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Spoilers Star Trek: Discovery 1x05 - "Choose Your Pain"

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The problem is he was portrayed as the protagonist in this situation. And clearly not as some sort of "villain protagonist" (like Frank Castle or Walter White)
That's CAPTAIN Walter White, thank you.

Seriously, that's pretty much EXACTLY what he is on this show. He's not a straight protagonist at all; I'm not even sure we should call him a protagonist. He's not an antagonist, to be sure, but his alignment is "lawful neutral" AT BEST.
 
You really didn't understand 'Chain of Command', did you?
Pointing out limitations of 90s tv-series is about as convincing an argument as knocking TOS for it's paper sets.
^^^
I understood it just fine. I disagree that it was either 'thoughtful' or 'mature' in its presentation of the subject. I always love how people think these subjects weren't able to be presented in a mature and thoughtful manner because it somehow it was 'a simpler time'.
 
This is nothing to agree or disagree upon. This is about a basic reality, a baseline of undisputable facts. One of those is: Forced compliance, especially by threat of physical harm, is NOT, and I repeat, NOT comparable to willfull or voluntary collaboration with the enemy. It. simply. is. not.

NO ONE, ever, in the whole history of interrogation, warfare and resistance movements, would ever make that case.

This is where you go wrong. Yes, there is room for debate. Please don't try to suggest that your view is the only possible view.

I see it as a case where Lorca refused to let a collaborator participate in the rescue because of the additional risk associated with an untrustworthy individual. An individual who collaborated with the Klingons against the other prisoners. That seems reasonable to me.

So, yes, there are things to agree and disagree on. And, I'm agreeing to disagree.
 
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If there was consensus in society then, there wouldn't have been need for the huge social turmoil, would there?
Yes, there would. Social turmoil is a response to CHANGE, and changes like that can only happen when a relatively large movement gets together and pushes it through. It's a symptom of that consensus, not a an obstacle for it.

Hence the relative lack of turmoil TODAY. There's a whole lot of shit going wrong and a whole mass of people who either don't think you can do anything about it or don't WANT to do anything about it. The places where you see protests in the streets and/or riots, those are actually the places where the consensus "Something has to give!" are the STRONGEST. Peaceful people do not change things, they just go along with the way things already are.

The optimism of the 60s was captured by the fact that ALOT of people all at once thought that things could change for the better, and they looked at Star Trek as an example of what that change could look like (many in that generation still do). 50 years later, you're dealing with a generation of people that has grown up seeing "change" forced on them in the name of progress that, on closer examination, turned out to be a thin camouflage for corruption and incompetence. Imagine if the entire Civil Rights Movement had turned out to be a pyramid scheme and Martin Luther King, on the day of the act's defeat, fled the country with six hundred million dollars worth of donations and retired to a tropical island in the bahamas... that's pretty much what Growing up in the 90s feels like, and from what I can tell, it's only gotten worse since then (e.g. He flees the country with $600 million and the person who tries to take over the movement is immediately assassinated by a neonazi, who winds up getting probation on account of his many contributions to the judge's favorite charity).

I think you have a much more sunny view of that time than I do. Roddenberry was working on "The Cage" not long after the president was shot dead, and the country was on fire for the show's whole run.
That's just it, everyone at the time AGREED that the country was on fire and had the good sense to be shocked and horrified by what was happening and wanted to change it. Contrast with what we're experiencing two generations later: the country is on fire AGAIN, and this time half the people in it -- including a huge number of the people in charge of it all -- are gleefully chanting "Burn motherfucker, burn!"

I think we have it a lot better now than they did then, though we're dealing with many of the same issues today.
Yes, we do. What we DON'T have is the optimism we had then. In the 60s and 70s it was easy to think that things could get better, because everyone WANTED things to get better. In the 90s and the 2000s, there's a huge population who have invested heavily in things NOT getting better, because things are already working perfectly well for them.
 
That's "he probably deserved it anyway"-victim blaming if I ever heard one...

If a guy is in a torture cell, fearing for his physical well-being (which he clearly did at the "choosing process"), there is NO reason to believe he wants to be there, and deserves to be left there, only because he's kind of a douche.
Damn. Stepping back for a second...I think I might actually be shifting here. See, @Rahul this is why I said that I find your arguments more compelling than a very small handful of others who just grunt and shit on DISCO because...REASONS! You don't do that and you have actually given me something to think about right there.

