That is a good point. By eyeball and rough memory, the variability appears greater in the Disney numbers than earlier, but I could be wrong about that. And I mean variability as a percentage, not in raw numbers. Because of the lower raw numbers, the raw variability is also lower.True, but it's interesting to note that if you look at every season of modern Who it follows a similar pattern in almost every season.
For example Rose got nearly 11 million, by Parting of the Ways this had dropped to just under seven. The variance, ahem, varies, but it's almost always there. Just done a very quick scan and I think the only series where the last episode got more than the first was Series 4; Partners in Crime a shade over nine million, Journey's End a shade over ten.
There was something similar with the ST franchise from TNG to ENT where essentially each subsequent series got lower ratings than the previous series and within a series each season got lower ratings than the previous season.
Franchise fatigue.
And that might be happening to DW as well. Well, series fatigue, or for you Brits, programme fatigue.
