That's the exact velocity the TOS Enterprise would have had to be traveling to get the arrival time Spock calculated in "That Which Survives" compared to the velocity Voyager should have been able to reach -- based on the TNG warp scale quoted in the writer's guide -- as quoted in "Caretaker."
A.) writers guides are not canon, and B.) accidents do happen.
Basically: Warp speeds in the Kelvin universe are COMPLETELY consistent with their depiction in TOS. That they are inconsistent with TNG+ should bother exactly no one since TOS made no effort to be consistent with them either.![]()
But the Kelvin timeline series is being made at a time when most of that stuff has been nailed down
Which changes very little; Sagitarius-A, sight of a supermassive black hole that is arguably at the "center of the galaxy" is 28,000 light years from Earth. The core region is about 15000 light years across, so you could "enter" the core after about 20,000 light years.
Is this how the Star Trek universe's Galaxy is set up, though? The Great Barrier doesn't exist in real life. As I understand it, "The Nth Degree" [TNG] shows a different center of the Galaxy than a black hole. Also, are the core's dimensions the same here as they are in the shows?
At the the Warp 8 displayed in "That Which Survives" the Enterprise would have been able to make that trip in about 10 days. If you went by the TNG scale, on the other hand, the same journey at warp 8 would have taken about 19 years. This just to get to the EDGE of the galactic core; it's still another 8,000ly to the center of it.
Travel time has always been fudged a bit.
The TNG+ warp scale from the writer's guide.
Not that they ever followed it consistently. See comparisons:[/quote]
The most glaring example is in "the 37s" where the ship's speed at warp 9.9 is quoted in dialog as "four billion miles per second." Even at THAT velocity, the trip back to Earth would only take three and a half years.
That's kind of anal nitpicking. I think the more broad information would be more accurate than the isolated comment (since the idea that the ship had a 70-some years journey has always been a consistent point of the show.
Which, if getting home wasn't that big a priority for them, would make plenty of sense. "Well, we could get home in about three years, but nobody's ever been this far, and it's not like we've got families at home that miss us, so let's go ahead and take the scenic route!"
Some of the detours were made to avoid trespassing into other nations space or other problems, not exploration.
No. The franchise is filled with world building, most of which is inconsistent.
The majority of the problems are minor ones at best and to be expected from a long-living franchise. The core stuff hangs together.
Fan theories are part of fandom. They are no more "part of the franchise" than the ideas on this discussion board. We fill in the blanks when the writers leave things open because that's just how we are, we like neat and tidy and consistent explanations that the show does not really provide.
Okay, fair enough.
But do not pretend the show is of superior quality because WE care enough to gives those explanations, and CERTAINLY do not pretend that later productions are inferior because YOU don't care to do it anymore.
Based on the information from the first reboot movie, the laws of physics, cosmology, and settings of the prime universe still apply to the Kelvin timeline, so why can't I point out when the movies ignore their own rules and foundation? Also, I was talking about the comics, which are not canon and so have no weight.
Better to just admit you don't like change and avoid trying to justify something that was never justifiable in the 50 previous years of the show's existence. That solves that problem nicely.
The speeds mistakes in the prime universe are small enough I think they can be glossed over, since it's basically only noticeable when calculating the MPHs given, so to speak. The comics are making claims about the ships range make no sense, given the overall intent of the franchise's TOS era at the time the comic was written.
It IS completely mutable, being a TV show and all. The writers can choose to completely ignore whole swaths of established canon and create totally new concepts and tell the entire fanbase where they can shove it if they disagree. They COULD have done that with the Kelvin universe films, but they decided to be nice and throw us all the "parallel universe" bone so we could go on pretending they were all tied together somehow because that's really important to a lot of people for some reason.
Not to me. I think a hard reboot would've been better, although Beyond did use the parallel universe idea in a way that made the movie really great and meaningful to us old schoolers.
The Star Wars production team, as an example, went the other way; after 30 years of considering the Expanded Universe novels and materials canon, they did a 180 and basically decided none of the novels counted anymore, retconned them all out of existence and created totally new stories and totally new characters from the production team, many of them based on the prequels that most people hated.
Generally true. However, even if technically canon, the pre-Disney EU materials (now called "Legends") being canon was a rule that was mostly honored in the breach; the Special Editions of the movies, the prequels, and the Clone Wars show almost always did their own thing regardless of how that would impact the tie-ins. By the people making the core materials, Legends was treated just like how other franchises handle the non-canon tie-ins.
The prequels also include the generally liked Clone Wars TV shows. In fact, most of the prequel-based tie-ins made since the reboot have been based on Clone Wars, not the prequels proper.
It was a giant "fuck you" to the fans of the EU in favor of attracting fresh new audiences from the literally MILLIONS of kids who had grown up watching the prequels, the Clone Wars and Rebels TV series and who were as familiar with Mace Windu and Ahsoka Tahno as they were with Luke and Leia.
Considering how Legends has been treated (still being kept in print, the YouTube movie with the reboot announcement had people involved recalling their favorite Legends stuff, it influencing the new canon), the Disney reboot has been one of the most respectful ones I've seen.
In fact, I'm kind of surprised that the old Legends are taking so much exception. If Legends hasn't been rebooted, the results still would've been pretty much the same. Movies and TV shows have always overwritten the books, so pretty much all of the New Republic era onwards would've been erased by Force Awakens. Rebels would've altered the original era as well. This was the way things worked pre-Disney. The only difference is that with post-Disney being a hard reboot, we have a cleaner timeline, since we don't have to retcon and patch to tie stories together that don't really fit. (To be honest, a clean, hard reboot was probably the only logical outcome.)
IOW they made a decision to kick their existing fan base in the balls as a concession to a new generation that would find the EU series exceedingly difficult to penetrate.
As an older fan who was reading Legends back when it was the only EU around and canon, I can vouch that Legends would be very hard to follow for a newbie, especially by the Legacy era. It was also going downhill, IMHO, so I've found that the reboot has made Star Wars more enjoyable again, IMHO.
And it worked, because for all their butthurt the existing fan base went just as crazy for the new stuff as their kids did, and were perfectly happy to see some of the EU characters brought into the new canon in various forms.[/quote]
I'm sure the excellent material made under Disney's watch has factored in as well. There are also die-hards who refuse to accept anything other than a Legends continuation. And there are those who like both.
"Source material" is what a story concept is based on. That never gets "established" anywhere, it's implied in the title and the set/character design. The only way to "establish" that on screen would be to have one of the characters actually address the fact that he IS a character in a TV show and mention of what TV show he is specifically in.
Semantics.