So, in piecing this out... In retrospect, I honestly think my comment was actually a little too "meta", knowing the kind of person Mudd turns out to be later in TOS, and all the problems he caused, putting so many people in danger for his own idiotic schemes. I was inadvertently taking this pattern of behavior into account on my opinion of the character in general and retroactively projecting that onto the DISCO version of the character whom, chronologically, has made his "first" appearance in the franchise and has not yet done any of those other horrible things to Kirk & company yet.

I just now realized this - that maybe Mudd is so stupid-dangerous later on in TOS by how poorly he might have been treated in DISCO by Kirk's predecessors. It's like thinking, how could anyone know Hitler would turn out to be Hitler if you meet him early on in his life as an innocent child? This would only happen if you have prior knowledge of his actions and project that onto the child of what he could become based on various unspecified socio-political factors.

Honestly, I think a few folks here and elsewhere on Teh Interwebz may be doing this exact same thing without malice or without even realizing it. From the second we heard that the Mudd character would be in this show, we all wondered if he would be "better", or the same douche canoe we all knew and loved. He turned out to be the latter and when things went down the way they did, we all went "meta" and decided, "Well, that's typical, isn't it? The shitstick got what he deserved, right?" Did he? I wonder... Or if what he did was out of simple fear and cowardice (neither of which are a crime anywhere in the Federation, to my recollection) what he "got" started him down the dark path for what he later became in TOS? This has given me much to think about.

Well done, @Rahul! Damn your eyes! :)
 
Doing the right thing isn't always safe and easy.
That's exactly true. In this situation, you evaluate who to include or exclude in your plans based on their previous behavior. All Lorca has to guide his decision is Mudd's behavior. Given Mudd's decisions to make things easier for himself at the expense of others, it was a safe decision to not include him. It's safe to assume that Mudd would revert to the behavioral patterns that Lorca has already observed.
 
Damn. Stepping back for a second...I think I might actually be shifting here. See, @Rahul this is why I said that I find your arguments more compelling than a very small handful of others who just grunt and shit on DISCO because...REASONS! You don't do that and you have actually given me something to think about right there.

So, in piecing this out... In retrospect, I honestly think my comment was actually a little too "meta", knowing the kind of person Mudd turns out to be later in TOS, and all the problems he caused, putting so many people in danger for his own idiotic schemes. I was inadvertently taking this pattern of behavior into account on my opinion of the character in general and retroactively projecting that onto the DISCO version of the character whom, chronologically, has made his "first" appearance in the franchise and has not yet done any of those other horrible things to Kirk & company yet.

I just now realized this - that maybe Mudd is so stupid-dangerous later on in TOS by how poorly he might have been treated in DISCO by Kirk's predecessors. It's like thinking, how could anyone know Hitler would turn out to be Hitler if you meet him early on in his life as an innocent child? This would only happen if you have prior knowledge of his actions and project that onto the child of what he could become based on various unspecified socio-political factors.

Honestly, I think a few folks here and elsewhere on Teh Interwebz may be doing this exact same thing without malice or without even realizing it. From the second we heard that the Mudd character would be in this show, we all wondered if he would be "better", or the same douche canoe we all knew and loved. He turned out to be the latter and when things went down the way they did, we all went "meta" and decided, "Well, that's typical, isn't it? The shitstick got what he deserved, right?" Did he? I wonder... Or if what he did was out of simple fear and cowardice (neither of which are a crime anywhere in the Federation, to my recollection) what he "got" started him down the dark path for what he later became in TOS? This has given me much to think about.

Well done, @Rahul! Damn your eyes! :)

That might be one of the things I didn't take into account!
How much his reputation as a shady asshole might color the vision of what he "deserves" as punishment. I viewed it through the lense of someone we saw the very first time here, in a klingon-monsters prison cell as they were portrayed here. Mostly because I wasn't sure how much the portrayal of him here and TOS would stray apart, and basically viewed him a s a "new" character, whose development into his later self we're witnessing here.

Which HAS happened in Trek before. Did you react the same way for 20 pages when it came to them? :p

Well, I HAD some multi-pages discussions about "In the pale moonlight" here before :lol:
(To summarize: I LOVED that episode, but HATE that there was no follow-up to it, and the consequences of Sisko's turn were somewhat shoved under the rug)
 
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I just now realized this - that maybe Mudd is so stupid-dangerous later on in TOS by how poorly he might have been treated in DISCO by Kirk's predecessors.
No, because he's already pulling this same manipulative bullshit while double dealing with the Klingons. If there was a moment that turned Mudd from a happy go lucky but otherwise perfectly legitimate businessman, THIS was not it.

