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Star Wars: The Clone Wars 2x21 R2 Come Home

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Star Wars: The Clone Wars 2x21 R2 Come Home

Morale: "Adversity is friendship's truest test"

Synopsis: When a band of bounty hunters leads Anakin and Mace into a deadly trap on Vanqor, it's up to R2-D2 to battle his way back to Coruscant and warn the Jedi.

This episode airs on Friday April 30, 2010 at 9:00pm est on Cartoon Network.
 
Bounty hunters nearly get owned by R2. Ha! The li'l droid was actually trying to kill them it seemed like.

I was wondering if Bossk was going to speak.

Mace Windu is still unlikable.

Aurra Sing is such a bitch. Never noticed that antenna in her head. WTF?
 
Great episode. The setting of the crashed decaying Destroyer was awesome. R2 playing hero was awesome. I'm still confused by the Aurra/Boba relationship. Does she legitimately care for him? Is she using him?
 
Great episode. The setting of the crashed decaying Destroyer was awesome. R2 playing hero was awesome. I'm still confused by the Aurra/Boba relationship. Does she legitimately care for him? Is she using him?
Next to the prequel's version of Obi-Wan, R2 is the only true hero I can think of in the entire franchise. Everyone else was a little whiny bitch. "'Playing' hero" indeed.
 
Great episode. The setting of the crashed decaying Destroyer was awesome. R2 playing hero was awesome. I'm still confused by the Aurra/Boba relationship. Does she legitimately care for him? Is she using him?

Lethal Trackdown seemed to suggest the answer.
 
You mean cause she ran off? She could still want to mother him yet be a self-serving coward.
 
Good grief, Aurra's costume is tight. But then, it is kind of literally painted on.

The story and title are an obvious riff on Lassie Come Home, with Artoo rushing home to report that Timmy's fallen down the well (or whatever the real events of that film were).

I wonder... do the sound editors at Lucasfilm have a set vocabulary for Artoo? I.e. does each of his stock sounds have a consistent meaning? It often seems they do. For instance, in TESB and here, I've noticed a four-note whistle, kind of like a bird call, two falling tones then two rising tones with an inquisitive slide to the final tone, that seems to be used in contexts where Artoo might be saying "Hello?" or "Master, are you there?" And then there's the descending "ooh" tone that sounds like an unhappy moan, whose meaning is fairly clear. And the "shriek" noise he makes when he's "in pain" or otherwise under stress. But a lot of the other tones aren't so obvious.

I'd like to see how Artoo's scenes here were scripted, and to what extent his "vocalizations" were specified in the script, if at all.
 
This was an amusing episode, particularly now that I've seen the title. :)
As somebody else here posted, R2 is one of the most heroic characters of the Star Wars universe and it was fun to watch R2 distract and outwit the Bounty Hunters going after Anakin and Mace, cleverly escape from the jaws of a Gundark, see him hijack the Jedi starfighter and escape back to Coruscant to tell the Jedi about Anakin and Mace. The one "nit" I have is that it seemed to take troops so little time to make it back to Anakin and Mace (is where they were that close to Coruscant or did they just speed things up close to the end of the episode?).
 
Star Wars is famous for compressing time in order for a story to flow as smoothly as possible. Almost any venue for storytelling would and must do it for that very reason, but Star Wars does it exceptionally well. Still, considering this was a training cruise, they probably weren't that far out from Coruscant.
 
^If you consider it "exceptional" that Luke apparently spent about a day studying under Yoda before rushing off to Bespin. Though personally I favor the hypothesis that the Falcon took weeks to limp to Bespin at sublight while Luke was training with Yoda.
 
ROTS also suffers from this. It seems to take Padme literally two minutes to reach Mustafar.

Interesting comment about Artoo's beeps. I recall reading that during ROTS, Ben Burtt made new "dialouge" for Artoo, the first time since ROTJ. As his "dialogue" on the Clone Wars has been reused from the movies I'm pretty sure.
 
^Yeah, I do recognize a lot of Artoo's specific "vocalizations." I'm just wondering if there's a consistent use/translation for each one, or if the sound editors are freer to wing it and use whatever combination they think works best.
 
^If you consider it "exceptional" that Luke apparently spent about a day studying under Yoda before rushing off to Bespin. Though personally I favor the hypothesis that the Falcon took weeks to limp to Bespin at sublight while Luke was training with Yoda.

Prime example. And I too favor the weeks (if not months) theory, though I prefer to think that by "limped," Han was actually able to coax a few hops out of the hyperdrive motivator to help them make it to Bespin in less than a century.

Still, that storyline sure flowed smooth even if it presented a distorted depiction of time's persistent march. But, the devil's in the details. Granted, there is a whole different style of storytelling that would be perfectly happy depicting characters farting and picking their teeth traveling from star to star in between those critically defining moments (new Battlestar Galactica comes to mind). But of course, Star Wars isn't in that club.
 
At best he has mood noises. It's not an actual language by any stretch.

Actually, in universe, I suspect it is an actual language. Threepio seems to understand it and can translate it rather specifically, and Anakin seems to have picked up on it given his technological prowess and having dealt with Artoo for some time. Luke also had a translator circuit in his X-Wing for when Artoo needed to communicate.

As for what the editors use, much of it sounds like Artoo rehash to me. Not that they don't create new sounds when necessary, though that seems pretty rare these days.
 
Artoo has always been a kick-ass hero. Even Windu had to acknowledge that in the end.

It may be just a coincidence, but Sing's depiction seems spot on to the way she was depicted in the pre-Episode I comics (she even looks ten or more years older here, IMO). Tough, deadly, but with occasional moments where you might think there's a decent person in there somewhere that are usually crushed with her next self-serving act...
 
Prime example. And I too favor the weeks (if not months) theory, though I prefer to think that by "limped," Han was actually able to coax a few hops out of the hyperdrive motivator to help them make it to Bespin in less than a century.

I see two other possibilities:

1) Hoth is an outer world in the same star system in which Bespin is a Jovian planet. Thus, a sublight trip could take weeks. The drawback is that both worlds had fairly bright sunlight, so it doesn't seem either could've been too far out from the primary star.

2) During the cutaway between the scene where the Falcon attached itself to the Star Destroyer and the scene where it escapes under cover of garbage, the Imperial fleet made a hyperspace jump that put it on the outskirts of the Bespin system. The question is why the Falcon would piggyback for one hyperspace jump and detach itself before the next. Also, I'm not sure whether it would fit the dialogue.
 
I wasn't talking about in universe. It's clear that it's a real language there. But I seriously doubt that LucasArts came up with a complete (or even partial) language for him beyond "mood beeps."

Nobody said anything about a complete language. I just wondered if they have a consistent meaning or range of meanings in mind for each distinct beep. For instance, as I said, the four-note whistle that Artoo used on Dagobah when he seemed to be calling to or questioning Luke -- which could be interpreted as meaning something like "Master?" -- was used here when Artoo was searching for Anakin on the bridge, as if calling out "Master?" So there's a consistent usage from one work to another, and I'm wondering if they have that codified, if there's some kind of index of what each sound is used for.
 
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