50th Anniversary Album Spotlight
Live at Leeds
The Who
Released May 3, 1970 (UK); May 16, 1970 (US)
Chart debut: May 30, 1970
Chart peak: #4, August 15, 1970
#170 on Rolling Stone's 500 Greatest Albums of All Time
This one was a bit tricky, as there are three versions of the album available on iTunes, and even the most bare-bones version has several bonus tracks, interspersed with the songs that were found on the original vinyl LP (and reportedly containing more in the way of intros than the original album did). I got that "bare-bones" version, which corresponds with the 1995 CD version, and after generally familiarizing myself with the fuller album, created a playlist of just the original track listing for immersive retro purposes. Fortunately, this version bucks the digital-age trend for live albums, dividing the tracks so that the intros fall with the appropriate songs, rather than at the ends of preceding songs.
The original album opens with "Young Man Blues," a hard-rocking cover of a song written and originally recorded in 1957 by jazz artist Mose Allison:
Next up is "Substitute" (studio single reached #5 UK in 1966), originally part of a segment of three previous hits.
After that on the original album is the Who's cover of Eddie Cochran's 1958 classic "Summertime Blues":
Cochran's original: charted Aug. 4, 1958; #8 US; #11 R&B; #18 UK; #73 on Rolling Stone's 500 Greatest Songs of All Time.
The Who's live cover: charts July 11, 1970; #27 US; #38 UK.
Side one of the original LP closes with "Shakin' All Over"...courtesy of audiences who didn't know that the Guess Who were a different band!
The original side two opens with a 15-minute jam of the band's signature song, "My Generation" (studio single charted Jan. 15, 1966; #74 US; #2 UK; #11 on Rolling Stone's 500 Greatest Songs of All Time), which includes bits of Tommy...described in the intro (which isn't included in the clip below) as a reprise because they'd done a Tommy set in the original show:
As with the original show, multiple versions of the album close with "Magic Bus," which is also substantially lengthier than the original single (charted Aug. 10, 1968; #25 US; #26 UK), but not to the same extent; and is also a more straightforward jam of just that song:
I've never been very big on live albums, but as they go, this is a pretty solid one, full of energetic, hard-driving numbers.
_______
Live at Leeds
The Who
Released May 3, 1970 (UK); May 16, 1970 (US)
Chart debut: May 30, 1970
Chart peak: #4, August 15, 1970
#170 on Rolling Stone's 500 Greatest Albums of All Time
Wiki said:Live at Leeds is the first live album by English rock band The Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon.
The Who were looking for a way to follow up their 1969 album Tommy, and had recorded several shows on tours supporting that album, but didn't like the sound. Consequently, they booked the show at Leeds University, along with one at Hull City Hall the following day, specifically to record a live album. Six songs were taken from the Leeds show, and the cover was pressed to look like a bootleg recording. The sound was significantly different from Tommy and featured hard rock arrangements that were typical of the band's live shows.
The album was released in May 1970 by Decca and MCA in the United States by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been cited by several music critics as the best live rock recording of all time.
This one was a bit tricky, as there are three versions of the album available on iTunes, and even the most bare-bones version has several bonus tracks, interspersed with the songs that were found on the original vinyl LP (and reportedly containing more in the way of intros than the original album did). I got that "bare-bones" version, which corresponds with the 1995 CD version, and after generally familiarizing myself with the fuller album, created a playlist of just the original track listing for immersive retro purposes. Fortunately, this version bucks the digital-age trend for live albums, dividing the tracks so that the intros fall with the appropriate songs, rather than at the ends of preceding songs.
The original album opens with "Young Man Blues," a hard-rocking cover of a song written and originally recorded in 1957 by jazz artist Mose Allison:
Wiki said:Allison himself called this the "Command Performance" version of his song.
Next up is "Substitute" (studio single reached #5 UK in 1966), originally part of a segment of three previous hits.
Wiki said:"Substitute" was primarily inspired by the 1965 soul single "The Tracks of My Tears" by Smokey Robinson and the Miracles. Pete Townshend became obsessed, particularly, with the line, "Although she may be cute/She's just a substitute." This had then led Townshend "to celebrate the word with a song all its own."
After that on the original album is the Who's cover of Eddie Cochran's 1958 classic "Summertime Blues":
Cochran's original: charted Aug. 4, 1958; #8 US; #11 R&B; #18 UK; #73 on Rolling Stone's 500 Greatest Songs of All Time.
The Who's live cover: charts July 11, 1970; #27 US; #38 UK.
Side one of the original LP closes with "Shakin' All Over"...courtesy of audiences who didn't know that the Guess Who were a different band!

The original side two opens with a 15-minute jam of the band's signature song, "My Generation" (studio single charted Jan. 15, 1966; #74 US; #2 UK; #11 on Rolling Stone's 500 Greatest Songs of All Time), which includes bits of Tommy...described in the intro (which isn't included in the clip below) as a reprise because they'd done a Tommy set in the original show:
As with the original show, multiple versions of the album close with "Magic Bus," which is also substantially lengthier than the original single (charted Aug. 10, 1968; #25 US; #26 UK), but not to the same extent; and is also a more straightforward jam of just that song:
I've never been very big on live albums, but as they go, this is a pretty solid one, full of energetic, hard-driving numbers.
_______
Their health care is only as inadequate as their wardrobes.Funny, but the subject of inadequate medical care is something that is best sidestepped on this show.
There was a part where it looked like Gilligan was going to have a dream after being put under...and that ain't how anesthesia works.Here's a missed opportunity for a dream sequence. The Professor as Doc Frankenstein, the Skipper as Igor, Mr Howell as the Burgermeister, et cetera....