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The Classic/Retro Pop Culture Thread

Also in the original episode according to tv.com:
A St. Paddy's Day episode, apparently.

Old flame Laurette Lansing (Kamala Devi) is checking into a hotel when she finds Jason beating up a man and tossing him down the stairs for calling him a coward.
He's getting a little testy about the whole thing.

We learn that she believes in Jason's innocence, and that he'd be willing to marry her if not for his situation
She's doomed.

Back East at Stately Lansing Manor, Senator Lansing (Macdonald Carey) is also happy to see Jason, and also favors him one day marrying his daughter.
Very, very doomed.

It occurred to me that maybe Jason might more easily lose himself and get away from his reputation in a more urban locale, but the episode covers that when Jason sees a newspaper headline that reads "Coward of Bitter Creek Sneaks Home".
"Hello, editor? Let's talk about this. Meet me by the stairs."

Jason pays a visit to an old general played by John Carradine
But of course. :rommie:

The old general is also a longtime colleague of General Reed, and knows that he was losing his faculties toward the end.
Yet said nothing.

Outside the house, Jason is attacked by three men who are better dressed than Jason's usual assailants, but a coach drives up and two men jump out to lend him a hand. They turn out to be Secret Service, and take Jason to a certain office on Pennsylvania Avenue, where Colonel Snow introduces Jason to President Grant (William Bryant).
"Hi. I'm James West and this is my partner, Artemus Gordon."

The episode ends with the president posing an intriguing question to Jason: "You've already been marked as a coward...how would you like to be branded a traitor as well?"
"We'll also be spreading a rumor that you can't hold your liquor."

The next thing you know, they're moving into the huts of the other castaways--which makes clear that they're grouped into at least three huts at this point.
There's four: The Howells, the girls, the boys, and the Professor-- he needs me time to think big thoughts.

Lovey setting her eyes on hooking up the Professor and Ginger.
I think Ginger had the Professor cooking up bamboo and coconut sex toys after the first week or so.

Other than being the only members of "The Rest," you mean?
The Castaway Cast-Offs.

So what did you think?
Oh, right. It's forgettable. I forgot to say that.

It's hard to tell when you're being sincere so soon after the Doors. :p
Haha. Definitely sincere in this case.

Guess now I've more or less committed myself to getting "Seasons in the Sun" when it comes up... :crazy:
You don't like "Seasons In The Sun?" That's a pretty good song.

He's said to have died of natural causes, so I assume it wasn't because of the virus. Just a coincidence.
No, I didn't mean he died of the virus, I just mean it must be terrible to die with the world in such dire straights. I'd rather die watching the Moon landing or the Berlin Wall coming down than seeing the world shutting down from disease or something.

Okay, that time I was messing with you. You're right, it is hard to tell when I'm when I'm being serious. :rommie:

Let's all be quiet now, because Keith needs his beauty sleep if he's ever gonna come up with that riff...
Let the tape recorder run.

:lol: Me, I'm freakin' loving working from home!
I've been working from home for about twelve years now, so I seldom go out during the week. That happened to be the week that I had to go to CVS to pick up my medicine, so technically I did get out more than usual during the self-quarantine. :rommie:

My main issue now is being paranoid about having to go out to get groceries.
I'm actually not worried about myself at all, which is either a rational estimation of the odds or a character flaw. I'm mainly worried about my Aunt who has COPD and one of the members of my forum who is elderly and disabled and had a stroke. Normally I send her Whole Foods gift cards when she runs low on money, but now I've set up home delivery through Amazon Prime-- easy enough to do, but the delivery windows are practically nonexistent.
 
_______

50th Anniversary Viewing

_______

Mission: Impossible
"Death Squad"
Originally aired March 15, 1970
Wiki said:
While on holiday with Jim, Barney kills a man in self-defense and is marked for execution by the dead man's brother (Pernell Roberts), a corrupt chief of police. The IMF team must rescue Barney before it is too late. This episode is unusual in that there is no tape recording; instead the team goes on a completely personal mission to rescue Barney.

This one is indeed a total format breaker...no tape scene, no portfolio, no briefing. It starts with Barney, who's on vacation but using an assumed surname, having a romantic evening in Country of the Week with an artist named Alma (Cicely Tyson). When he leaves, she's confronted by a jealous man named Luis (Val de Vargas). Stopping down on the street to buy her flowers, Barney hears her scream, runs up, and finds himself attacked by Luis with a knife. Barney sidesteps a lunge and Luis falls through a window down to the street below and lands on his knife. The complication is that Luis was the brother of the chief of police, Corba (Pernell Roberts), who arrests Barney despite multiple testimonies that Barney was only acting in self-defense. Alma calls Jim--also there on vacation using an assumed surname--who calls a lawyer...but Chief Corba quickly gets to the lawyer, causing him to drop the case...and makes the flower man "disappear" as well. The guy in the cell across from Barney, a petty crook named Riva (Leon Askin, a.k.a. General Burkhalter from Hogan's Heroes), informs Barney that they're in the cell block reserved for condemned men.

Meanwhile, Jim calls in Paris and Willy, who get a briefing after they arrive. Jim has some identities planned for them, but otherwise this situation better delivers on the idea of this being an impromptu mission. They're not going in with omniscient intel, but figuring things out as they go. Interpol Inspector Willy informs Corba and his right-hand man, Lt. Jocaro (John Schuck), that Jim and Barney are really emerald smugglers. Police transferee Sgt. Paris reports to Jocaro, whose greed they plan to use against him. Paris makes sure Jocaro knows that he's got a lot of money and likes to spend it. Meanwhile, working on his own initiative, Barney rigs up a torch in his cell to work on the lock while Riva watches.

Corba pays a visit to Jim, and goes down to the block to find Barney breaking out. Jim gets a visitation with Barney, which is being spied upon. Jim feeds Barney essential parts of his script via a couple of messages written on a matchbook cover. Meanwhile, Paris and Jocaro have a private party with a couple of paid ladies. When Paris fake passes out, Jocaro searches his wallet to verify his identity. Fake coming to, Paris fake confesses that he's a fence who's interested in a prisoner recently executed by the death squad, as he may have had an emerald hidden in his possessions. Jocaro goes looking for the gem, which leads Jim and Willy to the warehouse where their gallows are hidden. They find a cabinet containing belongings of executed prisoners, as welll as a vat of sulfuric acid where the bodies are disposed of. Then they get to work rigging the gallows.

Barney and Riva brought in for their dual execution, but their ropes keep going and they fall through a second trap door into the basement. Alongside Jim and Willy, they make it out to the car where Paris is waiting, their getaway aided by Paris having sabotaged the police van. Barney retrieves Alma to take her to New York, telling her that they've gathered enough evidence to have Corba hanged.

Impromptu Mission: Accomplished.

_______

Rowan & Martin's Laugh-In
Season 3, episode 26
Originally aired March 16, 1970 (season finale)
The Wiki list of guest appearances said:
Carol Channing, Tony Curtis, Peter Sellers, Tiny Tim

The opening gags have lots of mentions of this episode featuring the wedding of Gladys and Tyrone.

The last Quickies of the season:
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Carol Channing makes the Farkel scene.

The Cocktail Party, with Carol Channing:
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Carol takes tips from Teresa on how to be a soul sister.

Carol as Mildred, a woman who seems to get around a lot.

Ernestine calls another operator:
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The Whoopie Award goes to the gas company.

The main event--Gladys and Tyrone's Wedding:
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The last Joke Wall of the season:
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This is as far as I recorded Laugh-In before I lost Decades, so that'll be it for the show for our purposes unless something changes. It strikes me that I could follow along somewhat with the plethora of clips on YouTube, if only there were a way to identify which episodes they were from without actually watching the full episodes.

_______

TGs4e25.jpg
"Easy Faller"
Originally aired March 19, 1970
Wiki said:
After Donald injures his back in her apartment, Ann brings his interviewee to Don. Then her father shows up.

