Nerroth said:
You can find more figures in stores in Japan of a character based on Cú Chulainn than you can in Dublin - and more Japanese who know about Diarmuid ua Duibhne from a set of light novels than most people in Ireland do from any source at all!
It's scandalous.
Does have some good bits, though.Kegek Kringle said:
Course, fact is, most of us don't care all that much. Just like with the Irish language. Ever honestly read the Tain Bo Cuigne? To put it bluntly, it's no Iliad.
Nerroth said:
so I remember what crap they taught us in school about Irish literature (though they didn't point out how many of the stories had been 'modified' by having the heroes show up on St. Patrick's doorstep for a not-too-late baptism. It's like having Odysseus show up at the walls of Constantinople and be baptised by the resident Patriarch) and I have my own experience of how poorly my countrymen know or care about Irish mythology.
(I have family in Belfast, and when we go to the Odyssey Arena to see the Belfast Giants hockey team play, we pass through some areas where... well... it's not a good idea to stop and ask directions if you have a Southern accent.)
But you missed my point - while I don't expect everyone to be tour guides, as you put it, I'd like there to be at least some sort of effort in promoting our mythological and archaeological heritage.
Oh, of course, there are some books in the likes of Easons and other bookstores - but compared to how other countries with notable history and heritage promote themselves, Ireland does a very poor job indeed.
Kegek Kringle said:
Nerroth said:
so I remember what crap they taught us in school about Irish literature (though they didn't point out how many of the stories had been 'modified' by having the heroes show up on St. Patrick's doorstep for a not-too-late baptism. It's like having Odysseus show up at the walls of Constantinople and be baptised by the resident Patriarch) and I have my own experience of how poorly my countrymen know or care about Irish mythology.
These 'modified' versions are the only ones that survive. One can hypothesise about the original pagan texts - the belief that Medb may have been a god - but these remain hypotheses. It's like the ending of the Finnish national epic, the Kalevala, where the heroic gods of the saga are banished by the Christ King. I don't really see a problem in presenting the unvarnished version.
Indeed, it an unvarnished and uncensored version - the Tain Bo Cuigne - that I was required to familiarize myself in Classical Studies in secondary school. The contrast between the elegance of the Odyssey the Aeneid and the Iliad, not to mention the Kalevala, Volsung Saga and the Poetic Edda, the Shahmana and the Romance of the Three Kingdoms, was obvious.
It was puerile and stupid, with none of the grace of any other mythic epics. Not that sexuality cannot be done well in classic literature, I cite the Metamorphoses and the Satyricon, among others. I was bored out of my mind. If so went me, then merely imagine the reaction of those for whom classical epics mean not a jot.
And yes, that's just my opinion. People who want to go on praising it as a classic are quite entitled to do so, as well as those who consider the myth of foundational importance.
When's the last time you've been in Belfast? I had family there once. They moved out decades ago for reasons that should be obvious. I visited the place for the first time since forever this year. I encountered no hostility at all.
I'd hope not. That's the same kind of thinking that put the Irish langauge as mandatory in schools. As a dyslexic, I have enormous trouble with languages (I'm only this good at English by virtue sheer stubbornness and a couple of remedial classes), and the requirement to learn Irish was a strain. The Government's already shelling out enough cash to the GAA while the NSO continues to rest in a merely adequate accomodation and there's not single proper opera house.
The recent premiere of Gerald Barry's opera The Bitter Tears of Petra von Kant could not be held in a Dublin venue fit to hold an opera. It wasn't really fit to be called an opera either, but that, alack, is besides the point: I believe there are far more pressing cultural needs.
It's our choice. And by 'our', I am not including you.You demand a country you do not live in have more interest in its past. Well, I make no such extravagant claims. But I live here. I've lived in Dublin almost my entire life. Any policy about historical/mythological promotion would effect me more than you and my tax money far more than yours. And, like many of my fellow countrymen, Irish mythology does not particularly interest us. Those that are, I am sure, can find themselves the relevant texts.
Now, apologies for sounding harsh. But this isn't the first time I've had an argument like this, and it tires my patience after a while.
Nerroth said:
The problem is that the whole issue of the Christianization of these tales is not addressed - it's left as a fact of life. Of course Caoilte hangs out with the saint after wandering around for a few hundred years. Of course the Children of Lir are set free.
Of course the implication that the Patrician myth trumps the pre-Christian one (which given the heavy Catholic bias in the State's society up to all-too-recent times) is left unchallenged.
And trust me, while the city centre is fine (as is the area where my grandparents live, not to mention the site of the Odyssey itself) the run-down working class areas which we pass on the way over are 'guests' to the UDA (or is it UVF? Can't recall) with Loyalist murals everywhere and a much less friendly atmosphere to southerners.
Yes, there are plenty of places in NI that are no bother at all - but it's by no means universal. Hell, I would not recommend certain parts of Dublin for people to stroll around, no matter what origin they possess...
I want to see a more positive promotion of things like the language, the mythology, the archaeology, and so on - I know all too well how off-putting it is to deal with the ham-fisted manner in which Gaeilge is taught in school, and I myself only realised its interest to me after I graduated and escaped the petrie dish of school life, when I found myself surrounded by cultures which had all sorts of languages and cultures to call their own (and in places like Catalonia and Québec, can keep them alive far better than we have in Ireland) and mourn the fact that it was too late for my own, too late to realise the positive parts of the island's heritage that they either miss completely, or teach poorly, in school.
