That doesn't prevent the same points from being used for disliking the episode, though.
Yes, I guess I preferred the first season for that very reason: it dared try science fiction. It dared show people acting according to alien customs and mores, even when it was in many ways stuck to the eighties visually and stylistically. It dared leave out the part where one of the heroes would be the voice of the audience, quoting contemporary truths and beliefs.
"The Neutral Zone" is wonderful in that very respect: there indeed is a contrast between the 1990s people and the 2360s ones, not just a different set of costumes. And it's difficult to see how such a "contrast" episode could ever have been written without alienating the audience from the heroes. Still doesn't mean it shouldn't have been written, IMHO. It's just about the first time the future feels like the future in Star Trek.
Timo Saloniemi
That's a passionate defense, and I can actually agree with many of the points. At the same time, while a moniless economy is ultimately buyable (ha), humans no longer fearing or caring about death is nonsensical outside of a cult mindset. Humans treating less advanced humans like garbage is, however, quite believable--unfortunately, the episode doesn't sufficiently play up the irony that Data, a robot, is the only person who actually thinks these poor people, thrust into a world they never made, are better off alive at all.
There was this issue of Warren Ellis'
Transmetropolitan featuring awakened sleepers who were treated like crap by the future (indeed, pretty much the same indifference and contempt shown by the E-D crew). It was
handled a lot better, maybe because Spider Jerusalem (and the author) actually cared about their plight. Regardless of their circumstance or their foibles or their archaic ways, unfrozen cavemen lawyers are still people, and should be treated as such if a story is to be written about them.
My memory of "The Neutral Zone" is that it did not care very much about its characters' plight. They weren't even characters, really. Just cardboard cutouts for the writer to knock down. Stock broker: "I need my money!" Country singer: "I need my drugs!" I forget what if anything the soccer mom contributed other than being frightened by Worf.
Further, the episode suffers badly from narrative bifurcation. Demolition men and the Romulans have nothing to do with one another, and at the end of the episode, still had nothing to do with one another. Both stories suffered badly from being confined to the same episode without rhyme or reason, other than the writer's strike.
And personally, I think it's too bad the stock broker didn't put Picard in a depressurization chamber. That would've kicked this turkey up a notch.