Ann delivers the magic freeze-frame words this episode, but she's referring to a hypothetical girl that Donald might meet on their ski trip to Vermont. Ann isn't into skiing, but wants to spend the time with Donald, who loves it. Donald injures his back while trying to demonstrate for Ann how the skis are made to come off before twisting his ankles. Ann calls Donald's doctor, Goldfisher (Warren Berlinger)...he's the man, the man with the chiro touch. Donald can't move, so he's forced to sleep in Ann's bed. You can see where this going...

Donald is self-conscious about being a bad pill-taker...I can relate, I was like that as a kid. Donald's also concerned about missing an exclusive interview with Jean Paul Lemairre (Albert Carrier), so Ann calls him to have him come to her place. Before he gets there...you guessed it...Lew drops by. When he hears Donald crying out from Ann's bed, he naturally assumes the worst; but the situation is explained inside of an edit and he helps Donald to get dressed and out into the living room, enjoying Donald's pain along the way. After another edit, Lemairre is leaving following a successful interview. Lew leaves at the same time, insisting that Donald vacate the premises shortly.

In the coda, Ann is trying to help Donald get to the stairs, and injures her own back while attempting to support him.

This one had bad audio issues on iTunes, which may have distracted me from noticing some "Oh, Donald"s.

"Oh, Donald" count: 9
"Oh, Daddy" count: 1

_______

The Brady Bunch
"Lost Locket, Found Locket"
Originally aired March 20, 1970 (season finale)
Wiki said:
Depressed from a lack of attention, Jan's spirits are lifted when she receives a locket from a secret admirer. But not only can't she discover who sent it, she suddenly loses it. She uses her detective skills to find it, and Alice reveals that she sent the locket; she was a middle child and often felt left out too.

So Jan's middle child issues are established here, though Marcia is not yet the bane of her existence.

Everyone in the family treats the locket as a mystery to be solved, but the boys in particular. They notice dropped Y's on the typewritten mailing label. Seizing this clue, the parents investigate each other--Carol and Alice go to Mike's office at night to check out his typewriter, and get in hot water with the security guard, who threatens to call Mike; while Mike is checking out Carol's typewriter at home.

That night Jan wakes up and discovers the locket no longer around her neck, which triggers some melodramatic crying out that presages her famous "Marcia, Marcia, Marcia!" The boys come up with the idea of reenacting the crime, so the next night everyone does exactly what they were doing the night before. On cue, Jan cries out, but it's because she realized what she did before going to bed the previous night--leaned out the window to look at the Little Bear. Leaning out again, she spies her locket, which fell onto the tree outside the window, and Mike retrieves it.

Later Alice takes Jan aside and privately confides to having sent the locket, showing her the typewriter that she keeps in her bedroom closet, which has been dropping its Y's.

_______

Hogan's Heroes
"Crittendon's Commandos"
Originally aired March 20, 1970
Wiki said:
Hogan’s team takes over an abduction job after Crittendon’s commando team is captured. Unfortunately, Crittendon is still at large and eager to help.

This is Bernard Fox's sixth of eight appearances as Crittendon. The prisoners are assigned to pick up a group of commandos whose target is Field Marshal Rommel, who's recuperating from an injury at a nearby hospital. The prisoners have a plan to pick them up in a stalag truck disguised as German guards who've captured them...but when they rendezvous with the commandos they discover that Crittendon's in charge, and he blows the plan, insisting that the commandos make their way to the stalag on foot.

Crittendon's the only one who makes it, after his men were surrounded and captured and he was accidentally left behind. Rather than send for more commandos, the prisoners decide to do the job in their German uniforms. But at the hospital, Crittendon pulls the switch for the air raid alarm instead of the power, following which he wants to scrub the mission, so Hogan shoots him up with the sedative that they brought for Rommel.

In the coda, the prisoners learn that they rolled out the wrong man, his face having been covered by a sheet at the time. Their abductee turns out to have been an Admiral Toddly, about which Mama Bear is pleased, but the prisoners fake an excuse not to do another mission with Crittendon.

_______

Adam-12
"Log 74: Light Duty"
Originally aired March 21, 1970
Wiki said:
After breaking his wrist, Malloy gets reassigned to desk duty while Reed is called out to assist with a potential riot.

We learn that Malloy injured himself falling over a garbage can in an alley while chasing a 211 suspect. Reed isn't injured, but is initially assigned to accompany him manning the front desk of division HQ. They're joined by new academy graduate Officer Doris Mills (Beth Brickell), who sits back and watches them, and gives them an excuse to explain how things work there. Continuity point: Reed says that he's been with the department for eight months.

An elderly woman named Mrs. Higgins (Louise Lorimer) is brought in after loitering for 10 hours at a bus station. Malloy and Mills try to get her story and are able to determine that she's been living in L.A. but wants to go back home to Detroit. Eventually Higgins gives in and has them call her daughter in Bel Air, after she'd been denying knowing anybody in L.A.

Reed has issues filling out a form for a complainant who's had a door stolen from his car as he shares more details..first Reed fills it out as a stolen vehicle report, then a as a theft when he finds out that only the door was taken, after which Malloy informs him that because the car was locked, it actually counts as a burglary.

All the while, everyone at the station is concerned over a student rally that may get ugly because of a group of agitators called the Sympathizers. After a major 415 is announced on the radio, Boyett takes Reed with him to rally and leaves Malloy as acting watch commander. Mills takes Reed's phone. She and Malloy (still at the front desk) listen via radio as the situation further escalates. Reed is injured by a thrown object and taken to the hospital, and Jean calls, concerned about her husband's possible involvement with the rally.

A man named Ed Ligh (Robert Clarke) comes in to pick up his son (Scott McCartor), who was arrested for shoplifting. From what he says to his father, it becomes clear that Ed Jr. is begging for discipline...or maybe attention in general.

A man named Bill Bradley (John Nolan) claims to be looking for a brother who may have been arrested. The name of the brother matches a liquor store robber who was brought in earlier and had two partners who hadn't been caught. (I had to go back and find the scene where that happened.) Malloy makes an excuse to go out to the parking lot; sees the third man, who's waiting in the car outside; and draws his gun and brings him in, arresting both.

_______

He's getting a little testy about the whole thing.
Maybe they had ambitions for a theatrical release (hence the color), and wanted to give him a dramatic entrance.

She's doomed.
Not necessarily, as his situation will keep them apart.

"Hello, editor? Let's talk about this. Meet me by the stairs."
:lol:

Yet said nothing.
That might have mattered if it supported Jason's account, had Jason been trying to establish his innocence. But he didn't want that info out.

"Hi. I'm James West and this is my partner, Artemus Gordon."
Hadn't thought of that!

There's four: The Howells, the girls, the boys, and the Professor-- he needs me time to think big thoughts.
That was always my impression, but the series hadn't yet clearly established that...first they were supposedly in a community hut, then the women split off.

Oh, right. It's forgettable. I forgot to say that.
Point taken and agreed with. I've gotten familiar with it already, but it's an underwhelming little bit of nothing.

You don't like "Seasons In The Sun?" That's a pretty good song.
Schmaltzy fluff. I'm not alone...
Wiki said:
Though the song enjoyed contemporary success, modern criticism takes a dimmer view, considering it overly sentimentalized. Jacks's version has been held up as an example of bad music, such as having been listed as one of the worst pop songs ever recorded and ranking number five in a similar CNN poll in 2006.


RJDiogenes said:
I've been working from home for about twelve years now, so I seldom go out during the week.
Ah, you must do something different from what I thought you did.

I'm actually not worried about myself at all, which is either a rational estimation of the odds or a character flaw. I'm mainly worried about my Aunt who has COPD and one of the members of my forum who is elderly and disabled and had a stroke.
Best wishes to them. I need to get in touch with my Dad. My sister's his main point of contact as they live near each other in Colorado, but she has health issues of her own and now can't go in to do anything for him.
 