Honestly, I think a few folks here and elsewhere on Teh Interwebz may be doing this exact same thing without malice or without even realizing it. From the second we heard that the Mudd character would be in this show, we all wondered if he would be "better", or the same douche canoe we all knew and loved.
I had no idea Mudd was in this series and was pleasantly surprised to see him. I was NOT surprised that he turned out to be the same self-interested dick we already knew him to be in TOS. Wouldn't be much of a Harry Mudd if he WASN'T, after all.

But it goes deeper than that. Mudd REPRESENTS the non-Starfleet and civilian actors caught in the middle of this war. Not, as it were, because he is particularly virtuous or even innocent. It's because he's every bit the explorer and frontier-pusher that Starfleet claims to be, he just happens to do it on his own terms and doesn't give a shit whose toes he steps on while he's doing it.
 
But it goes deeper than that. Mudd REPRESENTS the non-Starfleet and civilian actors caught in the middle of this war. Not, as it were, because he is particularly virtuous or even innocent. It's because he's every bit the explorer and frontier-pusher that Starfleet claims to be, he just happens to do it on his own terms and doesn't give a shit whose toes he steps on while he's doing it.
Agreed - his manifesto almost has a similar ring to it that Krall/Edison, a former Starfleet Officer no less, had in ST: Beyond, where he tells Kirk "this is where the frontier pushes back". And before him there was Eddington in DS9, with his Les Miserables fetish, painting himself as the former Starfleet, later Maquis hero, trying in every way to demonstrate the unbridled corruption that the Federation represents and fight against it to the last breath. History is filled with characters who have felt trodden upon by the greater interests of immense and faceless empires. Some of them "push back", as it were. Perhaps Mudd was always one of those guys, pushing back in his own way.
 
No, because he's already pulling this same manipulative bullshit while double dealing with the Klingons. If there was a moment that turned Mudd from a happy go lucky but otherwise perfectly legitimate businessman, THIS was not it.

Oh, he's already clearly the kind of douchebag that deserves some kind of dramatic come-uppance later on!
I'm just really against a Starfleet officer willfully leaving him behind in a torture-and-death cell. Something like saving him from the klingons, and then handing him over to the people he double-crossed earlier would clearly be a more fitting fate. And would also reduce the villainous behaviour of our protagonist character.
 
Oh, he's already clearly the kind of douchebag that deserves some kind of dramatic come-uppance later on!
I'm just really against a Starfleet officer willfully leaving him behind in a torture-and-death cell.
You kind of need to remove this "Starfleet officers are the good guys!" blinders you have on. I have a very strong suspicion that Discovery is going to bother the hell out of you if you keep using them.

And would also reduce the villainous behaviour of our protagonist character.
Once again: Lorca isn't the protagonist. Burnham, tilly and Stamets (and to some extent, Saru) are the protagonists. Lorca is a supporting character who is not strictly an antagonist, but he is NOT the hero of this story and is not meant to be interpreted as one.
 
The problem is he was portrayed as the protagonist in this situation. And clearly not as some sort of "villain protagonist" (like Frank Castle or Walter White), not even some type of "anti-hero" (like Blade, or Jack Bauer), just a regular Starfleet Captain doing evil things without consequences.
Er, no... he clearly is the anti-hero type. He's most certainly far from being a "regular Starfleet captain" and is disapproved of by most other characters including his "friend" Katrina who warns him against giving "everyone another reason to judge" him. Without consequences? So far, maybe, but I suspect his luck is going to run out soon.
 
Oh, he's already clearly the kind of douchebag that deserves some kind of dramatic come-uppance later on!
I'm just really against a Starfleet officer willfully leaving him behind in a torture-and-death cell. Something like saving him from the klingons, and then handing him over to the people he double-crossed earlier would clearly be a more fitting fate. And would also reduce the villainous behaviour of our protagonist character.
Despite my new-found introspective revelations about Mudd and his place in this universe, I don't think I'm 100% prepared to condemn Lorca for his actions. I think he may have just become engaged in a deep "fight or flight" response. His outward demeanor may have appeared cold & calculating due to his training & experience but, honestly, he may have been in a bit of a subconscious panic mode, especially after he had just had his optic...well..."handicap" (for lack of a better term) brutally exploited. He may honestly not been thinking clearly. He was doing everything he could to get off the ship. We can vilify him for this while we are generally comfortable sitting at our desks, typing on our computers or tablets and without the fog of adrenaline altering our perceptions of an environment in skewed and unpredictable ways. I don't think he's the vile evil asshole that many folks are painting him to be...yet.

