Thinking of this movie, I'm reminded of a quote from an episode of MST3K. I don't recall specifically what the subject movie was but Servo says, "This is more of a movie-loaf" and Mike adds to it with, "Yeah, it's made of movie parts, chunked and formed."
That's kind of what this is, as I said in my review up thread there's
pieces of a movie here but there seems to be stuff missing. Things happen and occur without any real explanation or reason. As said up thread, Donatello is able to hack into the Technodrome in order to stop it/figure out how to stop it moments after it appears which means not only does his tecno-pack have remarkable range and connectivity but that the pieces of the Technodrome are Bluetooth capable.
Brad Jones of The Cinema Snob and Allison Preger of Obscurus Lupa/Movie Nights did the Midnight Screening review of the movie
here and they both hated it and they make a lot of good point on the problems I had with this movie. Although I didn't really hate it. I came out, "meh" and sort of still feeling that more could have been done here and the movie really feels like it's missing parts of it.
As Allison says, at one point Krang kidnaps Shredder and enlists him to get the parts for the teleporter to bring his Technodrome into our dimension. But the audience is never told what a Technodrome is or what it does, the movie almost depends on its audience to already know these things. It's also bizarre to me the Techndrome came into our dimension in pieces that assembled themselves (I guess it's made out of Transformerinium or whatever) and it's built to be hollow instead of a large structure with numerous interior rooms.
Parts of this movie are just so... off. Like at the end of Krang's first scene there's an extended bit where his prosthetic body has to smash/punch Krang into the interior chamber of it. What?! Was this something we needed?
And, aren't fart jokes the bottom of humor jokes? I mean.. isn't this a known cliche by now that if your write a fart joke into your screenplay you're pretty much out of ideas?
Ugh. Again, I didn't really *hate* this movie, nor did I really even dislike it. I didn't like it either though, it was just there. Still not nearly as bad as it could be, but the story and screenplay just feels really, really off and hacked together here. I feel like there's a two-hour cut somewhere that gives us more story.
I dunno, I'm not as passionate about TMNT as I am with, say, Superman and how he's mishandled in movies but it seems like there's plenty of ways to do TMNT seriously but still have a family/kid friendly atmosphere to it just like it's possible to do Superman and have him be a fun, light hearted-good natured hero who still has his struggles and complications.
The latest versions of the cartoons/animated shows have done a good job with the Turtles in finding a balance between them being serious heroes and the kiddy-stuff they're known for from the '80s cartoon. The CGI movie from a few years ago did a decent job with it as well, finding that balance between taking it seriously but making it approachable for kids and families.
But, screw it. Let these 6-foot-tall Turtles who likely way several hundred pounds be virtually indestructible and able to movie with lightning speed, flip and run around with a pizza box and not have it end up being a wadded-up, mushy, mess when they arrive back at their lair.
There is moments of "good" in this movie, I liked the ending scene with the Turtles being given their keys to the city as Splinter looks on, proudly, from the wharf area and the Police Chief woman treats the Turtles fairly and equally, saying how they can be accepted if people knew what they did. So there's some nice moments like that. The continuing conflict between Raph and Leo is fairly stale but there's some good moments with it here centered around the anti-mutagen or whatever secrecy and Raph finding out about it.
But then there's the nonsense in the middle of the good.
And, yeah, this is the worst version of Casey Jones in any incarnation, and I wasn't a fan of his cartoon series version who WS treated as more of a villain than a ally. The version we see in the 1990 movie is really the best version of the character. I've no idea what they were going for her other than Chris O'Donnel's Robin.