Last edited:
Meanwhile, working on his own initiative, Barney rigs up a torch in his cell to work on the lock while Riva watches.
It's sad, yet somehow appropriate, that Barney spends most of his solo episode in a cell.

Barney and Riva brought in for their dual execution, but their ropes keep going and they fall through a second trap door into the basement.
Were they somehow alerted to this, or did they think they were really going to be hanged? :rommie:

Barney retrieves Alma to take her to New York, telling her that they've gathered enough evidence to have Corba hanged.
Definitely off format: Instead of an off-screen gunshot sound effect, an off-screen creaking rope sound effect.

Donald's also concerned about missing an exclusive interview with Jean Paul Lemairre
Whose real name turns out to be Lestat.

When he hears Donald crying out from Ann's bed, he naturally assumes the worst
Or the best, depending on your point of view.

but the situation is explained inside of an edit and he helps Donald to get dressed and out into the living room, enjoying Donald's pain along the way.
Wow, that's a bit sadistic. :rommie:

Later Alice takes Jan aside and privately confides to having sent the locket, showing her the typewriter that she keeps in her bedroom closet, which has been dropping its Y's.
Mystery solved. But... purpose defeated.

This is Bernard Fox's sixth of eight appearances as Crittendon.
Good old Bernard Fox.

The prisoners are assigned to pick up a group of commandos whose target is Field Marshal Rommel, who's recuperating from an injury at a nearby hospital.
Because everything happens within walking distance of Stalag 13.

Crittendon's the only one who makes it, after his men were surrounded and captured and he was accidentally left behind.
Germans threaten their people with being sent to the Russian front, Allies threaten their people with working with Crittendon.

In the coda, the prisoners learn that they rolled out the wrong man, his face having been covered by a sheet at the time.
Crittendon is rubbing off on them.

Jean calls, concerned about her husband's possible involvement with the rally.
That marriage is doomed. :rommie:

Malloy makes an excuse to go out to the parking lot; sees the third man, who's waiting in the car outside; and draws his gun and brings him in, arresting both.
Malloy's a great cop. When he's injured, the criminals actually come to him.

Maybe they had ambitions for a theatrical release (hence the color), and wanted to give him a dramatic entrance.
I'll bet that's exactly it.

Hadn't thought of that!
Another great crossover opportunity.

That was always my impression, but the series hadn't yet clearly established that...first they were supposedly in a community hut, then the women split off.
I do remember the community hut.

Weird. Overly sentimentalized? The guy is dying! :rommie: Nah, it may be out of fashion, but it's a good song.

Ah, you must do something different from what I thought you did.
I probably mentioned running the Midwifery Service, but probably didn't mention that I left there in 2007. Didn't want to be part of the cover up. Now I'm kind of a troubleshooter for a non-profit health insurance company. I'm the guy you get if you call and ask for a supervisor-- or who gets dumped with the nightmares that nobody else wants to deal with. :rommie:

Best wishes to them. I need to get in touch with my Dad. My sister's his main point of contact as they live near each other in Colorado, but she has health issues of her own and now can't go in to do anything for him.
I hope they're okay. I worry most about people who have health issues that make them vulnerable. But keep in mind that most people who are exposed don't get it, most people who get it have only mild symptoms, and most people who get severe symptoms pull through. It's a dangerous disease, especially if it spreads out of control, but on an individual level the odds are in your favor.
 
It's sad, yet somehow appropriate, that Barney spends most of his solo episode in a cell.
It has a particular focus on him, but was hardly a solo episode.

Were they somehow alerted to this, or did they think they were really going to be hanged? :rommie:
That's a good question. I didn't catch it if they clued him in that he needed to go through with the hanging...but I do recall that when offered a hood, Barney refused, and Riva followed his lead.

Mystery solved. But... purpose defeated.
Well, they bonded over their middle child statuses.

Crittendon is rubbing off on them.
It was pretty careless of them not to even peek under the sheet. And did they put the sheet over his face? Because I'm sure that patients don't usually sleep like that.

That marriage is doomed. :rommie:
Jean's in the final episode of the series, but she has been replaced with another actress... :shifty:

Weird. Overly sentimentalized? The guy is dying! :rommie: Nah, it may be out of fashion, but it's a good song.
Guess I never paid that much attention to the lyrics...it put me off on a musical level.

But keep in mind that most people who are exposed don't get it, most people who get it have only mild symptoms, and most people who get severe symptoms pull through. It's a dangerous disease, especially if it spreads out of control, but on an individual level the odds are in your favor.
Spoken like an insurance guy, but comforting. :lol:
 
It has a particular focus on him, but was hardly a solo episode.
It seems like something similar happened recently-- I think it was on Ironside. The episode focused on a particular character, but she was captive the whole time.

That's a good question. I didn't catch it if they clued him in that he needed to go through with the hanging...but I do recall that when offered a hood, Barney refused, and Riva followed his lead.
I sure hope they extended Barney's vacation. :rommie:

It was pretty careless of them not to even peek under the sheet. And did they put the sheet over his face? Because I'm sure that patients don't usually sleep like that.
Not unless they're not going to be waking up.

Jean's in the final episode of the series, but she has been replaced with another actress... :shifty:
Jack Webb planned yet another Dragnet revival in the early 80s before he died, and Kent McCord was going to be his partner. It's not clear if he was going to play an older Reed, but that sure would have been interesting.

Guess I never paid that much attention to the lyrics...it put me off on a musical level.
I find that the music complements the air of finality. The lyrics are great. It's actually a variation on an older Rod McKuen song, which I remember hearing once a long time ago-- and which I just found out right now is a rewrite of a Belgian song.

Spoken like an insurance guy, but comforting. :lol:
More like a science guy. :rommie: The numbers that they're giving us tell us that at least 98% of people who are infected survive overall (that's worldwide, so higher in the states). Beyond that, we must keep in mind that those numbers are already skewed toward morbidity and mortality because the vast majority of people being tested are those who are sick or dead. This is not to say that it's not a dangerous disease, because a 2% mortality rate can be catastrophic, depending on how infectious it turns out to be. But they were already finding positives with an unknown vector within about a week of the first identified case in Washington. So on an individual level, if you take reasonable precautions (and you don't have co-morbid conditions), the odds are pretty good.

It always annoyed me that they call him Colonel Crittendon. There is no such rank in the Royal Air Force, he would be Group Captain Crittendon.
Maybe they wanted the audience to see him as Hogan's peer.
 
Jack Webb planned yet another Dragnet revival in the early 80s before he died, and Kent McCord was going to be his partner. It's not clear if he was going to play an older Reed, but that sure would have been interesting.
I've heard of that. Don't think Webb and McCord would've made a good pairing for the Mark VII formula, though...each was the straight man of his show.

Maybe they wanted the audience to see him as Hogan's peer.
Indeed, Crittendon pulled rank on Hogan in this episode, because he had more time in grade.
 
I've heard of that. Don't think Webb and McCord would've made a good pairing for the Mark VII formula, though...each was the straight man of his show.
That's a good point. They would have to have lightened Reed up a lot in his later years, and I'm not sure if the actor would have been able to work with that.

Indeed, Crittendon pulled rank on Hogan in this episode, because he had more time in grade.
There you go. Otherwise, Hogan could have shut down his silliness and less hilarity would have ensued.
 
55 Years Ago This Week

Wiki said:
March 30
  • Funeral services are held for Detroit homemaker Viola Liuzzo, who was shot dead by 4 Klansmen as she drove marchers back to Selma at night after the civil rights march.
  • The second ODECA charter, signed on December 12, 1962, becomes effective.

