wrong," The Poppy Family feat. Susan Jacks
Also very nice.

"Joanne," Michael Nesmith & The First National Band
That was really good.

"Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
Not great material, but it caused Aretha to sing so that's a plus.

"Lookin' Out My Back Door," Creedence Clearwater Revival
Great Creedence!

"Long as I Can See the Light," Creedence Clearwater Revival
Pretty good Creedence!

"Ain't No Mountain High Enough," Diana Ross
One wonders how something like this is possible.

Not doing the Dylan material justice to your ear? And yeah, it sounds like a California band trying to copycat another California band's groundbreaking formula.
I don't hate it, but it's a bit shrill, which doesn't suit the material.

Does it sound like anyone else, though...? This one was Paul's attempt at writing his own Little Richard song, and replaced "Long Tall Sally" as the closing number in their later concerts.
It didn't strike me as that at the time. It's hard for me to quantify these things, but I heard all of the familiar elements of Beatles classics, but just not gelling like they do elsewhere-- essentially B-side Beatles.

I wanted to say that the character was Muhammad Ali-like, but he didn't go so far as speaking in rhyme.
Could be, since it was kind of a sports theme-- I don't remember clearly enough to say.

I don't think that was the intent, but the bottom line was that these kids weren't so clueless about the subject that they needed the parents secretly meddling to stop them from getting into trouble.
Ah, okay. Different message.

And Felix Leiter in Dr. No was really McGarrett...?
Hmm. Yet another Crimestopper Clone.

Pretty much both...Nagata turning up reminded him of his own dark past, which he was now ashamed of.
Makes sense.

As I recall, some just enjoyed the cheeky segments
That was me. Also, it felt like a window into what was coming when I grew up. Didn't quite work out that way, but....

while for others, it was all about seeing famous faces (for the most part) in roles they were not always taking elsewhere. Similar to the effect The Love Boat would have just a few years later.
Love Boat was essentially Love, American Style with continuing characters-- and without the cheekiness.

"Thank you, Ringo, that was wonderful."
His epitaph!

I've heard that one critic back in the day described The Love Boat as "Love, American Style with life preservers".
I've always said-- well, I just said it again. :rommie:
 
55th Anniversary Album Spotlight

Out of Our Heads
The Rolling Stones
Released July 30, 1965 (US); September 24, 1965 (UK)
Chart debut: August 7, 1965
Chart peak: #1, August 21 through September 4, 1965
#114 on Rolling Stone's 500 Greatest Albums of All Time
OutofOurHeads.jpg
Wiki said:
Out of Our Heads is a studio album by the English rock band the Rolling Stones, released in two editions with different covers and track listings. In the US, London Records released it on 30 July 1965, while Decca Records released its UK edition on 24 September 1965. Overall, it is the band's third British and fourth American studio album.
As with the prior two albums, it consists mostly of covers of American blues, soul and rhythm and blues songs, though the band wrote some of their own material for this album (4 out of the 12 tracks on the UK version, and 6 out of 12 for the US version).


The album opens with an enjoyable cover of Don Covay's 1964 R&B chart-topper, "Mercy, Mercy". As is the case with many of the covers on the Stones' early albums, this was my primary exposure to the song, years before the original found its way into my collection. Ditto for "Hitch Hike," a modest crossover hit for Marvin Gaye in 1963.

Next is the only Jagger/Richards original on side one, the already-familiar "The Last Time" (charted Mar. 27, 1965; #9 US; #1 UK):
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Following that it's more covers, including "That's How Strong My Love Is," a recent sub-Top 40 charter for Otis Redding; another tribute to the late Sam Cooke, his 1964 hit "Good Times"; and side one's closer, "I'm All Right"--a live Bo Diddley cover that was released in the UK in June on the Got Live If You Want It! EP.

Side two, by comparison, consists mostly of original compositions...starting with the money maker:
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(charted June 12, 1965; #1 US the weeks of July 10 through 31, 1965; #19 R&B; #1 UK; #2 on Rolling Stone's 500 Greatest Songs of All Time)

"Cry to Me," an R&B hit and sub-Top 40 charter for Solomon Burke in 1962, is the second side's only cover. As close as they were, one wonders why they didn't just split the album into one side of original songs and one side of covers.