Time will tell. The show has me hooked and I want to see more. I think there are a lot of Disco "haters" (I really dislike the generous use of this term in recent years, so I say it more out of expediency than anything else) who are also tuning in to see what happens next. We all want to see if we were right about certain mysteries and oddities of the characters and situations. IMO, that is a testament to the writers' ability to spin the tale and it keeps bringing people back. That is, after all, the showrunners' ultimate goal.
 
...Cpt. Georgious violated the Geneva convention as well (mining the corpses of enemy soldiers before their retrieval)...

I don't remember if you were in the larger discussion of that event vis a vis war crime (though I assume you were): do you not put any weight to the fact that the portion of the Geneva Convention describing war crimes relating to messing with dead bodies specifically is related to its potential 'effects on civilians and non-combatants' and also specifically excludes actions against military targets?

...Condeming leaving someone behind for torture and death REALLY shouldn't be one of those cases where one has to argue about wether or not to condemn it...

In a civilised society something like that should be self-evident.

But as others have pointed out there are many, many debatable elements to this situation. It isn't just a cut and dried "leave to be tortured and killed" or "not". Lorca isn't just about to get beamed to safety where saving Mudd would be a given - there is torture, collaboration, potential traitors, military secrets, a war, an unsure escape plan, etc. etc.

...At the same time, the material is so one-note that it is maddening...

I don't see how you can describe Lorca as one-note. Surely the intense debate over his character should be proof that it isn't one-note: is he a hero, an anti-hero, a villain, an asshole, a pragmatist, a war criminal, remorseful, etc.? Doesn't sound one note to me. Now Landry, she was rather one-note.

And I agree with you, except in one instance. Star Trek. I think Star Trek should strive to show us things can be done the right way...Everyone's mileage may vary.

I agree, that showing how you can strive to do things the right way is a good thing. In this case, I think it is very clear from the debate that what is the "right thing" is uncertain.

One thing I would definitely recommend avoiding is having the characters always accomplish "the right thing" every time - it gets boring. Sometimes TNG and VOY fell into this. But that is a different issue.

That bothered me as well. Even when presented with scientific evidence for what was going on with the tardigrade, he still persisted in using it without even considering other options. I chalk that up more to his inexperience as a leader and, to be fair, his role as a "prey species" almost biologically and physiologically disqualifies him for command. You need a kind of aggression to be perceived as an effective leader. TOS' "The Enemy Within" showed that - when the hyper-aggressive caveman Kirk split off, nice, sensitive, thoughtful Kirk could barely function in the Center Seat. He recognized that both were needed to survive and to be Captain. Saru simply doesn't have that side. He's all-thoughtful, which is totally fine, but he should never be made to sit in the Chair. That, coupled with his inexperience almost screwed the pooch for all of them. Reading a list of names of the greatest captains who ever lived didn't help him at all, obviously, unless he spent the entire night going through their dockets to see everything they did to make them "great" in the first place. I don't think he had that kind of time.

I think the evidence on the Tardigrade was a little less black and white. Burnham and the doctor thought the Tardigrade might be sentient, but didn't have proof. What they could prove was a degradation in its health due to use of the spore drive. In a case where its sentience was certain, there is no way that Saru would have made the same choice. But since it wasn't yet known, in the balance Saru was willing to take a risk and, as he said, was willing to suffer the repercussions of his decision should it come to that. And afterward, he realized that he had probably made the wrong choice, and had pushed the boundary in the case of extreme need. That is why he apologized to Burnham and why didn't need to listen to the computer's assessment of his performance - he realized that he messed up and knows not to do that in the future. His whole story isn't one of a character making the correct decision, but making a hard one and learning from the results. Not every captain is expected to be perfect, let alone first officers. This is part of the story of Saru developing the traits, the decision-making that will make him an effective captain. And even if aggression were an neccessary component of being a good captain, I don't think you can say that Saru doesn't have any: in his recent interactions with Burnham he clearly showed dominance in making his orders and carrying them out. Just because he is a prey species, doesn't mean he can never fight back, or learn to fight back.