April 3 – The world's first space nuclear power reactor, SNAP-10A, is launched by the United States from Vandenberg AFB, California. The reactor operates for 43 days and remains in low Earth orbit.



Selections from Billboard's Hot 100 for the week:
1. "Stop! In the Name of Love," The Supremes
2. "Can't You Hear My Heartbeat," Herman's Hermits
3. "I'm Telling You Now," Freddie & The Dreamers
4. "Shotgun," Jr. Walker & The All Stars
5. "The Birds and the Bees," Jewel Akens

7. "Eight Days a Week," The Beatles
8. "Goldfinger," Shirley Bassey
9. "Nowhere to Run," Martha & The Vandellas

11. "Ferry Cross the Mersey," Gerry & The Pacemakers
12. "My Girl," The Temptations
13. "Do You Wanna Dance?," The Beach Boys

15. "Don't Let Me Be Misunderstood," The Animals
16. "Little Things," Bobby Goldsboro
17. "Game of Love," Wayne Fontana & The Mindbenders
18. "Tired of Waiting for You," The Kinks
19. "Go Now!," The Moody Blues

21. "Do the Clam," Elvis Presley

23. "This Diamond Ring," Gary Lewis & The Playboys
24. "Yeh, Yeh," Georgie Fame & The Blue Flames
25. "If I Loved You," Chad & Jeremy

27. "People Get Ready," The Impressions
28. "I Know a Place," Petula Clark

30. "Come and Stay with Me," Marianne Faithfull

32. "The Clapping Song (Clap Pat Clap Slap)," Shirley Ellis

35. "Got to Get You off My Mind," Solomon Burke
36. "When I'm Gone," Brenda Holloway
37. "Come Home," The Dave Clark Five
38. "Hurt So Bad," Little Anthony & The Imperials
39. "Stranger in Town," Del Shannon

41. "Bumble Bee," The Searchers
42. "I'll Be Doggone," Marvin Gaye

46. "The Last Time," The Rolling Stones

49. "Land of 1000 Dances," Cannibal & The Headhunters

59. "Baby the Rain Must Fall," Glenn Yarbrough

61. "I'll Never Find Another You," The Seekers

63. "Ooo Baby Baby," Smokey Robinson & The Miracles

69. "She's About a Mover," Sir Douglas Quintet

73. "We're Gonna Make It," Little Milton

76. "Silhouettes," Herman's Hermits
77. "It's Growing," The Temptations

79. "Woman's Got Soul," The Impressions


82. "I Do Love You," Billy Stewart
83. "Subterranean Homesick Blues," Bob Dylan

86. "Iko Iko," The Dixie Cups
87. "Wooly Bully," Sam the Sham & The Pharoahs
88. "Count Me In," Gary Lewis & The Playboys


93. "I Can't Explain," The Who


Leaving the chart:
  • "Ask the Lonely," Four Tops (8 weeks)
  • "Downtown," Petula Clark (15 weeks)
  • 4 by the Beatles [EP], The Beatles (5 weeks)
  • "Goldfinger," John Barry & His Orchestra (3 weeks)
  • "Goodnight," Roy Orbison (7 weeks)
  • "I Don't Want to Spoil the Party," The Beatles (6 weeks)
  • "The Jolly Green Giant," The Kingsmen (12 weeks)
  • "Midnight Special," Johnny Rivers (8 weeks)
  • "You've Lost That Lovin' Feelin'," The Righteous Brothers (16 weeks)

Recent and new on the chart:

"Subterranean Homesick Blues," Bob Dylan
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(#39 US; #6 AC; #9 UK; #332 on Rolling Stone's 500 Greatest Songs of All Time)

"She's About a Mover," Sir Douglas Quintet
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(#13 US; #15 UK)

"Silhouettes," Herman's Hermits
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(#5 US; #3 UK)

"Count Me In," Gary Lewis & The Playboys
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(#2 US)

"Wooly Bully," Sam the Sham & The Pharoahs
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(#2 US; #31 R&B; #11 UK; #1 on Billboard's 1965 Year-End Chart of Pop Singles)


And new on the boob tube:
  • The Ed Sullivan Show, Season 17, episode 26, featuring Little Anthony & The Imperials, Jackie Vernon, Bobby Vinton, Les Marcellis, and Sergio Franchi & Elizabeth Allen
  • Branded, "The Mission" (part three)
  • 12 O'Clock High, "The Mission"
  • Gilligan's Island, "New Neighbor Sam"

_______
 
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"Subterranean Homesick Blues," Bob Dylan
Quintessential Dylan. And I love that video. He looks about twelve. :rommie:

"She's About a Mover," Sir Douglas Quintet
Ah, the Sir Douglas Quintet. Not their best. Or is it?

"Silhouettes," Herman's Hermits
Also not their best.

"Count Me In," Gary Lewis & The Playboys
And again not their best, but catchy.

"Wooly Bully," Sam the Sham & The Pharoahs
Haha. A classic indeed. :rommie: Of a sort.
 
50 Years Ago This Week

Wiki said:
March 31
  • NASA's Explorer 1, the first American satellite and Explorer program spacecraft, reenters Earth's atmosphere after 12 years in orbit.
  • Japan Airlines Flight 351, carrying 131 passengers and 7 crew from Tokyo to Fukuoka, is hijacked by Japanese Red Army members. All passengers and crew are eventually freed.
Mark Lewisohn's The Beatles Day by Day said:
April 1 – John and Yoko issue a hoax press release for April Fool's Day, stating that they have entered the London Clinic for a dual sex-change operation.
Wiki said:
April 1
  • American President Richard Nixon signs the Public Health Cigarette Smoking Act into law, banning cigarette television advertisements in the United States from January 1, 1971.
  • American Motors Corporation introduces the Gremlin.
  • The 1970 United States Census begins. There are 203,392,031 United States residents on this day.
April 4 – Fragments of burnt human remains believed to be those of Adolf Hitler, Eva Braun, Joseph Goebbels, Magda Goebbels and the Goebbels children are crushed and scattered in the Biederitz river at a KGB center in Magdeburg, East Germany.



Selections from Billboard's Hot 100 for the week:
1. "Bridge over Troubled Water," Simon & Garfunkel
2. "Let It Be," The Beatles
3. "Instant Karma (We All Shine On)," John Ono Lennon
4. "ABC," The Jackson 5
5. "Love Grows (Where My Rosemary Goes)," Edison Lighthouse
6. "Spirit in the Sky," Norman Greenbaum
7. "House of the Rising Sun," Frijid Pink
8. "The Rapper," The Jaggerz
9. "Come and Get It," Badfinger
10. "Easy Come, Easy Go," Bobby Sherman
11. "He Ain't Heavy, He's My Brother," The Hollies
12. "Give Me Just a Little More Time," Chairmen of the Board
13. "Call Me" / "Son of a Preacher Man", Aretha Franklin
14. "Rainy Night in Georgia" / "Rubberneckin'", Brook Benton
15. "Celebrate," Three Dog Night
16. "Up the Ladder to the Roof," The Supremes
17. "American Woman" / "No Sugar Tonight", The Guess Who
18. "Evil Ways," Santana
19. "Ma Belle Amie," The Tee Set
20. "Love or Let Me Be Lonely," The Friends of Distinction
21. "Gotta Hold On to This Feeling," Jr. Walker & The All-Stars
22. "Didn't I (Blow Your Mind This Time)," The Delfonics
23. "The Bells," The Originals
24. "Something's Burning," Kenny Rogers & The First Edition
25. "Kentucky Rain," Elvis Presley
26. "Travelin' Band" / "Who'll Stop the Rain", Creedence Clearwater Revival
27. "All I Have to Do Is Dream," Bobbie Gentry & Glen Campbell

