Well, he's a little too busy to do episode 7 with a little art house film he is making at the moment called 'Avengers 2' due to be released 2015 also.Whedon for Episode 7 or 8!
How much of an effect would the prequels even have on episode 7? assuming of course its set some point after episode 6.
get serious.de-canonizing the prequels
Disney just spent 4 Billion buying the franchise; half of which is the prequels. You think they are going to purposely devalue them in any way, shape, or form?
de-canonizing the prequels
Star wars 7 is probably the first of three parts of the Jedi wars that were mention in one of the Star wars movies? But I can't remember if it was episode 1 or 2 that is was mention in.
For one thing, I'm fairly certain you imagined such a reference. For another, how exactly would characters in episode 1 or 2 be able to mention events in episode 7, which from their perspective, wouldn't occur for at least 35 - 40 years?
I love Harrison Ford, but I just can't envision an old Han Solo and Carrie Fisher, ugh.
Let me ask something.
While people are eager to see a new directorial vision for Star Wars - as am I, is there anyone else a stickler that the future films continue with the same stylistic consistency of the other films?
All the other films had elements that tied them together:
- all the individual films took place over a short time span, regardless of the amount of time between the films
- no flashbacks or flash-forwards (Lucas sort of bent this rule showing Anakin's dreams in Episode 3, but he didn't break it)
- 40's style wipes to transition to new scenes
- each film would conclude with a scene or montage that had no dialogue whatsoever, and was carried by a musical theme
- music itself was as important to carrying the films even as much as sound and dialogue. Even scenes where no music was used was a musical decision.
And there are others as well.
As much as I want to see a new director bring some kind of a new vision - preferably a bit grittier - to the franchise, I would be leery of anyone straying away from the staples above that in all the past films. I say this primarily for the continuation films (episodes 7-9) but wouldn't mind so much of a change in format for films that would be made after, so loing as they aren't numbered episodes.
if the new team can inject some soul into the new movies i will be one happy fan.
I love Harrison Ford, but I just can't envision an old Han Solo and Carrie Fisher, ugh.
Yes, because seeing an older couple together on screen is so disgusting.![]()
Men into middle age are "fine" ...
So you equate a woman with "not looking good" (presumably as young and fit) with "disgusting"? Did I pick that up correctly? Men into middle age are "fine" but women are disgusting.
Someone could start by addressing a question that was posed yesterday to Disney CEO Bob Iger, but that he mostly sidestepped: To paraphrase, he was asked whether there’s a risk that Hollywood may run into trouble by feeding audiences too many superhero/sci-fi/fantasy films. Susquehanna Financial Group’s Vasily Karasyov made a case last year that as theaters become inundated with these computer-animated extravaganzas — especially featuring comic book superheroes — “risk of underperformance increases and upside surprises become progressively less likely.”
So you equate a woman with "not looking good" (presumably as young and fit) with "disgusting"? Did I pick that up correctly? Men into middle age are "fine" but women are disgusting.
So you equate a woman with "not looking good" (presumably as young and fit) with "disgusting"? Did I pick that up correctly? Men into middle age are "fine" but women are disgusting.
Sure, that attitude is contemptible, but it also applies to men when it comes to the type of films that Disney is going to want to make. Can anyone honestly envision Disney opting to launch big budget movies in a huge franchise, and not making sure the leads are young and pretty?
Fischer, Ford, and Hammil might get cameos or a small role like Nimoy did in Abrams' Star Trek, but there is too much money at stake not to recast with young, pretty actors who will put butts in seats.
(The alternative is young, pretty actors playing all new characters, but that's a bigger risk and corporations usually can be counted on to take the least risky path.)
Disney can't possibly have failed to notice Paramount's recent success with another degraded space opera franchise badly in need of a smart revival, tossing out what doesn't work and keeping the core of what does.
The most obvious route to $$$ is what Abrams did: recast the big, famous roles with young actors, and be damn careful about it because you're dealing with icons. Establish the new actors in the roles and then use it as a path to making money indefinitely.
Abrams may stop Star Trek after three movies (that's ok, it really belongs on TV anyway) but Disney could keep making movies indefinitely. They use the recast OT characters in three movies to re-establish the movie franchise and then move on to other characters, who have been introduced in the previous movies to establish continuity.
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