^ That's the only thing you got out of the article? Jeez...
Not really this is more the Post Post-Crisis Superman where it follows the Bryan Singer approach of not a dual identity but a triple identity. There's Clark from Smallville and then there's his two disguises, bumbling Clark Kent mild-mannered reporter for a great metropolitan newspaper, and of course Superman champion of truth and justice.
I don't really care about the technicalities of filmmaking.. you pour enough money into it and you are bound to get good visuals.
Thank god, we're finally gettin' a Superman origin story!
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Smallville did that ten times better: learning he was an alien freaked Clark the hell out, but it didn't make him question if he was the Kents' son. Ick.'I don't want to be someone else,' says Clark. 'I don't want to be different. I want to be Clark Kent.'
[And here's the kicker...]
'I want to be your son'
Right there in that moment, Geoff Johns contextualized Superman in a way that I'm not sure has ever really been done before.
^ That's the only thing you got out of the article? Jeez...
Thank god, we're finally gettin' a Superman origin story!
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I have to admit I had that thought as well.
How many times do people have to bitch about not wanting an origin every time a story is posted that one MIGHT appear in a movie. Ooooh let's freak out about another origin story. The fact is that isn't how screenplays for "first" movies are crafted. Movie execs don't give a rats ass if we are aware of source material. They're mindset is the people who aren't. That's just the way things are and will always be. I don't mind an origin sequence at all, especially if it's at all crafted like "Batman: Begins".
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