I have come to the conclusion that I never need to watch "The Outrageous Okona" again, and I think it may have just officially replaced "Shades of Gray" as my least favorite TNG episode.
Really? It's certainly no high point, but I can still think of at least a dozen episodes that are harder to sit through than Okona (Masks, Code of Honor, Night Terrors, Angel One...)
Yes, the directors' intent was to frame each shot according to the proportions of a 4:3 television screen.Do you know what the artists original intent was?
Grain doesnt usually bother me, but I've noticed a unusually large amount of grain in scenes shot on the bridge, some of which borders on noise. Also, some scenes, again shot on the bridge, seem excessively sharp. Has anyone else noticed this?
I have come to the conclusion that I never need to watch "The Outrageous Okona" again, and I think it may have just officially replaced "Shades of Gray" as my least favorite TNG episode.
Really? It's certainly no high point, but I can still think of at least a dozen episodes that are harder to sit through than Okona (Masks, Code of Honor, Night Terrors, Angel One...)
I have come to the conclusion that I never need to watch "The Outrageous Okona" again, and I think it may have just officially replaced "Shades of Gray" as my least favorite TNG episode.
Really? It's certainly no high point, but I can still think of at least a dozen episodes that are harder to sit through than Okona (Masks, Code of Honor, Night Terrors, Angel One...)
Indeed, I like the Okona episode. Yeah the Data subplot is abysmal and THAT I don't like but I can watch it a lot more than I can Masks, Shades of Gray, or Beverly's Masturbating to her Grandma's Pornographic Diary episode.
Grain doesnt usually bother me, but I've noticed a unusually large amount of grain in scenes shot on the bridge, some of which borders on noise. Also, some scenes, again shot on the bridge, seem excessively sharp. Has anyone else noticed this?
So we can enjoy it as it was meant to be seen, and the uninformed can do whatever they want in the privacy of their own living rooms.
I'm perfectly 'informed', thank you. I just have a different preference and I'm glad I can choose which way I want to watch it...
Yes, the directors' intent was to frame each shot according to the proportions of a 4:3 television screen.Do you know what the artists original intent was?
Yeah, anytime we're in a slightly darker room, I've noticed the grain is a lot heavier. Seems like they must have used some different kind of film for those scenes.
Reviewer also seems to take issue with those who watch with a finger on the pause button.
We use essential cookies to make this site work, and optional cookies to enhance your experience.