30. "Shilo," Neil Diamond
31. "Reflections of My Life," The Marmalade
32. "Turn Back the Hands of Time," Tyrone Davis
33. "You're the One, Part 2," Little Sister
34. "Do the Funky Chicken," Rufus Thomas
35. "Woodstock," Crosby, Stills, Nash & Young
36. "Get Ready," Rare Earth
37. "You Need Love Like I Do (Don't You)," Gladys Knight & The Pips

42. "Everybody's Out of Town," B. J. Thomas
43. "For the Love of Him," Bobbi Martin

58. "Little Green Bag," George Baker Selection
59. "Oh Well, Pt. 1," Fleetwood Mac
60. "Rag Mama Rag," The Band

64. "Add Some Music to Your Day," The Beach Boys
65. "Living Loving Maid (She's Just a Woman)," Led Zeppelin

74. "Everything Is Beautiful," Ray Stevens
75. "Vehicle," The Ides of March
76. "Which Way You Goin' Billy?," The Poppy Family (feat. Susan Jacks)

78. "Come Running," Van Morrison

83. "Hitchin' a Ride," Vanity Fare

89. "Make Me Smile," Chicago


Leaving the chart:
  • "Hey There Lonely Girl," Eddie Holman (14 weeks)
  • "Oh Me Oh My (I'm a Fool for You Baby)," Lulu (14 weeks)
  • "Psychedelic Shack," The Temptations (11 weeks)
  • "Raindrops Keep Fallin' on My Head," B. J. Thomas (22 weeks)
  • "Thank You (Falettinme Be Mice Elf Agin)," Sly & The Family Stone (13 weeks)
  • "The Thrill Is Gone," B.B. King (14 weeks)

Recent and new on the chart:

"You're the One, Part 2," Little Sister
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(Feb. 28; #22 US; #4 R&B)

"Come Running," Van Morrison
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(#39 US)

"Make Me Smile," Chicago
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(#9 US)

"Everything Is Beautiful," Ray Stevens
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(#1 US the weeks of May 30 and June 6, 1970; #1 AC; #39 Country; #6 UK)


And new on the boob tube:
  • Mission: Impossible, "The Martyr" (season finale)
  • Ironside, "Little Dog, Gone"
  • Adam-12, "Log 134: Child Stealer"

_______

Quintessential Dylan. And I love that video. He looks about twelve. :rommie:
Nah, at least sixteen. A substantial step forward in popular music. And I tried to find some verification for that AC chart peak, which seems wrong...I wouldn't think something like this would have made it into the top 10 of the Easy Listening chart back in the day. Anyway, it's gonna be a bit before Bringing It All Back Home gets its turn in the album spotlight, so I'll drop this spoiler: Me like it!

Ah, the Sir Douglas Quintet. Not their best. Or is it?
Singles chart-wise...yes. Not much to say about this one...second-hand Ray Charles.

Also not their best.
This one is a cover of a song co-written by Bob Crewe that was originally a hit for the Rays in 1957. For whatever reason, a separate but simultaneously charting single by the Hermits will be coming our way in just a couple of weeks...one that might be considered the group's definitive hit.

And again not their best, but catchy.
That first part is being a little too dismissive of both its chart success and enduring presence on oldies radio.

Haha. A classic indeed. :rommie: Of a sort.
I might have thought this one was from ca. 1963. It'll always remind me of something I read in a letter column in the late '80s...not sure what publication it was, might have been RS...where they'd just done a survey of the greatest songs of either the rock & roll era or the '60s specifically, and somebody said that they owed an apology to everything that had ranked lower than "Wooly Bully".
 
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"Subterranean Homesick Blues," Bob Dylan
I still have my vinyl copy of Highway 61 Revisited. Loved Subteranean from the first time I heard it. Great album, though I’m sure Dylan’s “purest” folk fans still hate it.
"Wooly Bully," Sam the Sham & The Pharoahs
This was a classic 60’s “single,” that had little more to offer than fun, but it was a lot of FUN.
"You're the One, Part 2," Little Sister
Lord, I haven’t heard this song in a hundred years. This was when Sly was great, when he used his entire band. I think his massive drug fueled ego destroyed him artistically. But apparently my opinion is in the minority because critics and fans loved There’s a Riot Going On.
"Come Running," Van Morrison
I’m here for anything Van Morrison did during this period. I loved his vocal style. That thing he did where he would seem to jam too many words into a bar, but always manage end up on the beat was great. Very “churchy.”
"Make Me Smile," Chicago
I was a big Chicago fan. But I think the band split up or something and I HATED all those sappy ballads that came as a result. Smile is the way they did ballads in their good old day.
 
"You're the One, Part 2," Little Sister
Sounds like the 70s... are here. I'm not familiar with it, but it sounds nice. I was confused by the title and artist versus the cover graphic-- I had no idea there was a Sly & The Family Stone spinoff.

"Come Running," Van Morrison
Not his most memorable work, but it sounds like Van.

"Make Me Smile," Chicago
Very nice, with that distinctive Chicago sound.

"Everything Is Beautiful," Ray Stevens
This is a well-remembered song. It's a very nice sentiment. I don't know if it stands up to scrutiny, but it's a very nice sentiment. :rommie:

Nah, at least sixteen. A substantial step forward in popular music. And I tried to find some verification for that AC chart peak, which seems wrong...I wouldn't think something like this would have made it into the top 10 of the Easy Listening chart back in the day. Anyway, it's gonna be a bit before Bringing It All Back Home gets its turn in the album spotlight, so I'll drop this spoiler: Me like it!
I'm frequently surprised by the original success, or lack of it, of songs that are now iconic.

That first part is being a little too dismissive of both its chart success and enduring presence on oldies radio.
I'm not saying it's bad, but they did better.

I might have thought this one was from ca. 1963.
Actually this is one that I could have hit with "Sounds like the 50s."

It'll always remind me of something I read in a letter column in the late '80s...not sure what publication it was, might have been RS...where they'd just done a survey of the greatest songs of either the rock & roll era or the '60s specifically, and somebody said that they owed an apology to everything that had ranked lower than "Wooly Bully".
Ouch. My feeling is that any theme or subject is acceptable for the arts-- fun is no less valid than profundity.
 
_______

55th Anniversary Viewing

_______

The Ed Sullivan Show
Season 17, episode 25
Originally aired March 21, 1965
As represented in The Best of the Ed Sullivan Show

Ed introduces Gary Lewis as Jerry's son and has him take a bow.
Ed said:
And because Gary Lewis's recording of "This Diamond Ring"--their recording, which has won 'em a gold record--is still riding high in the charts, Gary and his Playboys are gonna do if for you...now!
I would've seen this before, but I didn't realize that Gary was a singing drummer to boot...and with the group's logo spread across two drums. That said, this appears to be a lip-sync performance. The version of the video below has the added benefit of an intro by Adam West!
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Ed said:
And right now here is...you see all these precautions? "Goldfinger"! Connie Francis...so let's have a pleasant reception for her.
Ed's referring to the set, which has barred gates and a vault door opening to reveal Connie, dressed in a metallic dress that I'm sure must have been golden, who gives a rushed-sounding, vanilla performance of the iconic Bond theme.
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tv.com says that she also did a number called "For Mama" and a Gospel medley consisting of "Up Above My Head," "Glory, Glory," and "Light of Love".

Ed said:
Now here's the German unicyclist from Frankfurt, Claus Beckers!
Aided by a female assistant, Beckers weaves in and out of line consisting of a teapot and teacups on saucers and picks them up one by one with one hand to balance them on a tray with his other hand. He then gives extra attention to picking up one very small object...I think it's a sugar cube, but it looks more rectangular.

Ed said:
Well tonight Woody Herman and His Orchestra give us their treatment of "My Favorite Things"!
Initially the trombones carry the melody of the lyrics, then more brass kicks in and Woody does a clarinet solo.
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Following a commercial break in the Best of edit...
Ed said:
Anthony Bennett!
Accompanied by Woddy's orchestra, Tony performs "Lullabye of Broadway"; then introduces his next number as one of the "better ones" that "they're now writing"...giving credit to Anthony Newley for the slower "Who Can I Turn To". Newley was also one of the cowriters of "Goldfinger," along with John Barry and Leslie Bricusse. tv.com says that Tony also performed "Love Scene" and "If I Ruled The World".

