Has anyone seen that Superman TV musical from the early 70s? I've seen clips, but something like that could really put all this into perspective.
I also am surprised to hear it was a "box office failure". Isn't that term relative to have much money they throw at it?
That's it. The movie did not make enough of a profit when compared to how much was spent on it and the studio's expectations for the film.
I too am wary about the "darker" comment; Superman does not need dark like Batman does. I agree with the poster way back who said that the studio should worry about getting Supes right first. The reason why the X-Men, Nolan's Batman, Iron Man, and Spider-Man worked on film is because those movies got the characters "right". A few modifications to the powers/origins did not interfere with that.
Donner's Superman got the character "right" for that point in time. Whereas I enjoyed Returns immensely as a film, the characters were just "off".
If IRC S:R's production costs were mostly weighed down with the various contracts and attempts over the years. Tim Burton, Nicholas Cage, Kevin Smith, S-shield throwing stars, giant robot spiders, black super suits, etc. etc. All actors, writers, and more that had to have contract obligations paid even though they were not used. Millions and millions of dollars lame ideas and attempts all dragging behind S:R's own merits. By its little self without all of this stuff dragging it down, S:R probably did pretty well.
Would also like to see Brandon Routh return to his role...he was great in Zack and Miri.
Yeah, I think the studio was hoping SR would make more than X-3. X-3 trounced SR badly at the BO.
Yeah, I think the studio was hoping SR would make more than X-3. X-3 trounced SR badly at the BO.
Not neccesarily. Superman Returns earned $200 million domestically at the box office. X-Men: The Last Stand earned a little over $215 million. Not that big of a difference. Also, X3's budget inflated when Brett Ratner came onboard, from $175 million to a reported $200-225 million, averaging just around the same budget expenses for Returns. So X3 was a financial success, but just barely, and it hardly "trounced" Returns. If anything, the films were even at the box office. Critically, though, that's another story...
And at the end of the day, fun is what Superman's always been about. The scene that stands out to me and is the textbook Superman scene was this: In a comic I read, Superman was doing his rounds until he sees an SUV skid off an expressway ramp. He swoops in and catches it with ease, much to the delight of the driver and her son. The son looks out the window and sees who caught them and says "Are you Superman? That is so cool!". Superman replies, "Yes, I am Superman. And, yes, it is cool,". That's the Superman I want to see. A Superman that does his job with a twinkle in his eye. A Superman that loves to be Superman, dispite its hardships and risks. Not doing it with a heavy heart and weary soul.
Agreed 100%.
My response to the "as dark as the character allows" comment, is this:
The character of Superman allows NO darkness.
That is simply not what Superman is supposed to be. He *must* be a nice guy. Somebody who actually smiles and enjoys his work. Somebody everyone can look up to and respect. Somebody who is ALL good and NO bad. The ultimate Boy Scout, as it were. Darkening all that - in any way - would completely ruin Superman as a character.
To paraphrase "What's So Funny About...": People who want a dark Superman really want Manchester Black. And look what happened to him.
Yeah, I think the studio was hoping SR would make more than X-3. X-3 trounced SR badly at the BO.
Not neccesarily. Superman Returns earned $200 million domestically at the box office. X-Men: The Last Stand earned a little over $215 million. Not that big of a difference. Also, X3's budget inflated when Brett Ratner came onboard, from $175 million to a reported $200-225 million, averaging just around the same budget expenses for Returns. So X3 was a financial success, but just barely, and it hardly "trounced" Returns. If anything, the films were even at the box office. Critically, though, that's another story...
Ah, I must've been thinking of international numbers because I recalled a number in the 400's. I'm too lazy to research this, so I'll take your word for it. However, my point still stands that X-3 made more. It had a higher budget, then again it was paying 3rd movie salaries to Halley Berry, Patrick Stuart, The Wolverine Guy, Ian McWhatsits, and so on.
They did say darker 'as much as the characters allow' or something, which is a good sign.
They did say darker 'as much as the characters allow' or something, which is a good sign.
Superman seemed pretty dark, and definitely creepy, in SR, what with stalking Lois Lane and all. I shudder to think how much more darker the character could be.
They did say darker 'as much as the characters allow' or something, which is a good sign.
Superman seemed pretty dark, and definitely creepy, in SR, what with stalking Lois Lane and all. I shudder to think how much more darker the character could be.
People always seem to quote that part as being something wrong with Superman. The point I got from it though was that at that point in the film he was so completely out of touch with his humanity that he doesn't even understand that he is acting incorrectly. It stressed his isolation from the people around him.
I'm with you there.^ That's for sure. As disappointing as X3 was compared to the previous two instalments, I'd still rather watch it a dozen times in a row than subject myself to a repeat viewing of Returns.
Fictitiously yours, Trent Roman
We use essential cookies to make this site work, and optional cookies to enhance your experience.