I think his action were motivated by his desire to save Lorca. What happened to Georgiou clouded his judgement. He was not going to lose another captain. He was certainly in the wrong, but I can understand where he was coming from.

Though this would have worked better if we had not heard in the last episode how Saru kinda despises Lorca...

I think it works better since we know he kinda despises Lorca. What is better dramatically: doing his duty to save his captain who he really likes, or doing his duty to save his captain even though he doesn't like him?

...Sorry, but again, I don't really consider that setup and execution very thoughtful or mature myself. It was a pat story to say something that should be obvious = Torture is a bad thing.

They didn't even try to go into the aspect that information obtained through torture is often unreliable and hard to verify (yes, Picard makes a pat speech - which is how TNG usually handles these subjects - but a more mature approach would be to...

First, I would take people (including the current President of the US) to this day debating the morality and usefulness of torture as prime proof that 'torture is a bad thing' is not obvious (at least not to everyone) and that creating a powerful dramatic presentation of it is not immature, unthoughtful, or unimportant (however you are characterizing "Chain of Command").

Second, the point of the episode wasn't to cover the unreliability of torture, but to cover other aspects of it - the self-justification, the demonizing or dehumanization required, etc. Not every aspect of every topic can be completely covered in a dramatic presentation that also has to set up a plot and tell a compelling story - they can be covered in academic papers. This also addresses the criticism about sending in the three-person team: there is some leeway that must be given to these shows because they don't all have the time and money to show a full spec ops team on the mission; for the purposes of getting the story on the screen, the Enterprise characters were considered the correct choices for the mission - the Cardassians even chose the wave technology specifically to get Picard suckered in. Complaining about our cast being sent on the mission is like complaining that something exciting happens and the Enterprise is the ship that is nearby that can help - of course it is or the mission would happen to some other ship and we wouldn't have it in this show.
 
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Why did Lorca think Humans and Klingons were sexually incompatible?

Because we know for a fact that's not true.
 
Despite my new-found introspective revelations about Mudd and his place in this universe, I don't think I'm 100% prepared to condemn Lorca for his actions. I think he may have just become engaged in a deep "fight or flight" response. His outward demeanor may have appeared cold & calculating due to his training & experience but, honestly, he may have been in a bit of a subconscious panic mode, especially after he had just had his optic...well..."handicap" (for lack of a better term) brutally exploited. He may honestly not been thinking clearly. He was doing everything he could to get off the ship. We can vilify him for this while we are generally comfortable sitting at our desks, typing on our computers or tablets and without the fog of adrenaline altering our perceptions of an environment in skewed and unpredictable ways. I don't think he's the vile evil asshole that many folks are painting him to be...yet.

Time will tell. The show has me hooked and I want to see more. I think there are a lot of Disco "haters" (I really dislike the generous use of this term in recent years, so I say it more out of expediency than anything else) who are also tuning in to see what happens next. We all want to see if we were right about certain mysteries and oddities of the characters and situations. IMO, that is a testament to the writers' ability to spin the tale and it keeps bringing people back. That is, after all, the showrunners' ultimate goal.

That's pretty much my take. And, as I've indicate elsewhere in his thread, he needs to evaluate who he wants to include on his escape team based on his assessment of who is available. Given Mudd's self-serving behavior, Lorca simply determined that he is too risky to bring along and too risky to set free. Mudd is likely to revert to that self-serving behavior once the going gets tough. That's Mudd's survival MO.
 
Er, no... he clearly is the anti-hero type. He's most certainly far from being a "regular Starfleet captain" and is disapproved of by most other characters including his "friend" Katrina who warns him against giving "everyone another reason to judge" him. Without consequences? So far, maybe, but I suspect his luck is going to run out soon.
^^^
Yep - Lorca is given the latitude he is because the war is NOT going well for the Federation and Starfleet is at the point of - We need to END this, but NOT by surrender. (it's easy to stick to principles when you're in a secure/safe situation and have the upper hand (see 99% of the episodes of TNG ;)); but the Federation in this era is fight for it's continued existence, and is LOSING - so yeah - Starfleet is not above doing what they feel it will take to survive.
 
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