True. And I think, in the end, that Asimov himself would have been pleased with the film. (Ellison, however, was probably rolling in his own bile.) It's rather easy to see how Proyas' I, Robot fits into the Robots/Foundation timeline; the robotic uprising in the film turns Earth against robots (which explains the bias in The Caves of Steel a few thousand years later), but the Spacers needed the robots to terraform their colony worlds, hence they learned to live with them.Nonetheless, it bears remarkable similarity to several Asimov's shorts - most notably, Robot Dreams.(which Proyas' film does not do, because it wasn't intended as an Asimov film)
I just don't see the film potential in the early installments. All the stories in the first five books involve people talking about a problem for a while and then learning that Hari Seldon solved it years ago. It works as a short story; I'm not sure it'd work as a film. Especially a big-budget film, which this will probably be.^ I don't think it's necessary to discard Foundation or to substantially rework Foundation and Empire. An adroit director and writer could deliver the stories one by one without giving a feeling to viewers of anything but a single narrative.
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