"The Under Assistant West Coast Promotion Man" is a satirical Nanker Phelge blues composition that's most noteworthy for being the US B-side of the aforementioned money maker:
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Also credited to Nanker Phelge, the striking "Play with Fire" (charted May 22, 1965; #96 US) was the B-side of "The Last Time":
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"The Spider and the Fly" is a Jagger/Richards blues composition that's most noteworthy for being the UK B-side of the money maker:
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The album closes with "One More Try," a Jagger/Richards composition that's catchy but lightweight by the standards of the other originals on the disc...and wouldn't be released in the UK until 1971's Stone Age.

Wiki said:
Riding the wave of "Satisfaction"'s success, Out of Our Heads became the Rolling Stones' first US number one album, eventually going platinum.


Overall, an enjoyable, solid listen, but still a little too covers heavy...especially given that the Beatles are now shifting out of their covers phase (though that hasn't yet been made evident in the US releases).

_______

Very pleasant.
The Dead's Hot 100 debut.

Also very nice.
This one's still rather new to me...it has a pretty striking intro.

That was really good.
I find it a bit...trying. But definitely of historical interest. I'm surprised TREK_GOD wasn't all over this...

Not great material, but it caused Aretha to sing so that's a plus.
FWIW, she's covering a song that was originally and also a #11 for Ben E. King in 1962. Now in King's hands, it sounds like a "Stand By Me" soundalike attempt...

Great Creedence!
Pretty good Creedence!
[Insert album review plug here.]

One wonders how something like this is possible.
It's quite striking...but I still like Marvin & Tammi's version better. :p

I should note that I posted the full-length album version; the single version was a shorter edit. It turns out that I have two versions of this track from different compilations...one is single version length, the other is longer than the single version but not full album length. For my playlists, I'm using the single version.

It didn't strike me as that at the time. It's hard for me to quantify these things, but I heard all of the familiar elements of Beatles classics, but just not gelling like they do elsewhere-- essentially B-side Beatles.
Try listening to it back-to-back with the Beatles' version of "Long Tall Sally" from the previous year.
Exhibit A.
Exhibit B.
It could be the original Beatles song that's closest to being a cover! :p

That was me. Also, it felt like a window into what was coming when I grew up. Didn't quite work out that way, but....
Your first clue was the lack of brass beds lying around outdoors.

His epitaph!
Whose? That was John satirically referring to Paul as Ringo.

Note that the album release was later that week in the UK, so that performance may have been the first time that the general public heard "Yesterday".
 
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Next is the only Jagger/Richards original on side one, the already-familiar "The Last Time" (charted Mar. 27, 1965; #9 US; #1 UK):
This is a good one.

Side two, by comparison, consists mostly of original compositions...starting with the money maker:
Definitely a stone-cold classic, although I don't know if I'd put it at #2. But then I don't know what I would put at #2.

"The Spider and the Fly" is a Jagger/Richards blues composition that's most noteworthy for being the UK B-side of the money maker:
Interesting. Not bad.

Overall, an enjoyable, solid listen, but still a little too covers heavy...
Which is still amazing to me.

It's quite striking...but I still like Marvin & Tammi's version better. :p
It's a great song in any case.

I should note that I posted the full-length album version; the single version was a shorter edit.
I assumed that and meant to ask, but forgot.

Try listening to it back-to-back with the Beatles' version of "Long Tall Sally" from the previous year.
Yeah, I do see it now. It's like he took all the Beatles building blocks and used them to make a Little Richard homage.

Your first clue was the lack of brass beds lying around outdoors.
:rommie: Actually, my first clue was the Mohawks. :rommie:

Whose? That was John satirically referring to Paul as Ringo.
Oops. I didn't actually watch the clip, being in a hurry to get going. Still a good epitaph for Ringo, though. :rommie:
 
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