Ed said:
Here's the wonderful, amusing Jean Carroll!
Carroll's routine involves dealing with an overbearing salesgirl while shopping for a dress at a department store.
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Ed said:
And now...Gary, count me in!
Gary & the Playboys are now, of course, miming their fresh new sophomore single, "Count Me In". Gary is briefly shown going over to shake Ed's hand afterward.

Also in the original episode according to tv.com:
Music:
--Melinda Marx (Groucho Marx's daughter) - "East Side of Town"
--Texas Boys Choir Of Fort Worth - "Mustang Grey."

Comedy:
--Pat Buttram (stand-up comedian) - tells stories about his grandparents

Also appearing:
--Ray Bloch & Band - Topo Gigo song.
--Audience bow: Vic Ghezzi

_______

Branded
"The Mission" (part two)
Originally aired March 21, 1965
Xfinity said:
McCord is sent on a secret mission to break up a gang of Mexican outlaws attacking American soldiers.

Now this one used a color version of the Season 1 credits, with the Season 1 logo.

President Grant needs Jason to infiltrate the outlaw band, which he wants to do on the down-low to avoid a messy war. He feels that Jason's status as a coward and pariah who might convincingly portray a grudge against the US Army puts him in a unique position to do this. Jason is to steer the band into attacking Fort Perry, which Colonel Snow is commanding, and get a message to Snow. He goes to see his grandfather before leaving (as John Carradine's character is now clearly identified).

South of the border, Jason finds the locals none too friendly, even though they don't yet know who he is, and ends up in a bar fight. Getting the local honcho, Crispo (Peter Breck), at gunpoint, he demands to see the leader of the band, but is then knocked out by one of them from behind. We next see Jason talking to the next man up the chain, Brissac (H.M. Wynant), who does know Jason by reputation. Pretending to have a score to settle with the Army, Jason makes a convincing argument for the band's targets having become too predictable, and offers Fort Perry as a place that he can help them get into and out of. Brissac is taken to the head man, General Arriola (Special Guest Villain Cesar Romero!), and shares the plan with him. However, we see Arriola order Brissac to kill Jason once he's gotten them into the fort.

While Jason is training the men to impersonate cavalry officers, Crispo challenges McCord, taunting him for cowardice, and Jason knocks him on his ass. On the night before the raid, Jason and Brissac find that Crispo and some men have killed cavalry soldiers near the border and taken their uniforms. Brissac isn't pleased with this action for the unwanted attention that it might draw, but hands Jason a colonel's uniform. When he's alone, Jason finds that his new duds came from none other than Colonel Snow...which is a problem, as he was the only one besides the president who knew about Jason's mission. Nevertheless, Jason and the band ride out the next morning to proceed with the raid.

Tune in next week--Same Brand-Time, Same Brand-Channel!

Kamala Devi gets the first end credit, though she wasn't in this part.

_______

12 O'Clock High
"Mutiny at Ten Thousand Feet"
Originally aired March 26, 1965
Xfinity said:
A lieutenant who wants to spend the war in a neutral country spreads rumors about Savage's sanity during a bombing mission.

https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-68#post-12235185

An even more exact date is given in this episode: February 24, 1943.

The resolution in the climax is pretty good. When the lieutenant makes his move while the Piccadilly Lilly is isolated from the rest of the group, Savage gets to the truth of the matter by talking the crew through the court-martial that they'll have to face when the war is over.

Lee Meriwether makes for a rather fetching Army nurse.


_______

Gilligan's Island
"Music Hath Charm"
Originally aired March 27, 1965
Wiki said:
Mrs. Howell wants to civilize the island with an orchestra. But the sounds attract the wrong kind of audience.

Mrs. Howell gets the inspiration from Gilligan banging on some makeshift drums...but natives on another island hear his playing and mistake it for the war drums of an enemy tribe.

Of course, the idea of forming an orchestra with only seven castaways is the show's inherent microcosm absurdity at work. Among other beats, Mr. Howell and the Skipper compete over who gets to be the conductor--add conducting a Navy band to the Skipper's service record. Mrs. Howell ends up conducting, with everyone else manning makeshift instruments. Their first number is "The Blue Danube"...three years before the movie that I'm sure most of us have come to associate it with...but including a drum solo that reinforces the tribe's misconceptions. Soon the castaways find the entire island being invaded.

The castaways hide out in a cave, but food and warmth become considerations, forcing them to act. Based upon something that the Professor read about, they try to trick the natives into thinking they're gods via various devices--the radio (which Gilligan drops), a flashlight (which Gilligan forgot to put batteries in, but the Skipper didn't think to test), and a fire extinguisher--getting the Professor, the Skipper, and Mr. Howell captured one by one. When the rest go looking for them, they find everyone at the castaways' camp, where the three men are entertaining the natives by playing their instruments.

The natives leave on friendly terms, but Gilligan's attempt to give them a send-off with more drum playing is heard by natives on a third island...

_______

I still have my vinyl copy of Highway 61 Revisited. Loved Subteranean from the first time I heard it. Great album, though I’m sure Dylan’s “purest” folk fans still hate it.
Screw them, this is Dylan entering his peak period.

Sounds like the 70s... are here. I'm not familiar with it, but it sounds nice. I was confused by the title and artist versus the cover graphic-- I had no idea there was a Sly & The Family Stone spinoff.
gblews said:
Lord, I haven’t heard this song in a hundred years. This was when Sly was great, when he used his entire band. I think his massive drug fueled ego destroyed him artistically. But apparently my opinion is in the minority because critics and fans loved There’s a Riot Going On.
This one is a late addition as it escaped my notice when it first entered the chart, but I found that it was moving into the top 30 next week. And yep, it was a spinoff consisting of Sly & the Family's background vocalists, who were headed by Sly's little sister, Vet. As for There's a Riot Goin' On, it's on the Rolling Stone list, so I should be getting to it when it comes up in a couple of years.

gblews said:
I’m here for anything Van Morrison did during this period. I loved his vocal style. That thing he did where he would seem to jam too many words into a bar, but always manage end up on the beat was great. Very “churchy.”
RJDiogenes said:
Not his most memorable work, but it sounds like Van.
On the subject of well-known classic songs that surprisingly weren't hits in their day, add the title track of Van's 1970 album Moondance...which will be belatedly released as a single later in the decade, but still won't see chart success...yet went on to become an oldies radio staple. Moondance is slated to be my next album spotlight...hence the inclusion of the modestly charting "Come Running".

RJDiogenes said:
Very nice, with that distinctive Chicago sound.
gblews said:
I was a big Chicago fan. But I think the band split up or something and I HATED all those sappy ballads that came as a result. Smile is the way they did ballads in their good old day.
There were some major shake-ups in the band in the early '80s, which resulted in the change of sound to synth-heavy power ballads. We can enjoy them in their classic prime for the next several years in the meantime.

RJDiogenes said:
This is a well-remembered song. It's a very nice sentiment. I don't know if it stands up to scrutiny, but it's a very nice sentiment. :rommie:
I'm on the fence about getting this one. If it were the same song by a one-hit wonder, I'd probably err on the side of doing so...but in this case, it'd be opening up the Ray Stevens can of worms. Even if I limited myself to only getting his #1's, I'd still be obligating myself to also get "The Streak"...
 
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Ed's referring to the set, which has barred gates and a vault door opening to reveal Connie, dressed in a metallic dress that I'm sure must have been golden, to give a rushed-sounding, vanilla performance of the iconic Bond theme.
This is terrible. Maybe she never heard the original. Shirley Bassey had one of the greatest voices of the rock era and knew how to use it. Connie Francis was an average singer at best and proves it by giving a song that lends itself to great voices, the most pedestrian of readings. I’d love to know why this happened.
 
