Rii
Rear Admiral
Probably my favourite line from the 2009 Spanish film Agora; a solid flick that I wanted to like more than I actually did.
The film has been characterised by some (no prizes for guessing who) as anti-Christian. I don't accept that; the behaviour of Christians in the film is little different from that of pagans or Jews, the difference lies merely in their relative numbers: who wields the power? What the film is is a celebration of scientific rationalism. I don't think I've seen 'the wonder of discovery' done nearly as well before, thanks in no small part to Rachel Weisz' superb performance as Hypatia.
But that's not what most interested me about the film either. What most stuck with me was its use of orbital and stellar imagery, which I suspect is probably unique amongst sword-and-sandal flicks. Or maybe not, perhaps those with broader filmic experience than I can tell me.
The technique is not uncommon - The Thin Red Line, for example, is renowned for its heavy-handed use of starkly contrasting imagery - and nor does it manage to elevate the film to the level it so clearly aspires to, but it is nonetheless both effective and memorable.
It's my good fortune that the trailer for the film happens to illustrate precisely what I'm talking about both near the beginning, and again at the end:
[yt]http://www.youtube.com/watch?v=f-xH0lHUs9c[/yt]
What are some other films that make consistent/extensive use of starkly contrasting imagery in this way?
The film has been characterised by some (no prizes for guessing who) as anti-Christian. I don't accept that; the behaviour of Christians in the film is little different from that of pagans or Jews, the difference lies merely in their relative numbers: who wields the power? What the film is is a celebration of scientific rationalism. I don't think I've seen 'the wonder of discovery' done nearly as well before, thanks in no small part to Rachel Weisz' superb performance as Hypatia.
But that's not what most interested me about the film either. What most stuck with me was its use of orbital and stellar imagery, which I suspect is probably unique amongst sword-and-sandal flicks. Or maybe not, perhaps those with broader filmic experience than I can tell me.
The technique is not uncommon - The Thin Red Line, for example, is renowned for its heavy-handed use of starkly contrasting imagery - and nor does it manage to elevate the film to the level it so clearly aspires to, but it is nonetheless both effective and memorable.
It's my good fortune that the trailer for the film happens to illustrate precisely what I'm talking about both near the beginning, and again at the end:
[yt]http://www.youtube.com/watch?v=f-xH0lHUs9c[/yt]
What are some other films that make consistent/extensive use of starkly contrasting imagery in this way?