Schadenfreude. The joy we receive from seeing the villain get his comeuppance.
In cinema, it is almost de rigueur. Thus we have Kruge screaming as he falls to his death, Chang saying “To be, or not to be” as he sees a photon torpedo homing in on his ship, similar “Oh shit, I lost and am about to die” moments from Soran, the Borg Queen, Ru’afo, Shinzon, and Nero, and Klaa being forced to eat crow and apologize. (Thankfully, TWOK spares us the gratuitous shot of Khan watching the Enterprise go into warp and screaming “NOOOO!!!!!!!” just before blowing up.)
It is common in television as well. For example, witness Q’s misery at being defeated in Encounter at Farpoint and Hide and Q. Or the reveling in Cyrus Redblock’s undoing as he steps outside the holodeck and throws a tantrum when he begins to disintegrate, and Data (after receiving the captain’s permission) has some fun punching Redblock’s henchman in the face.
I am struck by the almost complete absence of this from TOS and TAS. Where it does exist it’s usually as a joke, as when Harry Mudd is left in the hands of 500 robotic Stellas, Cyrano Jones has to pick up all the tribbles, and Koloth is faced with the same predicament in the animated followup. Otherwise, there is almost always sympathy for the defeated. When the Talosians fail in their quest to find suitable subjects, and when Gary Mitchell is killed, nobody draws any satisfaction from their fates, but tears are shed for them. When the magnetic entity is stranded at the climax of Beyond the Farthest Star and pitifully pleads, “Don’t leave me, so lonely, so lonely…” it rips my heart out every single time. (Amazing how this Saturday morning children’s cartoon packs more emotional wallop than most entertainment aimed at adult audiences.) Compare this to the handling of a very similar situation in Skin of Evil when Picard taunts and gloats over what is presented as Armus’ well-deserved fate. Nobody sheds a tear for Armus.
I’m not suggesting that the films and 24th-century Trek overuse the device. I think they use it about as much as is typical for the genre. I just think the rarity of the device in TOS and TAS is remarkable.
In cinema, it is almost de rigueur. Thus we have Kruge screaming as he falls to his death, Chang saying “To be, or not to be” as he sees a photon torpedo homing in on his ship, similar “Oh shit, I lost and am about to die” moments from Soran, the Borg Queen, Ru’afo, Shinzon, and Nero, and Klaa being forced to eat crow and apologize. (Thankfully, TWOK spares us the gratuitous shot of Khan watching the Enterprise go into warp and screaming “NOOOO!!!!!!!” just before blowing up.)
It is common in television as well. For example, witness Q’s misery at being defeated in Encounter at Farpoint and Hide and Q. Or the reveling in Cyrus Redblock’s undoing as he steps outside the holodeck and throws a tantrum when he begins to disintegrate, and Data (after receiving the captain’s permission) has some fun punching Redblock’s henchman in the face.
I am struck by the almost complete absence of this from TOS and TAS. Where it does exist it’s usually as a joke, as when Harry Mudd is left in the hands of 500 robotic Stellas, Cyrano Jones has to pick up all the tribbles, and Koloth is faced with the same predicament in the animated followup. Otherwise, there is almost always sympathy for the defeated. When the Talosians fail in their quest to find suitable subjects, and when Gary Mitchell is killed, nobody draws any satisfaction from their fates, but tears are shed for them. When the magnetic entity is stranded at the climax of Beyond the Farthest Star and pitifully pleads, “Don’t leave me, so lonely, so lonely…” it rips my heart out every single time. (Amazing how this Saturday morning children’s cartoon packs more emotional wallop than most entertainment aimed at adult audiences.) Compare this to the handling of a very similar situation in Skin of Evil when Picard taunts and gloats over what is presented as Armus’ well-deserved fate. Nobody sheds a tear for Armus.
I’m not suggesting that the films and 24th-century Trek overuse the device. I think they use it about as much as is typical for the genre. I just think the rarity of the device in TOS and TAS is remarkable.