That said, this appears to be a lip-sync performance.
He seems very happy for someone who just lost his fiancee. :rommie:

Ed's referring to the set, which has barred gates and a vault door opening to reveal Connie, dressed in a metallic dress that I'm sure must have been golden, who gives a rushed-sounding, vanilla performance of the iconic Bond theme.
Some things just can't be improved upon, and the Goldfinger theme is one of them.

Initially the trombones carry the melody of the lyrics, then more brass kicks in and Woody does a clarinet solo.
Well, that was a drastic reinterpretation.

(Special Guest Villain Cesar Romero!)
Groovy. And he doesn't have to hide his mustache.

When he's alone, Jason finds that his new duds came from none other than Colonel Snow...which is a problem, as he was the only one besides the president who knew about Jason's mission.
Not even grandpa? Because I'm guessing John Carradine must fit into the finale somehow.

Mrs. Howell gets the inspiration from Gilligan banging on some makeshift drums...but natives on another island hear his playing and mistake it for the war drums of an enemy tribe.
Good thing Gary Lewis wasn't on the Minnow.

When the rest go looking for them, they find everyone at the castaways' camp, where the three men are entertaining the natives by playing their instruments.
There we go. :rommie:

The natives leave on friendly terms, but Gilligan's attempt to give them a send-off with more drum playing is heard by natives on a third island...
They really were lucky to be stranded on the only island in the region not occupied by hostile natives.

On the subject of well-known classic songs that surprisingly weren't hits in their day, add the title track of Van's 1970 album Moondance...which will be belatedly released as a single later in the decade, but still won't see chart success...yet went on to become an oldies radio staple.
And make a memorable appearance in American Werewolf in London.

Even if I limited myself to only getting his #1's, I'd still be obligating myself to also get "The Streak"...
Cute song, but I don't think I want it in my MP3 folder. :rommie:
 
He seems very happy for someone who just lost his fiancee. :rommie:
...and gained a #1 single.

Groovy. And he doesn't have to hide his mustache.
Alas, he wasn't in Part Three. It's interesting, how this three-parter was structured like three separate episodes telling a common story...each part has its own distinct locale/focus.

Not even grandpa? Because I'm guessing John Carradine must fit into the finale somehow.
I think Gramps knew that he had something important to do, but not what it was. And he's not in the finale either.

And make a memorable appearance in American Werewolf in London.
I did not know that...no doubt a substantial factor in the song's oldies radio exposure.
 
...and gained a #1 single.
He should have added a verse about "Bet you're sorry now-- I'm on Ed Sullivan!" :rommie:

Alas, he wasn't in Part Three. It's interesting, how this three-parter was structured like three separate episodes telling a common story...each part has its own distinct locale/focus.
Maybe that's why they didn't go with a theatrical release.

I think Gramps knew that he had something important to do, but not what it was. And he's not in the finale either.
That's too bad. I was expecting him to be pivotal.

I did not know that...no doubt a substantial factor in the song's oldies radio exposure.
Could be. The movie made a pretty big splash at the time.
 
_______

50th Anniversary Viewing

_______

The Ed Sullivan Show
Season 22, episode 25
Originally aired March 22, 1970
As represented in The Best of the Ed Sullivan Show

Ed said:
Now here is Milwaukee's most famous brew. Liberace!!!
Before the performance, Ed goes over to Liberace to admire his fur coat and tries it on himself.
Liberace said:
I may never get it back.
Liberace proceeds to deliver a muzaky instrumental rendition of "Raindrops Keep Fallin' on My Head," accompanied by a likely pre-recorded orchestra. tv.com says that he also did "The Impossible Dream," but somebody probably got their notes confused, as those two are listed as being part of a medley with "Milwaukee's Most Famous Brew"...!

Ed said:
Liza Minnelli!
Liza performs a song called "If I Were in Your Shoes," which sounds like a show tune. After the song, Ed brings her over and congratulates her for being nominated for an Academy Award for her starring role in the 1969 film The Sterile Cuckoo.

Ed said:
From Radio City Music Hall, juggling star Rudy Schweitzer!
Schweitzer starts with some trickery using the usual balls...then he does the thing with three cigar boxes where he keeps the middle one in the air while moving around the other two...which doesn't look that impressive up to a point, and he even accidentally tosses one of the boxes across the stage during his finale.

Ed said:
As you all know, Rod McKuen's song "Jean" has been nominated for an Academy Award. Now here is this Oakland, California-born poet-composer singing "Jean" for you.
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Apparently the song was from the 1969 film The Prime of Miss Jean Brodie. McKuen brings some character to his performance that I wasn't getting from the "Oliver" single.

Also in the original episode according to tv.com:
Music:
--Liza Minnelli (with the Bo Jangles Group) - medley of rock songs: "You Can't Always Get What You Want," " Put A Little Love In Your Heart," "Up Above My Head," "Wedding Bell Blues," "And When I Die," and "Hey Jude."
--Rod McKuen sings "London" and "Everybody's Rich But Us."
--Liberace with the Tripoli Steel Band - "Alleycat."
--The Trinidad Tripoli Steel Band - perform a steel band song.
Comedy:
--Bill Dana (comedian)
Also appearing:
--Coretta Scott King introduces footage from Martin Luther King's speeches.

_______

Mission: Impossible
"The Choice"
Originally aired March 22, 1970
Wiki said:
A mystic (Leonard Nimoy) plans to abuse his powerful influence over a duchess to ascend to the throne.

The regular-sized reel-to-reel tape in a flower shop said:
Good morning, Mr. Phelps. During the past six months, the Grand Duchess Theresa of Trent [Nan Martin, who looks a lot like Nancy Reagan] has come under the domination of a self-proclaimed mystic, Emile Vautrain [Leonard Nimoy]. Vautrain is a sadistic charlatan who plans to use his relationship with Theresa to make himself ruler of the duchy. If Vautrain succeeds, Trent will become a cruel dictatorship allied with our enemies.

Your mission, should you choose to accept it, is to stop Vautrain. As always, should you or any member of your IM Force be caught or killed, the Secretary will disavow any knowledge of your actions. This tape will self-destruct in five seconds. Good luck, Jim.

Vautrain has an interest in horror and illusion, so Jim puts on a public stage show in which he fake electrocutes Paris, who's made up to more strongly resemble Vautrain. Vautrain attends, and has his ally, police chief Colonel Benet (Alan Bergmann), inspect the electric chair. Oddly, Jim and Paris don't seem to let the audience in on the fact that they didn't just watch a man get killed.

Jim and Paris are subsequently caught setting up a podium for electrocution at an opening of a peace exhibit that Vautrain will be attending in place of the duchess. Jim and Paris talk openly in the cell that they've confirmed is bugged of their fake plot to have Paris replace Vautrain and pull his electrocution-surviving stage trick (which involves wired gloves made to look like bare hands) in an attempt to awe Theresa, then persuade her to name First Minister Henri Picard (Arthur Franz)--a former flame who's become estranged due to Vautrain's influence--as her successor. Vautrain partially undisguises Paris to find he was groomed to even more closely resemble Vautrain underneath. Impressed with the idea and seeing an opportunity, Vautrain wants Jim to go through with the trick, but with the real Vautrain, to give him an excuse to have Picard executed.