But just as there should be an effort to promote the rest of the world, and the rest of the universe, too, there could be a better job done in showing the heritage we have under our own two feet.
Which brings me to your final point:
Number one, you assume that I'm a long-standing expat, and that therefore I don't matter to those of you still in Ireland.
Number two, you assume that since I have spent time living abroad, and may well do again in the future, that I no longer count as a real Irishman, and no longer matter.
Number three, you assume that those of us who do leave, for whatever reason, suddenly stop giving a crap about what goes on in the island - and that is not the case.
Kegek Kringle said:
Hm. It certainly was addressed when I approached these texts. Perhaps things have changed in the interim.
Not only is it a very interesting one... it's better written. Confessions is a better read than the Tain. Yes, it has religious implications, but so too did the pagan myths.
Yes. I drove through there. Quickly. Nice artwork, but it couldn't be more virulent if it tried.
Agreed. Actually, that's becoming more and more of a problem. There was a murder in Stillorgan last year. Stillorgan! Never thought I'd see the day.
I think it comes as point of contrast. People were far more interested in Irish culture in the late nineteenth and early twentieth centuries, when Ireland was part of the British empire. Quebec is in a similar position, so is Catalonia. Give them eighty years of independence and maybe they'll get blase.
I will say this: I would have much preferred a Gaelic Studies course to doing Irish. At least when it comes to interpreting culture and history it's something I'm reasonably good at, which most definitely is not the case for foreign languages. (I passed German by writing a fine analysis of Wagner's principal operas - in English - and then translating it word-for-word using the dictionary and just crossed my fingers and hoped it sounded coherent and intelligent enough. Some project!)
I picked up most of my appreciation for Irish heritage, like classical literature, extracirrcularly. I worked through a lot of the classics of Irish Gothic, as well as great playwrights like Wilde (still a personal favourite) and Shaw. In fact, I think the treatment here can be problematic. I saw an absolutely brilliant production of The Importance of Being Earnest in the Liberty, but the Abbey Theatre seems to persist with the idea that a man as Lady Bracknell is innately funny. (Hint, guys: It isn't).
And Irish Gothic is rather conspicuously ignored in the canon of Irish authors. Frankly, I think that might have something to do with the Anglo-Irish nature of the literature, but it's still a shame. Bram Stoker's Dracula is probably the most famous work of Irish literature ever written.
Well, I will say this: If culture got a lot of money, and if my musical concerns were addressed, I'm not adverse to promoting Irish cultural history. I'm far more comfortable with the idea than the renovation of Croke Park, which is of course because I'm an insufferable snob (as should be obvious by now).
No. You said you intended to remain living in Ontario. That's what I inferred my statement from. How long you are gone is less pertinent than how long you intend to remain gone.
No, not quite. But if you're living abroad you're not paying domestic taxes. And this does boil down to a financial appropriation issue. It's not a broad cultural condemnation or such a noble or high-minded issue of how I define Irish. I don't define Irish, actually; if someone in the US has a great-great-great-great-grandfather who was from Cork and wants to use that as a basis to wear green and wax poetic on St. Patrick's Day, that's none of my business. But when it comes down to tax, the opinion of the Polish community matters more than the diaspora. Because their money isn't involved. That simple.
You want to come back and live here, fine, that's different. I don't agree with you, but it's still different. But that's not the first interpretation I or anyone else would read into your earlier stated desire to remain in Ontario.
I lived abroad for four years. You can bet I stopped caring.![]()
Nerroth said:
Well, sometimes I wonder if the press isn't merely getting more shrill these days - though I'm glad that they are being a bit more careful than in other countries about avoiding the cheap 'it's the immigrants' fault' card.
Neither Québec nor Catalonia are in that bad a position at all - indeed, Catalonia's booming, and brimming with confidence, politically and culturally.
That is the kind of thing I'd love to see in Ireland - confident and thriving bilingualism, where love of one language does not exclude a love of the other.
I'd make it about more than just Gaelic studies - from the pre-Celtic-influence peoples who built Newgrange, to the various Norse, Norman and Anglo-Irish influences there have been on the island, even up to the new wave of multiculturalism we see today, there are many such cultures to speak of.
That is also something well worth mentioning - though it seems that it's only in the most recent generation that the State has felt ready to move away from the more narrow view of Ireland that they have stuck to officially since '22. Look how long it took to get any kind of recognition for the Irish who fought in the two World Wars, for example.
Well, think of it as helping promote physical fitness and skills through the Gaelic games?
Ha - maybe they could host a story about the rise of Sétanta in Croker, showing them play hurling the way it was done a couple of thousand years ago!
There'd have to be a warning about how 'no animals were harmed in this production', though!
But even if I live in Ontario, why is it such a big deal? Can I not still comment about how the State (mis)handles its - ours - my - cultural and archaeological heritage?
*snip*
It's not just a matter of what tax money is spent - it's how that money is spent.
Also, since the issues I refer to also relate to the kind of wares offered for sale to foreign tourists, or indeed is sold by Irish-owned companies in other cities and states around the world, it has relevance there, too. I don't need to tell you how much money goes into the Treasury from foreign tourist wallets...
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