Helena Carter (lovely woman who was oddly very hot in a balded sickly state in the begining of the movie.
And now you see exactly what turns Tim Burton on.

Helena Carter (lovely woman who was oddly very hot in a balded sickly state in the begining of the movie.
Helena Carter (lovely woman who was oddly very hot in a balded sickly state in the begining of the movie.
And now you see exactly what turns Tim Burton on.![]()
The one that stuck out most to me comes some-time after Marcus lets Moon (who has perfectly white teeth for someone living in a post-apocalyptic world) out of the wires. They settle down to camp for the night and it's raining. Marcus walks off to... take a leak or something, and Moon is standing there and she takes her jacket off, she's massaging her shoulder and then there's like an odd cut or something and suddenly she's calling for Marcus, it has stopped raining and she's surrounded by men who want to... be mildly rude to her.
And what happened to the image of Helena Carter (lovely woman who was oddly very hot in a balded sickly state in the begining of the movie. She made think of something like the "Newcomers" from Alien Nation or something like that) with half her skull burned off? Was an entire plot line removed?
Were it not for T2, T1 would just be another part of the crowd.
(Granted, T1 made a lot more money than any of those.)
...but T1 is really just another 80s "action noir" flick. The Cream of the Crop of them, but I dare say it owes it status in popular culture to T2. Hell, I didn't even watch T1 until AFTER I watched T2!
By the way, here's an interesting article from Chud about the Terminator: Salvation that might have been. I've always said the original ending was interesting and could have been great. It would have been a hell of a lot better than what we got. The studios and creatives should never...never...worry themselves over internet reaction. Hopefully the end of the Terminator franchise will at least have that positive effect.
http://chud.com/articles/articles/1...NT-WRONG-WITH-TERMINATOR-SALVATION/Page1.html
Looks like the movie brought in $43 million this weekend, with $56.4 million in total if you include Thursday. It came in second place after Night at the Museum 2.
The movie is wasted potential, completely and utterly worthless.Looks like the movie brought in $43 million this weekend, with $56.4 million in total if you include Thursday. It came in second place after Night at the Museum 2.
Yeah, definitely below estimates. Not a good sign.
The one that stuck out most to me comes some-time after Marcus lets Moon (who has perfectly white teeth for someone living in a post-apocalyptic world) out of the wires. They settle down to camp for the night and it's raining. Marcus walks off to... take a leak or something, and Moon is standing there and she takes her jacket off, she's massaging her shoulder and then there's like an odd cut or something and suddenly she's calling for Marcus, it has stopped raining and she's surrounded by men who want to... be mildly rude to her.
Those scenes were cut to secure the PG-13 Rating. That was the scene where she removed her uniform top to treat the wound on her arm while Marcus looks for firewood. The MPAA told them if the scene was included they'd be rated R and it was removed by order of WB.
Looks like the movie brought in $43 million this weekend, with $56.4 million in total if you include Thursday. It came in second place after Night at the Museum 2.
Yeah, definitely below estimates. Not a good sign.
I think it cost almost $200m to make which and $75m IMO is a lot of money to try and make up overseas.
As for the movie itself, it was unabashedly action fare, which is fine, given that the Terminator films have always been chase films with a generally predictable plot. What I didn't expect this summer was seeing Star Trek reduced to mediocre action-film fare, having a plot with holes so big you could fly the Enterprise through them.
As for the movie itself, it was unabashedly action fare, which is fine, given that the Terminator films have always been chase films with a generally predictable plot. What I didn't expect this summer was seeing Star Trek reduced to mediocre action-film fare, having a plot with holes so big you could fly the Enterprise through them.
Watch Terminator 2 again.
You missed the scenes of the Terminator learning what it is to be human?
Ultimately becoming MORE human the Sarah?
Sarah learning to respect the machine -something she has been fighting hard to stop from exsisting.
John finding a father-figure in the Terminator?
Dyson giving up his life's work, and his life, for the good of all humanity after hearing about the dystopic nightmare of the future?
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