Barney and Willy take out Vautrain and police henchgoon Goujon (Sid Haig) backstage, and Paris replaces Vautrain as fake planned to pull the trick at the podium. Vautrain finds himself taken captive with Jim, escapes per IMF plan, and has a confrontation with Paris in Theresa's study with Picard and Benet present. This involves an IMF-rigged shooting attempt using a gun that Vautrain stole in his escape attempt and some planted squibs, such that Paris seems to miraculously survive Vautrain's shot. Vautrain runs out of the room, Paris calls security telling them that the man who looks like him is an impostor, and the sound of shots being fired is quickly heard from the study. Mission: Ac--wait, there's more. Then Fake Vautrain, maintaining his disguise, confesses to Theresa that he's been using tricks to influence her and that he plans to return to the sanctuary that he came from, and persuades her to put her trust in Picard and get rid of Benet. Picard takes Paris aside to thank him, having figured out that he isn't really Vautrain.

Can't say this one has aged well, with the weak female ruler who's a figurehead for the right man.

_______

TGs4e26.jpg
"All's Well That Ends"
Originally aired March 26, 1970 (season finale)
Wiki said:
Don wants to take Ann to the theater on her birthday, however, Ann promised to sit a sick child.

I'm pretty sure we've had at least one other story involving Ann's birthday...I wonder how this lines up airdate-wise with that one.

Donald gets the tickets but pretends not to have, planning to spring it on Ann as a surprise. Ann's married-with-children friend of the week, Janie Downs (Mary Robin Redd), is visiting when Donald breaks the fake bad news via phone, so Ann offers to take care of the baby instead of going on what she thought would be a mundane birthday date with Donald. When Donald drops by to pick her up, she already has infant Bobby...who must be just about my age.

Donald tries to sell the tickets back to the guy who just sold them to him, who haggles down the price. The baby potentially being sick doesn't come up until Ann and Donald are both watching him. Ann frets that it's the mumps and worries that she'll get them herself. They wind up getting ahold of the baby's doctor, who determines that there's nothing wrong with the child.

Ann falls asleep on the couch and, during the commercial break, Donald stays up for when the Downses come back to pick up Bobby and puts her to bed. In the coda, Ann wakes up in her bed to find a note that Donald wrote for her while watching her sleep...meant to play as a purely romantic thing, but I can imagine how it would go over nowadays. :eek:

And that's all for the penultimate season of That Girl. I'm currently recording Season 5 on Antenna, even though they're likely chopped to hell.

"Oh, Donald" count: 17+ (I really should have been keeping track, because that may be a record)
"Oh, Doctor" count: 1

_______

Ironside
"Good Will Tour"
Originally aired March 26, 1970
Wiki said:
Ironside finds his order to guard a visiting crown prince difficult due to the prince's thirst for night life.

It appears that I didn't get a recording of this one from Cozi for whatever reason. The top-billed guest was Bradford Dillman as the Prince.

_______

Hogan's Heroes
"Klink's Escape"
Originally aired March 27, 1970 (season finale)
Wiki said:
Hogan allows Klink to take over the escape planning business when the kommandant decides to locate the underground station assisting escapees.

Last appearance of Sgt. Kinchloe (Ivan Dixon).

The underground station is of course Stalag 13. Burkhalter has security increased because of all the escapes in the area, making the tunnel unsafe to use; and Klink wants to locate the escape station for Burkhalter. Hogan plants an idea in Klink's head...indirectly, via Schultz...to allow the Stalag 13 prisoners to escape so that they can be tracked to the station. Thus Klink suddenly pulls out all the stops to encourage and enable the prisoners to attempt an escape. The prisoners play hard to get on the matter, acting as model inmates up to a point...even finding Schultz's rifle for him when he makes an obvious show of supposedly having lost it. Finally, they have a scripted conversation in front of a bugged ceiling lamp in which they vote to attempt an escape.

They have another conversation via the lamp in which they further plant the idea of having Klink allow them to take him hostage, for reasons that I didn't catch. This scene is played as a split-screen pseudo-dialogue between Klink's office, where the prisoners are being listened to, and the prisoners talking into the lamp back in their barracks. Finally going through with their faux escape attempt, they take Klink's car to a railroad tunnel that they need to blow, then return it to the stalag, all while Klink sits in the car blindfolded. When Klink finds that he's back at Stalag 13, Hogan pretends that they've had a change of heart.

DIS-missed!

_______

Adam-12
"Log 114: The Hero"
Originally aired March 28, 1970
Wiki said:
Malloy and Reed assist firemen at a burning warehouse, but a young man who rescues a trapped victim seems reluctant to be recognized and honored as a hero.

Reed and Malloy are on patrol when they see smoke, which leads them to a burning warehouse. There they see a young man (A Martinez) who was already on the scene running into the blaze. He carries out a watchman (John Steadman) just as the fire department arrives. At the hospital the officers learn that his name is Lauro Perez, but he's not very talkative. A detective (Harry Lauter) informs the officers that the fire department believes it was arson, but Perez isn't a suspect.

Back on patrol, Reed is putting in a code seven when they're assigned to a 415, possible jumper. Proceeding to an apartment, they find a very drunk man (Jack Perkins) who's been leaning carelessly out a window. Back at the station, Mac has the officers accompany Lt. Chavez (Richard Angarola) from Community Relations, who wants to give Lauro a citation (the good kind), to the Perez home. Lauro's father (Natividad Vacío) and kid brother are very proud, but Lauro seems uncomfortable with the attention and ultimately walks out.

After another call that involves Malloy giving CPR to a man with a heart condition, the officers return to the station to attend a press reception for Perez, who finds out that the police have arrested a suspect in the arson case. Reed and Malloy drive Lauro home, where Mr. Perez has them come in for a surprise party for his son, who acts sullen and talks privately with his girlfriend, Rita (Mina Vasquez). After leaving the officers return to the house to find out what's wrong with Lauro. Rita tells them that he was planning to see them and leads them to a church, where they find him praying and he confesses to having accidentally started the fire while trying to burglarize the warehouse for wedding money. Mr. Perez and Rita comfort him, emphasizing that he's still a hero.

In the coda, Lt. Chavez promises to do everything he can to help Lauro, whom he feels did earn the citation, though he won't be getting it now. Back on patrol, Reed tries to call in another code seven and is told to respond to two calls. Yep, I think this is the beginning of their infamously bad code seven streak.

_______
 
Before the performance, Ed goes over to Liberace to admire his fur coat and tries it on himself.
I remember that. :rommie:

McKuen brings some character to his performance that I wasn't getting from the "Oliver" single.
He's a very sincere artist.

Can't say this one has aged well, with the weak female ruler who's a figurehead for the right man.
It's a variation of the Rasputin story. Kind of funny that it involves a Nancy Reagan lookalike, though, since she was the power, or at least the brains, behind the Reagan throne.

The baby potentially being sick doesn't come up until Ann and Donald are both watching him. Ann frets that it's the mumps and worries that she'll get them herself. They wind up getting ahold of the baby's doctor, who determines that there's nothing wrong with the child.
But, in fact, it was this mad doctor who infected the baby with his own laboratory-created virus. And the next morning, Ann does not wake up-- although she does get up.

In the coda, Ann wakes up in her bed to find a note that Donald wrote for her while watching her sleep...meant to play as a purely romantic thing, but I can imagine how it would go over nowadays. :eek:
Romance is dead. :(

"Oh, Donald" count: 17+ (I really should have been keeping track, because that may be a record)
Except maybe for the honeymoon episode.

Hogan's Heroes
"Klink's Escape"
Originally aired March 27, 1970 (season finale)
I never realized that Ivan Dixon escaped from the show.

When Klink finds that he's back at Stalag 13, Hogan pretends that they've had a change of heart.
"Thirty days in the COOLER!"

At the hospital the officers learn that his name is Lauro Perez, but he's not very talkative. A detective (Harry Lauter) informs the officers that the fire department believes it was arson, but Perez isn't a suspect.
I have no idea where this plot is going.

Back on patrol, Reed tries to call in another code seven and is told to respond to two calls.
Two calls at once? The dispatcher is really messing with them. She must be one of Malloy's exes or something. :rommie:
 
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