Those novels are written specifically for fans, who are not only familiar with the Star Trek canon, but are actually fascinated by it. If you're aiming for a wider audience, you can't expect them to be mesmerized by arcane references to Trek's byzantine continuity.I think Moore is correct that canon made things difficult, but hardly impossible, as the novel writers demonstrate continually.
Not the point. Posters here said that RDM asserted that good stories could no longer be told in Trek, because the canon had gottend too deep and convoluted.
The novels show otherwise. And adherence to canon isn't just "arcane references to byzantine continuity". It's using the established past to help inform the future, just like real life, just like your own life, rather than wanting to rewrite it because one finds it inconvenient.
BTW, the new film includes, by all accounts, loads of "arcane references to said byzantine continuity" as well.
Trek works partially because of established characters and beats that we recognize, because it feels like home.
By all accounts, despite the Abramsverse being in effect a "reboot", they didn't just abandon the Trek universe and rewrite it. To do so would have been a bad idea. From the sound of it, he's created a clean slate that at the same time holds onto the essentials of the characters and the spirit of the Trek universe, yet creates flexibility to be it's own entity. This takes true skill, and what I hear, he pulled it off.
But there was NOT room for a complete do-over, nor was it a necessity. Unlike Battlestar Galactica, it wasn't a flawed creation offering ideas to mine. It was a generations successful franchise that had run into problems NOT because of deep established continuity, but rather, due to uninspired latter year creativity and franchise fatigue.
It would have been the deepest of mistakes to shitcan established Trek altogether. And Abrams did not do this.
If he had elected to stay completely within established continuity, there is nothing that would have kept them from telling a great story there, either, because, as the novels prove, this can be done.